Ian Partridge

Biography

Born: June 12, 1938; London, England  
One of England's most peripatetic and persuasive lyric tenors, Ian Partridge retained most of his vocal freshness into his sixties, cutting a wide swath through the repertory. Well schooled and long on musicianship, he is comfortable and exemplary in works from the Renaissance to modern times. His voice, though not large, has substance: a firm lower register and a fine-grained texture, it lent vocal authority to his performances. Although Read more Partridge had earlier been disappointed by the relatively few opportunities for British artists to perform songs by German composers, he later went on to record many of them, preserving interpretations of warmth, wisdom, and vocal appeal. Almost exclusively a recitalist and oratorio singer, Partridge has enjoyed a low-key but enduring career and has won the respect and admiration of colleagues and audiences alike. Partridge began his advanced level musical studies at the Royal College of Music in 1956 before transferring to the Guildhall School of Music and Drama, where he trained under the bass Norman Walker and pursued conducting classes with Aylmer Buesst. His reputation grew rapidly following his solo debut in a 1958 performance of Messiah in Bexhill. Within a few years, he found himself one of his country's busiest tenors, valued for his reliability and interpretive suitability for several centuries' worth of music. From Monteverdi, Schütz, Handel, and Bach to Schoenberg, Weill, and Britten, Partridge was point-on in both his singing and interpretation. Benefiting from work with both Britten and Peter Pears (who instructed him in the art of singing through phrases), he further sharpened his already very precise diction, making it more flowing and conversational. With Pierre Boulez, Partridge recorded Schoenberg's Die Jacobsleiter, finding the French composer/conductor stimulating and pleasant to work with. Other projects Partridge has undertaken with Boulez include Schumann's Der Rose Pilgerfahrt and Stravinsky's Le Rossignol. In addition to performing the roles of the Evangelist in the Bach Passions, parts for which Partridge has long enjoyed a strong reputation, he recorded the Evangelist in Norwegian composer Trond Kverno's St. Matthew Passion, a work described by the tenor as "powerful," calling for unaccompanied singing over its hour and a half length in a contemporary adaptation of plainsong. Partridge's collaboration with actress Prunella Scales has resulted in more than 300 performances of a program entitled "An Evening with Queen Victoria," featuring songs written by Prince Albert. Partridge also portrayed St. Nicolas in a Thames Television production of Britten's score, winning the Prix Italia in its aftermath. Among the tenor's more than 150 recordings are Schubert's Die Wintereisse and Die Schöne Müllerin (the latter rated by BBC Music Magazine as a first choice); recordings of Schumann's Liederkreis, Op. 39, and Dichterliebe; Peter Warlock's haunting Curlew River; Ralph Vaughan Williams' equally affecting On Wenlock Edge; a complete edition of Handel's Chandos Anthems; Purcell's The Fairy Queen; and Iopas in the recording that grew from Colin Davis' Covent Garden production of Berlioz's Les Troyens, the occasion of Partridge's stage debut in 1969. As a professor at the Royal Academy of Music, Partridge has given master classes in song and early music from Aldeburgh to Ravinia to Versailles. The tenor received the CBE (knighted) in 1992 for his service to music. Read less

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Biography

Born: June 12, 1938; London, England  
One of England's most peripatetic and persuasive lyric tenors, Ian Partridge retained most of his vocal freshness into his sixties, cutting a wide swath through the repertory. Well schooled and long on musicianship, he is comfortable and exemplary in works from the Renaissance to modern times. His voice, though not large, has substance: a firm lower register and a fine-grained texture, it lent vocal authority to his performances. Although Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Manon Lescaut (1993 - Remaster), Act I: Ave, sera gentile (Edmondo/Coro/Des Grieux)
Manon Lescaut (1993 - Remaster), Act I: Tra voi, belle, brune e bionde (Des Grieux/Coro)
Manon Lescaut (1993 - Remaster), Act I: Ma bravo! (Edmondo/Coro)
Manon Lescaut (1993 - Remaster), Act I: Discendono, vediam! (Coro/Edmondo/Lescaut/L'Oste/Des Grieux/Geronte)
Manon Lescaut (1993 - Remaster), Act I: Cortese damigella, il priego mio accettate (Des Grieux/Manon/Lescaut)
Manon Lescaut (1993 - Remaster), Act I: Donna non vidi mai (Des Grieux)
Manon Lescaut (1993 - Remaster), Act I: La tua ventura ci rassicura (Edmondo/Coro/Geronte/Lescaut/L'Oste)
Manon Lescaut (1993 - Remaster), Act I: La tua Propsperina di resisteri (Edmondo/Des Grieux)
Manon Lescaut (1993 - Remaster), Act I: Vedete? Io son fedele alla parola mia (Manon/Des Grieux/Lescaut)
Manon Lescaut (1993 - Remaster), Act I: Un libertino audace (Des Grieux/Manon/Edmondo/Geronte/L'Oste/Lescaut)
Manon Lescaut (1993 - Remaster), Act I: Cavalli pronti avete? (Lescaut/Geronte/Edmondo/Coro)
Manon Lescaut (1993 - Remaster), Act II: Dispettosetto questo riccio! (Manon/Lescaut)
Manon Lescaut (1993 - Remaster), Act II: Sei splendida e lucente! (Lescaut/Manon)
Manon Lescaut (1993 - Remaster), Act II: In quelle trine morbide (Manon)
Manon Lescaut (1993 - Remaster), Act II: Poichè tu vuoi saper (Lescaut/Manon)
Manon Lescaut (1993 - Remaster), Act II: Che ceffi son costor? (Lescaut/Manon/Un Musico/Coro)
Manon Lescaut (1993 - Remaster), Act II: Paga costor! (Manon/Lescaut)
Manon Lescaut (1993 - Remaster), Act II: Vi prego, signorina (Il Maestro di Ballo/Geronte/Manon/Coro)
Manon Lescaut (1993 - Remaster), Act II: Oh, sarò la più bella! (Manon/Des Grieux)
Manon Lescaut (1993 - Remaster), Act II: Ah! ... Affè madamigella (Manon/Geronte/Des Grieux)
Manon Lescaut (1993 - Remaster), Act II: Ah! Manon, mi tradisce (Des Grieux/Manon)
Manon Lescaut (1993 - Remaster), Act II: Lescaut! ... Tu qui? (Des Grieux/Manon/Lescaut/Un Sergente)
Manon Lescaut (1993 Digital Remaster), Act II: Intermezzo
Manon Lescaut (1993 - Remaster), Act III: Ansia, eterna, crudel (Des Grieux/Lescaut)
Manon Lescaut (1993 - Remaster), Act III: Manon! ... Des Grieux! (Des Grieux/Manon/Un Lampionaio)
Manon Lescaut (1993 - Remaster), Act III: All'armi! All'armi! (Coro/Lescaut/Des Grieux/Manon)
Manon Lescaut (1993 - Remaster), Act III: Il passo m'aprite (Sergente/Comandante/Coro)
Manon Lescaut (1993 - Remaster), Act III: Rosetta! (Sergente/Coro/Lescaut/Manon/Des Grieux)
Manon Lescaut (1993 - Remaster), Act III: Presto il fila! Marciate! (Sergente/Des Grieux/Coro/Comandante)
Manon Lescaut (1993 - Remaster), Act III: Ah! non v'avvicinate! ... Come io piango ed imploro (Des Grieux/Comandante)
Manon Lescaut (1993 - Remaster), Act IV: Tutta su me ti posa (Des Grieux/Manon)
Manon Lescaut (1993 - Remaster), Act IV: Manon, senti, amor mio! ... Vedi, son io che piango (Des Grieux/Manon)
Manon Lescaut (1993 - Remaster), Act IV: E nulla! Nulla! (Des Grieux/Manon)
Manon Lescaut (1993 - Remaster), Act IV: Sola, perduta, abbandonata (Manon/Des Grieux)
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster): Prologue: Bunyan in Prison
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act I: Scene 1: The Pilgrim meets Evangelist
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act I: Scene 2: The House Beautiful
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act I: Nocturne (Intermezzo)
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act II: Scene 1: The Arming of the Pilgrim
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act II: Scene 2: The Pilgrim meets Apollyon
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act III, Scene 1: Vanity Fair: Buy! What will ye buy?
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act III, Scene 1: Vanity Fair: I buy the truth
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act III: Scene 2: The Pilgrim in Prison
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Scene 1: The Pilgrim meets Mister By-Ends
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Entr'acte
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV, Scene 2: The Delectable Mountains: Who so dwelleth
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV, Scene 2: The Delectable Mountains: The Lord is my Shepherd
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Scene 3: The Pilgrim reaches the End of his Journey
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Epilogue
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act III Scene 1
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act I Nocturne
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act IV Scene 1
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act IV Scene 2
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act II Scene 1
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene I. September. A piece of land on a hill: (Allegro ma non troppo, con vigore) - Straight on, my plough, straight on! (orchestra, Manz)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene I. September. A piece of land on a hill: 'Tis such a shame to let good land lie waste (Marti, Manz)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene I. September. A piece of land on a hill: Come, Vrenchen, come! (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene I. September. A piece of land on a hill: The children are nearby (Marti, Manz)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene I. September. A piece of land on a hill: How strange the song of the wind (Vrenchen, The Dark Fiddler, Sali, Marti, Manz)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene I. September. A piece of land on a hill: Listen, my children, you need have no fear! (The Dark Fiddler)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene I. September. A piece of land on a hill: (Sehr langsam) - We two will be the only bidders for that land (Marti, Manz)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene II. Six years later. Outside Marti's house: (Lento) (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene II. Six years later. Outside Marti's house: Vrenchen!...Sali! (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene II. Six years later. Outside Marti's house: If only we two always stand together (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene III. The Wildland: (Poco meno) (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene III. The Wildland: (Tranquillo) - Sali!...Vrenchen! (orchestra, Vrenchen, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene III. The Wildland: You here? I'm not surprised (The Dark Fiddler)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene III. The Wildland: O Sali, I'm afraid! (Vrenchen, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene III. The Wildland: (Molto lento) - Shameless hussy! (orchestra, Marti, Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: (Lento molto) (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: Ah, the darkness has come (Vrenchen, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: O Sali, I should have died (Vrenchen, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: What will you do? Where will you go? (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: The Dream of Sali and Vrenchen (orchestra, chorus)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: (Lento) (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: Ah, 'twas all a dream! (Vrenchen, Sali, Peasants)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene V. The Fair: (Con moto) (orchestra, fairground women & men, chorus, Peasants)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene V. The Fair: Oh, Sali, look at those lovely, lovely things! (Vrenchen, Sali, fairground women & men, Peasants)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene V. The Fair: Well well! What do I see? (First Woman & Man, Vrenchen, Sali, Second Man & Woman, Peasants, fairground women & man, chorus)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene V. The Fair: Come, my Vrenchen! (Sali, Vrenchen, chorus)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene V. The Fair: The Walk to the Paradise Garden (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: Dance and song, all day long! (Vagabonds)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: (Lento) (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: So I must tell you (The Dark Fiddler)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: The twilight closes round the garden (Sali, Vrenchen, The Dark Fiddler)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: (Moderato) - Vagabonds and comrades! (orchestra, Vagabonds, Vrenchen, Sali, The Dark Fiddler)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: Come with us...live in freedom! (Vagabonds, Vrenchen, The Dark Fiddler, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: Halleo! halleo! (First & Second Bargees, Vrenchen, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: Passing strangers, drifting by (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: See, the silver moonlight kisses the woods (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: See, our marriage bed awaits us! (Sali, Vagabonds, Vrenchen, First & Third Bargees)
Frederick Delius: An Illustrated Talk by Eric Fenby: 'It is strange that as the years go by...' - Florida Suite (III)/Beecham -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'Though Delius had by this time...' - A Mass of Life/Groves -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'I never hear that music...' - Paris/Groves -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'The peak of this complicated type of writing...' - Florida Suite (III)/Beecham -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'I must confess...' - Appalachia/Barbirolli -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'Surely one can feel there...' - In a Summer Garden/Barbirolli -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'It has been said that Delius is a mood...' - Cello Concerto/du Pré, Sargent -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'Delius was certainly the least professional...[demonstrates dictation process at piano]' - Cynara/Shirley-Quirk, Groves -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'When Delius died in 1934...' - An Arabesque/Shirley-Quirk, Groves
1. Allegro: Dixit Dominus
2. Largo: Donec ponam
3. Allegro: Virgam virtutis tuae
4. Andante: Tecum principium
5. Adagio - Allegro: Juravit
6. Allegro: Dominus a dextris tuis
7. Largo - Allegro molto: Judicabit
8. Andante: De torrente
9. Allegro: Gloria Patri
10. Allegro: Sicut erat
Four Hymns: Lord! Come away (J. Taylor)
Four Hymns: Who is this fair one? (I. Watts)
Four Hymns: Come Love, come Lord (R. Crashaw)
Four Hymns: Evening Hymn (translated R. Bridges)
Merciless Beauty: Your eyën two
Merciless Beauty: So hath your beauty
Merciless Beauty: Since I from love
Ten Blake Songs: 1. Infant Joy
Ten Blake Songs: 2. A Poison Tree
Ten Blake Songs: 3. The Piper
Ten Blake Songs: 4. London [oboe tacet]
Ten Blake Songs: 5. The Lamb
Ten Blake Songs: 6. The Shepherd [oboe tacet]
Ten Blake Songs: 7. Ah, Sunflower!
Ten Blake Songs: 8.Cruelty has a human heart
Ten Blake Songs: 9. The Divine Image [oboe tacet]
Ten Blake Songs: 10. Eternity
On Wenlock Edge (1987 Digital Remaster): I. On Wenlock Edge
On Wenlock Edge (1987 Digital Remaster): II. From far, from eve and morning
On Wenlock Edge (1987 Digital Remaster): III. Is my team ploughing?
On Wenlock Edge (1987 Digital Remaster): IV. Oh, when I was in love with you
On Wenlock Edge (1987 Digital Remaster): V. Bredon Hill
On Wenlock Edge (1987 Digital Remaster): VI. Clun
The Curlew (1988 Digital Remaster): The Curlew, cry no more
The Curlew (1988 Digital Remaster): Pale brows, still hands
The Curlew (1988 Digital Remaster): I cried when the moon
The Curlew (1988 Digital Remaster): I wander by the edge
No.1 Choeur de la populace troyenne: "Ha! Ha! Après dix ans"
No.2 Récitatif et air: "Les Grecs ont disparu" - "Malheureux roi!"
"Chorèbe..." - No.3 Duo: "C'est lui!" - "Quitte-nous dès ce soir"
No.4 Marche et hymne: "Dieux protecteurs"
No.5 Combat de ceste - Pas de lutteurs
No.6 Pantomime: "Andromaque et son fils!"
No.7 Narration: "Du peuple et des soldats"
No.8 Ottetto et double choeur: "Châtiment effroyable!"
No.9 Récitatif et choeur: "Que la déesse" - "A cet objet sacré"
No.10 Air: "Non, je ne verrai pas"
No.11 Final: Marche troyenne: "De mes sens éperdus..."
No.12 Scène et récitatif: Introduction - "O lumière de Troie!" - "Ah!... fuis, fils de Vénus"
No.13 Récitatif et choeur: "Quelle espérance" - "Le salut des vaincus"
No.14 Choeur-prière: "Ah! Puissante Cybèle"
No.15 Récitatif et choeur: "Tous ne périront pas" - "O digne soeur d'Hector"
No.16 Final: "Complices de sa gloire" - "Le trésor! le trésor!"
No.17 Choeur: "De Carthage les cieux"
No.18 Chant national: "Gloire à Didon"
No.19 Récitatif et air: "Nous avons vu finir" - "Chers Tyriens"
No.20 Entrée des constructeurs
No.21 Entrée des matelots
No.22 Entrée des laboureurs
No.23 Récitatif et choeur: "Peuple!" - "Gloire à Didon"
No.24 Récitatif et duo: "Les chants joyeux" - "Sa voix fait naître dans mon sein"
No.25 Récitatif et air: "Echappés à grand peine" - "Errante sur les mers"
No.26 Marche troyenne dans le mode triste - "J'éprouve une soudaine et vive impatience"
No.27 Récitatif: "Auguste reine, un peuple"
No.28 Final: "J'ose à peine annoncer" - "Annonce à nos Troyens" - "Des armes! des armes!"
No.29 Chasse royale et orage - Pantomime
No.30 Récitatif: "Dites Narbal, qui cause"
No.31 Air et duo: "De quel revers" - "Vaine terreur!"
No.32 Marche pour l'entrée de la reine
No.33 Ballet: a) Pas des almées
No.33 Ballet: b) Danse des esclaves
No.33 Ballet: c) Pas d'esclaves nubiennes
No.34 Scène et chant d'Iopas: "Assez, ma soeur" - "O blonde Cérès"
No.35 Récitatif et quintette: "Pardonne, Iopas" - "O pudeur!"
No.36 Récitatif et septuor: "Mais bannissons" - "Tout n'est que paix"
No.37 Duo: "Nuit d'ivresse et d'extase"
No.38 Chanson d'Hylas: "Vallon sonore"
No.39 Récitatif et choeur: "Préparez tout" - "Chaque jour voit grandir la colère"
No.40 Duo: "Par Bacchus! ils sont fous"
No.41 Récitatif mesuré et air: "Inutiles regrets" - "Ah! quand viendra"
No.42 Scène: "Enée!..."
No.43 Scène et choeur: "Debout, Troyens" - "Alerte!"
No.44 Duo et choeur: "Errante sur tes pas" - "Italie!"
No.45 Scène: "Va, ma soeur, l'implorer"
No.46 Scène: "En mer, voyez!" - "Dieux immortels!"
No.47 Monologue: "Ah! Ah! He vais mourir..."
No.48 Air: "Adieu, fière cité"
No.49 Cérémonie funèbre: "Dieux de l'oubli" - "S'il faut enfin qu' Enée"
No.50 Scène: "Pluton... semble m'être propice"
No.51 Choeur: "Ah! au secours!" - No.52 Imprécation: "Rome... Rome.. immortelle"
Cantata No. 147, BWV 147 'Herz und Mund und Tat und Leben', Part I: Chorus: Herz und Mund und Tat und Leben
Cantata No. 147, BWV 147 'Herz und Mund und Tat und Leben', Part I: Recit: Gebene deiter Mund! (T)
Cantata No. 147, BWV 147 'Herz und Mund und Tat und Leben', Part I: Aria: Schäme dich, O Seele (A)
Cantata No. 147, BWV 147 'Herz und Mund und Tat und Leben', Part I: Recit: Verstokkung kann Gewaltigeverblenden (B)
Cantata No. 147, BWV 147 'Herz und Mund und Tat und Leben', Part I: Aria: Bereite dir, Jesu, noch itzo die Bahn (S)
Cantata No. 147, BWV 147 'Herz und Mund und Tat und Leben', Part I: Chorale: Wohl mir, dass ich Jesum habe (choir)
Cantata No. 147, BWV 147 'Herz und Mund und Tat und Leben', Part II: Aria: Hilf, jesu, hilf (T)
Cantata No. 147, BWV 147 'Herz und Mund und Tat und Leben', Part II: Recit: Der höchsten Allmacht Wunderhand (A)
Cantata No. 147, BWV 147 'Herz und Mund und Tat und Leben', Part II: Aria: Ich will von Jesu Wunden (B)
Bach: Cantata No. 147, 'Herz und Mund und Tat und Leben' BWV 147, Part II, Chorale: Jesus bleibet meine Freude (choir)
Te Deum H146 (1989 Digital Remaster): Prélude
Te Deum H146 (1989 Digital Remaster): Te Deum laudamus
Te Deum H146 (1989 Digital Remaster): Te aeternum Patrem
Te Deum H146 (1989 Digital Remaster): Pleni sunt coeli et terra
Te Deum H146 (1989 Digital Remaster): Te per orbem terrarum
Te Deum H146 (1989 Digital Remaster): Tu devicto mortis aculeo
Te Deum H146 (1989 Digital Remaster): Judex crederis
Te Deum H146 (1989 Digital Remaster): Te ergo quaesumus
Te Deum H146 (1989 Digital Remaster): Aeterna fac cum sanctis
Te Deum H146 (1989 Digital Remaster): Dignare Domine
Te Deum H146 (1989 Digital Remaster): Fiat misericordia
Te Deum H146 (1989 Digital Remaster): In te Domine speravi
Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702) (1989 Digital Remaster): Kyrie
Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702) (1989 Digital Remaster): Gloria
Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702) (1989 Digital Remaster): Credo
Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702) (1989 Digital Remaster): Offertoire (Laissez paître vos bestes)
Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702) (1989 Digital Remaster): Sanctus
Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702) (1989 Digital Remaster): Agnus Dei
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene I. September. A piece of land on a hill: (Allegro ma non troppo, con vigore) - Straight on, my plough, straight on! (orchestra, Manz)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene I. September. A piece of land on a hill: 'Tis such a shame to let good land lie waste (Marti, Manz)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene I. September. A piece of land on a hill: Come, Vrenchen, come! (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene I. September. A piece of land on a hill: The children are nearby (Marti, Manz)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene I. September. A piece of land on a hill: How strange the song of the wind (Vrenchen, The Dark Fiddler, Sali, Marti, Manz)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene I. September. A piece of land on a hill: Listen, my children, you need have no fear! (The Dark Fiddler)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene I. September. A piece of land on a hill: (Sehr langsam) - We two will be the only bidders for that land (Marti, Manz)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene II. Six years later. Outside Marti's house: (Lento) (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene II. Six years later. Outside Marti's house: Vrenchen!...Sali! (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene II. Six years later. Outside Marti's house: If only we two always stand together (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene III. The Wildland: (Poco meno) (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene III. The Wildland: (Tranquillo) - Sali!...Vrenchen! (orchestra, Vrenchen, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene III. The Wildland: You here? I'm not surprised (The Dark Fiddler)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene III. The Wildland: O Sali, I'm afraid! (Vrenchen, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene III. The Wildland: (Molto lento) - Shameless hussy! (orchestra, Marti, Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene IV. Interior of Marti's house: (Lento molto) (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene IV. Interior of Marti's house: Ah, the darkness has come (Vrenchen, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene IV. Interior of Marti's house: O Sali, I should have died (Vrenchen, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene IV. Interior of Marti's house: What will you do? Where will you go? (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene IV. Interior of Marti's house: The Dream of Sali and Vrenchen (orchestra, chorus)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene IV. Interior of Marti's house: (Lento) (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel (2002 Digital Remaster), Scene IV. Interior of Marti's house: Ah, 'twas all a dream! (Vrenchen, Sali, Peasants)
Frederick Delius: An Illustrated Talk by Eric Fenby (1973 Digital Remaster): 'Delius was certainly the least professional...[demonstrates dictation process at piano]' - Cynara (Shirley-Quirk, RLPO/Groves P 1969) -
Frederick Delius: An Illustrated Talk by Eric Fenby (1973 Digital Remaster): 'When Delius died in 1934...' - An Arabesque (Shirley-Quirk, RLPO & Choir/Groves P 1968)
No.1 Choeur de la populace troyenne: "Ha! Ha! Après dix ans"
No.2 Récitatif et air: "Les Grecs ont disparu" - "Malheureux roi!"
"Chorèbe..." - No.3 Duo: "C'est lui!" - "Quitte-nous dès ce soir"
No.4 Marche et hymne: "Dieux protecteurs"
No.5 Combat de ceste - Pas de lutteurs
No.6 Pantomime: "Andromaque et son fils!"
No.7 Narration: "Du peuple et des soldats"
No.8 Ottetto et double choeur: "Châtiment effroyable!"
No.9 Récitatif et choeur: "Que la déesse" - "A cet objet sacré"
No.10 Air: "Non, je ne verrai pas"
No.11 Final: Marche troyenne: "De mes sens éperdus..."
No.12 Scène et récitatif: Introduction - "O lumière de Troie!" - "Ah!... fuis, fils de Vénus"
No.13 Récitatif et choeur: "Quelle espérance" - "Le salut des vaincus"
No.14 Choeur-prière: "Ah! Puissante Cybèle"
No.15 Récitatif et choeur: "Tous ne périront pas" - "O digne soeur d'Hector"
No.16 Final: "Complices de sa gloire" - "Le trésor! le trésor!"
No.17 Choeur: "De Carthage les cieux"
No.18 Chant national: "Gloire à Didon"
No.19 Récitatif et air: "Nous avons vu finir" - "Chers Tyriens"
No.20 Entrée des constructeurs
No.21 Entrée des matelots
No.22 Entrée des laboureurs
No.23 Récitatif et choeur: "Peuple!" - "Gloire à Didon"
No.24 Récitatif et duo: "Les chants joyeux" - "Sa voix fait naître dans mon sein"
No.25 Récitatif et air: "Echappés à grand peine" - "Errante sur les mers"
No.26 Marche troyenne dans le mode triste - "J'éprouve une soudaine et vive impatience"
No.27 Récitatif: "Auguste reine, un peuple"
No.28 Final: "J'ose à peine annoncer" - "Annonce à nos Troyens" - "Des armes! des armes!"
No.29 Chasse royale et orage - Pantomime
No.30 Récitatif: "Dites Narbal, qui cause"
No.31 Air et duo: "De quel revers" - "Vaine terreur!"
No.32 Marche pour l'entrée de la reine
No.33 Ballet: a) Pas des almées
No.33 Ballet: b) Danse des esclaves
No.33 Ballet: c) Pas d'esclaves nubiennes
No.34 Scène et chant d'Iopas: "Assez, ma soeur" - "O blonde Cérès"
No.35 Récitatif et quintette: "Pardonne, Iopas" - "O pudeur!"
No.36 Récitatif et septuor: "Mais bannissons" - "Tout n'est que paix"
No.37 Duo: "Nuit d'ivresse et d'extase"
No.38 Chanson d'Hylas: "Vallon sonore"
No.39 Récitatif et choeur: "Préparez tout" - "Chaque jour voit grandir la colère"
No.40 Duo: "Par Bacchus! ils sont fous"
No.41 Récitatif mesuré et air: "Inutiles regrets" - "Ah! quand viendra"
No.42 Scène: "Enée!..."
No.43 Scène et choeur: "Debout, Troyens" - "Alerte!"
No.44 Duo et choeur: "Errante sur tes pas" - "Italie!"
No.45 Scène: "Va, ma soeur, l'implorer"
No.46 Scène: "En mer, voyez!" - "Dieux immortels!"
No.47 Monologue: "Ah! Ah! He vais mourir..."
No.48 Air: "Adieu, fière cité"
No.49 Cérémonie funèbre: "Dieux de l'oubli" - "S'il faut enfin qu' Enée"
No.50 Scène: "Pluton... semble m'être propice"
No.51 Choeur: "Ah! au secours!" - No.52 Imprécation: "Rome... Rome.. immortelle"
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue: Prologue: Bunyan in Prison
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue, Act I: Scene 1: The Pilgrim meets Evangelist
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue, Act I: Scene 2: The House Beautiful
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue, Act I: Nocturne (Intermezzo)
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue, Act II: Scene 1: The Arming of the Pilgrim
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue, Act II: Scene 2: The Pilgrim meets Apollyon
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue, Act III, Scene 1: Vanity Fair: Buy! What will ye buy?
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue, Act III, Scene 1: Vanity Fair: I buy the truth
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act I Nocturne
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act IV Scene 1
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act IV Scene 2
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act II Scene 1
1. Off to Mahagonny - Allegro non troppo
2. Alabama Song: Moderato
3a. Vivace
3. "If you had five bucks a day": Allegro un poco moderato
4a. Vivace assai
4. Benares Song: Moderato assai
5a. Sostenuto
5. God in Mahagonny: Lento
Finale: People only dream of Mahagonny
1. Introduction: The little lieutenant of the loving God (orchestra)
2. Salvation Army Song III: don't be afraid
3. The Ballad of Hell's Lily
4. The Song of the Liquor Dealer
5. The Sailor's Song
6. Salvation Army Song II: Brother, give yourself a shove
7. The Song of Mandalay
8. Salvation Army Song IV: In our childhood's bright
9. Surabaya Johnny
10. Salvation Army Song I: March ahead to the fight
11. The little lieutenant of the loving God
12. Though Nut
13. Hosanna Rockefeller
14. The little lieutenant of the loving God II
Pergolesi: Magnificat - Magnificat
Pergolesi: Magnificat - Et misericordia
Pergolesi: Magnificat - Deposuit Potentes
Pergolesi: Magnificat - Suscepit Israel
Pergolesi: Magnificat - Sicut locutus est....Gloria
1. Allegro: Dixit Dominus
2. Largo: Donec ponam
3. Allegro: Virgam virtutis tuae
4. Andante: Tecum principium
5. Adagio - Allegro: Juravit
6. Allegro: Dominus a dextris tuis
7. Largo - Allegro molto: Judicabit
8. Andante: De torrente
9. Allegro: Gloria Patri
10. Allegro: Sicut erat
Manon Lescaut (1993 Digital Remaster), ATTO PRIMO/ACT 1/ERSTER AKT/PREMIER ACTE: Ave, sera gentile (Edmondo/Coro/Des Grieux)
Manon Lescaut (1993 Digital Remaster), ATTO PRIMO/ACT 1/ERSTER AKT/PREMIER ACTE: Tra voi, belle, brune e bionde (Des Grieux/Coro)
Manon Lescaut (1993 Digital Remaster), ATTO PRIMO/ACT 1/ERSTER AKT/PREMIER ACTE: Ma bravo! (Edmondo/Coro)
Manon Lescaut (1993 Digital Remaster), ATTO PRIMO/ACT 1/ERSTER AKT/PREMIER ACTE: Discendono, vediam! (Coro/Edmondo/Lescaut/L'Oste/Des Grieux/Geronte)
Manon Lescaut (1993 Digital Remaster), ATTO PRIMO/ACT 1/ERSTER AKT/PREMIER ACTE: Cortese damigella, il priego mio accettate (Des Grieux/Manon/Lescaut)
Manon Lescaut (1993 Digital Remaster), ATTO PRIMO/ACT 1/ERSTER AKT/PREMIER ACTE: Donna non vidi mai (Des Grieux)
Manon Lescaut (1993 Digital Remaster), ATTO PRIMO/ACT 1/ERSTER AKT/PREMIER ACTE: La tua ventura ci rassicura (Edmondo/Coro/Geronte/Lescaut/L'Oste)
Manon Lescaut (1993 Digital Remaster), ATTO PRIMO/ACT 1/ERSTER AKT/PREMIER ACTE: La tua Propsperina di resisteri (Edmondo/Des Grieux)
Manon Lescaut (1993 Digital Remaster), ATTO PRIMO/ACT 1/ERSTER AKT/PREMIER ACTE: Vedete? Io son fedele alla parola mia (Manon/Des Grieux/Lescaut)
Manon Lescaut (1993 Digital Remaster), ATTO PRIMO/ACT 1/ERSTER AKT/PREMIER ACTE: Un libertino audace (Des Grieux/Manon/Edmondo/Geronte/L'Oste/Lescaut)
Manon Lescaut (1993 Digital Remaster), ATTO PRIMO/ACT 1/ERSTER AKT/PREMIER ACTE: Cavalli pronti avete? (Lescaut/Geronte/Edmondo/Coro)
Manon Lescaut (1993 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIEME ACTE: Dispettosetto questo riccio! (Manon/Lescaut)
Manon Lescaut (1993 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIEME ACTE: Sei splendida e lucente! (Lescaut/Manon)
Manon Lescaut (1993 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIEME ACTE: In quelle trine morbide (Manon)
Manon Lescaut (1993 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIEME ACTE: Poich tu vuoi saper (Lescaut/Manon)
Manon Lescaut (1993 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIEME ACTE: Che ceffi son costor? (Lescaut/Manon/Un Musico/Coro)
Manon Lescaut (1993 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIEME ACTE: Paga costor! (Manon/Lescaut)
Manon Lescaut (1993 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIEME ACTE: Vi prego, signorina (Il Maestro di Ballo/Geronte/Manon/Coro)
Manon Lescaut (1993 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIEME ACTE: Oh, sarò la più bella! (Manon/Des Grieux)
Manon Lescaut (1993 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIEME ACTE: Ah! ... Aff madamigella (Manon/Geronte/Des Grieux)
Manon Lescaut (1993 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIEME ACTE: Ah! Manon, mi tradisce (Des Grieux/Manon)
Manon Lescaut (1993 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIEME ACTE: Lescaut! ... Tu qui? (Des Grieux/Manon/Lescaut/Un Sergente)
Manon Lescaut (1993 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIEME ACTE: Intermezzo
Manon Lescaut (1993 Digital Remaster), ATTO TERZO/ACT 3/DRITTER AKT/TROISIEME ACTE: Ansia, eterna, crudel (Des Grieux/Lescaut)
Manon Lescaut (1993 Digital Remaster), ATTO TERZO/ACT 3/DRITTER AKT/TROISIEME ACTE: Manon! ... Des Grieux! (Des Grieux/Manon/Un Lampionaio)
Manon Lescaut (1993 Digital Remaster), ATTO TERZO/ACT 3/DRITTER AKT/TROISIEME ACTE: All'armi! All'armi! (Coro/Lescaut/Des Grieux/Manon)
Manon Lescaut (1993 Digital Remaster), ATTO TERZO/ACT 3/DRITTER AKT/TROISIEME ACTE: Il passo m'aprite (Sergente/Comandante/Coro)
Manon Lescaut (1993 Digital Remaster), ATTO TERZO/ACT 3/DRITTER AKT/TROISIEME ACTE: Rosetta! (Sergente/Coro/Lescaut/Manon/Des Grieux)
Manon Lescaut (1993 Digital Remaster), ATTO TERZO/ACT 3/DRITTER AKT/TROISIEME ACTE: Presto il fila! Marciate! (Sergente/Des Grieux/Coro/Comandante)
Manon Lescaut (1993 Digital Remaster), ATTO TERZO/ACT 3/DRITTER AKT/TROISIEME ACTE: Ah! non v'avvicinate! ... Come io piango ed imploro (Des Grieux/Comandante)
Manon Lescaut (1993 Digital Remaster), ATTO QUARTO/ACT 4/VIERTER AKT/QUATRIEME ACTE: Tutta su me ti posa (Des Grieux/Manon)
Manon Lescaut (1993 Digital Remaster), ATTO QUARTO/ACT 4/VIERTER AKT/QUATRIEME ACTE: Manon, senti, amor mio! ... Vedi, son io che piango (Des Grieux/Manon)
Manon Lescaut (1993 Digital Remaster), ATTO QUARTO/ACT 4/VIERTER AKT/QUATRIEME ACTE: E nulla! Nulla! (Des Grieux/Manon)
Manon Lescaut (1993 Digital Remaster), ATTO QUARTO/ACT 4/VIERTER AKT/QUATRIEME ACTE: Sola, perduta, abbandonata (Manon/Des Grieux)
Sonata
O be joyful in the Lord ... (Tenor, Chorus)
Serve the Lord with gladness ... (Chorus)
Duet: Be ye sure that the Lord he is God ... (Soprano, Tenor)
O go your way into his gates ... (Chorus)
Trio: For the Lord is gracious ... (Soprano, Tenor, Bass)
Glory be to the Father ... (Chorus)
As it was in the beginning ... (Chorus)
Sonata
In the Lord I put my trust! ... (Chorus)
God is a constant sure defence ... (Tenor)
Behold! The wicked bend their bow ... (Chorus)
But God, who hears the suff'ring pow'r ... (Tenor)
Snares, fire and brimstone on their heads ... (Chorus)
The righteous Lord will righteous deeds ... (Tenor)
Then shall my song, with praise inspir'd ... (Chorus)
Sonata
Have mercy upon me, O God ... (Chorus)
Duet: Wash me thoroughly from my wickedness ... (Soprano, Tenor)
For I acknowledge my faults ... (Tenor)
Against thee only have I sinned ... (Tenor)
Thou shalt make me hear of joy and gladness ... (Chorus)
Make me a clean heart, O God ... (Soprano)
The shall I teach thy ways unto the wicked ... (Chorus)
Sonata
My song shall be alway ... (Soprano, Chorus)
For who is he among the clouds ... (Tenor)
God is very greatly to be feared ... (Soprano, Tenor, Bass)
Duet: The heav'ns are thine ... (Alto, Bass)
Righteousness and equity are the habitation of thy seat ... (Chorus)
Blessed is the people, O Lord ... (Soprano)
Thou art the glory ... (Chorus)
Sonata
O come, let us sing unto the Lord ... (Chorus)
O come, let us worship and fall down ... (Tenor)
Glory and worship are before him ... (Chorus)
Tell it out among the heathen ... (Tenor, Chorus)
O magnify the Lord ... (Soprano)
The Lord preserveth the souls of the saints ... (Alto)
For look, as high as the heaven ... (Tenor)
There is sprung up a light for the righteous ... (Chorus)
O praise the Lord with 1 consent ... (Chorus)
Praise him, all ye that in his house ... (Alto)
For this our truest int'rest is ... (Tenor)
That God is great ... (Bass)
With cheerful notes let all the earth ... (Chorus)
God's tender mercy knows no bounds ... (Soprano)
Ye boundless realms of joy ... (Chorus)
Your voices raise, ye Cherubim and Seraphim ... (Chorus)
Sinfonia
The Lord is my light and my salvation ... (Tenor)
Through an host of the men were laid against me ... (Chorus)
One thing have I desired of the Lord ... (Tenor)
I will offer in his dwelling an oblation ... (Chorus)
For who is God but the Lord? ... (Chorus)
The Lord is my strength and my shield ... (Tenor)
It is the Lord the ruleth the sea ... (Soprano)
Sing and praises unto the Lord ... (Chorus)
Sonata
O be yofdul in the Lord, all ye lands (Tenor, Chorus)
Serve the Lord with gladness, and come from his presence with a song. (Chorus)
Duet: Be ye sure that the Lord he is God: it is he that has made us, and now we ourselves; we are his people, and the sheep of his pasture. (Soprano, Tenor)
O go your way into his gates with thanksgiving, and into his courts with praise: be thankful unto him, and speak good of his Name (Chorus)
Trio: For the Lord is gracious, His mercy is everlasting: and His truth endureth from generation to generation. (Soprano, Tenor, Bass)
Glory be to the Father, glory be to the Son: and to the Holy Ghost; (Chorus)
As it was in the beginning, is now, and ever shall be; world without end. Amen. (Chorus)
Sonata
In the Lord I put trust! How say you then to my soul she shall flee as a bird unto the hill? (Chorus)
God is a constant sure defence against oppressing rage, as troubles rise, his needful aids in our behalf engage. (Tenor)
Behold! The wicked bend their bow, and ready fix their dart, lurking in ambush to destroy the man of upright heart. (Chorus)
But God, who hears the suff'ring pow'r, and their oppression knows, will soon arise and give them rest in spite of all their foes. (Tenor)
Snares, fire and brimstone on their heads shall in one tempest show'r: this dreadful mixture his revenge into their cup shall pour. (Chorus)
The righteous Lord will righteous deeds with signal favour grace, and to the upright man disclose the brightness of his face. (Tenor)
Then shall my song, with praise inspir'd, to thee my God ascend, who to thy servants in distress such bounty didst extend. (Chorus)
Sonata
Have mercy upon me, O God, after thy great goodness: according to the multitude of thy mercies do away mine offences. (Chorus)
Duet: Wash me thoroughly from my wickedness: and cleanse me from my sin. (Soprano, Tenor)
For I acknowledge my faults: and my sin is ever before me. (Tenor)
Against thee only have I sinned, and done this evil in thy sight: that thou mightest be justified in thy saying, and clear'd when thou art judg'd. (Tenor)
Thou shalt make me hear of joy and gladness: that the bones which thou hast broken may rejoice. (Chorus)
Make me a clean heart, O God: and renew a right spirit within me. Cast me not away from thy presence: and take not thy holy spirit from me. O give me the comfort of thy help again: and stablish me with thy free Spirit. (Soprano)
Then shall I teach Thy ways unto the wicked: and sinners shall be converted unto Thee. (Chorus)
"Ob rechts, ob links, vorwarts oder ruckwarts" (Gabriel, Chor)
"Ohne zu fragen?" (Chor, Gabriel)
"Gleichviel! Weiter!" (Gabriel, ein Berufener)
"Du bist immerhin zufrieden mit dir" (Gabriel, ein Aufruhrerischer)
"Dies Entweder und dies Oder" (Gabriel, ein Ringender)
"Gegen seinen und euren Willen" (Gabriel)
"Ich sollte nicht naher, denn ich verliere dabei" (Der Auserwahlte, Gabriel)
"Herr, verzeih meine Uberhebung!" (Der Monch, Gabriel)
"Herr, mein ganzes Leben lang" (Der Sterbende)
"Nahst du wieder dem Licht?" (Gabriel, Chor)
Grosses Symphonisches Zwischenspiel / Big Symphonic Interlude
Nisi Dominus aedificaverit (Chorus)
Vanum, est vobis ante lucem sugere (Tenor)
Cum dederit dilectis (Counter-Tenor)
Sicut sagittae in manu potentis (Bass)
Beatus vir qui implevit desiderium (Tenor)
Gloria Patri et Filio (Chorus)
Dixit Dominus Domino meo (Chorus)
Virgam virtutis tuae emittet Dominus ex Sion (Counter-Tenor)
Tecum principium in die virtutis (Soprano)
Juravit Dominus, et non poenitebit eum (Chorus)
Secundum ordinem Melchisedech (Chorus)
Dominus a dextris (Chorus)
Judicabit in nationibus (Chorus)
De torrente in via bibet (Soli, Chorus)
Gloria Patri et Filio (Chorus)
Sonata
O sing unto the Lord a new song! O sing unto the Lord all the whole earth. (Soprano, Chorus)
Declare his honour unto the heathen, and his wonders unto all people. For the Lord is great, and cannot worthily be praised. He is more to be fear'd than all Gods. (Chorus)


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