Jacques Castérède
Born: April 10, 1926; Paris, France
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Castérède studied piano, analysis, and composition at the Paris Conservatoire. After winning the Prix de Rome in 1953, he returned to the Conservatoire as a teacher of solfège and later served as a professor of etudes and analysis. His ballet But (1959) was produced at the Paris Opéra and his oratorio Le livre du Job (1958) was performed at the Concerts Pasdeloup. His compositions are similar in style to that of Honegger, diatonic with 1920s
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Works
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Concertino for Trumpet, Trombone, Orchestra, Piano and Percussion (2)
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Concertino for Trumpet, Trombone, Orchestra, Piano and Percussion: Allegro energico (1)
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Concertino for trumpet, trombone, piano, percussion & orchetsra (1)
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Divertissement d’ete (1)
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Etudes (12) for Flute solo: Excerpt(s) (1)
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Fanfare for Lafayette (1)
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Fanfares (3) for Brass and Percussion (1)
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Fest noz (1)
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Flutes en vacances (2)
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La belle époque (1)
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Ménage à trois, for piano, 6 hands (1)
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Prélude et Danse (1)
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Sonatina for Bass Saxhorn and Pno: Serenade (1)
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Sonatina for trombone & piano (3)
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Sonatina for tuba & piano (1)
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Sonatine for Trombone and Piano (6)
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Sonatine for Tuba and Piano (1)
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Biography |
by Lynn Vought
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| Castérède studied piano, analysis, and composition at the Paris Conservatoire. After winning the Prix de Rome in 1953, he returned to the Conservatoire as a teacher of solfège and later served as a professor of etudes and analysis. His ballet But (1959) was produced at the Paris Opéra and his oratorio Le livre du Job (1958) was performed at the Concerts Pasdeloup. His compositions are similar in style to that of Honegger, diatonic with 1920s rhythms. |
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