James Levine

Composers

Biography

Born: June 23, 1943  
Conductor and pianist James Levine is one of the powerhouse figures of the classical music scene today. At the age of ten he played Mendelssohn's second piano concerto at a Cincinnati Symphony Orchestra youth concert. He studied piano at various summer music festivals before enrolling at New York's Juilliard School, where he took conducting courses with Jean Morel and continued piano studies with Rosina Lhevinne. Further conducting studies Read more included work at the Aspen Music Festival and with the American Conductors Project, a program run by the Baltimore Symphony Orchestra, after his Juilliard graduation in 1964.

George Szell of the Cleveland Orchestra then invited him to become an apprentice. At the conclusion of this term, he became an assistant conductor of the orchestra from 1965 to 1970. In 1973 he became the music director of both the Ravinia Festival (the Chicago Symphony's summer series) and of the Cincinnati May Festival. His debut with the Metropolitan Opera Company of New York also came in a summer festival appearance; on June 5, 1971, he conducted Puccini's Tosca.

In 1973, following the sudden departure of music director Rafael Kubelik over artistic differences, the Metropolitan Opera appointed Levine its principal conductor. In 1975 the position was redesignated "music director." Although Kubelik was the first conductor ever to have been given that title at the Metropolitan, he did not remain there long enough to actually exercise the wide responsibilities it implies; Levine was effectively the first music director of the Met. In 1986 his position was further expanded to "artistic director," which implies control over all aspects of the stage presentation, not just the music.

Levine's tenure at the Metropolitan has been one of the longest such associations between an opera company and its chief conductor, providing the company with one of its greatest and most stable periods. His season planning has been outstanding, and the Metropolitan Opera Orchestra owes its reputation as a world-class ensemble to his leadership.

He began in 1975 to appear regularly at the Salzburg Festival in Austria, where his performances of Mozart were highly esteemed, and proved himself an excellent Wagnerian in his appearances at the Bayreuth Festival beginning in 1982. However, his guest conducting availability has been limited: he considers the artistic leadership of the Metropolitan to be a full-time, year-round job. When time allows, he performs as a pianist in chamber music and as an accompanist for singers.

Levine commands a wide repertoire in opera and also in the concert hall, ranging from Bach, Haydn, and Mozart to Iannis Xenakis. He is known for an open and engaging personality which appears in his rehearsals as well, but this does not prevent him from conducting them with businesslike efficiency. In 1996 the Metropolitan conducted a televised celebration of 25th anniversary of Levine's first performance there in the form of a gala. So many singers agreed to appear that the event lasted over eight hours -- conducted entirely by Levine. He has produced a large number of recordings with the Metropolitan Opera and other opera houses, as well as orchestral recordings with the Chicago Symphony and other great orchestras. He is also noted as a pianist who has accompanied many of the world's top vocalists and participated in several chamber music recordings. In 2004, Levin became music director of the Boston Symphony Orchestra. Read less
Mozart: The Symphonies / Levine, Vienna PO
Release Date: 01/27/2015   Label: Deutsche Grammophon  
Catalog: 002244502   Number of Discs: 11
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Verdi: Rigoletto / Levine, Pavarotti, Quilico, Jones, Berberian
Release Date: 12/09/2014   Label: Decca  
Catalog: 002232309   Number of Discs: 1
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There are 397 James Levine recordings available.

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Composers

Ensembles

Biography

Born: June 23, 1943  
Conductor and pianist James Levine is one of the powerhouse figures of the classical music scene today. At the age of ten he played Mendelssohn's second piano concerto at a Cincinnati Symphony Orchestra youth concert. He studied piano at various summer music festivals before enrolling at New York's Juilliard School, where he took conducting courses with Jean Morel and continued piano studies with Rosina Lhevinne. Further conducting studies Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Ave, sera gentile
L'amor?! L'amor?!
Tra voi belle, brune e bionde
Ma bravo!
Discendono, vediam!
Cortese damigella
Donna non vidi mai
La tua ventura ci rassicura
La tua Proserpina
Vedete? Io son fedele
Non c'è più vino?
Di sedur la sorellina è il momento
Dispettosetto questo riccio!
In quelle trine morbide
Poichè tu vuoi saper?
Che ceffi son costor? ... Sulla vetta tu del monte
Paga costor!
Minuetto
Oh, sarò la più bella!...Tu, tu, amore tu
Ah! Affé, madamigella
Senti, di qui partiamo ... Ah, Manon mi tradisce
Lescaut? Tu qui?
Intermezzo
Ansia eterna, crudel
... e Kate ripose al Re
All'armi! All'armi!
Rosetta!
Presto! In fila!
Tutta su me ti posa
Manon, senti, amor mio
Sei tu che piangi?
Sola, perduta, abbandonata
Fra le tue braccie, amore
Preludio
O Lola chái la, di latti la cammisa
Act: Gli aranci olezzano
Act: Dite, mamma Lucia
Act: Il cavallo scalpita
Act: Beato voi, compar Alfio
Act: Regina coeli, laetare - Alleluja!
Act: Voi lo sapete
Act: Tu qui, Santuzza?
Act: Bada, Santuzza, schiavo non sono
Act: Fior die giaggiolo, gli angeli belli stanno
Act: Ah, lo vedi, che hai tu detto?
Act: Turiddu, ascolta!
Act: Oh, il Signore vi manda, compar Alfio
Act: Il ver
Act: Intermezzo sinfonico
Act: A casa, a casa, amici
Act: Intanto, amici, qua, beviamone un bicchiere
Act: A voi tutti salute!
Act: Compar Turiddu
Act: Mamma, mamma ... quel vino è generoso
Tosca, Act 3 (1985 Digital Remaster): E lucevan le stelle
Tosca - highlights (1997 Digital Remaster), Act 3: E lucevan la stelle (Cavaradossi)
Sinfonia
Introduzione: Ite sul colle, o Druidi
Svanir le voci!
Meco all'altar di Venere
Me protegge, me difende
Norma viene
Sediziose voci, voci di guerra
Casta Diva
Fine al rito
Ah! bello a me ritorna
Sgombra è la sacra selva, compuito il rito
Deh! proteggimi, o Dio!
Eccola! va, mi lascia, ragion non odo
Va, crudele, al Dio spietato
Vanne, e li cela entrambi
Adalgisa!
Oh! rimembranza!
Ah! si, fa core, abbracciami
Ma di', l'amato quale fra noi si noma?
Oh non tremare
Oh! di qual sei tu vittima
Perfido!
Vanne, si: mi lascia, indegno
Scena - Introduzione
Dormono entrambi
Mi chiami, o Norma!
Deh! con te, con te li prendi
Mira, o Norma
Si, fino all'ore estreme
Non parti?
Guerrieri! a voi venirne
Ah! Del Tebro al giogo indegno
Ei tornerà
Squilla il bronzo del Dio!
Guerra, guerra!
Nè compi il rito, o Norma?
In mia man alfin tu sei
Già mi pasco ne'tuoi sguardi
Dammi quel ferro
Qual cor tradisti, qual cor perdesti
Norma! deh! Norma, scolpati
Deh! non volerli vittime
Puccini: Tosca, Act 1: "Ah! Finalmente!" (Angelotti, Sacristan, Cavaradossi)
Tosca - Opera in three acts (1997 Digital Remaster), Act I: Dammi i colori...Recondita armonia (Cavaradossi, Sacristan)
Tosca (1997 - Remaster), Act I: Gente là dentro! (Cavaradossi, Angelotti, Tosca)
Tosca (1997 - Remaster), Act I: Mario! Mario! Mario! (Tosca, Cavaradossi)
Tosca - Opera in three acts (1997 Digital Remaster), Act I: Ah, quegli occhi...Quale occhio al mondo (Tosca, Cavaradossi)
Tosca (1997 - Remaster), Act I: E buona la mia Tosca (Cavaradossi, Angelotti, Sacristan, Choirboys)
Tosca (1997 - Remaster), Act I: Un tal baccano in chiesa! (Scarpia, Sacristan, Spoletta)
Tosca (1997 - Remaster), Act I: Or tutto è chiaro...Tosca? Che non mi veda...Mario! Mario! (Scarpia, Tosca, Sacristan)
Tosca (1997 - Remaster), Act I: Ed io venivo a lui tutta dogliosa (Tosca, Scarpia)
Tosca (1997 - Remaster), Act I: Tre sbirri, una carrozza (Scarpia, Spoletta, Congregation, Attendants)
Tosca (1997 - Remaster), Act II: Tosca è un buon falco! (Scarpia, Sciarrone)
Tosca (1997 - Remaster), Act II: Ha più forte (Scarpia, Sciarrone, Spoletta)
Tosca (1997 - Remaster), Act II: Meno male! (Scarpia, Spoletta, Cavaradossi)
Tosca (1997 - Remaster), Act II: Dov'è dunque Angelotti? (Scarpia, Cavaradossi, Spoletta, Tosca)
Tosca (1997 - Remaster), Act II: Ed or fra noi parliam...Sciarrone, che dice il Cavalier? (Scarpia, Tosca, Sciarrone, Cavaradossi)
Tosca (1997 - Remaster), Act II: Orsù, Tosca, parlate (Scarpia, Tosca, Cavaradossi)
Tosca (1997 - Remaster), Act II: Floria!....Amore!...Sei tu? (Cavaradossi, Tosca, Scarpia, Sciarrone)
Tosca (1997 - Remaster), Act II: Vittoria! Vittoria! (Cavaradossi, Tosca, Scarpia)
Tosca (1997 - Remaster), Act II: Se la guirata fede debbo tradir (Scarpia, Tosca)
Tosca (1997 - Remaster), Act II: Vissi d'arte (Tosca)
Tosca (1997 - Remaster), Act II: Vedi, le man giunte io stendo a te! (Tosca, Scarpia, Spoletta)
Tosca (1997 - Remaster), Act II: E qual via scegliete? (Scarpia, Tosca)
Tosca (1997 - Remaster), Act III: Io de' sospiri (Shepherd Boy)
Tosca (1997 - Remaster), Act III: Mario Cavaradossi? A voi (Gaoler, Cavaradossi)
Tosca - Opera in three acts (1997 Digital Remaster), Act III: E lucevan le stelle (Cavaradossi)
Tosca - Opera in three acts (1997 Digital Remaster), Act III: Ah! Franchigia a Floria Tosca (Cavaradossi, Tosca)
Tosca - Opera in three acts (1997 Digital Remaster), Act III: O dolci mani mansuete e pure (Cavaradossi, Tosca)
Tosca - Opera in three acts (1997 Digital Remaster), Act III: E non giungono (Tosca, Cavaradossi, Gaoler)
Tosca (1997 - Remaster), Act III: Com'è lunga l'attesa! (Tosca)
Tosca (1997 - Remaster), Act III: Presto, su! Mario! Mario! (Tosca, Sciarrone, Spoletta, Soldiers)
Prelude
"He! Ho! Waldhüter ihr"
"Seht dort, die wilde Reiterin"
"Recht so! Habt Dank! Ein wenig Rast!" - "Gawan! - Herr! Gawan weilte nicht!"
"Nicht Dank! Haha! Was wird es helfen?" - "He! Du da! Was liegst du dort wie ein wildes Tier?"
"O wunden-wundervoller heiliger Speer"
"Titurel, der fromme Held"
"Weh! - Hoho! - Auf! - Wer ist der Frevler?"
"Nun sag'! Nichts weißt du, was ich dich frage"
"Vom Bade kehrt der König heim"
Verwandlungsmusik
"Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle"
"Mein Sohn Amfortas, bist du am Amt?"
"Wehvolles Erbe, dem ich verfallen"
"Enthüllet den Gral!" - "Nehmet hin mein Blut"
"Wein und Brot des letzten Mahles"
Auszug der Ritter - "Was stehst du noch da?"
Prelude - "Die Zeit ist da"
"Ach! Ach! Tiefe Nacht! Wahnsinn!" - "Furchtbare Not!"
"Ho! Ihr Wächter! Ho! Ritter!"
"Hier war das Tosen!"
"Komm, holder Knabe!"
"Parsifal! Weile!"
"Dies alles hab' ich nun geträumt?"
"Ich sah das Kind an seiner Mutter Brust"
"Wehe! Was tat ich? Wo war ich?" - "Bekenntnis wird Schuld in Reue enden"
"Amfortas! Die Wunde!"
"Grausamer! Fühlst du im Herzen" - "Ich sah ihn" - "Nun such' ich ihn von Welt zu Welt"
"Vergeh, unseliges Weib!"
Prelude
"Von dorther kam das Stöhnen"
"Heil dir, mein Gast!"
"Heil mir, daß ich dich wiederfinde!"
"Zu ihm, des tiefe Klagen"
"O Herr! War es ein Fluch" - "Die heil'ge Speisung bleibt uns nun versagt"
"Nicht so! Die heil'ge Quelle selbst"
"Gesegnet sei, du Reiner, durch das Reine!"
"Wie dünkt mich doch die Aue heut so schön" - Karfreitagszauber
"Du siehst, das ist nicht so"
"Mittag. Die Stund' ist da" - Verwandlungsmusik
"Geleiten wir im bergenden Schrein"
"Ja, Wehe! Weh' über mich!"
"Nur eine Waffe taugt"
"Höchsten Heiles Wunder!" - "Erlösung dem Erlöser!"
1. Sostenuto assai - Allegro, ma non troppo
2. Scherzo: Allegro vivace
3. Adagio espressivo
4. Allegro molto vivace
1. Lebhaft
2. Scherzo (Sehr mäßig)
3. Nicht schnell
4. Feierlich
5. Lebhaft
Puccini: Tosca, Act 1: "Ah! Finalmente!" (Angelotti, Sacristan, Cavaradossi)
Tosca - Opera in three acts (1997 Digital Remaster), Act I: Dammi i colori...Recondita armonia (Cavaradossi, Sacristan)
Tosca (1997 - Remaster), Act I: Gente là dentro! (Cavaradossi, Angelotti, Tosca)
Tosca (1997 - Remaster), Act I: Mario! Mario! Mario! (Tosca, Cavaradossi)
Tosca - Opera in three acts (1997 Digital Remaster), Act I: Ah, quegli occhi...Quale occhio al mondo (Tosca, Cavaradossi)
Tosca (1997 - Remaster), Act I: E buona la mia Tosca (Cavaradossi, Angelotti, Sacristan, Choirboys)
Tosca (1997 - Remaster), Act I: Un tal baccano in chiesa! (Scarpia, Sacristan, Spoletta)
Tosca (1997 - Remaster), Act I: Or tutto è chiaro...Tosca? Che non mi veda...Mario! Mario! (Scarpia, Tosca, Sacristan)
Tosca (1997 - Remaster), Act I: Ed io venivo a lui tutta dogliosa (Tosca, Scarpia)
Tosca (1997 - Remaster), Act I: Tre sbirri, una carrozza (Scarpia, Spoletta, Congregation, Attendants)
Tosca (1997 - Remaster), Act II: Tosca è un buon falco! (Scarpia, Sciarrone)
Tosca (1997 - Remaster), Act II: Ha più forte (Scarpia, Sciarrone, Spoletta)
Tosca (1997 - Remaster), Act II: Meno male! (Scarpia, Spoletta, Cavaradossi)
Tosca (1997 - Remaster), Act II: Dov'è dunque Angelotti? (Scarpia, Cavaradossi, Spoletta, Tosca)
Tosca (1997 - Remaster), Act II: Ed or fra noi parliam...Sciarrone, che dice il Cavalier? (Scarpia, Tosca, Sciarrone, Cavaradossi)
Tosca (1997 - Remaster), Act II: Orsù, Tosca, parlate (Scarpia, Tosca, Cavaradossi)
Tosca (1997 - Remaster), Act II: Floria!....Amore!...Sei tu? (Cavaradossi, Tosca, Scarpia, Sciarrone)
Tosca (1997 - Remaster), Act II: Vittoria! Vittoria! (Cavaradossi, Tosca, Scarpia)
Tosca (1997 - Remaster), Act II: Se la guirata fede debbo tradir (Scarpia, Tosca)
Tosca (1997 - Remaster), Act II: Vissi d'arte (Tosca)
Tosca (1997 - Remaster), Act II: Vedi, le man giunte io stendo a te! (Tosca, Scarpia, Spoletta)
Tosca (1997 - Remaster), Act II: E qual via scegliete? (Scarpia, Tosca)
Tosca (1997 - Remaster), Act III: Io de' sospiri (Shepherd Boy)
Tosca (1997 - Remaster), Act III: Mario Cavaradossi? A voi (Gaoler, Cavaradossi)
Tosca - Opera in three acts (1997 Digital Remaster), Act III: E lucevan le stelle (Cavaradossi)
Tosca - Opera in three acts (1997 Digital Remaster), Act III: Ah! Franchigia a Floria Tosca (Cavaradossi, Tosca)
Tosca - Opera in three acts (1997 Digital Remaster), Act III: O dolci mani mansuete e pure (Cavaradossi, Tosca)
Tosca - Opera in three acts (1997 Digital Remaster), Act III: E non giungono (Tosca, Cavaradossi, Gaoler)
Tosca (1997 - Remaster), Act III: Com'è lunga l'attesa! (Tosca)
Tosca (1997 - Remaster), Act III: Presto, su! Mario! Mario! (Tosca, Sciarrone, Spoletta, Soldiers)
The Barber of Seville - Comic opera in two acts [first half]: Overture
The Barber of Seville - Comic opera in two acts [first half]: Act I Scene 1 - Piano, pianissimo, senzar parlar (Fiorello, Musicians, Count)
The Barber of Seville - Comic opera in two acts [first half]: Ecce ridente in cielo (Count)
The Barber of Seville - Comic opera in two acts [first half]: Ehi, Fiorello (Count, Fiorello, Musicians)
The Barber of Seville - Comic opera in two acts [first half]: Mille grazie, mio signore (Musicians, Count, Fiorello)
The Barber of Seville - Comic opera in two acts [first half]: Gente indiscreta! (Count, Fiorello, Figaro)
The Barber of Seville - Comic opera in two acts [first half]: La ran la re la...Largo al factotum (Figaro, Count)
The Barber of Seville - Comic opera in two acts [first half]: Ah, che bella vita! (Figaro, Count)
The Barber of Seville - Comic opera in two acts [first half]: Non è venuto ancore (Rosina, Count, Bartolo, Figaro)
The Barber of Seville - Comic opera in two acts [first half]: Le vostre assidue premure (Figaro, Count, Bartolo)
The Barber of Seville - Comic opera in two acts [first half]: Se il mio nome saper voi bramte (Count, Rosina, Figaro)
The Barber of Seville - Comic opera in two acts [first half]: Oh cielo! (Count, Figaro)
The Barber of Seville - Comic opera in two acts [first half]: All'idea di quel metallo (Count, Figaro)
The Barber of Seville - Comic opera in two acts [first half]: Scene 2 - Una voce poco fa (Rosina)
The Barber of Seville - Comic opera in two acts [first half]: SI, sI, la vincerò (Rosina, Figaro)
The Barber of Seville - Comic opera in two acts [first half]: Ah, disgraziato Figaro! (Bartolo, Rosina, Berta, Ambrogio)
The Barber of Seville - Comic opera in two acts [first half]: Ah! Barbiere d'inferno (Bartolo, Basilio)
The Barber of Seville - Comic opera in two acts [first half]: La calunnia è venticello (Basilio)
The Barber of Seville - Comic opera in two acts [first half]: Ah! Che ne dite? (Bartolo, Basilio)
The Barber of Seville - Comic opera in two acts [first half]: Ma bravi! Ma benone! (Figaro, Rosina)
The Barber of Seville - Comic opera in two acts [first half]: Dunque io son (Rosina, Figaro)
The Barber of Seville - Comic opera in two acts [first half]: Ora mi sento meglio (Rosina, Bartolo)
The Barber of Seville - Comic opera in two acts [first half]: A un dottor della mia sorte (Bartolo)
Overture (Allegro di molto)
No.1 Scherzo
No.3 Song with Chorus: "Bunte Schlangen, zweigezüngt"
No.5 Intermezzo
No.7 Notturno
No.9 Wedding March
Finale: "Though this house give glimm'ring light" [A Midsummer Night's Dream, Op.61 Incidental Music]
1. Andante un poco maestoso - Allegro molto vivace
2. Larghetto
3. Scherzo (Molto vivace)
4. Allegro animato e grazioso
1. Ziemlich langsam - Lebhaft
2. Romanze (Ziemlich langsam)
3. Scherzo
4. Langsam - Lebhaft - Schneller - Presto
Overture
Zu Hilfe! Zu Hilfe! (Introduction)
Wo bin ich? Ist's Phantasie
Der Vogelfänger Bin Ich Ja (Song)
He da! - Was da!
Dies Bildnis Ist Bezaubernd Schön (Aria)
Rüste dich mit Mut und Standhaftigkeit
O zittre nicht, mein lieber Sohn! (Recitative & Aria)
Ist's denn auch Wirklichkeit
Hm hm hm (Quintet)
Hi hi hi hi hi!
Du feines Täubchen, nur herein! (Trio)
Mutter - Mutter - Mutter!
Bei Männern, welche Liebe fühlen (Duet)
Die Zauberflöte: Zum Ziele führt dich diese Bahn (Finale)
Schnelle Füße, rascher Mut
Es lebe Sarastro!
March of the Priests
Ihr eingeweihten Diener der großen Götter
Hier hinein?
Ist das noch der Weg?
Da kommt ein Licht!
Er ist auch nicht da
Das Mondlicht
Aber so seltsam ist dein Auge
Du siehst wieder dort hin!
Für mich ist kein Platz da
Liebster, Liebster, der Morgen kommt
1. Allegro ma non troppo - Quasi moderato
2. Adagio, ma non troppo
3. Finale (Allegro giocoso, ma non troppo)
I. Selig sind, die da Leid tragen
II. Denn alles Fleisch es ist wie Gras
III. Herr, lehre doch mich
IV. Wie lieblich sind deine Wohnungen
V. Ihr habt nun Traurigkeit
VI. Denn wir haben hie keine bleibende Statt
VII. Selig sind die Toten
Il Barbiere di Siviglia (1996 Digital Remaster): Overture (Overture)
Il Barbiere di Siviglia (1996 Digital Remaster): Piano, pianissimo, senza parlar (Fiorello/Coro/Conte)
Il Barbiere di Siviglia (1996 Digital Remaster): Ecco ridente in cielo (Conte)
Il Barbiere di Siviglia (1996 Digital Remaster): Ehi, Fiorello? ... Mio signore ... (Conte/Fiorello/Coro)
Il Barbiere di Siviglia (1996 Digital Remaster): Mille grazie, mio signore (Coro/Conte/Fiorello)
Il Barbiere di Siviglia (1996 Digital Remaster): Gente indiscreta! (Conte/Fiorello/Figaro)
Il Barbiere di Siviglia (1996 Digital Remaster): La ran la le ra la ran la la ... Largo al factotum ... (Figaro)
Il Barbiere di Siviglia (1996 Digital Remaster): Ah, che bella vita! (Figaro/Conte)
Il Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro)
Il Barbiere di Siviglia (1996 Digital Remaster): Le vostre assidue premure ... (Figaro/Conte/Bartolo)
Il Barbiere di Siviglia (1996 Digital Remaster): Se il mio nome saper voi bramate (Conte/Rosina/Figaro)
Il Barbiere di Siviglia (1996 Digital Remaster): Oh cielo! ... Nella stanza convien
Il Barbiere di Siviglia (1996 Digital Remaster): All'idea di quel metallo (Conte/Figaro)
Il Barbiere di Siviglia (1996 Digital Remaster): Una voce poco fà (Rosina)
Il Barbiere di Siviglia (1996 Digital Remaster): Si, si, la vincerò (Rosina/Figaro)
Il Barbiere di Siviglia (1996 Digital Remaster): Ah, disgraziato Figaro! (Bartolo/Rosina/Berta/Ambrogio)
Il Barbiere di Siviglia (1996 Digital Remaster): Ah! Barbiere d'inferno (Bartolo/Basilio)
Il Barbiere di Siviglia (1996 Digital Remaster): La calunnia è un venticello (Basilio)
Il Barbiere di Siviglia (1996 Digital Remaster): Ah! Che ne dite? (Basilio/Bartolo)
Il Barbiere di Siviglia (1996 Digital Remaster): Ma bravi! Ma benone! (Figaro/Rosina)
Il Barbiere di Siviglia (1996 Digital Remaster): Dunque io son (Figaro/Rosina)
Il Barbiere di Siviglia (1996 Digital Remaster): Ora mi sento meglio (Rosina/Bartolo)
Il Barbiere di Siviglia (1996 Digital Remaster): A un dottor della mia sorte (Bartolo)
Bedächtig
In gemächlicher Bewegung; ohne Hast
Ruhevoll
Sehr behaglich
Berg: Violin Concerto "To the Memory of an Angel" - 1. Andante - Allegro
Berg: Violin Concerto "To the Memory of an Angel" - 2. Allegro - Adagio


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