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| Jan Pieterszoon Sweelinck: Choral Works, Vols. 1-3 | |||||
| Sweelinck / Netherlands Chamber Choir / Van Nevel | |||||
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Release Date: 07/12/2011 Label: Etcetera Records Catalog #: 1426 Spars Code: n/a Composer: Jan P. Sweelinck Performer: Bernard Winsemius, Jan Kleinbussink, Maarten van der Heyden, Jonathan Rubin, Vincent De Kort, Anne-Marie Lasla, Stephen Stubbs, Titia Zwart, William Bremer, Charles Toet, Richte Van der Meer, Wim Becu, Rene Van Laken, Harry Ries Conductor: Peter Phillips, Ton Koopman, William Christie, Jan Boeke, Philippe Herreweghe, Paul van Nevel
Number of Discs: 3 |
List Price: $18.98 CD $15.99 Low Stock On sale! |
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| Works On This Recording | Customer Reviews | |||||
| Works on This Recording | Back to Top | |||
| 1. |
Or soit loué l'Eternel (Psalm 150), for 8 voices by Jan P. Sweelinck |
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Performer:
Bernard Winsemius (Organ)
Conductor: Peter Phillips Period: Renaissance |
Date of Recording: 12/03/1986 Venue: Waalse Kerk, Amsterdam Length: 6 Minutes 22 Secs. |
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| 2. |
Resveillez vous, chascun fidele (Psalm 33), for 8 voices by Jan P. Sweelinck |
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Performer:
Bernard Winsemius (Organ)
Conductor: Peter Phillips Period: Renaissance |
Date of Recording: 12/03/1986 Venue: Waalse Kerk, Amsterdam Length: 3 Minutes 53 Secs. |
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| 3. |
Le fol malin en son coeur dit et croit (Psalm 53), for 4 to 7 voices by Jan P. Sweelinck |
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Performer:
Bernard Winsemius (Organ)
Conductor: Peter Phillips Period: Renaissance |
Date of Recording: 12/03/1986 Venue: Waalse Kerk, Amsterdam Length: 6 Minutes 52 Secs. |
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| 4. |
Hodie Christus natus est, motet for 5 voices & continuo (Cantiones Sacrae No. 13) by Jan P. Sweelinck |
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Performer:
Bernard Winsemius (Organ)
Conductor: Peter Phillips Period: Renaissance Written: 1619; Netherlands |
Date of Recording: 12/03/1986 Venue: Waalse Kerk, Amsterdam Length: 3 Minutes 12 Secs. |
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| 5. |
Te Deum laudamus, motet for 5 voices & continuo (Cantiones Sacrae No. 37) by Jan P. Sweelinck |
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Performer:
Bernard Winsemius (Organ)
Conductor: Peter Phillips Period: Renaissance |
Date of Recording: 12/03/1986 Venue: Waalse Kerk, Amsterdam Length: 11 Minutes 36 Secs. |
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| 6. |
Vous tous les habitans des cieux (Psalm 148), for 7 voices by Jan P. Sweelinck |
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Conductor:
Ton Koopman
Period: Renaissance |
Date of Recording: 01/23/1987 Venue: Waalse Kerk, Amsterdam Length: 10 Minutes 33 Secs. |
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| 7. |
Ab Oriente venerunt Magi, motet for 5 voices & continuo (Cantiones Sacrae No. 3) by Jan P. Sweelinck |
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Performer:
Jan Kleinbussink (Organ),
Maarten van der Heyden (Violin)
Conductor: Ton Koopman Period: Renaissance |
Date of Recording: 01/23/1987 Venue: Waalse Kerk, Amsterdam Length: 3 Minutes 50 Secs. |
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| 8. |
Pere de nous, qui es là haut és cieux (Oraison Dominicale, Lord's Prayer), for 3 voices by Jan P. Sweelinck |
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Performer:
Maarten van der Heyden (Violin),
Jan Kleinbussink (Organ)
Conductor: Ton Koopman Period: Renaissance |
Date of Recording: 01/23/1987 Venue: Waalse Kerk, Amsterdam Length: 3 Minutes 43 Secs. |
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| 9. |
Du fonds de ma pensée (Psalm 130), for 5 voices by Jan P. Sweelinck |
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Performer:
Bernard Winsemius (Organ),
Jonathan Rubin (Lute),
Vincent De Kort (),
Anne-Marie Lasla (), Stephen Stubbs (Lute) Conductor: William Christie Period: Renaissance Written: 1604 |
Venue: Waalse Kerk, Amsterdam Length: 4 Minutes 10 Secs. |
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| 10. |
Chantez à Dieu nouveau cantique (Psalm 98), for 5 voices by Jan P. Sweelinck |
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Performer:
Jonathan Rubin (Lute),
Bernard Winsemius (Organ),
Anne-Marie Lasla (),
Stephen Stubbs (Lute), Vincent De Kort () Conductor: William Christie Period: Renaissance |
Venue: Waalse Kerk, Amsterdam Length: 6 Minutes 1 Secs. |
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| 11. |
Gaude et laetare, Jerusalem, motet for 5 voices & continuo (Cantiones Sacrae No. 18) by Jan P. Sweelinck |
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Performer:
Bernard Winsemius (Organ),
Anne-Marie Lasla (),
Stephen Stubbs (Lute),
Jonathan Rubin (Lute), Vincent De Kort () Conductor: William Christie Period: Renaissance Written: Netherlands |
Venue: Waalse Kerk, Amsterdam Length: 2 Minutes 11 Secs. |
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| 12. |
Ecce prandium meum paravi, motet for 5 voices & continuo (Cantiones Sacrae No. 2) by Jan P. Sweelinck |
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Performer:
Jonathan Rubin (Lute),
Bernard Winsemius (Organ),
Anne-Marie Lasla (),
Stephen Stubbs (Lute), Vincent De Kort () Conductor: William Christie Period: Renaissance |
Venue: Waalse Kerk, Amsterdam Length: 4 Minutes 7 Secs. |
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| 13. |
Incontinent que j'eu ouï (Psalm 122), for 4 voices by Jan P. Sweelinck |
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Performer:
Stephen Stubbs (Lute),
Titia Zwart (Viol),
William Bremer (Shawm),
William Bremer (Cornet), Bernard Winsemius (Organ), Bernard Winsemius (Virginal), Charles Toet (Trombone), Richte Van der Meer (Viol), Richte Van der Meer (Cello) Conductor: Jan Boeke Period: Renaissance |
Venue: Bethlehem Church, Papendrecht Length: 2 Minutes 57 Secs. |
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| 14. |
Ainsi qu'on oit le cerf bruire (Psalm 42), for 8 voices by Jan P. Sweelinck |
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Performer:
Bernard Winsemius (Organ),
Bernard Winsemius (Virginal),
Charles Toet (Trombone),
Richte Van der Meer (Cello), Richte Van der Meer (Viol), Titia Zwart (Viol), Stephen Stubbs (Lute), William Bremer (Cornet), William Bremer (Shawm) Conductor: Jan Boeke Period: Renaissance |
Venue: Bethlehem Church, Papendrecht Length: 6 Minutes 1 Secs. |
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| 15. |
Vide homo, quae pro te patior, motet for 5 voices & continuo (Cantiones Sacrae No. 17) by Jan P. Sweelinck |
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Performer:
Bernard Winsemius (Virginal),
Bernard Winsemius (Organ),
Charles Toet (Trombone),
Richte Van der Meer (Viol), Richte Van der Meer (Cello), Titia Zwart (Viol), Stephen Stubbs (Lute), William Bremer (Cornet), William Bremer (Shawm) Conductor: Jan Boeke Period: Renaissance |
Venue: Bethlehem Church, Papendrecht Length: 4 Minutes 9 Secs. |
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| 16. |
Revenge moy, pren la querelle (Psalm 43), for 8 voices by Jan P. Sweelinck |
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Performer:
Bernard Winsemius (Organ),
Bernard Winsemius (Virginal),
Charles Toet (Trombone),
Richte Van der Meer (Viol), Richte Van der Meer (Cello), Titia Zwart (Viol), Stephen Stubbs (Lute), William Bremer (Shawm), William Bremer (Cornet) Conductor: Jan Boeke Period: Renaissance |
Venue: Bethlehem Church, Papendrecht Length: 3 Minutes 21 Secs. |
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| 17. |
Non omnis qui dicit mihi Domine, motet for 5 voices & continuo (Cantiones Sacrae No. 1) by Jan P. Sweelinck |
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Performer:
Bernard Winsemius (Organ),
Bernard Winsemius (Virginal),
Charles Toet (Trombone),
Richte Van der Meer (Cello), Richte Van der Meer (Viol), Titia Zwart (Viol), Stephen Stubbs (Lute), William Bremer (Cornet), William Bremer (Shawm) Conductor: Jan Boeke Period: Renaissance |
Venue: Bethlehem Church, Papendrecht Length: 2 Minutes 39 Secs. |
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| 18. |
In te Domini speravi, motet for 5 voices & continuo (Cantiones Sacrae No. 4) by Jan P. Sweelinck |
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Performer:
Bernard Winsemius (Organ),
Bernard Winsemius (Virginal),
Charles Toet (Trombone),
Richte Van der Meer (Cello), Richte Van der Meer (Viol), Titia Zwart (Viol), Stephen Stubbs (Lute), William Bremer (Cornet), William Bremer (Shawm) Conductor: Philippe Herreweghe Period: Renaissance |
Venue: Waalse Kerk, Amsterdam Length: 4 Minutes 41 Secs. |
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| 19. |
Qui vult venire post me, motet for 5 voices & continuo (Cantiones Sacrae No. 19) by Jan P. Sweelinck |
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Performer:
Bernard Winsemius (Virginal),
Bernard Winsemius (Organ),
Charles Toet (Trombone),
Richte Van der Meer (Viol), Richte Van der Meer (Cello), Titia Zwart (Viol), Stephen Stubbs (Lute), William Bremer (Shawm), William Bremer (Cornet) Conductor: Philippe Herreweghe Period: Renaissance |
Venue: Waalse Kerk, Amsterdam Length: 2 Minutes 30 Secs. |
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| 20. |
Beati pauperes spiritu, motet for 5 voices & continuo (Cantiones Sacrae No. 6) by Jan P. Sweelinck |
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Performer:
Bernard Winsemius (Virginal),
Bernard Winsemius (Organ),
Charles Toet (Trombone),
Richte Van der Meer (Cello), Richte Van der Meer (Viol), Titia Zwart (Viol), Stephen Stubbs (Lute), William Bremer (Cornet), William Bremer (Shawm) Conductor: Philippe Herreweghe Period: Renaissance |
Venue: Waalse Kerk, Amsterdam Length: 4 Minutes 34 Secs. |
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| 21. |
Mon coeur est dispos, ô mon Dieu (Psalm 108), for 6 voices by Jan P. Sweelinck |
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Performer:
William Bremer (Cornet),
Bernard Winsemius (Virginal),
Bernard Winsemius (Organ),
Charles Toet (Trombone), Richte Van der Meer (Viol), Richte Van der Meer (Cello), Titia Zwart (Viol), Stephen Stubbs (Lute), William Bremer (Shawm) Conductor: Philippe Herreweghe Period: Renaissance |
Venue: Waalse Kerk, Amsterdam Length: 2 Minutes 5 Secs. |
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| 22. |
Mon Dieu me paist sous sa puissance haute (Psalm 23), for 4 to 6 voices by Jan P. Sweelinck |
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Performer:
William Bremer (Shawm),
Bernard Winsemius (Virginal),
Bernard Winsemius (Organ),
Charles Toet (Trombone), Richte Van der Meer (Cello), Richte Van der Meer (Viol), Titia Zwart (Viol), Stephen Stubbs (Lute), William Bremer (Cornet) Conductor: Philippe Herreweghe Period: Renaissance |
Venue: Waalse Kerk, Amsterdam Length: 7 Minutes 50 Secs. |
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| 23. |
Estans assis aux rives aquatiques (Psalm 137), for 5 voices by Jan P. Sweelinck |
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Performer:
William Bremer (Shawm),
Bernard Winsemius (Organ),
Bernard Winsemius (Virginal),
Charles Toet (Trombone), Richte Van der Meer (Viol), Richte Van der Meer (Cello), Titia Zwart (Viol), Stephen Stubbs (Lute), William Bremer (Cornet) Conductor: Philippe Herreweghe Period: Renaissance |
Venue: Waalse Kerk, Amsterdam Length: 2 Minutes 18 Secs. |
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| 24. |
Cantate Domino canticum novem, motet for 5 voices & continuo (Cantiones Sacrae No. 8) by Jan P. Sweelinck |
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Performer:
William Bremer (Cornet),
Bernard Winsemius (Virginal),
Bernard Winsemius (Organ),
Charles Toet (Trombone), Richte Van der Meer (Viol), Richte Van der Meer (Cello), Titia Zwart (Viol), Stephen Stubbs (Lute), William Bremer (Shawm) Conductor: Peter Phillips Period: Renaissance |
Venue: Mennonite Church, Haarlem, The Netherlan Length: 3 Minutes 27 Secs. |
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| 25. |
Le Toutpuissant à mon Seigneur et maistre (Psalm 110), 6 voices by Jan P. Sweelinck |
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Performer:
Bernard Winsemius (Virginal),
Bernard Winsemius (Organ),
Charles Toet (Trombone),
Richte Van der Meer (Cello), Richte Van der Meer (Viol), Titia Zwart (Viol), Stephen Stubbs (Lute), William Bremer (Shawm), William Bremer (Cornet) Conductor: Peter Phillips Period: Renaissance |
Venue: Mennonite Church, Haarlem, The Netherlan Length: 7 Minutes 34 Secs. |
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| 26. |
Regina coeli laetare, motet for 5 voices & continuo (Cantiones Sacrae No. 33) by Jan P. Sweelinck |
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Performer:
William Bremer (Cornet),
Bernard Winsemius (Virginal),
Bernard Winsemius (Organ),
Charles Toet (Trombone), Richte Van der Meer (Viol), Richte Van der Meer (Cello), Titia Zwart (Viol), Stephen Stubbs (Lute), William Bremer (Shawm) Conductor: Peter Phillips Period: Renaissance |
Venue: Mennonite Church, Haarlem, The Netherlan Length: 5 Minutes 4 Secs. |
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| 27. |
Or est maintenant l'eternel regnant (Psalm 99), for 6 voices by Jan P. Sweelinck |
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Performer:
William Bremer (Shawm),
Bernard Winsemius (Virginal),
Bernard Winsemius (Organ),
Charles Toet (Trombone), Richte Van der Meer (Cello), Richte Van der Meer (Viol), Titia Zwart (Viol), Stephen Stubbs (Lute), William Bremer (Cornet) Conductor: Peter Phillips Period: Renaissance |
Venue: Mennonite Church, Haarlem, The Netherlan Length: 3 Minutes 38 Secs. |
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| 28. |
Diligam te Domine, fortitudo mea, motet for 5 voices & continuo (Cantiones Sacrae No. 5) by Jan P. Sweelinck |
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Performer:
Wim Becu (Bass Sackbut),
Wim Becu (Tenor Sackbut),
William Bremer (Cornet),
William Bremer (Bass Dulcian), Rene Van Laken (Tenor Shawm), Rene Van Laken (Dulcian), Harry Ries (Alto Sackbut) Conductor: Paul van Nevel Period: Renaissance |
Venue: Augustinian Church, Amsterdam Length: 4 Minutes 9 Secs. |
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| 29. |
O Dieu, mon honneur et ma gloire (Psalm 109), for 6 voices by Jan P. Sweelinck |
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Performer:
Wim Becu (Tenor Sackbut),
William Bremer (Cornet),
William Bremer (Bass Dulcian),
Rene Van Laken (Tenor Shawm), Rene Van Laken (Dulcian), Wim Becu (Bass Sackbut), Harry Ries (Alto Sackbut) Conductor: Paul van Nevel Period: Renaissance |
Venue: Augustinian Church, Amsterdam Length: 3 Minutes 31 Secs. |
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| 30. |
Tanto tempore vobiscum sum, motet for 5 voices & continuo (Cantiones Sacrae No. 36) by Jan P. Sweelinck |
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Performer:
Wim Becu (Bass Sackbut),
Wim Becu (Tenor Sackbut),
William Bremer (Cornet),
William Bremer (Bass Dulcian), Rene Van Laken (Tenor Shawm), Rene Van Laken (Dulcian), Harry Ries (Alto Sackbut) Conductor: Paul van Nevel Period: Renaissance |
Venue: Augustinian Church, Amsterdam Length: 5 Minutes 11 Secs. |
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| 31. |
A Dieu ma voix j'ay haussee (Psalm 77), for 5 voices by Jan P. Sweelinck |
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Performer:
Wim Becu (Tenor Sackbut),
Wim Becu (Bass Sackbut),
William Bremer (Cornet),
William Bremer (Bass Dulcian), Rene Van Laken (Dulcian), Rene Van Laken (Tenor Shawm), Harry Ries (Alto Sackbut) Conductor: Paul van Nevel Period: Renaissance |
Venue: Augustinian Church, Amsterdam Length: 4 Minutes 42 Secs. |
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| 32. |
Che giova posseder, madrigal for 2 voices by Jan P. Sweelinck |
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Performer:
Wim Becu (Tenor Sackbut),
William Bremer (Cornet),
William Bremer (Bass Dulcian),
Rene Van Laken (Tenor Shawm), Rene Van Laken (Dulcian), Wim Becu (Bass Sackbut), Harry Ries (Alto Sackbut) Conductor: Paul van Nevel Period: Renaissance |
Venue: Augustinian Church, Amsterdam Length: 3 Minutes 47 Secs. |
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| 33. |
Yeux, qui guidez mon ame en l'amoureux voyage, chanson for 3 voices by Jan P. Sweelinck |
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Performer:
Wim Becu (Bass Sackbut),
William Bremer (Bass Dulcian),
William Bremer (Cornet),
Rene Van Laken (Tenor Shawm), Rene Van Laken (Dulcian), Wim Becu (Tenor Sackbut), Harry Ries (Alto Sackbut) Conductor: Paul van Nevel Period: Renaissance |
Venue: Augustinian Church, Amsterdam Length: 6 Minutes 8 Secs. |
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| 34. |
Dolcissimo ben mio, speme di questo core, madrigal for 3 voices (after Andrea Gabrieli) by Jan P. Sweelinck |
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Performer:
Wim Becu (Tenor Sackbut),
William Bremer (Bass Dulcian),
William Bremer (Cornet),
Rene Van Laken (Tenor Shawm), Rene Van Laken (Dulcian), Wim Becu (Bass Sackbut), Harry Ries (Alto Sackbut) Conductor: Paul van Nevel Period: Renaissance |
Venue: Augustinian Church, Amsterdam Length: 3 Minutes 11 Secs. |
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| 35. |
O Domine Jesu Christe, pastor bone, motet for 5 voices & continuo (Cantiones Sacrae No. 10) by Jan P. Sweelinck |
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Performer:
Wim Becu (Tenor Sackbut),
Wim Becu (Bass Sackbut),
William Bremer (Cornet),
William Bremer (Bass Dulcian), Rene Van Laken (Dulcian), Rene Van Laken (Tenor Shawm), Harry Ries (Alto Sackbut) Conductor: Paul van Nevel Period: Renaissance |
Venue: Augustinian Church, Amsterdam Length: 6 Minutes 40 Secs. |
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| 36. |
Quand Israël hors d'Egypte sortit (Psalm 144), for 4 voices by Jan P. Sweelinck |
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Performer:
Wim Becu (Bass Sackbut),
William Bremer (Bass Dulcian),
William Bremer (Cornet),
Rene Van Laken (Tenor Shawm), Rene Van Laken (Dulcian), Harry Ries (Alto Sackbut), Wim Becu (Tenor Sackbut) Conductor: Paul van Nevel Period: Renaissance |
Venue: Augustinian Church, Amsterdam Length: 2 Minutes 41 Secs. |
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| 37. |
Timor Domini principium sapientiae, motet for 5 voices & continuo (Cantiones Sacrae No. 29) by Jan P. Sweelinck |
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Performer:
Wim Becu (Bass Sackbut),
Rene Van Laken (Dulcian),
Rene Van Laken (Tenor Shawm),
William Bremer (Bass Dulcian), William Bremer (Cornet), Wim Becu (Tenor Sackbut), Harry Ries (Alto Sackbut) Conductor: Paul van Nevel Period: Renaissance |
Venue: Augustinian Church, Amsterdam Length: 3 Minutes 3 Secs. |
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| 38. |
Mein junges Leben hat ein End, variations for keyboard by Jan P. Sweelinck |
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Performer:
William Bremer (Cornet),
Rene Van Laken (Tenor Shawm),
Rene Van Laken (Dulcian),
Harry Ries (Alto Sackbut), Wim Becu (Tenor Sackbut), Wim Becu (Bass Sackbut), William Bremer (Bass Dulcian) Conductor: Paul van Nevel Period: Renaissance Written: Netherlands |
Venue: Augustinian Church, Amsterdam Length: 7 Minutes 0 Secs. |
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| 39. |
Qual vive Salamandra in fiamma ardente, madrigal for 3 voices (after Marenzio) by Jan P. Sweelinck |
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Performer:
Rene Van Laken (Tenor Shawm),
Rene Van Laken (Dulcian),
Harry Ries (Alto Sackbut),
Wim Becu (Tenor Sackbut), Wim Becu (Bass Sackbut), William Bremer (Cornet), William Bremer (Bass Dulcian) Conductor: Paul van Nevel Period: Renaissance |
Venue: Augustinian Church, Amsterdam Length: 3 Minutes 19 Secs. |
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