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Jean Langlais
Born: February 15, 1907; La Fontenelle, France   Died: May 8, 1991; Paris, France   Period: 20th Century
Blind from the age of two, this composer, organist, and influential teacher studied at the Institution des Jeunes Aveugles (National Institute for the Young Blind) in Paris. Langlais' harmony teacher was Albert Mahaut, a former pupil of César Franck. He studied piano with Blazy and organ with André Marchal, who was also blind.

In 1930, Langlais won the premier prix in organ in Marcel Dupré's class at the National Conservatory. In 1934, he
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Songs By Langlais, Tailleferre, Emmanuel / Butkai, Korber
Release Date: 10/29/2002   Label: Hungaroton   Catalog: 32070   Number of Discs: 1
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Works
American Folk-Hymn Settings, Op. 231: Battle Hymn of the Republic (1)
Ave Maria, ave maris stella (4)
Ave mundi gloria (1)
Beatus vir (1)
Benedictus (1)
Ceremony (1)
Chant de Paix (1)
Chants de Bretagne (8) for Organ: Pensez à l'Eternité (1)
Characteristic Pieces (3) for Organ (2)
Chorales (7) for Trumpet and Organ (1)
Chorales (7) for Trumpet and Organ: Excerpt(s) (1)
Chorales (7) for Trumpet and Organ: Jesu, meine Freude (1)
Chorales (7) for Trumpet and Organ: Lobe den Herrn (1)
Chorales (7) for Trumpet and Organ: no 1 (1)
Chorales (7) for Trumpet and Organ: no 2 (1)
Chorales (7) for Trumpet and Organ: no 4 (1)
Chorales (7) for Trumpet and Organ: no 7 (1)
Chorales (7) for Trumpet and Organ: O, dass doch bald dein Feuer (1)
Concerto for Organ no 3 "Reaction" (1)
Corpus Christi: 6 pieces for equal voices and organ: 1. Introit "Cibavit" (1)
Corpus Christi: 6 pieces for equal voices and organ: 2. Graduel "Oculi" (1)
Corpus Christi: 6 pieces for equal voices and organ: 3. Alleluia "Caro Mea" (1)
Corpus Christi: 6 pieces for equal voices and organ: 4. Offertoire "Sacerdotes" (1)
Corpus Christi: 6 pieces for equal voices and organ: 5. Communion "Quotiescumque" (1)
Corpus Christi: 6 pieces for equal voices and organ: 6. Panis Angelicus (1)
Diptyque, Op. 179 (2)
Esquisses (6) for 2 Organs (1)
Esquisses Gothiques (3 Gothic Sketches) for organ (1)
Festival Alleluia (1)
Fête (2)
Fête for Organ (5)
Hommage à Frescobaldi (3)
Hommage à Frescobaldi: Fantaisie (1)
Hommage à Frescobaldi: no 7, Theme and Variations (4)
Hommage à Rameau for organ: Evocation (1)
Hymne d'Action de Grâce: Te Deum for Org (3)
Incantation pour un jour saint (8)
La Nativité, for organ (from Poèmes Évangélique) (2)
Mass "Grant us thy peace" (1)
Meditations (3) for Organ (2)
Méditations (5) sur l'apocalypse (2)
Méditations (5) sur l'apocalypse: La cinquième trompette (1)
Mélodies (5) sur des poèmes de Ronsard et Baillif (1)
Messe solennelle, Op. 67 (6)
Messe solennelle, Op. 67: Kyrie (1)
Messe solennelle: Agnus Dei (1)
Missa "Salve Regina" (3)
Missa brevis (1)
Missa in simplicitate, Op 75 (3)
Missa in simplicitate, Op. 75: Agnus Dei (1)
Missa in simplicitate, Op. 75: Benedictus (1)
Missa in simplicitate, Op. 75: Gloria (1)
Missa in simplicitate, Op. 75: Kyrie (1)
Missa in simplicitate, Op. 75: Sanctus (1)
Missa Salve Regina for 3 tenors, male chorus, 2 organs & 8 brass (2)
Mosaïque for Organ no 1 (1)
Mosaïque for Organ no 1: Stèle pour Gabriel Fauré (1)
Motets (5), for female chorus & organ, Op. 8 (1)
Mouvement for Flute and Organ "A la mémoire de mes ancêtres bretons" (2)
Noël breton (2)
Organ Concerto No. 2 (1)
Paraphrases grégoriennes (3), Op. 5 (1)
Paraphrases gregoriennes (3), Op. 5: Excerpt(s) (1)
Paraphrases gregoriennes (3), Op. 5: no 1, Ave Maria, Ave maris stella (3)
Paraphrases grégoriennes (3), Op. 5: no 2, Mors et resurrectio (4)
Paraphrases gregoriennes (3), Op. 5: no 3, Hymne d'actions de grâce "Te Deum" (10)
Pasticcio (1)
Pieces (24) for Organ, Op. 6 (1)
Pieces (24) for Organ/Harmonium: Choral (1)
Pieces (24) for Organ/Harmonium: no 18, Fantaisie sur un thème norvégien (2)
Pieces (24) for Organ/Harmonium: Noël avec variations (1)
Pieces (8) for Oboe and Organ, Op. 234 (1)
Pieces (9) for Organ: no 3, Chant de paix (5)
Pieces (9) for Organ: no 4, Chant héroïque (5)
Pièces modales (8) for Organ (1)
Pièces modales (8) for Organ: Mode de la (1)
Pièces modales (8) for Organ: Mode de re (1)
Pièces modales (8) for Organ: no 1 (1)
Poem of Happiness (1)
Poem of Peace (1)
Poèmes évangeliques (3) for Organ, Op. 2: no 1, L'Annonciation (1)
Poèmes évangeliques (3) for Organ, Op. 2: no 2, La Nativité (10)
Poèmes évangeliques (3) for Organ, Op. 2: no 3, Les Rameaux (1)
Postludes (4) for Organ: no 2 (1)
Psaume Solennel (1)
Rhapsodie sur deux Noëls (1)
Short Anthems (3) (1)
Stella (1)
Suite amèricaine: Cats (1)
Suite brève (5)
Suite Brève for organ (1)
Suite brève: Cantilène (1)
Suite brève: Dialogue sur les Mixtures (2)
Suite brève: Plainte (1)
Suite folklorique: Canzona (1)
Suite française (3)
Suite française: Arabesque (1)
Suite mediévale en forme de messe basse (5)
Suite mediévale en forme de messe basse: Elévation (2)
Suite mediévale en forme de messe basse: Improvisation (1)
Suite mediévale en forme de messe basse: Méditation (1)
Suite mediévale en forme de messe basse: Prélude (1)
Suite mediévale en forme de messe basse: Tiento (2)
Suite Médiévale for organ, Op. 56 (2)
Symphony for Organ no 1 (2)
Symphony for Organ no 2 "Alla Webern" (1)
Triptyque (1)
Triptyque for Organ (2)
Triptyque grégorien for Organ (1)
Triptyque grégorien for Organ: no 1, Rosa mystica (2)
Ubi caritas et amor (1)
Venite et audite (1)
Biography by "Blue" Gene Tyranny
Blind from the age of two, this composer, organist, and influential teacher studied at the Institution des Jeunes Aveugles (National Institute for the Young Blind) in Paris. Langlais' harmony teacher was Albert Mahaut, a former pupil of César Franck. He studied piano with Blazy and organ with André Marchal, who was also blind.

In 1930, Langlais won the premier prix in organ in Marcel Dupré's class at the National Conservatory. In 1934, he won a composition prize in Paul Dukas' class and, like Messiaen, was one of the composer's last students.

Langlais studied improvisation with Charles Tournemire and received the Grand Prix d'Exécution et Improvisation des Amis de l'Orgue in 1931. He became organist for St. Pierre de Montrouge. During this time, Langlais composed his first works, the organ pieces Trois poèmes évangéliques (1932) and the 24 Pièces (1933-1939). In 1945, he joined the staff of the Institution des Jeunes Aveugles, where he was to remain for 40 years teaching and conducting the choir. Following in the steps of Franck and Tournemire, he became a professor at the prestigious organ tribune of Sainte-Clotilde in Paris, a position he held for the next 42 years. His immediate postwar compositions include the organ suites, his first Organ Concerto with orchestra (1949), and the famous choral Messe solennelle (1951), one of 13 masses composed by Langlais. The other most performed masses are the Missa in Simplicitate for chorus and organ (1953) and the impressive Missa Salve Regina for three solo vocalists, unison chorus, two organs, and eight brass (1954). The vast majority of Langlais' 254 compositions are on religious themes, although there are several concertos, organ symphonies, and individual secular pieces. Many pieces incorporate Gregorian themes that are varied with great originality and surrounded with expressive and splendid modal harmonies.

In 1952, Langlais visited the United States for the first time and proceeded to give approximately 300 recitals and hold many master classes there in the succeeding years. He composed numerous pieces for Americans, including an American Suite for organ (1959) and his Solemn Mass "Orbis factor" for chorus and organ, which was premiered in Washington, D.C., in 1969.

Between 1961 and 1976, Langlais taught French and foreign students at the Schola Cantorum in Paris. His later compositions include choral and organ works and chamber pieces for trumpet.
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