Jan-Hendrik Rootering

Biography

Born: March 18, 1950; Wedingfeld  
Jan-Hendrik Rootering is one of the world's leading classical bass singers and is especially known for his work in the German repertoire. His father was also an important singer, the Dutch tenor Hendrikus Rootering. Born in Germany, Jan-Hendrik received his first music and singing lessons from his father. This did not happen until he was in his mid-twenties; earlier he had started a career working with an air cargo company. Hendrikus Rootering Read more found that his son did have potential as a singer, and encouraged him to go ahead with his singing.

Jan-Hendrik went to study at the Hamburg Conservatory and while there was already good enough to take small parts at the Hamburg State Opera. However, his official professional debut, after graduation, was with the Gelsenkirchen Opera in 1980, when he sang the part of Colline in Puccini's La bohème.

This appearance led to his engagement at the Deutsche Oper am Rhein. Conductor Wolfgang Sawallisch had an opportunity to hear him sing and contracted him for his Bavarian State Opera in Munich. Rootering remained on the roster there until 1988. He began singing guest appearances at other major companies, such as Covent Garden, Amsterdam, Geneva, Hamburg, Vienna, and Berlin.

He debuted at the Chicago Lyric Opera and the Metropolitan Opera as the Landgrave in Wagner's Tannhäuser, and at La Scala as Pogner in Die Meistersinger. He has been invited back to the Met numerous times and has sung in operas from The Magic Flute (as Sarastro) and Don Giovanni (as Basilio), to Verdi's Don Carlos in the part of King Philip, and as Gurnemanz in Wagner's Parsifal. Among his other notable roles are Prince Gremin in Tchaikovsky's Eugene Onegin, Baron Ochs in Strauss's Der Rosenkavalier, as well as most of Wagner's leading bass parts. In 1995, he made an important appearance as Hans Sachs in Die Meistersinger in Munich, a role that is taking increasing importance in his repertory. His commanding presence makes him ideal for the kings and villains that are often a part of the bass repertory, but the warmth of his voice makes him, in the opinion of many, the leading Sachs of his time.

Rootering also is renowned for his concert career. A highlight of it was his participation in the historic performance conducted by Leonard Bernstein of Beethoven's Ninth Symphony commemorating the destruction of the Berlin Wall, available on audio and video recordings. Other recordings are La fanciulla del West conducted by Leonard Slatkin, Luisa Miller conducted by James Levine, Don Giovanni under the baton of Riccardo Muti, and numerous other operatic and concert recordings. He is also an esteemed Lieder singer and has released several discs of songs by the German composers from Loewe and Schubert to Strauss.

Rootering has been named to the ceremonial position of Kammersänger (Chamber Singer) of Bavaria. Since 1994 he has been a voice professor at the Munich Hochschule für Musik. Read less

There are 59 Jan-Hendrik Rootering recordings available.

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Biography

Born: March 18, 1950; Wedingfeld  
Jan-Hendrik Rootering is one of the world's leading classical bass singers and is especially known for his work in the German repertoire. His father was also an important singer, the Dutch tenor Hendrikus Rootering. Born in Germany, Jan-Hendrik received his first music and singing lessons from his father. This did not happen until he was in his mid-twenties; earlier he had started a career working with an air cargo company. Hendrikus Rootering Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Sinfonia
Act I, Introduzione - Orchestral Prelude
Act I, Introduzione - Ti desta, Luisa, regina de' cori
Act I, Introduzione - Ecco mia figlia
Act I, Introduzione - Lo vidi, e'l primo palpito
Act I, Introduzione - T'amo d'amor ch'esprimere
Act I, Scene ed aria - Ferma ed ascolta
Act I, Scene ed aria - Sacra la scelta è d'un consorte
Act I, Scene ed aria - Costarti, o vecchio debole
Act I, Scene ed aria - Ah! Fu giusto il mio sospetto!
Act I, Scene ed aria - Che mai narrasti!
Act I, Scene ed aria - Il mio sangue, la vita darei
Act I, Scene ed aria - Padre... M'abbraccia
Act I, Scene ed aria - Quale un sorriso d'amica sorte
Act I, Recitativo e duetto - Duchessa... Dall'aule raggianti
Act I, Finale I - Sciogliete i levrieri
Act I, Finale I - Del conte di Walter figlio
Act I, Finale I - Tu, signor, fra queste soglie!
Act I, Finale I - Fra'mortali ancora oppressa
Act I, Finale I - I cenni miei si compiano
Act II, Coro, scena ed aria - Ah! Luisa, ove sei?
Act II, Coro, scena ed aria - Il padre tuo... Finisci
Act II, Coro, scena ed aria - Tu puniscimi, o Signore
Act II, Coro, scena ed aria - Qui nulla s'attenta imporre al tuo core
Act II, Coro, scena ed aria - A brani, a brani, o perfido
Act II, Recitativo, scena e duetto - Egli delira, Sul mattin degli anni
Act II, Recitativo, scena e duetto - L'alto retaggio non ho bramato
Act II, Recitativo, scena e duetto - Vien la duchessa!
Act II, Scena e quartetto - Presentarti alla duchessa
Act II, Scena ed aria - Il foglio dunque?... Io tutto già vi narrai!
Act II, Scena ed aria - Quando le sere al placido
Act II, Scena ed aria - Di mi chiedeste?... Appressati
Act II, Scena ed aria - L'ara, o l'avello apprestami
Act III, Scena e coro - Como in un giorno solo
Act III, Scena e coro - O dolce amica, e ristorar non vuoi
Act III, Scena e duetto - Pallida, mesta sei!
Act III, Scena e duetto - La tomba è un letto sparso di fiori
Act III, Scena e duetto - Andrem, raminghi e poveri
Act III, Scena e duetto finale - Ah! L'ultima preghiera
Act III, Scena e duetto finale - Piangi, piangi. Il tuo dolore
Act III, Scena e terzetto finale - Donna, per noi terribile ora squillò suprema!
Act III, Finale - Padre ricevi l'estremo addio
Act I: Scene 1: All'erta, all'erta!
Act I: Scene 1: Di due figli vivea padre beato
Act I: Scene 2: Che più t'arresti?
Act I: Scene 2: Tacea la notte placida
Act I: Scene 2: Di tale amor che dirsi
Act I: Scene 2: Tace la notte!
Act I: Scene 2: Deserto sulla terra
Act I: Scene 2: Non m'inganno
Act I: Scene 2: Di geloso amor sprezzato
Act II: Scene 1: Vedi! Le fosche notturne spoglie
Act II: Scene 1: Stride la vampa!
Act II: Scene 1: Soli or siamo!
Act II: Scene 1: Condotta ell'era in ceppi
Act II: Scene 1: Non son tuo figlio?
Act II: Scene 1: Mal reggendo all'aspro assalto
Act II: Scene 1: Inoltra il piè
Act II: Scene 1: Perigliarti ancor languente
Act II: Scene 2: Tutto è deserto
Act II: Scene 2: Il balen del suo sorriso
Act II: Scene 2: Qual suono! Oh ciel!
Act II: Scene 2: Per me ora fatale
Act II: Scene 2: Ah! Se l'error t'ingombra
Act II: Scene 2: Perchè piangete?
Act II: Scene 2: E deggio e posso crederlo?
Vorspiel
"Weia! Waga! Woge du Welle!"
"Garstig glatter glitschriger Glimmer!"
"Wallala! Lalaleia! Leialalei!"
"Lugt, Schwestern! Die Weckerin lacht in den Grund"
Der Welt Erbe gewänn ich...Orchesterzwischenspiel
Wotan! Gemahl! Erwache!...Nur die Wonne schafft dir
"Sanft schloß Schlaf dein Aug'"
"Zu mir, Freia!"
"Endlich, Loge!"
"Immer ist Undank Loges Lohn!"
Ein Runenzauber...taugte wohl des goldnen Tandes
"Hör', Wotan, der Harrenden Wort!"
Was sinnt nun Wotan so wild?
Auf, Loge, hinab mit mir! -[Sc.3] Was wär noch nicht
Schau, du Schelm
Nibelheim hier
Nehmt euch in acht! Alberich naht! (Mime, Wotan, Alberich, Loge)
Vergeh, frevelnder Gauch!
Ohe! Ohe! Schreckliche Schlange!...Verwandlungsmusik
"Da, Vetter, sitze du fest!"
"Gezahlt hab' ich
"Bin ich nun frei?"
Fasolt und Fafner nahen von fern
Gepflanzt sind die Pfähle nach Pfandes Maß (Fafner, Wotan, Loge, Froh, Fricka, Donner, Fasolt, Freia)
"Weiche, Wotan, weiche!"
"Hört, ihr Riesen!"
Schwüles Gedunst schwehlt...Zur Burg führt die Brücke
Abendlich strahlt der Sonne Auge (Wotan)
"Rheingold! Rheingold! Reines Gold!"
Don Giovanni, K.527, Act I, Scena prima: Notte e giorno faticar (Leporello/Donna Anna/Don Giovanni/Commendatore)
Don Giovanni, K.527, Act I, Scena prima: Leporello, ove sei? (Don Giovanni/Leporello)
Don Giovanni, K.527, Act I, Scena prima: Ah! Del padre in periglio...Ma qual mai s'offre
Don Giovanni, K.527, Act I, Scena prima: Fuggi, crudele, fuggi! (Donna Anna/Don Ottavio)
Don Giovanni, K.527, Act I, Scena seconda: Orsu, spicciati presto (Don Giovanni/Leporello)
Don Giovanni, K.527, Act I, Scena seconda: Ah, chi si dice mai
Don Giovanni, K.527, Act I, Scena seconda: Chi e la? (Donna Elvira/Don Giovanni/Leporello)
Don Giovanni, K.527, Act I, Scena seconda: Madamina, il catalogo e questo (Leporello)
Don Giovanni, K.527, Act I, Scena seconda: In questa forma dunque (Donna Elvira)
Don Giovanni, K.527, Act I, Scena terza: Giovinette, che fate all'amore (Zerlina/Coro/Masetto)
Don Giovanni, K.527, Act I, Scena terza: Manco sale e partita (Don Giovanni/Leporello/Masetto)
Don Giovanni, K.527, Act I, Scena terza: Ho capito, signor si! (Masetto)
Don Giovanni, K.527, Act I, Scena terza: Alfin siam liberati
Don Giovanni, K.527, Act I, Scena terza: La ci darem la mano (Don Giovanni/Zerlina)
Don Giovanni, K.527, Act I, Scena terza: Fermati, scellerato! (Donna Elvira/Zerlina/Don Giovanni)
Don Giovanni, K.527, Act I, Scena terza: Ah, fuggi il traditor! (Donna Elvira)
Don Giovanni, K.527, Act I, Scena terza: Mi par ch'oggi il demonio
Don Giovanni, K.527, Act I, Scena terza: Non ti fidar (Don Giovanni/Don Ottavio/Donna Anna/Donna Elvira)
Don Giovanni, K.527, Act I, Scena terza: Povera sventurata! (Don Giovanni)
Don Giovanni, K.527, Act I, Scena terza: Don Ottavio, son morta! (Donna Anna/Don Ottavio)
Don Giovanni, K.527, Act I, Scena terza: Or sai chi l'onore (Donna Anna)
Don Giovanni, K.527, Act I, Scena terza: Come mai creder deggio (Don Ottavio)
Don Giovanni, K.527, Act I, Scena terza: Dalla sua pace (Don Ottavio)
Component 5: Don Giovanni, K.527, Act I, Scena terza: Io deggio ad ogni patto (Leporello/Don Giovanni)
Don Giovanni, K.527, Act I, Scena terza: Finch'han dal vino (Don Giovanni)
Don Giovanni, K.527, Act I, Scena quarta: Masetto, senti un po'! (Zerlina/Masetto)
Don Giovanni, K.527, Act I, Scena quarta: Ma poi, Masetto mio...Batti, batti, o bel Masetto (Zerlina)
Don Giovanni, K.527, Act I, Scena quarta: Guarda un po' (Masetto/Don Giovanni/Zerlina)
Don Giovanni, K.527, Act I, Scena quarta: Presto, presto, pria ch'si venga (Masetto/Zerlina/Don Giovanni/Coro)
Don Giovanni, K.527, Act I, Scena quarta: Tra quest'arbori celata (Zerlina/Don Giovanni/Masetto)
Don Giovanni, K.527, Act I, Scena quarta: Bisogna aver coraggio (Donna Elvira/Don Ottavio/Donna Anna/Leporello/Don Giovanni)
Don Giovanni, K.527, Act I, Scena quarta: Protegge il giusto cielo (Donna Anna/Don Ottavio/Donna Elvira)
Don Giovanni, K.527, Act I, Scena quinta: Riposate, vezzose ragazze (Don Giovanni/Leporello/Masetto/Zerlina)
Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio)
Don Giovanni, K.527, Act I, Scena quinta: Ricominciate il suono! (Don Giovanni/Leporello/Donna Elvira/Donna Anna/Don Ottavio/Masetto/Zerlina)
Don Giovanni, K.527, Act I, Scena quinta: Ecco il birbo (Don Giovanni/Leporello/Don Ottavio/Donna Anna/Donna Elvira)
Don Giovanni, K.527, Act I, Scena quinta: Trema, treme, o scellerato! (Tutti)
Don Giovanni, K.527, Act II, Scena prima: E via, buffone (Don Giovanni/Leporello)
Don Giovanni, K.527, Act II, Scena prima: Leporello!...Signore? (Don Giovanni/Leporello)
Don Giovanni, K.527, Act II, Scena prima: A taci, ingiusto core! (Donna Elvira/Leporello/Don Giovanni)
Don Giovanni, K.527, Act II, Scena prima: Amico, che ti par? (Don Giovanni/Leporello)
Don Giovanni, K.527, Act II, Scena prima: Eccomi a voi (Donna Elvira/Don Giovanni/Leporello)
Don Giovanni, K.527, Act II, Scena prima: Deh, vieni alla finestra (Don Giovanni)
Don Giovanni, K.527, Act II, Scena prima: Non ci stanchiamo (Masetto/Don Giovanni)
Don Giovanni, K.527, Act II, Scena prima: Meta di voi qua vadano (Don Giovanni)
Don Giovanni, K.527, Act II, Scena prima: Zitto, lascia ch'io senta! (Don Giovanni/Masetto)
Don Giovanni, K.527, Act II, Scena prima: Ahi, ahi! la testa mia! (Masetto/Don Giovanni/Zerlina)
Don Giovanni, K.527, Act II, Scena prima: Vedrai carino (Zerlina)
Don Giovanni, K.527, Act II, Scena seconda: Di molte faci il lume (Leporello/Donna Elvira)
Don Giovanni, K.527, Act II, Scena seconda: Sola, sola in buio loco
Don Giovanni, K.527, Act II, Scena seconda: Mille torbidi pensieri (Donna Elvira/Leporello/Don Ottavio/Donna Anna/Zerlina/Masetto)
Don Giovanni, K.527, Act II, Scena seconda: Dunque quello sei tu (Zerlina/Donna Elvira/Don Ottavio/Masetto)
Don Giovanni, K.527, Act II, Scena seconda: Ah, pieta, signori miei (Leporello)
Component 6: Don Giovanni, K.527, Act II, Scena seconda: Ferma, perfido (Donna Elvira/Masetto/Zerlina/Don Ottavio)
Don Giovanni, K.527, Act II, Scena seconda: Il mio tesoro intanto (Don Giovanni)
Don Giovanni, K.527, Act II, Scena seconda: In quali eccessi, o Numi (Donna Elvira)
Don Giovanni, K.527, Act II, Scena seconda: Mi tradi, quell'alma ingrata (Donna Elvira)
Don Giovanni, K.527, Act II, Scena terza: Ah, ah, ah, questa e buona (Don Giovanni/Leporello/Commendatore)
Don Giovanni, K.527, Act II, Scena terza: O statua gentilissima (Don Giovanni/Leporello)
Don Giovanni, K.527, Act II, Scena quarta: Calmatevi, idol mio! (Don Ottavio/Donna Anna)
Don Giovanni, K.527, Act II, Scena quarta: Non mi dir, bell'idol mio (Donna Anna)
Don Giovanni, K.527, Act II, Scena quarta: Ah, si segua il suo passo (Don Ottavio)
Don Giovanni, K.527, Act II, Scene 5: Già la mensa e preperata (Don Giovanni/Leporello)
Don Giovanni, K.527, Act II, Scene 5: L'ultima prova dell'amor mio (Donna Elvira/Don Giovanni/Leporello)
Don Giovanni, K.527, Act II, Scene 5: Ah, signor! Per carita! (Leporello/Don Giovanni)
Don Giovanni, K.527, Act II, Scene 5: Don Giovanni, a cenar teco (Commendatore/Don Giovanni/Leporello/Coro)
Don Giovanni, K.527, Act II, Scene 5: Ah, dov'e il perfido?
Don Giovanni, K.527, Act II, Scene 5: Or che tutti, o mio tesoro
Don Giovanni, K.527, Act II, Scene 5: Questo è il fin (Donna Elvira/Donna Anna/Zerlina/Don Ottavio/Masetto/Leporello)
I. Teil. Hymnus: Veni, creator spiritus.: Veni, creator spiritus.
I. Teil. Hymnus: Veni, creator spiritus.: Imple superna gratia
I. Teil. Hymnus: Veni, creator spiritus.: Infirma nostri corporis
I. Teil. Hymnus: Veni, creator spiritus.: Tempo I - Allegro
I. Teil. Hymnus: Veni, creator spiritus.: Infirma nostri corporis
I. Teil. Hymnus: Veni, creator spiritus.: Accende lumen sensibus
I. Teil. Hymnus: Veni, creator spiritus.: Qui paraclitus diceris
I. Teil. Hymnus: Veni, creator spiritus.: Gloria Patri Domino
II. Teil. Schlußszene aus Goethes "Faust".: Poco adagio - Etwas bewegter - Piu mosso
II. Teil. Schlußszene aus Goethes "Faust".: "Waldung, sie schwankt heran"
II. Teil. Schlußszene aus Goethes "Faust".: Ewiger Wonnebrand
II. Teil. Schlußszene aus Goethes "Faust".: Wie Felsenabgrund
II. Teil. Schlußszene aus Goethes "Faust".: Gerettet ist das edle Glied
II. Teil. Schlußszene aus Goethes "Faust".: Uns bleibt ein Erdenrest
II. Teil. Schlußszene aus Goethes "Faust".: "Ich spür' soeben"
II. Teil. Schlußszene aus Goethes "Faust".: Dir, der Unberührbaren / "Du schwebst zu Höhen der ewigen Reiche"
II. Teil. Schlußszene aus Goethes "Faust".: Bei der Leibe / "Bei dem Bronn" / "Bei dem hoch geweihten Orte"
II. Teil. Schlußszene aus Goethes "Faust".: Neige, neige, du Ohnegleiche / "Er überwächst uns schon"
II. Teil. Schlußszene aus Goethes "Faust".: Komm! hebe dich zu höhern Sphären!
II. Teil. Schlußszene aus Goethes "Faust".: Blicket auf!
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Part II, Alles Vergängliche ist nur ein Gleichnis
Symphony No. 9 in D Minor, Op.125 'Choral': I. Allegro ma non troppo, un poco maestoso
Symphony No. 9 in D Minor, Op.125 'Choral', II.: Molto vivace -
Symphony No. 9 in D Minor, Op.125 'Choral', II.: Presto -
Symphony No. 9 in D Minor, Op.125 'Choral', II.: Molto vivace
Symphony No. 9 in D Minor, Op.125 'Choral': III. Adagio molto e cantabile
Symphony No. 9 in D Minor, Op.125 'Choral', IV.: Presto -
Symphony No. 9 in D Minor, Op.125 'Choral', IV.: Recitativo: "O Freunde, nicht diese Töne!"
Symphony No. 9 in D Minor, Op.125 'Choral', IV.: Allegro assai: "Freude, Freude!"
Symphony No. 9 in D Minor, Op.125 'Choral', IV.: Allegro assai vivace alla Marcia: "Froh, froh, wie seine Sonnen fliegen"
Symphony No. 9 in D Minor, Op.125 'Choral', IV.: Andante maestoso: "Seid umschlungen, Millionen!" -
Symphony No. 9 in D Minor, Op.125 'Choral', IV.: Allegro energico, sempre ben marcato:"Seid umschlungen/Freude, schöne Götterfunken" -
Symphony No. 9 in D Minor, Op.125 'Choral', IV.: Allegro ma non tanto: "Freude, Tochter aus Elysium!" -
Symphony No. 9 in D Minor, Op.125 'Choral', IV.: Prestissimo: "Seid umschlungen, Millionen!"
Don Giovanni, K.527, Act I: Sinfonia (Orchestra)
Don Giovanni, K.527, Act I, Scena prima: Notte e giorno faticar (Leporello/Donna Anna/Don Giovanni/Commendatore)
Don Giovanni, K.527, Act I, Scena prima: Leporello, ove sei? (Don Giovanni/Leporello)
Don Giovanni, K.527, Act I, Scena prima: Ah! Del padre in periglio...Ma qual mai s'offre
Don Giovanni, K.527, Act I, Scena prima: Fuggi, crudele, fuggi! (Donna Anna/Don Ottavio)
Don Giovanni, K.527, Act I, Scena seconda: Orsu, spicciati presto (Don Giovanni/Leporello)
Don Giovanni, K.527, Act I, Scena seconda: Ah, chi si dice mai
Don Giovanni, K.527, Act I, Scena seconda: Chi e la? (Donna Elvira/Don Giovanni/Leporello)
Don Giovanni K527, ATTO PRIMO, Scena seconda: Madamina, il catalogo e questo (Leporello)
Don Giovanni, K.527, Act I, Scena seconda: In questa forma dunque (Donna Elvira)
Don Giovanni, K.527, Act I, Scena terza: Giovinette, che fate all'amore (Zerlina/Coro/Masetto)
Don Giovanni, K.527, Act I, Scena terza: Manco sale e partita (Don Giovanni/Leporello/Masetto)
Don Giovanni, K.527, Act I, Scena terza: Ho capito, signor si! (Masetto)
Don Giovanni, K.527, Act I, Scena terza: Alfin siam liberati
Don Giovanni K527, ATTO PRIMO, Scena terza: La ci darem la mano (Don Giovanni/Zerlina)
Don Giovanni, K.527, Act I, Scena terza: Fermati, scellerato! (Donna Elvira/Zerlina/Don Giovanni)
Don Giovanni, K.527, Act I, Scena terza: Ah, fuggi il traditor! (Donna Elvira)
Don Giovanni, K.527, Act I, Scena terza: Mi par ch'oggi il demonio
Don Giovanni, K.527, Act I, Scena terza: Non ti fidar (Don Giovanni/Don Ottavio/Donna Anna/Donna Elvira)
Don Giovanni, K.527, Act I, Scena terza: Povera sventurata! (Don Giovanni)
Don Giovanni, K.527, Act I, Scena terza: Don Ottavio, son morta! (Donna Anna/Don Ottavio)
Don Giovanni K527, ATTO PRIMO, Scena terza: Or sai chi l'onore (Donna Anna)
Don Giovanni, K.527, Act I, Scena terza: Come mai creder deggio (Don Ottavio)
Don Giovanni K527, ATTO PRIMO, Scena terza: Dalla sua pace (Don Ottavio)
Don Giovanni, K.527, Act I, Scena terza: Io deggio ad ogni patto (Leporello/Don Giovanni)
Don Giovanni K527, ATTO PRIMO, Scena terza: Finch'han dal vino (Don Giovanni)
Don Giovanni, K.527, Act I, Scena quarta: Masetto, senti un po'! (Zerlina/Masetto)
Don Giovanni, K.527, Act I, Scena quarta: Ma poi, Masetto mio...Batti, batti, o bel Masetto (Zerlina)
Don Giovanni, K.527, Act I, Scena quarta: Guarda un po' (Masetto/Don Giovanni/Zerlina)
Don Giovanni, K.527, Act I, Scena quarta: Presto, presto, pria ch'si venga (Masetto/Zerlina/Don Giovanni/Coro)
Don Giovanni, K.527, Act I, Scena quarta: Tra quest'arbori celata (Zerlina/Don Giovanni/Masetto)
Don Giovanni, K.527, Act I, Scena quarta: Bisogna aver coraggio (Donna Elvira/Don Ottavio/Donna Anna/Leporello/Don Giovanni)
Don Giovanni, K.527, Act I, Scena quarta: Protegge il giusto cielo (Donna Anna/Don Ottavio/Donna Elvira)
Don Giovanni, K.527, Act I, Scena quinta: Riposate, vezzose ragazze (Don Giovanni/Leporello/Masetto/Zerlina)
Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio)
Don Giovanni, K.527, Act I, Scena quinta: Ricominciate il suono! (Don Giovanni/Leporello/Donna Elvira/Donna Anna/Don Ottavio/Masetto/Zerlina)
Don Giovanni, K.527, Act I, Scena quinta: Ecco il birbo (Don Giovanni/Leporello/Don Ottavio/Donna Anna/Donna Elvira)
Don Giovanni, K.527, Act I, Scena quinta: Trema, treme, o scellerato! (Tutti)
Don Giovanni, K.527, Act II, Scena prima: E via, buffone (Don Giovanni/Leporello)
Don Giovanni, K.527, Act II, Scena prima: Leporello!...Signore? (Don Giovanni/Leporello)
Don Giovanni, K.527, Act II, Scena prima: A taci, ingiusto core! (Donna Elvira/Leporello/Don Giovanni)
Don Giovanni, K.527, Act II, Scena prima: Amico, che ti par? (Don Giovanni/Leporello)
Don Giovanni, K.527, Act II, Scena prima: Eccomi a voi (Donna Elvira/Don Giovanni/Leporello)
Don Giovanni K527, ATTO SECONDO, Scena prima: Deh, vieni alla finestra (Don Giovanni)
Don Giovanni, K.527, Act II, Scena prima: Non ci stanchiamo (Masetto/Don Giovanni)
Don Giovanni, K.527, Act II, Scena prima: Meta di voi qua vadano (Don Giovanni)
Don Giovanni, K.527, Act II, Scena prima: Zitto, lascia ch'io senta! (Don Giovanni/Masetto)
Don Giovanni, K.527, Act II, Scena prima: Ahi, ahi! la testa mia! (Masetto/Don Giovanni/Zerlina)
Don Giovanni K527, ATTO SECONDO, Scena prima: Vedrai carino (Zerlina)
Don Giovanni, K.527, Act II, Scena seconda: Di molte faci il lume (Leporello/Donna Elvira)
Don Giovanni, K.527, Act II, Scena seconda: Sola, sola in buio loco
Don Giovanni, K.527, Act II, Scena seconda: Mille torbidi pensieri (Donna Elvira/Leporello/Don Ottavio/Donna Anna/Zerlina/Masetto)
Don Giovanni, K.527, Act II, Scena seconda: Dunque quello sei tu (Zerlina/Donna Elvira/Don Ottavio/Masetto)
Don Giovanni, K.527, Act II, Scena seconda: Ah, pieta, signori miei (Leporello)
Don Giovanni, K.527, Act II, Scena seconda: Ferma, perfido (Donna Elvira/Masetto/Zerlina/Don Ottavio)
Don Giovanni, K.527, Act II, Scena seconda: Il mio tesoro intanto (Don Giovanni)
Don Giovanni, K.527, Act II, Scena seconda: In quali eccessi, o Numi (Donna Elvira)
Don Giovanni, K.527, Act II, Scena seconda: Mi tradi, quell'alma ingrata (Donna Elvira)
Don Giovanni, K.527, Act II, Scena terza: Ah, ah, ah, questa e buona (Don Giovanni/Leporello/Commendatore)
Don Giovanni, K.527, Act II, Scena terza: O statua gentilissima (Don Giovanni/Leporello)
Don Giovanni, K.527, Act II, Scena quarta: Calmatevi, idol mio! (Don Ottavio/Donna Anna)
Don Giovanni, K.527, Act II, Scena quarta: Non mi dir, bell'idol mio (Donna Anna)
Don Giovanni, K.527, Act II, Scena quarta: Ah, si segua il suo passo (Don Ottavio)
Don Giovanni, K.527, Act II, Scena quinta: Già la mensa e preperata (Don Giovanni/Leporello)
Don Giovanni, K.527, Act II, Scena quinta: L'ultima prova dell'amor mio (Donna Elvira/Don Giovanni/Leporello)
Don Giovanni, K.527, Act II, Scena quinta: Ah, signor! Per carita! (Leporello/Don Giovanni)
Don Giovanni, K. 527, Act 2: "Don Giovanni, a cenar teco" (Commendatore/Don Giovanni/Leporello/Chorus)
Don Giovanni, K.527, Act II, Scena quinta: Ah, dov'e il perfido?
Don Giovanni, K.527, Act II, Scena quinta: Or che tutti, o mio tesoro
Don Giovanni K527, ATTO SECONDO, Scena quinta: Questo è il fin (Donna Elvira/Donna Anna/Zerlina/Don Ottavio/Masetto/Leporello)
I. Babi Yar: Adagio
II. Yumor (Humor): Allegretto
III. V Magazine (At the Store): Adagio
IV. Strachi (Fears): Largo
V. Kariera (Career): Allegretto
Act I: Vorspiel
Act I Scene 1: Wes Herd dies auch sei (Siegmund, Sieglinde)
Act I Scene 1: Einen Unseligen labtest du (Siegmund, Sieglinde)
Act I Scene 2: Mud am Herd fand ich den Mann (Sieglinde, Hunding, Siegmund)
Act I Scene 2: Friedmund darf ich nicht heissen (Siegmund, Hunding, Sieglinde)
Act I Scene 2: Die so leidig Los dir beschied (Hunding, Sieglinde, Siegmund)
Act I Scene 2: Ich weiss ein wildes Geschlecht (Hunding)
Act I Scene 3: Ein Schwert verhiess mir der Vater (Siegmund)
Act I Scene 3: Schlafst du, Gast? (Sieglinde, Siegmund)
Act I Scene 3: Wintersturme wichen dem Wonnemond (Siegmund)
Act I Scene 3: Du bist der Lenz (Sieglinde)
Act I Scene 3: O susseste Wonne! O seligstes Weib! (Siegmund, Sieglinde)
Act I Scene 3: War Walse dein Vater, und bist du ein Walsung (Sieglinde, Siegmund)
Act I Scene 3: Siegmund, den Walsung, siehst du, Weib! (Siegmund, Sieglinde)
Act II Scene 4: So jung und schon erschimmerst du mir (Siegmund, Brunnhilde)
Die Schöpfung HobXXI/2, PART 1: Die Vorstellung des Chaos (Orchester)
Die Schöpfung HobXXI/2, PART 1: Am Anfange schuf Gott Himmel und Erde:Rezitativ (Raphael, Uriel, Chor)
Die Schöpfung HobXXI/2, PART 1: Nun schwanden vor dem heiligen Strahle:Arie (Uriel) mit Chor
Die Schöpfung HobXXI/2, PART 1: Und Gott machte das Firmament:Rezitativ (Raphael)
Die Schöpfung HobXXI/2, PART 1: Mit Staunen sieht das Wunderwerk:Sopran-Solo (Gabriel) mit Chor
Die Schöpfung HobXXI/2, PART 1: Und Gott sprach: Es sammle sich Wasser unter dem Himmel zusammen: Rezitativ (Raphael)
Die Schöpfung HobXXI/2, PART 1: Rollend in schäumenden Wellen:Arie (Raphael)
Die Schöpfung HobXXI/2, PART 1: Und Gott sprach: Es bringe die Erde Gras hervor: Rezitativ (Gabriel)
Die Schöpfung HobXXI/2, PART 1: Nun beut die Flur das frische Grün : Arie (Gabriel)
Die Schöpfung HobXXI/2, PART 1: Und die himmlischen Heerscharen verkündigten den dritten Tag:Rezitativ (Uriel)
Die Schöpfung HobXXI/2, PART 1: Stimmt an die Saiten, ergreift die Leier (Chor)
Die Schöpfung HobXXI/2, PART 1: Und Gott sprach: Es sei'n Lichter an der Feste:Rezitativ (Uriel)
Die Schöpfung HobXXI/2, PART 1: In vollem Glanze steiget jetzt die Sonne:Rezitativ (Uriel)
Die Schöpfung HobXXI/2, PART 1: Die Himmel erzählen die Ehre Gottes:Soli (Gabriel,Uriel,Raphael) mit Chor
Die Schöpfung HobXXI/2, PART 2: Und Gott sprach: Es bringe das Wasser in der Fülle hervor: Rezitativ (Gabriel)
Die Schöpfung HobXXI/2, PART 2: Auf starkem Fittige schwingt sich der Adler:Arie (Gabriel)
Die Schöpfung HobXXI/2, PART 2: Und Gott schuf grosse Walfische:Rezitativ (Raphael)
Die Schöpfung HobXXI/2, PART 2: Und die Engel rührten ihr'unsterblichen Harfen: Rezitativ (Raphael)
Die Schöpfung HobXXI/2, PART 2: In holder Anmut stehn: Terzett (Gabriel, Uriel, Raphael)
Die Schöpfung HobXXI/2, PART 2: Der Herr ist gross in seiner Macht:Soli (Gabriel, Uriel, Raphael) mit Chor
Introitus: Requiem aeternam
Introitus: Kyrie
Sequentia: Dies irae
Sequentia: Tuba mirum
Sequentia: Rex tremendae
Sequentia: Recordare
Sequentia: Confutatis
Sequentia: Lacrimosa
Offertorium: Domine Jesu Christe
Offertorium: Hostias
Sanctus: Sanctus
Sanctus: Benedictus
Sanctus: Agnus Dei
Communio: Lux Aeterna
Mozart: Missa in C, K.66 "Dominicus" - 1. Kyrie
Mozart: Missa in C, K.66 "Dominicus" - 2. Gloria
Mozart: Missa in C, K.66 "Dominicus" - 3. Credo
Mozart: Missa in C, K.66 "Dominicus" - 4. Sanctus
Mozart: Missa in C, K.66 "Dominicus" - 5. Benedictus
Mozart: Missa in C, K.66 "Dominicus" - 6. Agnus Dei
Mozart: Missa brevis in G, K.49 - 1. Kyrie
Mozart: Missa brevis in G, K.49 - 2. Gloria
Mozart: Missa brevis in G, K.49 - 3. Credo
Mozart: Missa brevis in G, K.49 - 4. Sanctus
Mozart: Missa brevis in G, K.49 - 5. Benedictus
Mozart: Missa brevis in G, K.49 - 6. Agnus Dei
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus" - "Veni creator spiritus"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus" - "Imple superna gratia"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus" - "Infirma nostri corporis"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus" - "Accende lumen sensibus"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus" - "Veni, Creator...Da gaudiorum praemia"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus" - "Gloria sit Patri Domino"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - Poco adagio: Waldung, sie schwankt heran
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Ewiger Wonnebrand"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Wie Felsenabgrund mir zu Füßen"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Gerettet ist das edle Glied"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Uns bleibt ein Erdenrest"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Höchste Herrscherin der Welt"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Dir, der Unberührbaren"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Bei der Liebe, die den Fussen"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Neige, neige, du Ohnegleiche"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Komm! Komm!"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Blicket auf zum Retterblick"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Alles Vergängliche"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" - Vorspiel
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Erste Szene - "Weia! Waga! Woge du Welle!"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Erste Szene - "Lugt, Schwestern! Die Weckerin lacht in den Grund"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Erste Szene - "Der Welt Erbe Gewänn' ich zu eigen durch dich?"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Zweite Szene - "Wotan! Gemahl! Erwache!"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Zweite Szene - "Sanft schloß Schlaf dein Aug'"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Zweite Szene - "Endlich, Loge!"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Zweite Szene - "Immer ist Undank Loges Lohn!"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Zweite Szene - Dir's zu melden gelob' ich den Mädchen
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Zweite Szene - "Über Stock und Stein"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Zweite Szene - Wotan, Gemahl, unsel'ger Mann
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Dritte Szene - "Hehe! hehe! hieher! hieher! Tückischer Zwerg!"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Dritte Szene - Nibelheim hier
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Dritte Szene - "Wer hälfe mir?"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Dritte Szene - "Was wollt ihr hier?"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Dritte Szene - Auf wonnigen Höhn
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Dritte Szene - Ohe! Ohe! Schreckliche Schlange
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Vierte Szene - "Da, Vetter, sitze du fest!"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Vierte Szene - "Gezahlt hab' ich
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Vierte Szene - "Bin ich nun frei?"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Vierte Szene - Fasolt und Fafner nahen von fern
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Vierte Szene - "Freia, die schöne, schau' ich nicht mehr"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Vierte Szene - "Weiche, Wotan, weiche!"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Vierte Szene - Halt, du Gieriger!
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Vierte Szene - "Schwüles Gedünst schwebt in der Luft"
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Vierte Szene - Abendlich strahlt der Sonne Auge (Wotan)
Wagner: Das Rheingold - Vorabend des Bühnenfestspiels "Der Ring des Nibelungen" / Vierte Szene - "Rheingold! Rheingold! Reines Gold!"
Symphony No. 9 in D minor, 'Choral' Op. 125: I. Allegro ma non troppo, un poco maestoso
Symphony No. 9 in D minor, 'Choral' Op. 125, II.: Molto vivace -
Symphony No. 9 in D minor, 'Choral' Op. 125, II.: Presto -
Symphony No. 9 in D minor, 'Choral' Op. 125, II.: Molto vivace
Symphony No. 9 in D minor, 'Choral' Op. 125: III. Adagio molto e cantabile
Symphony No. 9 in D minor, 'Choral' Op. 125, IV.: Presto -
Symphony No. 9 in D minor, 'Choral' Op. 125, IV.: Recitativo: "O Freunde, nicht diese Töne!"
Symphony No. 9 in D minor, 'Choral' Op. 125, IV.: Allegro assai: "Freude, Freude!"
Symphony No. 9 in D minor, 'Choral' Op. 125, IV.: Allegro assai vivace alla Marcia: "Froh, froh, wie seine Sonnen fliegen"
Symphony No. 9 in D minor, 'Choral' Op. 125, IV.: Andante maestoso: "Seid umschlungen, Millionen!" -
Symphony No. 9 in D minor, 'Choral' Op. 125, IV.: Allegro energico, sempre ben marcato:"Seid umschlungen/Freude, schöne Götterfunken" -
Symphony No. 9 in D minor, 'Choral' Op. 125, IV.: Allegro ma non tanto: "Freude, Tochter aus Elysium!" -
Symphony No. 9 in D minor, 'Choral' Op. 125, IV.: Prestissimo: "Seid umschlungen, Millionen!"
Ouverture
Part One, Nr. 1 Szene im Garten "Du kanntest mich, o kleiner Engel, wieder"
Part One, Nr. 2 Gretchen vor dem Bild der Mater Dolorosa "Ach neige, du Schmerzensreiche"
Part One, Nr. 3 Szene im Dom "Wie anders, Gretchen, war dir's"
Nr. 7 Fausts Verklärung IV "Gerettet ist das edle Glied"
Nr. 7 Fausts Verklärung IV "Gerettet ist das edle Glied"
Nr. 7 Fausts Verklärung V "Hier ist die Aussicht frei"
Nr. 7 Fausts Verklärung VI "Dir, der Unberührbaren"
Nr. 7 Fausts Verklärung VII "Alles Vergängliche ist nur ein Gleichnis"
"Vier sah ich kommen, drei nur gehn"
"Die Nacht scheint tiefer tief hereinzudringen"
Nr. 6 Fausts Tod "Herbei, herbei! Herein, herein!"
Prelude
"He! Ho! Waldhüter ihr"
"Seht dort, die wilde Reiterin"
"Recht so! - "Habt Dank!" - Ein wenig Rast"
Nicht Dank! - Haha! Was wird es helfen? (Kundry, 3.Knappe, 4.Knappe, Gurnemanz)
"O wunden-wundervoller heiliger Speer"
"Titurel, der fromme Held"
"Weh! - Hoho! - Auf! - Wer ist der Frevler?"
"Nun sag'! Nichts weißt du, was ich dich frage"
"Vom Bade kehrt der König heim"
Verwandlungsmusik
Nun achte wohl und lass mich seh'n
"Mein Sohn Amfortas, bist du am Amt?"
"Wehvolles Erbe, dem ich verfallen"
Nehmet hin meinen Leib
"Wein und Brot des letzten Mahles"
Auszug der Ritter - "Was stehst du noch da?"
Prelude - "Die Zeit ist da"
Ach! Ach! Tiefe Nacht! (Kundry, Klingsor)
"Ho! Ihr Wächter! Ho! Ritter!"
"Hier war das Tosen!"
"Komm, holder Knabe!"
"Parsifal! Weile!"
"Dies alles hab' ich nun geträumt?"
"Ich sah das Kind an seiner Mutter Brust"
Wehe! Wehe! Was tat ich? Wo war ich? (Parsifal, Kundry)
"Amfortas! Die Wunde!"
Grausamer! Fühlst du im Herzen nur and'rer Schmerzen (Kundry)
Auf Ewigkeit wärst du verdammt
"Vergeh, unseliges Weib!"
Prelude
"Von dorther kam das Stöhnen"
Wer nahet dort dem heil'gen Quell (Gurnemanz)
Heil mir, daß ich dich wiederfinde! (Parsifal, Gurnemanz)
O Gnade! Höchstes Heil! (Gurnemanz, Parsifal)
"Nicht so! Die heil'ge Quelle selbst"
Gesegnet sei, du Reiner, durch das Reine! (Gurnemanz, Parsifal)
"Wie dünkt mich doch die Aue heut so schön" - Karfreitagszauber (Gurnemanz, Parsifal)
Du siehst, das ist nicht so (Gurnemanz, Parsifal)
"Mittag. Die Stund' ist da" - Verwandlungsmusik (Gurnemanz)
"Geleiten wir im bergenden Schrein"
Ja, Wehe! Wehe! Weh' über mich! (Amfortas, Ritter)
Nur eine Waffe taugt (Parsifal)
"Höchsten Heiles Wunder!" - "Erlösung dem Erlöser!" (Knaben, Jünglinge, Ritter)
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" - 1. Allegro ma non troppo, un poco maestoso
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" - 2. Molto vivace
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" - 3. Adagio molto e cantabile
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" - 4. Presto - Allegro assai


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