Joseph Canteloube
Born: October 21, 1879; Annonay, France
Died: November 4, 1957; Gridny, Seine-et-Oise, France
|
Most notable as an arranger of French folk songs, Canteloube is unfortunately overlooked as a composer of original music. He is primarily remembered for the Chants d'Auvergne (1930-1932), four sets of folk songs for voice and piano or orchestra, widely enjoyed for their color, naturalistic beauty, and charm.
When Canteloube began his studies with d'Indy at the Schola Cantorum in Paris in 1901, he soon showed a preference and talent for
... Read more
|
 |
|
 |
|
|
|
|
Works
|
|
Chants d'Auvergne (7)
|
|
Chants d'Auvergne: a. L'aïo dè rotso (1)
|
|
Chants d'Auvergne: b. Ound' onorèn gorda? (1)
|
|
Chants d'Auvergne: c. Obal, din lou Limouzi (1)
|
|
Chants d'Auvergne: Excerpt(s) (2)
|
|
Chants d'Auvergne: Fibilou par una sera (1)
|
|
Chants d'Auvergne: L'Aïo (1)
|
|
Chants d'Auvergne: La delïssádo (2)
|
|
Chants d'Auvergne: Malurous qu'o uno fenno (2)
|
|
Chants d'Auvergne: Obal, din lou Limouzi (1)
|
|
Chants d'Auvergne: Pastorale (1)
|
|
Chants d'Auvergne: Soun, soun, bèni, bèni (1)
|
|
Chants d'Auvergne: Vol 2 - no 5, Bourrées (2) (3)
|
|
Chants d'Auvergne: Vol 5 - no 2, Quand z'eyro petitoune (1)
|
|
Chants d'Auvergne: Vol 5 - no 5, Postouro, se tu m'aymo (2)
|
|
Chants d'Auvergne: Vol 5 - no 8, Lou diziou bé (1)
|
|
Chants d'Auvergne: Volume 1 (2)
|
|
Chants d'Auvergne: Volume 1 - no 1, La pastoura als camps (7)
|
|
Chants d'Auvergne: Volume 1 - no 2, Baïlèro (50)
|
|
Chants d'Auvergne: Volume 1 - no 3, Bourrées (3) (4)
|
|
Chants d'Auvergne: Volume 1 - no 3a, L'Aïo dé rotso (5)
|
|
Chants d'Auvergne: Volume 1 - no 3b, Ound'onorèn gorda (2)
|
|
Chants d'Auvergne: Volume 1 - no 3c, Obal, din lou Limouzi (4)
|
|
Chants d'Auvergne: Volume 1, no 3, Bourrées (3) - no 1, L'aïo dè rotso (1)
|
|
Chants d'Auvergne: Volume 1, no 3, Bourrées (3) - no 2, Ound' onorèn gorda (1)
|
|
Chants d'Auvergne: Volume 1, no 3, Bourrées (3) - no 3, Obal, din lou Limouzi (2)
|
|
Chants d'Auvergne: Volume 2 (1)
|
|
Chants d'Auvergne: Volume 2 - no 1, Pastourelle (4)
|
|
Chants d'Auvergne: Volume 2 - no 2, L'Antouèno (6)
|
|
Chants d'Auvergne: Volume 2 - no 3, La pastrouletta (5)
|
|
Chants d'Auvergne: Volume 2 - no 4, La delaïssádo (7)
|
|
Chants d'Auvergne: Volume 2 - no 5a, N'aï pas iéu de mîo (1)
|
|
Chants d'Auvergne: Volume 2 - no 5b, Lo calhé (3)
|
|
Chants d'Auvergne: Volume 3 - no 1, Lo fiolairé (9)
|
|
Chants d'Auvergne: Volume 3 - no 2, Passo pel prat (grande) (7)
|
|
Chants d'Auvergne: Volume 3 - no 3, Lou boussu (5)
|
|
Chants d'Auvergne: Volume 3 - no 4, Brezairola (18)
|
|
Chants d'Auvergne: Volume 3 - no 5, Malurous qu'o uno fenno (15)
|
|
Chants d'Auvergne: Volume 4 - no 1, Jou l'pount d'o Mirabel (2)
|
|
Chants d'Auvergne: Volume 4 - no 2, Oï, ayaï (6)
|
|
Chants d'Auvergne: Volume 4 - no 3, Pour l'enfant (5)
|
|
Chants d'Auvergne: Volume 4 - no 4, Chut, chut (9)
|
|
Chants d'Auvergne: Volume 4 - no 5, Pastorale (5)
|
|
Chants d'Auvergne: Volume 4 - no 6, Lou coucut (6)
|
|
Chants d'Auvergne: Volume 5 - no 1, Obal, din lo coumbèlo (4)
|
|
Chants d'Auvergne: Volume 5 - no 3, Là-haut, sur le rocher (3)
|
|
Chants d'Auvergne: Volume 5 - no 4, Hé! beyla-z-y dau fé (4)
|
|
Chants d'Auvergne: Volume 5 - no 6, Tè, l'co tè (5)
|
|
Chants d'Auvergne: Volume 5 - no 7, Uno jionto postouro (6)
|
|
Chants de France: Au pre de la rose (2)
|
|
Chants de France: Auprès de ma blonde (2)
|
|
Chants de France: D'ou venez - vous fillette? (2)
|
|
Chants de France: Delicieuses cimes (1)
|
|
Chants de France: Ou irai - je me plaindre? (2)
|
|
Chants de France: Reveillez - vous! (1)
|
|
Chants des Pays Basques: Allons, beau rossignol (1)
|
|
Chants des Pays Basques: Comment donc savoir (1)
|
|
Chants des Pays Basques: Dans le tombeau (1)
|
|
Chants des Pays Basques: J'ai un douce amie (1)
|
|
Chants des Pays Basques: Le premier de tous les oiseaux (1)
|
|
Chants du Languedoc: La fille d'un paysan (1)
|
|
Chants du Languedoc: Moi j'ai un homme (1)
|
|
Chants du Languedoc: Mon père m'a plasée (1)
|
|
Chants du Languedoc: O up! (1)
|
|
Chants du Languedoc: Quand Marion va au moulin (1)
|
|
Chants paysans de Haute-Auvergne, Series 3, folksongs (5) for chorus: Balerio (1)
|
|
Chants paysans- Auvergne et Quercy: La Mère Antoine (1)
|
|
Chants paysans- Bearn: Rossignolet qui chants (1)
|
|
Chants paysans- Quercy: Lorsque le meunier (1)
|
|
Chants paysans- Quercy: Oh! Madelon, Je dois partir (1)
|
|
Chants paysans- Quercy: Reveillez-vous, belle endormie (1)
|
|
Dans la montagne (1)
|
|
Poème for Violin and Orchestra (1)
|
|
Rustiques (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: 2 Bourrées: 1. N'aï pas ïèu dè mio (I Have (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: 2 Bourrées: 2. Lo calhé (The Quail), Book (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: 2 Bourrées: Interlude (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: 3 Bourrées: 1. L'aïo dè rotso (Spring Wate (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: 3 Bourrées: 2. Ound'onorèn gorda? (Where S (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: 3 Bourrées: 3. Obal din lou Limouzi (Over (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: 3 Bourrées: Interlude (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: Baïlèro, Book 1, No. 2 (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: Brezairola (Cradle Song), Book 3, No. 4 (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: Jou l'pount d'o Mirabel (On Mirabel Bridge (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: La delaïssádo (The Abandoned Girl), Book 2 (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: La pastoura als camps (The Shepherdess in (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: Là-haut, sur le rocher (Up There on the Ro (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: Lo fiolairé (The Spinner), Book 3, No. 1 (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: Lou boussu (The Hunchback), Book 3, No. 3 (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: Lou coucut (The Cuckoo), Book 4, No. 6 (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: Lou diziou bé (They did Say), Book 5, No. (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: Malurous qu'o uno fenno (Sorry the Man Who (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: Oï Ayaï (Oh No!), Book 4, No. 2 (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: Passo pel prat (Come through the Meadow), (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: Pastourelle (Pastorale), Book 2, No. 1 (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: Postouro, sé tu m'aymo (Shepherd Lass, If (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: Quand z'eyro petitoune (When I Was a Littl (1)
|
|
Songs of the Auvergne, for voice & orchestra in 5 series: Uno jionto postouro (A Fair Shepherd Lass) (1)
|
|
Triptyque (2)
|
|
|
 |
|
|
 |
| More Featured Joseph Canteloube CDs & DVDs: |
 |
|
|
 |
|
|
 |
|
|
 |
|
|
|
|
 |
|
Biography |
by Rachael Unite
|
Most notable as an arranger of French folk songs, Canteloube is unfortunately overlooked as a composer of original music. He is primarily remembered for the Chants d'Auvergne (1930-1932), four sets of folk songs for voice and piano or orchestra, widely enjoyed for their color, naturalistic beauty, and charm.
When Canteloube began his studies with d'Indy at the Schola Cantorum in Paris in 1901, he soon showed a preference and talent for composing nature music, especially music that described the landscape of his native region, the Auvergne. He decided to seek inspiration and stimulus in folk song (as had d'Indy before him). Thus began his lifelong task of traveling throughout France to collect and arrange folk songs. Well into the 1940s, Canteloube busied himself with collecting songs and arranging them for choral, quartet, or solo voices with pianoforte or orchestra. Meanwhile he continued to produce original compositions, but as an arranger of folk music he was generally more successful. His other regional song arrangements include songs from Catalonia, Alsace, Angoumais, Languedoc, Touraine, and the Basque region. He served as editor of the Anthologie des chants populaires français (1939-1944).
Outside of his prolific work in folk song, Canteloube's most ambitious projects were two operas which were both produced by the Paris Opéra. The first, Le mas (1910-1913) won him the lucrative Prix Heugel in 1925. Apparently the production was not received well, for the work was never revived. This did not discourage Canteloube, for he began work the following year on Vercingétorix (1930-1932), a nationalist opera celebrating the birth of French national unity. Composed to a libretto by E. Clémental and J. Louwyck, it was produced by the Opéra on June 22, 1933, to little acclaim. Like his first opera, Vercingétorix is said to have lacked a theatrical sense. Vercingétorix was the first opera ever to use the ondes martenot (an electronic keyboard instrument developed in the 1920s by French musician Maurice Martenot) in the orchestra. Both operas show Canteloube's patriotism. One of Canteloube's last notable efforts was, interestingly, not a musical piece, but a biography of d'Indy (1951). He was active as a composer into the 1950s |
|
|