Jane Henschel

Biography

Born: Los Angeles, CA  
American Jane Henschel quickly rose in the 1990s to the ranks of international star dramatic mezzo-sopranos.

The Los Angeles native was educated and received musical and vocal training at the University of Southern California (USC) in Los Angeles. After graduating she moved to Europe to begin her singing career. She worked her way up in a traditional way, through the system of local repertory opera houses in Germany, and had contracts as
Read more members of the companies in Aachen, Wuppertal, Dortmund, and the Deutsche Oper am Rhein.

She made her first significant appearance in 1992 as a guest artist with the Netherlands Opera in the taxing major role of The Nurse in Richard Strauss' Die Frau ohne Schatten. She also chose this role for her debut at London's Royal Opera House, Covent Garden, under the baton of Bernard Haitink. This was one of the most triumphant debuts there in several seasons, and almost immediately she was invited back to Covent Garden to sing Fricka in Wagner's Rheingold and Walküre in 1995.

In the intervening years she debuted at the Edinburgh Festival in 1993 in Verdi's little-known Oberto, and in 1994 she sang the role of Baba the Turk in Stravinsky's The Rake's Progress at the Glyndebourne Festival. In addition to the Wagnerian roles, she also played in 1995 at Covent Garden in Verdi's Un ballo in maschera as Ulrica. In the same year she first appeared at La Scala, Milan as Herodias in Strauss' Salome, with Chung conducting, and in Stockholm as Judith in Bartók's Bluebeard's Castle. The same year also saw a notable concert debut, at the BBC Henry Wood Promenade Concerts in London's Albert Hall.

Following these successes she has added the role of Cassandra in Berlioz's Les Troyens, Waltraute in Wagner's Götterdämmerung, Bizet's Carmen, Erda in Wagner's Ring operas, Eboli in Verdi's Don Carlos, Ortrud in Wagner's Lohengrin, Amneris in Aïda, Dame Quickly in Falstaff, Azucena in La Forza del Destino, Klytemnestra in Strauss' Elektra, Venus in Wagner's Tannhäuser and Brangäne in the same composer's Tristan und Isolde, the Old Princess in Puccini's Soeur Angelica, The Kostelnicka in Janacek's Jenufa, Geneviève in Debussy's Pelléas et Mélisande, and in Goldmark's The Queen of Sheba, Schoenberg's Erwartung, Henze's The Bassarids, and Janacek's Katya Kabanova as Kabanicha.

She has appeared at major festivals including, as already noted, the Edinburgh and Glyndebourne Festivals in Britain, the Saito Kinen Festival in Japan, and the Salzburg Festival in Austria. For her return to Los Angeles, where she appeared at the Los Angeles Opera and the Orange Festival, she sang Brangäne.

She also has a busy concert career, with a repertory including Mahler's Eighth Symphony and Hans Krasa's Verlobung in Traum, both of which she has recorded. She also sang in Seiji Ozawa's Philips recording of The Rake's Progress. Read less

There are 34 Jane Henschel recordings available.

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Biography

Born: Los Angeles, CA  
American Jane Henschel quickly rose in the 1990s to the ranks of international star dramatic mezzo-sopranos.

The Los Angeles native was educated and received musical and vocal training at the University of Southern California (USC) in Los Angeles. After graduating she moved to Europe to begin her singing career. She worked her way up in a traditional way, through the system of local repertory opera houses in Germany, and had contracts as
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Ouverture
Act I Scene 1: Introduction - Hojohe! Hallojo! Hojoha! Ho! (Chorus)
Act I Scene 1: Mit Gewitter und Sturm aus fernem Meer (Steuermann)
Act I Scene 2: Aria: Die Frist ist um (Hollander)
Act I Scene 2: Wie oft in Meeres tiefsten Schlund (Hollander)
Act I Scene 3: Duet: He! Holla! Steuermann! (Daland, Steuermann)
Act I Scene 3: Durch Sturm und bosen Wind verschlagen (Hollander)
Act I Scene 3: Wie? Hort' ich recht? Meine Tochter sein Weib? (Daland)
Act I Scene 3: Sudwind! Sudwind! (Steuermann)
Act I Scene 3: Mit Gewitter und Sturm (Chorus)
Act II Scene 4: Summ und brumm, du gutes Radchen (Chorus)
Act II Scene 4: Du boses Kind, wenn du nicht spinnst (Mary)
Act II Scene 4: Johohoe! Traft ihr das Schiff im Meere an (Senta)
Act II Scene 4: Ach! Wo weilt sie (Chorus)
Act II Scene 4: Senta! Senta! Willst du mich verderben? (Erik)
Act II Scene 5: Duet: Bleib, Senta! Bleib nur einen Augenblick! (Erik, Senta)
Act II Scene 5: Senta! Lass dir vertraun (Erik)
Act II Scene 6: Mein Kind, du siehst mich auf der Schwelle (Daland)
Act II Scene 6: Act II: Mogst du, mein Kind, den fremden Mann willkommen heissen (Daland)
Act II Scene 6: Wie aus der Ferne langst vergang'ner Zeiten (Hollander)
Act II Scene 6: Wirst du des Vaters Wahl nicht schelten? (Hollander)
Act II Scene 6: Ein heil'ger Balsam meinen Wunden (Hollander)
Act II Scene 6: Verzeiht! Mein Volk halt draussen sich nicht mehr (Daland)
Act III: Entr'acte
Act III Scene 7: Steuermann, lass die Wacht! (Chorus)
Act III Scene 7: Mein! Seht doch an! Sie tanzen gar! (Madchen, Herren, Steuermann)
Act III Scene 7: Johohohe, Johohohe! Hoe! Hoe! (Chorus)
Act III Scene 8: Was musst' ich horen (Erik, Senta)
Act III Scene 8: Cavatina: Willst jenes Tags du nicht dich mehr entsinnen (Erik)
Act III Scene 8: Verloren! Ach, verloren! Ewig verlor'nes Heil! (Hollander)
Act III Scene 8: Erfahre das Geschick, vor dem ich dich bewahr'! (Hollander)
Introduction
"Wie du warst!"
"Marie Theres'!" - "Octavian!"
"Quinquin, es ist mein Mann!"
"Selbstverständlich empfängt mich Ihro Gnaden"
"Hat Sie schon einmal mit einem Kavalier"
"Nein, er agiert mir gar zu gut!"
"I komm' glei"
"Di rigori armato il seno"
"Als Morgengabe"
"Mein lieber Hippolyte"
"Da geht er hin, der aufgeblasene schlechte Kerl"
"Ach! Du bist wieder da!"
"Die Zeit ist...Mein schöner Schatz...Ich werde jetzt"
"Ich hab' ihn nicht einmal geküßt
Introduction - "Ein ernster Tag"
"In dieser feierlichen Stunde"
"Mir ist die Ehre widerfahren"
"Ich kenn' Ihn schon recht wohl"
"Jetzt aber kommt mein Herr Zukünftiger"
"Eh bien! Nun plauder Sie uns eins"
"Wird Sie das Mannsbild da heiraten"
"Herr Baron von Lerchenau!"
"Mord! Mord! Mein Blut!"
"Herr Schwiegersohn! Wie ist ihm denn?"
"Blamage! Mir auseinander meine Eh'"
"Is gut! Is gut! Ein Schluck"
"Da lieg' ich!"
"Ohne mich, ohne mich, jeder Tag dir so bang"
Introduction and Pantomime
"Hab'n Euer Gnaden noch weitre Befehle?"
"Nein, nein, nein, nein! I trink' kein Wein"
"Es ist ja eh all's eins"
"Da und da und da und da"
"Halt! Keiner rührt sich!"
"Zur Stelle! Was wird von mir gewünscht?"
"Sind desto eher im klaren"
"Bin glücklich über Massen"
"Laß er nur gut sein und verschwind Er"
"Leopold, wir gehn!"
"Mein Gott, es war nicht mehr als eine Farce"
"Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben"
"Ist ein Traum, kann nicht wirklich sein"
I. Das Trinklied vom Jammer der Erde (The Drinking Song of Earth's Misery)
II. Der Einsame im Herbst (The Lonely One in Autumn)
III. Von der Jugend (Of Youth)
IV. Von der Schonheit (Of Beauty)
V. Der Trunkene im Fruhling (The Drunkard in Spring)
VI. Der Abschied (The Farewell)
Act I: A mort! A mort! (Crowd)
Act I: Ou sommes-nous? (The Nurse, Ariane)
Act I: Que faites-vous? (The Nurse, Ariane)
Act I: Prenez-les! Penchez-vous! (The Nurse, Ariane)
Act I: Ce sont de beaux saphirs (Ariane, The Nurse)
Act I: J'en recueille une poignee pour qu'elles caressent les saphirs! (The Nurse, Ariane)
Act I: Oh! celles-ci sont plus vertes que le printemps (The Nurse, Ariane)
Act I: Celles-ci sont terribles, et je n'y touche point (The Nurse, Ariane)
Act I: O mes clairs diamants! (Ariane, The Nurse)
Act I: Ariane, que faite-vous? (The Nurse, Ariane, Underground Chant)
Act I: Vous aussi? (Bluebeard, Ariane)
Act I: Que voulez-vous? (Ariane)
Act II: Prelude
Act II: Ecoutez! (The Nurse, Ariane)
Act II: Ah! Je vous ai trouvees! (Ariane)
Act II: Comment s'apelle celle qui revient? (Ariane, Selysette, Ygraine)
Act II: Mais celle qui me regarde a travers ses cheveux (Ariane, Selysette)
Act II: Ou etes vous? (Ariane, Selysette, Bellangere, Melisande, Ygraine)
Act II: Voila, celle-ci encore et encore celle-ci! (Ariane)
Act II: Je vois la mer! (Selysette, Melisande, Ygraine, Bellangere, Ariane)
Act III: Prelude
Act III: Nous n'avons pu sortir du chateau enchante (Selysette, Melisande, Ariane, Ygraine)
Act III: Cela vient d'elle-meme et se cachait en elle (Ariane, Ygraine, Belangere)
Act III: Quelles bagues choisirai-je? (Selysette, Ariane, Bellangere)
Act III: Il revient! Il est la! (The Nurse, Ariane, Selysette, Melisande)
Act III: Voila les paysants qui sortent des fosses (The Nurse, Selysette, Melisande, Ygraine, Ariane)
Act III: Non! Pas cela! Ne le tuez pas! (Ariane, All the Women, The Nurse, Crowd)
Act III: Madame? ... Om peut entrer? (Old Peasant, Second Peasant, Third Peasant, Ariane)
Act III: Vous etiez a genoux! (Ariane, Selysette, Melisande, Ygraine, The Nurse, Bellangere)
Act III: Adieu (Ariane, Selysette, Melisande, Bellingere)
Part I, Veni, creator spiritus: Veni, creator spiritus -
Part I, Veni, creator spiritus: Imple superna gratia -
Part I, Veni, creator spiritus: Infirma nostri corporis -
Part I, Veni, creator spiritus: Tempo I: Allegro, etwas hastig -
Part I, Veni, creator spiritus: Infirma nostri corporis -
Part I, Veni, creator spiritus: Accende lumen sensibus -
Part I, Veni, creator spiritus: Qui Paraclitus diceris -
Part I, Veni, creator spiritus: Gloria sit Patri Domino
Part II, Final Scene from Faust: Poco adagio -
Part II, Final Scene from Faust: Piu mosso: Allegro moderato -
Part II, Final Scene from Faust: Waldung, sie schwankt heran -
Part II, Final Scene from Faust: Ewiger Wonnebrand -
Part II, Final Scene from Faust: Wie Felsenabgrund mir zu Fussen -
Part II, Final Scene from Faust: Gerettet ist das edle Glied -
Part II, Final Scene from Faust: Jene Rosen, aus den Handen -
Part II, Final Scene from Faust: Uns bleibt ein Erdenrest -
Part II, Final Scene from Faust: Ich spur' soeben nebelnd um Felsenhoh' -
Part II, Final Scene from Faust: Dir, der Unberuhrbaren -
Part II, Final Scene from Faust: Bei der Liebe, die den Fussen -
Part II, Final Scene from Faust: Er uberwachst uns schon - Vom edlen Geisterchor umgeben -
Part II, Final Scene from Faust: Blicket auf zum Retterblick, alle reuig Zarten -
Part II, Final Scene from Faust: Alles Vergangliche ist nur ein Gleichnis
The Turn of the Screw Op. 54, ACT ONE: Prologue (Prologue)
The Turn of the Screw Op. 54, ACT ONE: Theme
The Turn of the Screw Op. 54, ACT ONE: Scene 1 : The Journey (Governess)
The Turn of the Screw Op. 54, ACT ONE: Variation I
The Turn of the Screw Op. 54, ACT ONE: Scene 2 : The Welcome (Governess/Mrs. Grose/Miles/Flora)
The Turn of the Screw Op. 54, ACT ONE: Variation II
The Turn of the Screw Op. 54, ACT ONE: Scene 3 : The Letter (Governess/Mrs. Grose/Miles/Flora)
The Turn of the Screw Op. 54, ACT ONE: Variation III
The Turn of the Screw Op. 54, ACT ONE: Scene 4 : The Tower (Governess/Quint)
The Turn of the Screw Op. 54, ACT ONE: Variation IV
The Turn of the Screw Op. 54, ACT ONE: Scene 5 : The Window (Governess/Mrs. Grose/Miles/Flora/Quint)
The Turn of the Screw Op. 54, ACT ONE: Variation V
The Turn of the Screw Op. 54, ACT ONE: Scene 6 : The Lesson (Governess/Miles/Flora)
The Turn of the Screw Op. 54, ACT ONE: Variation VI
The Turn of the Screw Op. 54, ACT ONE: Scene 7 : The Lake (Governess/Miles/Flora)
The Turn of the Screw Op. 54, ACT ONE: Variation VII
The Turn of the Screw Op. 54, ACT ONE: Scene 8 : At Night (Governess/Mrs. Grose/Miles/Flora/Quint/Miss Jessel)
Introduction
Act I Scene 1: Marvellous! Really, just admit it (Kudryash, Glasha)
Act I Scene 1: What d'you think you're hanging around for? (Dikoi, Boris)
Act I Scene 1: Is your mistress at home? (Dikoi, Glasha, Kudryash, Boris, Feklusha)
Act I Scene 1: All of them so good and pious (Feklusha, Boris, Kudryash)
Act I Scene 1: If you want to obey your mother (Kabanicha, Tichon, Katya, Varvara)
Act I Scene 1: Intermezzo I
Act I Scene 2: I'm always wondering (Katya, Varvara)
Act I Scene 2: Madness? Oh, how I wish I really knew (Katya, Varvara)
Act I Scene 2: Ah, but you, what can you know of this? (Katya, Varvara, Feklusha, Glasha, Tichon)
Act I Scene 2: Do you not love me any more? (Katya, Tichon)
Act I Scene 2: It's time, Tichon (Kabanicha, Tichon, Katya)
Act II Scene 1: There now, you're always boasting (Kabanicha, Katya)
Act II Scene 1: It's so warm indoors (Varvara, Katya, Dikoi, Kabanicha)
Act II Scene 1: No, no, no one, yet my heart was beating (Katya)
Act II Scene 1: It's nothing much (Dikoi, Kabanicha)
Act II Scene 1: Intermezzo II
Act II Scene 2: Introduction
Act II Scene 2: Nobody here yet! (Kudryash, Boris)
Act II Scene 2: Far away my love is gone across the water (Varvara, Kudryash, Boris)
Act II Scene 2: Is that you, Katerina Petrovna? (Boris, Katya)
Act II Scene 2: So you've found each other (Varvara, Boris, Kudryash, Katya)
Overture
Act I: Goosey goosey gander, the mouse in the straw (Gretel, Hansel)
Act I: Down with the dumps, out with the grumps (Gretel, Hansel)
Act I: Little brother dance with me (Gretel, Hansel)
Act I: Hansel! (Mother, Gretel, Hansel)
Act I: My Jug all in bits (Mother)
Act I: Ral-la-la-la, ral-la-la-la, light the fire (Father, Mother)
Act I: But wait, say where are the children? (Father, Mother)
Act I: But there's one, a crone, who lives alone (Father, Mother)
Act I: Prelude to Act II: the Wiches' Ride
Act II: A dwarf stood in the forest (Gretel, Hansel)
Act II: Cuckoo, cuckoo (Cuckoo, Gretel, Hansel)
Act II: Gretel, I think we've lost the way (Gretel, Hansel, voices)
Act II: I am the little sandman (Sandman, Gretel, Hansel)
Act II: Where each child lays down its head (Gretel, Hansel)
Act II: Pantomime
Act III: Introduction
Act III: When dew drops on the daisy (Dew fairy, Gretel)
Act III: I slept here? On a pine-tree bed! (Gretel, Hansel)
Act III: Keep still! No sound! (Gretel, Hansel)
Act III: Greedy little mousy, who's nibbling at my housey? (Witch, Gretel, Hansel)
Act III: Hansel, don't be so greedy (Witch, Gretel, Hansel)
Act III: Stop! Hocus pocus, witch's ground (Witch)
Act III: Now Gretel, you're the sensible one (Witch, Gretel, Hansel)
Act III: So hopp hopp hopp, galopp lopp lopp (Witch)
Act III: Now wake up, it's time to eat (Witch, Gretel, Hansel)
Act III: Horrah! Now that the witch is dead (Gretel, Hansel)
Act III: The dead arise, but cannot see (Gingerbread Children, Gretel, Hansel, Father)
Act III: Father! Mother! (Gretel, Hansel, Mother, Father, Gingerbread Children)
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Veni creator spiritus
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Imple superna gratia
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Infirma nostri corporis
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Tempo 1. (Allegro, etwas hastig)
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Infirma nostri corporis
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Accende lumen sensibus
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Qui Paraclitus diceris
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Gloria Patri Domino
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Poco Adagio
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Più mosso (Allegro moderato)
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Waldung, sie schwankt heran
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Ewiger Wonnebrand
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Wie Felsenabgrund mir zu Füssen
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Gerettet ist das edle Glied
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Uns bleibt den Erdenrest
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Ich spür soeben
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Höchste Herrscherin der Welt!
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Dir, der Unberührbaren
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Bei der Liebe
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Neige, neige, du Ohnegleiche
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Er überwächst uns schon
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Komm! Komm!
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Blicket auf
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Alles Vergängliche
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Alles Vergängliche
Falstaff: Act I, part 1 - ?Falstaff!?
Falstaff: Act I, part 1 - ?6 polli: 6 scellini?
Falstaff: Act I, part 1 - ?Sir John, in quest'intrigo?
Falstaff: Act I, part 2 - ?Alice. Meg. Nannetta?
Falstaff: Act I, part 2 - ?Leggi. Fulgida Alice!?
Falstaff: Act I, part 2 - ?Mostro!?
Falstaff: Act I, part 2 - ?In due parole?
Falstaff: Act I, part 2 - ?Pst, pst, Nannetta?
Falstaff: Act I, part 2 - ?Torno all'assalto?
Falstaff: Act I, part 2 - ?Del tuo barbaro diagnostico?
Falstaff: Act II, part 1 - ?Siam pentiti e contriti.?
Falstaff: Act II, part 1 - ?Alice e mia!?
Falstaff: Act II, part 1 - ?Signore?
Falstaff: Act II, part 1 - ?C'e a Windsor una dama,?
Falstaff: Act II, part 1 - ?E sogno? o realta??
Falstaff: Act II, part 1 - ?Eccomi qua.?
Falstaff: Act II, part 2 - ?Presenteremo un bill?
Falstaff: Act II, part 2 - ?Gaie comari de Windsor?
Falstaff: Act II, part 2 - ?Alfin t'ho colto?
Falstaff: Act II, part 2 - ?Quand'ero paggio?
Falstaff: Act II, part 2 - ?Vien qua?
Falstaff: Act II, part 2 - ?C'e. C'e?
Falstaff: Act II, part 2 - ?Tutto delira?
Falstaff: Act III, part 1 - ?Ehi! Taverniere!?
Falstaff: Act III, part 1 - ?Va, Vecchio John, va?
Falstaff: Act III, part 1 - ?Reverenza?
Falstaff: Act III, part 1 - ?Il Cacciatorre nero?
Falstaff: Act III, part 1 - ?Sarai la Fata?
Falstaff: Act III, part 2 - ?Dal labbro il canto estasiato vola?
Falstaff: Act III, part 2 - ?Una, due, tre, quattro?
Falstaff: Act III, part 2 - ?Odo un soave passo!?
Falstaff: Act III, part 2 - ?Ninfe! Elfi! Silfi!?
Falstaff: Act III, part 2 - ?Alto la!?
Falstaff: Act III, part 2 - ?Pizzica, pizzica?
Falstaff: Act III, part 2 - ?Ogni sorta de gente dozzinale?
Falstaff: Act III, part 2 - ?Gia s'avanza la coppia degli sposi?
Falstaff: Act III, part 2 - ?Tutto, nel mondo e burla?
The Turn of the Screw Op. 54, ACT ONE: Prologue (Prologue)
The Turn of the Screw Op. 54, ACT ONE: Theme
The Turn of the Screw Op. 54, ACT ONE: Scene 1 : The Journey (Governess)
The Turn of the Screw Op. 54, ACT ONE: Variation I
The Turn of the Screw Op. 54, ACT ONE: Scene 2 : The Welcome (Governess/Mrs. Grose/Miles/Flora)
The Turn of the Screw Op. 54, ACT ONE: Variation II
The Turn of the Screw Op. 54, ACT ONE: Scene 3 : The Letter (Governess/Mrs. Grose/Miles/Flora)
The Turn of the Screw Op. 54, ACT ONE: Variation III
The Turn of the Screw Op. 54, ACT ONE: Scene 4 : The Tower (Governess/Quint)
The Turn of the Screw Op. 54, ACT ONE: Variation IV
The Turn of the Screw Op. 54, ACT ONE: Scene 5 : The Window (Governess/Mrs. Grose/Miles/Flora/Quint)
The Turn of the Screw Op. 54, ACT ONE: Variation V
The Turn of the Screw Op. 54, ACT ONE: Scene 6 : The Lesson (Governess/Miles/Flora)
The Turn of the Screw Op. 54, ACT ONE: Variation VI
The Turn of the Screw Op. 54, ACT ONE: Scene 7 : The Lake (Governess/Miles/Flora)
The Turn of the Screw Op. 54, ACT ONE: Variation VII
The Turn of the Screw Op. 54, ACT ONE: Scene 8 : At Night (Governess/Mrs. Grose/Miles/Flora/Quint/Miss Jessel)
Ich bin der Archivar von Mordassow
Ouverture
Scene 1: Viele Grüße schickt Euch Fedja
Scene 2: Bin ich es wirklich
Scene 3-4: Aha, Besuch im Hause
Scene 5-6: Ja, so einen Besuch bringe nur ich
Scene 7: Wann endlich werden Sie sprechen
Scene 8: Ganz unverändert, mon cher Prince
Scene 9: Sina! Ich muß mit dir sprechen
Zwischenspiel
Scene 10-11: Drei Gedekke! Und drei Bestekke!
Scene 12: Charmant! Ein Essen, wie bei Hof
Casta Diva'
Scene 13-14: Welche Niedertracht
Scene 15: Laß sehn, was ich erbeutet habe!
Scene 16: Man will das Geheimnis bewahren


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