Hespčrion XX

Biography

Active: 1974 -
Jordi Savall (born 1941), one of the world's leading players of the viola da gamba, founded the ensemble Hespčrion XX in 1974. Savall's goal -- and that of cofounders Montserrat Figueras, Hopkinson Smith, and Lorenzo Alpert -- was to explore lesser-known repertories of the European Middle Ages, Renaissance, and Baroque periods; their special love has been early Spanish music. The group has toured over five continents and produced well over 50 Read more recordings (many on the Astrée Audivis label). The group's membership changes with the repertory of an individual recording or performance project, and with the particular orchestration envisioned by Savall. The list of early music luminaries who have repeatedly collaborated with Savall on Hespčrion recordings includes not only founders Figueras (soprano) and Smith (plucked strings), but also Pedro Memelsdorff (recorder), Andrew Lawrence-King (harps), Rolf Lislevand (guitar, theorbo, and vihuela), Ton Koopman (harpsichord), Bruce Dickey (cornetto), and Richard Cheetham (sackbut). Often, Hespčrion XX performs early chamber music (such as the Fantasias of Henry Purcell) only on a consort of viols; Savall argued famously for performance of J.S. Bach's Die Kunst der Fugue with this orchestration because of the transparence and clarity of the lines. For larger works (such as the Couperin Apothéoses), Hespčrion XX expands its instrumentation and adds singers, such as the Capella Reial de Catalunya or Philippe Herreweghe's Collegium Vocale. In performances of early Spanish music -- from the Cantigas de Santa Maria to the Cancionero de la Columbina and the Cancionero Musicale del Palacio -- the ensemble achieves a distinctly Moorish influence (as had Thomas Binkley and René Clemencic a generation before). In every repertory, Hespčrion XX combines a high level of polish and virtosity with vivid orchestrations and a vibrant sound that cares for the life of each individual tone. Even the vocal style of Hespčrion's singers sometimes mimics the characteristic pulsation of each tone in Savall's viol playing (in their recording of the Morales Requiem, for instance). One eminent musicologist has criticized Hespčrion XX for the romanticism of its sound; the group's dynamic performances, on the other hand, have achieved one of early music's widest and most enthusiastic audiences. Read less

There are 17 Hespčrion XX recordings available.

Select a specific Composer, Conductor or Label or browse recordings by Formats & Featured below

or

Conductors



YOU MUST BE A SUBSCRIBER TO LISTEN TO ARKIVMUSIC STREAMING.
TRY IT NOW FOR FREE!
Sign up now for two weeks of free access to the world's best classical music collection. Keep listening for only $0.0/month - thousands of classical albums for the price of one! Learn more about ArkivMusic Streaming
Already a subscriber? Sign In