Joseph Bodin de Boismortier
Born: December 23, 1689; Tionville
Died: October 28, 1755; Roissy-en-Brie
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Few eighteenth-century composers earned a personal fortune solely by writing music; Joseph Bodin de Boismortier did, and could claim to be the first Frenchman to sell his talents on the open market. By 1700, the spread of music printing and publishing in Europe, allied to the growth of amateur music-making, made substantial sales of new music possible, and Boismortier seized every opportunity for meeting the popular demand for tuneful,
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Works
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(4) Suites de Pièces de clavecin, Op. 59: Suite No. 1 in C minor (1)
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Balets de village en trio (4), Op. 52: no 1 (1)
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Balets de village en trio (4), Op. 52: no 2 (1)
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Balets de village en trio (4), Op. 52: no 3 (1)
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Balets de village en trio (4), Op. 52: no 4 (2)
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Chaconne in A major, Op. 66 (1)
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Concerto (6) for 2 Recorders, Op. 38: no 3 in G major (1)
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Concerto for 5 flutes in A minor, Op. 15/2: Largo (1)
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Concerto for 5 flutes in G major, Op. 15/1 (1)
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Concerto for 6 Flutes no 1 in G major (1)
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Concerto for Bassoon and Strings in D major (2)
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Concerto in C major "Zampogna" (1)
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Concertos (5) for Bassoon/Cello/Bass Viol da gamba and Basso Continuo, Op. 26: in D major (1)
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Concertos (6) for 5 Flutes, Op. 15: no 1 in G major (2)
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Concertos (6) for 5 Flutes, Op. 15: no 1 in G major - 1st movement, Adagio (1)
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Concertos (6) for 5 Flutes, Op. 15: no 1 in G major - 2nd movement, Allegro (1)
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Concertos (6) for 5 Flutes, Op. 15: no 1 in G major - 3rd movement, Allegro (1)
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Concertos (6) for 5 Flutes, Op. 15: no 2 in A minor (2)
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Concertos (6) for 5 Flutes, Op. 15: no 2 in A minor - 1st movement, Allegro (1)
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Concertos (6) for 5 Flutes, Op. 15: no 2 in A minor - 2nd movement, Largo (1)
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Concertos (6) for 5 Flutes, Op. 15: no 2 in A minor - 3rd movement, Allegro (1)
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Concertos (6) for 5 Flutes, Op. 15: no 3 in D major (2)
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Concertos (6) for 5 Flutes, Op. 15: no 3 in D major - 1st movement, Allegro (1)
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Concertos (6) for 5 Flutes, Op. 15: no 3 in D major - 2nd movement, Adagio (1)
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Concertos (6) for 5 Flutes, Op. 15: no 3 in D major - 3rd movement, Allegro (1)
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Concertos (6) for 5 Flutes, Op. 15: no 4 in B minor (4)
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Concertos (6) for 5 Flutes, Op. 15: no 4 in B minor - 1st movement, Adagio (1)
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Concertos (6) for 5 Flutes, Op. 15: no 4 in B minor - 2nd movement, Allegro (1)
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Concertos (6) for 5 Flutes, Op. 15: no 4 in B minor - 3rd movement, Allegro (1)
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Concertos (6) for 5 Flutes, Op. 15: no 5 in A major (2)
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Concertos (6) for 5 Flutes, Op. 15: no 5 in A major - 1st movement, Allegro (1)
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Concertos (6) for 5 Flutes, Op. 15: no 5 in A major - 2nd movement, Affettuoso (1)
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Concertos (6) for 5 Flutes, Op. 15: no 5 in A major - 3rd movement, Allegro (1)
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Concertos (6) for 5 Flutes, Op. 15: no 6 in D minor (4)
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Concertos (6) for 5 Flutes, Op. 15: no 6 in D minor - 1st movement, Adagio (1)
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Concertos (6) for 5 Flutes, Op. 15: no 6 in D minor - 2nd movement, Allegro (1)
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Concertos (6) for 5 Flutes, Op. 15: no 6 in D minor - 3rd movement, Allegro (1)
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Daphnis et Chloé, Op 102 (2)
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Daphnis et Chloé, Op. 102: Chaconne (1)
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Diverse pieces for Viola da Gamba and Basso Continuo, Op. 31 (1)
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Don Quichotte chez la Duchesse (2)
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Don Quichotte chez la Duchesse: Overture and Dance Suite (1)
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Fragments mélodiques Op. 69 (1)
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Gentillesses en 3 parties, Bk 2, Op. 45: no 5 (1)
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L'Indéterminée (1)
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La caverneuse (1)
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La Caverneuse, for harpsichord (1)
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La Décharnée, for harpsichord (1)
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La Marguillère, for harpsichord (1)
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La Transalpine, for harpsichord (1)
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La Valétudinaire, for harpsichord (1)
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Les quatre saisons, Op. 5: L'hyver (1)
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Les voyages de l'Amour, Op. 60: Entrée des génies élémentaire (1)
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Les voyages de l'Amour, Op. 60: Suite (1)
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Rondeau in A minor, Op. 40 (1)
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Sérénades ou simphonies françoises (2), Op. 39: no 1 (1)
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Sérénades ou simphonies françoises (2), Op. 39: no 2 (1)
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Sonata for bassoon & continuo in C minor, Op. 50/5 (1)
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Sonata for bassoon & continuo in D major, Op. 50/3 (1)
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Sonata for bassoon & continuo in D minor, Op. 50/4 (3)
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Sonata for bassoon & continuo in E minor, Op. 26/4 (2)
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Sonata for bassoon & continuo in E minor, Op. 50/1 (2)
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Sonata for bassoon & continuo in G major, Op. 26/3 (2)
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Sonata for bassoon & continuo in G major, Op. 50/2 (2)
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Sonata for bassoon & continuo in G minor, Op. 26/5 (2)
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Sonata for Bassoon and Basso Continuo in E minor, Op. 16 no 4 (1)
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Sonata for flute and violin in A major, Op. 51 No. 5: 4. Allegro (1)
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Sonata for trumpet & organ No.2 in G minor: Gayement (1)
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Sonata in A major, Op. 91/5: Gayement (1)
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Sonata in A major, Op. 91/5: Legerement (1)
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Sonata in A minor (1)
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Sonatas (5) for Bassoon and Basso Continuo, Op. 26: no 1 (2)
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Sonatas (5) for Bassoon and Basso Continuo, Op. 26: no 2 in A minor (1)
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Sonatas (5) for Bassoon and Basso Continuo, Op. 26: no 3 (4)
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Sonatas (5) for Bassoon and Basso Continuo, Op. 26: no 4 in E minor (3)
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Sonatas (5) for Bassoon and Basso Continuo, Op. 26: no 5 in G minor (3)
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Sonatas (6) for 2 Bass instruments, Op. 14: no 3 (2)
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Sonatas (6) for 2 Bass instruments, Op. 14: no 6 (1)
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Sonatas (6) for 2 Bass instruments, Op. 40: Appended Suite for 1 or 2 Bassoons (1)
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Sonatas (6) for 2 Bass instruments, Op. 40: no 1 in D minor (2)
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Sonatas (6) for 2 Bass instruments, Op. 40: no 5 in G minor (1)
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Sonatas (6) for 2 Bass instruments, Op. 50: no 1 in E minor (5)
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Sonatas (6) for 2 Bass instruments, Op. 50: no 2 in G major (4)
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Sonatas (6) for 2 Bass instruments, Op. 50: no 3 in D major (1)
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Sonatas (6) for 2 Bass instruments, Op. 50: no 4 in D minor (1)
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Sonatas (6) for 2 Bass instruments, Op. 50: no 5 in C minor (3)
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Sonatas (6) for 2 Bassoons and Basso continuo, Op. 40 no 6: 1st movement, Allemanda (1)
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Sonatas (6) for 2 Bassoons and Basso continuo, Op. 40 no 6: 2nd movement, Corrente (1)
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Sonatas (6) for 2 Bassoons and Basso continuo, Op. 40 no 6: 3rd movement, Largo (1)
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Sonatas (6) for 2 Bassoons and Basso continuo, Op. 40 no 6: 4th movement, Giga (1)
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Sonatas (6) for 3 Recorders and Basso Continuo, Op. 34: no 1 in B minor (2)
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Sonatas (6) for 3 Recorders and Basso Continuo, Op. 34: no 3 in E minor (4)
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Sonatas (6) for 3 Recorders and Basso Continuo, Op. 34: no 5 in F minor (1)
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Sonatas (6) for 3 Recorders and Basso Continuo, Op. 34: no 6 in C minor (2)
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Sonatas (6) for 3 Recorders, Op. 7: in D minor (1)
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Sonatas (6) for 3 Recorders, Op. 7: no 1 in D minor (1)
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Sonatas (6) for flute & harpsichord, Op. 91 (2)
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Sonatas (6) for Flute and Basso continuo, Op. 19: no 6 in A minor (1)
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Sonatas (6) for Flute and Harpsichord, Op. 91 (1)
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Sonatas (6) for Flute and Harpsichord, Op. 91: no 1 in D major (3)
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Sonatas (6) for Flute and Harpsichord, Op. 91: no 2 in G minor (5)
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Sonatas (6) for Flute and Harpsichord, Op. 91: no 3 in G major (3)
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Sonatas (6) for Flute and Harpsichord, Op. 91: no 4 in E minor (2)
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Sonatas (6) for Flute and Harpsichord, Op. 91: no 5 in A major (2)
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Sonatas (6) for Flute and Harpsichord, Op. 91: no 6 in C minor (3)
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Sonatas (6) for Flute and Violin, Op. 51 (1)
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Sonate à quatre en la mineur, pour 3 flûtes & basse continue: Adagio (1)
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Sonate à quatre en la mineur, pour 3 flûtes & basse continue: Allegro (1)
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Sonate à quatre en la mineur, pour 3 flûtes & basse continue: Largo (1)
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Suites (4) de Pièces de clavecin, Op. 59: Suite no 1 (2)
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Suites (4) de Pièces de clavecin, Op. 59: Suite no 2 (2)
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Suites (4) de Pièces de clavecin, Op. 59: Suite no 3 (2)
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Suites (4) de Pièces de clavecin, Op. 59: Suite no 4 (1)
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Suites (4) for harpsichord, Op. 59: IVe Suite in A major: L'indéterminée - Gaiment (1)
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Suites (4) for harpsichord, Op. 59: IVe Suite in A major: La Brunette - Gracieusement, Doubles de la (1)
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Suites (4) for harpsichord, Op. 59: IVe Suite in A major: La frénétique - Pièce en rondeau (1)
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Suites (4) for harpsichord, Op. 59: IVe Suite in A major: La Veloutée - Pièce en rondeau (1)
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Suites (4) for harpsichord, Op. 59: La Veloutée (Extrait de la VIe suite pour le clavecin) (1)
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Suites (6) for flute & basso continuo, Op. 35 (1)
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Suites (6) for flute & basso continuo, Op. 35: Prélude de la I Suite in E minor (Extrait) (1)
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Suites (6) for flute & basso continuo, Op. 35: Prélude de la II Suite in G major (Extrait) (1)
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Suites (6) for flute & basso continuo, Op. 35: Prélude de la III Suite in G minor (Extrait) (1)
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Suites (6) for flute & basso continuo, Op. 35: Prélude de la IV Suite in D major (Extrait) (1)
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Suites (6) for flute & basso continuo, Op. 35: Prélude de la V Suite in B minor (transposed into C m (1)
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Suites (6) for flute & basso continuo, Op. 35: Prélude de la VI Suite in A major (Extrait) (1)
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Suites (6) for Flute and Basso Continuo, Op. 35: no 1 in E minor (2)
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Suites (6) for Flute and Basso Continuo, Op. 35: no 2 in G major - Rigaudon (1)
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Suites (6) for Flute and Basso Continuo, Op. 35: no 3 in G minor - Sarabande (1)
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Suites (6) for Flute and Basso Continuo, Op. 35: no 4 in D major (1)
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Suites (6) for Flute and Basso Continuo, Op. 35: no 5 in B minor (2)
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Suites (6) for Flute and Basso Continuo, Op. 35: no 6 in A major (1)
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Suites (6) for Flute and Basso Continuo, Op. 35: no 6 in A major - no 1, Prelude (1)
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Trio Sonata for Flute and Strings in D minor (1)
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Trio Sonata for flute, bassoon & continuo No. 5 in A minor, Op. 37/5 (2)
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Trio Sonata in D major, Op. 50, No. 6: 1st Movement. Largo (1)
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Trio Sonata in D major, Op. 50/6 (2)
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Trio Sonatas (6), Op. 37: no 2 in E minor (4)
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Trio Sonatas (6), Op. 37: no 5 in A minor (2)
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Trio Sonatas (6), Op. 37: no 6 in C minor (4)
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Biography |
by Roy Brewer
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Few eighteenth-century composers earned a personal fortune solely by writing music; Joseph Bodin de Boismortier did, and could claim to be the first Frenchman to sell his talents on the open market. By 1700, the spread of music printing and publishing in Europe, allied to the growth of amateur music-making, made substantial sales of new music possible, and Boismortier seized every opportunity for meeting the popular demand for tuneful, technically simple pieces for a wide variety of vocal and instrumental combinations.
Within a year of arriving in Paris in 1723, his first publications were on sale, and by 1747 had been followed by 102 works. This readiness to provide what the public wanted brought financial success and popularity, but a certain amount of envious comment from the French cultural establishment as well: composers were not supposed to be businessmen! In his Essay on Music, Early and Modern (1750) Jean-Benjamin de La Borde, a contemporary of Boismortier, commented Boismortier ability to turn composition into a lucrative enterprise. The composer's response to La Borde's remarks was brief and to the point: "I make money".
Following common practice of the time, Boismortier frequently scored for alternative instruments -- for example,. recorder, flute, oboe or violin -- thus increasing his sales potential. He was particularly industrious in writing for the flute, and also published a flute method. So fashionable was the instrument in France that the mere imprint "suitable for flute" virtually guaranteed a publishing success. Rustic instruments, such as the musette (bagpipes) and vielle (hurdy-gurdy), were also in vogue, and Boismortier swiftly obliged by providing them with something easy to play.
His output encompassed secular cantatas, motets, songs and four stage works, including an opera, Daphnis et Chloé. He was also an innovator. As the first French composer to adopt the Italian title concerto, he wrote the first French solo concerto for any instrument (in this case the 'cello), as well as a large number of flute sonatas and a set of unaccompanied concertos for three, four, and five flutes.
Boismortier was extremely prolific, but much of what he wrote, though pleasant enough, could hardly be considered significant. At its best it is tuneful, elegant, and by no means naïve. In his Essay on Music, La Borde wrote: "Although [his works] have long been forgotten anyone who desires to take the trouble to excavate them will find enough grains of gold dust there to make an ingot." Today he might have been less grudging, since many of Boismortier's works are still being published, and continue to appeal to players of both modern and period instruments. |
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