John Lanchbery

Biography

Born: May 15, 1923; London, England   Died: February 27, 2003; Melbourne, Australia  
As a conductor, John Lanchbery was largely associated with ballet, though he also worked in so-called television opera and operetta. As a composer and arranger, he wrote music for films, television and radio, and fashioned new orchestral versions of famous ballets, including Les Sylphides, The Tales of Hoffmann, Don Quixote, and Giselle. He also adapted the scores of popular operettas to ballet, among them Die Fledermaus, Rosalinda, and The Merry Read more Widow. Lanchbery may be best known today for his numerous ballet recordings, which include acclaimed performances of Tchaikovsky's Nutcracker, Sleeping Beauty, and Swan Lake. From the mid-twentieth century forward, Lanchbery served as music director for major ballet companies in England, the U.S., and Australia. When he appeared in the concert hall, he generally conducted ballet music or lighter scores like Prokofiev's Peter and the Wolf. Many of his recordings are still available from EMI, DG, Decca, and Naxos.

John Lanchbery was born in London on May 15, 1923. He began violin lessons at eight. In his later teens he studied music at the Royal Academy of Music in London, not finishing until after military service in World War II. In the postwar era, Lanchbery worked for a music publisher as he concluded studies at the RAM.

His first important post came in 1948 as music director of the Metropolitan Ballet, a small company founded the year before that would disband in 1950. Lanchbery became music director of Sadlers Wells Theatre Ballet in 1951 and worked there with Kenneth MacMillan on several notable ballets: MacMillan's first effort, Somnambulism (1953; music by Stan Kenton), was orchestrated by Lanchbery and was a huge success.

Lanchbery probably achieved his greatest acclaim as principal conductor at the Royal Ballet (1959-1972), with whom he made many successful tours abroad. During his tenure, Lanchbery made numerous popular arrangements of well-known ballet scores, including Don Quixote, for a 1966 production danced by Rudolf Nureyev.

Lanchbery arranged music for the 1970 ballet movie Tales of Beatrix Potter. The score, like the film, achieved success as a recording in its several incarnations, among which is a 1998 EMI CD containing the original soundtrack. Lanchbery held two further music directorships: one at the Australian Ballet (1972-1977) and the other with the American Ballet Theater (1978-1981). After 1981 he freelanced as a conductor and from the 1970s spent much time in Australia, eventually becoming a citizen in 2002. Read less

Biography

Born: May 15, 1923; London, England   Died: February 27, 2003; Melbourne, Australia  
As a conductor, John Lanchbery was largely associated with ballet, though he also worked in so-called television opera and operetta. As a composer and arranger, he wrote music for films, television and radio, and fashioned new orchestral versions of famous ballets, including Les Sylphides, The Tales of Hoffmann, Don Quixote, and Giselle. He also adapted the scores of popular operettas to ballet, among them Die Fledermaus, Rosalinda, and The Merry Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Jack-in-the-Box: I. Prelude: Assez vif - Pas trop vite
Jack-in-the-Box: II. Entr'acte: Vif
Jack-in-the-Box: III. Final: Modere - Temps vif
A Month in the Country: 1. Largo
A Month in the Country: 2. Allegretto
A Month in the Country: 3. Brillante
A Month in the Country: 4. Veloce, Ma Accuramente
A Month in the Country: 5. Sempre Sostenuto
A Month in the Country: 6. Piu Mosso
A Month in the Country: 7. Adagio
A Month in the Country: 8. Alla Polacca
A Month in the Country: 8a. Andantino
A Month in the Country: 9. Largo Non Troppo
A Month in the Country: 10. Presto - Lento - Molto Piu Mosso
A Month in the Country: 11. Andante Semplice - Andante Spianato
A Month in the Country: 12. Polonaise
Tales of Beatrix Potter: Introduction & Opening Credits
Tales of Beatrix Potter: Mrs Tiggy-Winkle - Part 1
Tales of Beatrix Potter: Mrs Tiggy-Winkle's Laundry
Tales of Beatrix Potter: Mrs Tiggy-Winkle - Part 2
Tales of Beatrix Potter: The Mouse Waltz
Tales of Beatrix Potter: Beatrix Potter in the Lakeland fields
Tales of Beatrix Potter: The Tale of Jemima Puddle-Duck
Tales of Beatrix Potter: The Tale of Pigling Bland
Tales of Beatrix Potter: The Tale of Jeremy Fisher
Tales of Beatrix Potter: The Tale of Two Bad Mice
Tales of Beatrix Potter: Peter Rabbit
Tales of Beatrix Potter: The Picnic - Part 1: The Town Mice
Tales of Beatrix Potter: Johnny Town-Mouse
Tales of Beatrix Potter: The Picnic - Part 2: The Country Mice
Tales of Beatrix Potter: The Tale of Squirrel Nutkin
Tales of Beatrix Potter: Finale
Tales of Beatrix Potter: Coda & End Credits
Opening Scene - Dance Of The Young Girls (Onegin Ballet Suite No 1 & 2)
Lensky's Variation - Pas De Deux (Onegin Ballet Suite No 4 & 5)
Scene: Onegin and Tatiana - Onegin's Variation (Onegin Ballet Suite No 7 & 8)
Finale: Scene 1 (Onegin Ballet Suite No 9)
Tatiana's Bedroom: Apparition of Onegin - Pas De Deux (Onegin Ballet Suite No 11 & 12)
Opening Waltz (Onegin Ballet Suite No 13)
Tatiana's Variation And General Dance - Quarrel (Onegin Ballet Suite No 18 & 19)
Duel And Death of Lensky (Onegin Ballet Suite No 22)
Grande Polonaise (Onegin Ballet Suite No 23)
Russian Dance (Onegin Ballet Suite No 26)
Final Scene - Tatiana Rejects Onegin (Onegin Ballet Suite No 28)
Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Two Bad Mice
Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Squirrel Nutkin
Tales of Beatrix Potter - Music from the Royal Ballet film: Mrs Tiggy-Winkle's Laundry
Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jemima Puddle-Duck
Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jeremy Fisher (extract)
Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Pigling Bland
Tales of Beatrix Potter - Music from the Royal Ballet film: The Mouse Waltz
Tales of Beatrix Potter - Music from the Royal Ballet film: Finale (extract)
I. Intrata
II. Corante
III. Pastorale
IV. Menuetto
V. Passacaglia
VI. Rigadoon
VII. Siciliana
VIII. Marcia
Tableau I: Rondino
Tableau I: Gavotte and Trio
Tableau I: Scherzetto
Tableau I: Siciliana
Tableau I: Sonatina
Tableau II: entracte
Tableau II: Sinfonia
Tableau II: Alla marcia
Tableau II: Toccata
Tableau II: Musette
Tableau II: Burlesca
Tableau II: Adagietto
Tableau II: Finale


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