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Romantic Rarities

Brahms / Chopin / Schumann / Holtham
Release Date: 04/10/2012 
Label:  Tall Poppies   Catalog #: 219   Spars Code: DDD 
Composer:  Johannes BrahmsFranz SchubertFrédéric ChopinRobert Schumann
Performer:  Ian Holtham
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 7 Mins. 

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Notes and Editorial Reviews



SCHUMANN Davidsbündlertänze. BRAHMS Theme and Variations in d. SCHUBERT Piano Sonata in f, D 625 & Ian Holtham (pn) TALL POPPIES 219 (67:40)


& CHOPIN Rondo à la Mazurka


Given Read more some of the genuine curiosities unearthed by music researchers and record companies, it’s hard to know by what definition any of the pieces on this disc may be described, as the album title does, as “rarities.” Brahms’s Theme and Variations in D Minor, a transcription for solo piano of the slow movement of the composer’s op. 18 String Sextet, has more than 15 listed recordings, not counting this one. An equal number of recordings of an unfinished sonata in F Minor by Schubert are also listed. Chopin’s Rondo à la Mazurka has 22 listings at ArkivMusic, and the number of sightings of that extremely rare butterfly, Schumann’s Davidsbündlertänze , is at least 56 and counting.


Now that we’ve dispensed with the sales-pitch poppycock of the album’s title, we can get to the business at hand, which is Ian Holtham and his performances of these pieces. In prior reviews, I’ve addressed the Brahms transcription, stating that in my opinion it doesn’t really work very well on piano. The vortexes of swirling winds created by the string instruments as they swell and subside in great crescendos and diminuendos are not easily reproduced by a piano. But what I think doesn’t matter. Clara Schumann, at whose request Brahms made the transcription, liked it, and so did Brahms, who reportedly played it often.


Holtham mentions in his self-authored notes that this is one of the work’s very few recordings. At the time he wrote that, he may or may not have been aware of Garrick Ohlsson’s outstanding performance of the piece in a two-disc Hyperion set of Brahms’s complete variation works for solo piano, recorded in 2009, released in 2010, and reviewed in Fanfare 34:5.


The Schubert sonata, as performed here by Holtham, may indeed be a rarity, if only because he has made his own further harmonic modifications and alterations to the 1953 Universal Edition completion by Erwin Ratz. The score, as Schubert left it, is actually more complete than a lot of his other unfinished works and fragments. Mostly in question is the absentee slow movement. Schubert apparently composed one but withdrew it at the request of his publisher. The movement, in D?-Major, was published separately as a stand-alone piece. Bearing the Deutsch number 505, it is sometimes re-introduced into performances of the sonata as the originally intended slow movement. Holtham plays only the three official movements of the piece, but, as noted, adds some of his own contributions to Ratz’s published edition.


The Rondo à la Mazurka was written in 1810 by a 16-year-old Chopin. Nowhere near as rare as Holtham’s program note would have us believe, the piece can be heard in complete Chopin cycles by Ashkenazy, Hobson, Ohlsson, and Barbosa.


Holtham is also not correct in stating that Davidsbündlertänze “is amongst the most rarely performed of Schumann’s piano music.” Perhaps it’s just a difference between Holtham’s Australian English usage of the word “rare” and my American English understanding of it, but if I can put words in Holtham’s mouth, I think what he really means is that Davidsbündlertänze is not performed as often as some of Schumann’s other piano works. But not as often doesn’t make it rare, as well over 50 recordings attest.


Ian Holtham is one of Australia’s leading and most distinguished pianists, and though we don’t seem to hear much about or from him in the U.S., he has built up an impressive discography of Mozart, Beethoven, Chopin, Schumann, Liszt, Mussorgsky, and Tchaikovsky on Australia’s ABC Classics and Move labels. The Tall Poppies CD at hand showcases Holtham in a program of works that are core to his repertoire; while none of them are rare, what is exceptional is the beauty of tone, sensitivity of expression, and perfection of technique with which Holtham plays them. A mixed bouquet of lovely Romantic era pieces easily recommended to all.


FANFARE: Jerry Dubins
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Works on This Recording

1.
Sextet for Strings no 1 in B flat major, Op. 18: 2nd movement, Andante, ma moderato by Johannes Brahms
Performer:  Ian Holtham (Piano)
Period: Romantic 
Written: 1859-1860; Germany 
Venue:  Melba Hall, University of Melbourne 
Length: 9 Minutes 5 Secs. 
2.
Sonata for Piano in F minor, D 625 [fragment] by Franz Schubert
Performer:  Ian Holtham (Piano)
Period: Romantic 
Written: 1818; Vienna, Austria 
Venue:  Melba Hall, University of Melbourne 
Length: 16 Minutes 11 Secs. 
3.
Rondo for Piano in F major, B 15/Op. 5 "à la Mazur" by Frédéric Chopin
Performer:  Ian Holtham (Piano)
Period: Romantic 
Written: 1826; Poland 
Venue:  Melba Hall, University of Melbourne 
Length: 9 Minutes 18 Secs. 
4.
Davidsbündlertänze for Piano, Op. 6 by Robert Schumann
Performer:  Ian Holtham (Piano)
Period: Romantic 
Written: 1837; Germany 
Venue:  Melba Hall, University of Melbourne 
Length: 29 Minutes 32 Secs. 

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