Great fun! A new full-length ballet, especially one as tuneful as this, with an exciting story, is always a welcome addition to both the ballet repertoire and to recorded music.
José Luis Domínguez, who also conducts on this set, is a significant figure in Chilean music as a conductor. This ballet is his first large-scale symphonic work. It is little surprise that, like many conductor-composers, he has such a sure sense of orchestral balance and capability, something evident throughout this work.
The balletRead more tells a simple story – with plenty of action, set in California – of Joaquín Murieta, a nineteenth century brigand, perhaps the inspiration for Zorro. His origins are obscure, but he has been adopted as something of a folk hero in Chile from where he might have originated. Pablo Neruda wrote a play about him, later turned into an opera by Sergio Ortega. Those works end with a gruesome finale as Murieta is shot and beheaded.
Domínguez ignores that, instead creating a tale set during the Gold Rush, in which Murieta and his men come to the rescue of a town under threat from the villainous Galgos. There is no decapitation but rather the happy outcome of reunion with the beloved Teresa. Think of this as a blend between Robin Hood and The Magnificent Seven.
The comparison is apposite, as Domínguez is quite specific that his music is inspired by symphonic soundtracks of composers such as Korngold, Herrmann and Williams. That is a clue not only to its style, but also to his idea that it should work as a stand-alone piece. This recording is a must for anyone who enjoys the great film-scores: all the virtues of sweeping themes, varied instrumentation and memorable tunes are here.
Performances are committed and in the best Hollywood tradition, with good recorded quality.
If a great ballet company such as the Royal Ballet were to take this into their repertory, one could imagine it quickly becoming a popular hit, rather in the manner of Khachaturian’s Spartacus. A fine ballet conductor, like Barry Wordsworth, would relish this score.
– MusicWeb International (Michael Wilkinson)
The town’s people [3.53]
The Galgos’ Entrance (The imprisonment of the innocent) [3.17]
Joaquín Murieta’s entrance [3.20]
Teresa and Joaquín (pas de deux) [4.48]
Exit of the town’s people [1.30]
El Caballero Tramposo (The drunk variation) [2.04]
Murieta’s entrance (The freeing of the prisoners – The battle) [6.27]
Murieta and Tresdedos [3.25]
The leader of the Galgos interrogates the disguised Murieta [2.37]
The bustling town [2.04]
The women’s entrance (Variation) [4.40]
The leader of the Galgos flirts with one of the wives [6.07]
Interlude (Teresa’s Song) [3.48]
The town’s festivities and the Nobleman’s Spanish Dance [5.07]
The toast and the people’s dance [4.26]
The disguised Murieta’s intrusion [4.36]
Entrance of Murieta’s men and battle [6.15]
Teresa and Joaquín’s reunion (Pas de deux) [11.17]
Epilogue [2.31] Read less
Works on This Recording
The Legend of Joaquín Murietaby Jose Luis Dominguez Conductor:
Jose Luis Dominguez
Santiago Philharmonic Orchestra
Period: Contemporary Written: 2009
Featured Sound Samples
The Legend of Joaquin Murieta: Prologue
The Legend of Joaquin Murieta: The Town's People
The Legend of Joaquin Murieta: Teresa
Average Customer Review: ( 1 Customer Review )
DELIGHTFUL, SWEEPING, AND CINEMATICJanuary 31, 2018By Bruce L. (Mystic, CT)See All My Reviews"Jose Luis Dominguez is the Chilean composer and conductor in this recent NAXOS recording of "The Legend of Joaquin Murieta," a ballet in two acts. It is sweeping, colorful, and evocative - quite cinematic in its musical depiction of Joaquin Murieta (who may or may not have been a Chilean and may or may not have been the inspiration for the legend of Zorro) and his adventures during the California Gold Rush era. Dominguez conducts his composition at the helm of the Santiago Philharmonic with obvious panache. It is a thrilling score and performance, in the tradition of John Williams' score for "The Cowboys" and Elmer Bernstein's "Magnificent Seven." While some might, I suppose, perceive this piece as shamelessly derivative, I disagree, as it is always fresh, even with repeated hearings. Great, tonal music. Terrific performance and sound."Report Abuse