Ilya Gringolts

Biography

Born: July 2, 1982; St. Petersburg, Russia  
Violinist Ilya Gringolts created a sensation with his 2002 recording of J.S. Bach's works for solo violin (Partitas No. 1 and No. 3 and Sonata No. 2). Describing Gringolts' performance of these works as astonishing and powerful, critics were particularly impressed by his ability to transcend the purely technical obstacles and introduce his listeners to the infinite spiritual richness of Bach's music for solo violin. But there is something uncanny Read more and unique about the technique itself. As violinists and cellists know, playing Bach is an acrobatic experience. Listening to Gringolts, however, one gets the distinct feeling of assurance and authority: if, for most violinists, a Bach partita is a fragile structure, the musical edifice that Gringolts builds seems as indestructible as an idea. Born in 1982 in Leningrad (now St. Petersburg), Gringolts started violin lessons in 1988, entering the St. Petersburg Special Music School two years later. He placed second in his first national competition in 1992, winning first prize at a national youth competition -- and making his debut with Moscow Symphony Orchestra -- in 1994. The following year, Gringolts won a prize at the Menuhin Competition in England and met the legendary violinist. Also in 1995, Gringolts made his western European orchestral debut, in Finland, performing Bruch's Violin Concerto in G minor. Laureate of the Wieniawski Junior Competition in 1997, Gringolts won first prize at the Paganini Competition in 1998, becoming the youngest violinist to ever attain this honor. In 1999, Gringolts started working with Itzhak Perlman at the Juilliard School, continuing his studies until 2002 when he made his North American debut playing with the National Arts Centre Orchestra in Ottawa. Gringolts immediately became a much-demanded soloist, sharing the stage with the world's most prominent conductors, including Daniel Barenboim, Kurt Masur, Zubin Mehta, and Mstislav Rostropovich. A BBC broadcast artist, Gringolts regularly performs at Europe's most distinguished concert venues and festivals. Having signed an exclusive contract with Deutsche Grammophon in 2001, Gringolts released a disc with the Tchaikovsky and Shostakovich violin concertos in addition to his acclaimed Bach recording. Read less
Weinberg: Violin Concerto, Symphony No 4 / Gringolts, Kaspszyk, Warsaw
Release Date: 02/24/2015   Label: Warner Classics  
Catalog: 2564622483   Number of Discs: 1
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Biography

Born: July 2, 1982; St. Petersburg, Russia  
Violinist Ilya Gringolts created a sensation with his 2002 recording of J.S. Bach's works for solo violin (Partitas No. 1 and No. 3 and Sonata No. 2). Describing Gringolts' performance of these works as astonishing and powerful, critics were particularly impressed by his ability to transcend the purely technical obstacles and introduce his listeners to the infinite spiritual richness of Bach's music for solo violin. But there is something uncanny Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Piano Quartet in E flat major Op.87: I Allegro con fuoco
Piano Quartet in E flat major Op.87: II Lento
Piano Quartet in E flat major Op.87: III Allegro moderato, grazioso
Piano Quartet in E flat major Op.87: IV Finale. Allegro, ma non troppo
I. Allegro moderato
II. Andante un poco mosso
III. Scherzo: Allegro
IV. Rondo: Allegro vivace
1. Andantino
2. Scherzo. Vivacissimo
3. Moderato
1. Allegro moderato
2. Adagio di molto
3. Allegro, ma non tanto
1a. Allemanda
- Double
2. Corrente
- Double. Presto
3a. Sarabande
- Double
4. Tempo di Borea
- Double
1. Grave
2. Fuga
3. Andante
4. Allegro
1. Preludio
2. Loure
3. Gavotte en Rondeau
4. Menuet I-II
5. Bourrée
6. Gigue
1. Allegro moderato
2. Canzonetta (Andante)
3. Finale (Allegro vivacissimo)
1. Nocturne (Moderato)
2. Scherzo (Allegro)
3. Passacaglia (Andante) -
- Cadenza
4. Burleska. Allegro con brio
I. Bela (Bartok)
II. Shlomit (Almog)
III. Yossi (Pecker)
IV. Rodion (Shchedrin)
V. Maja (Pliseckaja)
VI. Bruno (Maderna)
VII. Camilla (di Adami)
VIII. Peppino ( di Giugno)
IX. Marcello (Panni)
X. Giorgio Federico (Ghedini)
XI. Valerio (Adami)
XII. Daniela (Rabinovitch)
XIII. Jeanne (Panni)
XIV. Pierre (Boulez)
XV. Tatjana (Globokar)
XVI. Rivi (Pecker)
XVII. Leonardo (Pinzauti)
XVIII. Pietro (Farulli)
XIX. Annie (Neuburger)
XX. Edoardo (Sanguineti)
XXI. Fiamma (Nicolodi)
XXII. Vinko (Globokar)
XXIII. Franco (Gulli)
XXIV. Aldo (Bennici)
XXV. Carlo (Chiarappa)
XXVI. Henri (Pousseur)
XXVII. Alfredo (Fiorenzani)
XXVIII. Igor (Stravinsky)
XXIX. Alfred (Schlee)
XXX. Massimo (Mila)
XXXI. Mauricio (Kagel)
XXXII. Maurice (Fleuret)
XXXIII. Lorin (Maazel)
XXXIV. Lele (d´Amico)
I. Introduktion. Allegro moderato
II. Variationen über zwei Volkslieder. Andante
III. Fuga. Allegro giusto
I. Sehr lebhafte Achtel
II. Sehr langsame Viertel
III. Sehr lebhafte Viertel
IV. Intermezzo, Lied
V. Prestissimo
I. Leicht bewegte Viertel
II. Ruhig bewegte Achtel
III. Gemachliche Viertel
IV. Funf Varaitionen uber das Lied ?Komm, leiber Mai' v. Mozart
I. Grave
II. Fuga
III. Largo
IV. Presto
I. Moderato -
(I.) Allegro moderato
II. Andante -
(II.) Agitato e vigoroso
III. Allegro moderato
IV. Tempo di saltarella, ma non troppo vivo
V. Praeludium. Allegro scherzando
VI. Andante ma non troppo
VII. Andante non troppo
VIII. Allegro risoluto
I. Allegro moderato
II. Adagio
III. Allegretto
I. Allegro energico
II. Allegro moderato
III. Lento assai
IV. Molto vivace
Introduzione: Capriccio
Tema: Andante
Variation 1
Variation 2
Variation 3
Variation 4
Variation 5
Variation 6
Variation 7 - Coda
Introduzione
Tema
Variation 1
Variation 2
Variation 3
I. Allegro maestoso
II. Adagio espressivo
III. Rondo: Allegro spiritoso


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