Hans Werner Henze

Biography

Born: July 1, 1926; Gütersloh, Germany   Died: October 27, 2012; Dresden, Germany  
Hans Werner Henze was a prolific composer over a career spanning six decades, writing extensively in all the standard genres such as symphony, concerto, opera, and song, in a remarkable variety of styles. As he once said, "I am bored by the idea of employing approaches which I have already tried." At times in his career, his controversial political views have attracted almost as much attention as his music.

Henze started
Read more composing at age 12, even before his formal music education began at the Braunschweig State Music School, which he attended from 1942-1944. From an early age, he was interested in political and social issues. His rejection of the bourgeois values of his upbringing and the Nazism that he encountered first hand probably had a large influence on his later political thinking. He served for a time in the German army in World War II and was briefly held as a prisoner-of-war. After the war, he continued his musical studies at the Institute for Church Music in Heidelberg, where he worked with Wolfgang Fortner, and at Darmstadt, where he studied with Schoenberg disciple René Leibowitz. His earliest acknowledged compositions date from this time, like the Chamber Concerto (1946) which was Henze's first publicly performed work. His first full-length opera, Boulevard Solitude, was completed in 1951.

Despite the hints of jazz and neo-Classicism in some of that early music, Henze was strongly identified with the post-Arnold Schoenberg serial composers for several years. With his move to Italy in 1953, Henze sought to change that perception and brought to his music a new lyricism. One can hear this in his second opera, König Hirsch, premiered in 1956, and the Symphony No. 4, "Il Re Cervo" (1955), which makes use of music from that opera's second act finale. W. H. Auden and Chester Kallman, Stravinsky's librettists for The Rake's Progress, provided the words for Henze's fourth and sixth operas, Elegy for Young Lovers (1961) and The Bassarids (1965-1966). It was around this time that Henze took his first teaching post, director of master classes in composition at the Salzburg Mozarteum.

The notorious premiere of the oratorio Das Floss der Medusa (The Raft of Medusa, a requiem for Che Guevara) in Hamburg in 1968, at which the work's librettist and others were arrested, brought Henze further notoriety. Interactions with German students and Italian intellectuals had motivated Henze to bring to his work an increasing political consciousness. Socialism and the New Left were very appealing to him, even more so after a year of teaching in Cuba in 1969-70, during which he led the Cuban National Symphony in the premiere of his Symphony No. 6 for two chamber orchestras.

Voices (1973), a song cycle with texts by Ho Chi Minh, Bertold Brecht, and others, reflects Henze's political commitment and his musical eclecticism. In his later works, Henze has incorporated such disparate elements as rock and popular music, electronics, taped sounds, microtones, and extended vocal and instrumental techniques. His harrowing Symphony No. 9, premiered in 1997, tells the story of prisoners who escape from a German concentration camp; the Symphony is dedicated to "the heroes and martyrs of German anti-fascism."

Henze wrote for many of the great performers of his time, such as Dietrich Fischer-Dieskau, Peter Pears, Julian Bream, Heinz and Ursula Holliger, and Christoph Eschenbach. He also actively championed his own music, traveling the world to conduct and record his compositions. Read less
Dowland/Henze: Spirit Of Shakespeare
Release Date: 04/25/2006   Label: Col Legno  
Catalog: 20104   Number of Discs: 2
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There are 109 Hans Werner Henze recordings available.

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Works

Hans Werner Henze


MOST POPULAR WORKS
Henze: Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema" - "Solo chi ama conosce" - Andante ma non troppo
Henze: Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema" - "Sei tu Giulietta?" - Allegretto
Henze: Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema" - "Sono i tuoi giorni un prato lucente" - Allegretto
Henze: Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema" - "Tu eri il paggio favorito alla corte d'Oriente" - Allegretto (lo stesso tempo)
Henze: Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema" - "La bella trama, adorata dal mio cuore" - Corale
Henze: Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema" - "Quando mi sei vicino" - Andante
Henze: Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema" - "Passa la cacciatrice lunare" - Meno mosso
I. Largamente, rubato ? Allegro molto
II. Vivacissimo
III. Andante con moto
IV. Allegro molto vivace
Henze: Der junge Lord / Act 1 - Introduction "Herr Professor, ich nehme kein Blatt.."
Henze: Der junge Lord / Act 1 - Ob er uns gefallen wird oder nicht?
Henze: Der junge Lord / Act 1 - O Ida, liebste Ida
Henze: Der junge Lord / Act 1 - Zu uns kommt ein Edelmann
Henze: Der junge Lord / Act 1 - Vivat! vivat! Hoch lebe der reiche, englische Herr!
Henze: Der junge Lord / Act 1 - Hu, kaltes Land - und Leute gaffen
Henze: Der junge Lord / Act 1 - "Er ist es" / "Ist das Sir Edgar?"
Henze: Der junge Lord / Act 1 - Entr'acte
Henze: Der junge Lord / Act 1 - Mein liebes Kind
Henze: Der junge Lord / Act 1 - Frau Baronin. Der Mohr ist da
Henze: Der junge Lord / Act 1 - Dieser Mensch täuscht sich
Henze: Der junge Lord / Act 1 - Zwischenspiel
Henze: Der junge Lord / Act 1 - Hochverehrtes Publikum!
Henze: Der junge Lord / Act 1 - Der Engländer ist aus dem Haus
Henze: Der junge Lord / Act 1 - Hochverehrtes Publikum
Henze: Der junge Lord / Act 1 - Im Namen des Gesetzes dieser Stadt
Henze: Der junge Lord / Act 1 - "Wir sind ihm nicht gut genug" - Notturno
Henze: Der junge Lord / Act 2 - Hu, der böse Mohr, der so schwarz wie Sünde ist!
Henze: Der junge Lord / Act 2 - Leibhaftiger! Geister sind's nicht
Henze: Der junge Lord / Act 2 - "Meine Luise"... "Oh, mein Wilhelm"
Henze: Der junge Lord / Act 2 - Ihr Herren, hierher!
Henze: Der junge Lord / Act 2 - Er wird Ihre Bälle und auch alle die Konzerte
Henze: Der junge Lord / Act 2 - Zwischenspiel
Henze: Der junge Lord / Act 2 - Man nimmt ein halbes Pfund goldenen Sirup
Henze: Der junge Lord / Act 2 - Nur zu gerne ... und mit großer Erwartung
Henze: Der junge Lord / Act 2 - Welche Freude!
Henze: Der junge Lord / Act 2 - Dieser flegelhafte Mensch!
Henze: Der junge Lord / Act 2 - Es ist genug, was dieser Herr sich herausnimmt!
Henze: Der junge Lord / Act 2 - Zwischenspiel
Henze: Der junge Lord / Act 2 - Diese Benommenheit
Henze: Der junge Lord / Act 2 - Wo bin ich denn geblieben?
Henze: Der junge Lord / Act 2 - Walzer der Debütantinnen
Henze: Der junge Lord / Act 2 - Eine gewisse nationale Roheit
Henze: Der junge Lord / Act 2 - Es wird Schreckliches geschehen
Henze: Der junge Lord / Act 2 - Steht uns kein Himmel bei?
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 1. Die Welt (The World - Le Monde)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 2. Der Cimarrón
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 3. Die Sklaverei (Slavery - L'Esclavage)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 4. Die Flucht (Flight - La Fuite)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 5. Der Wald (The Forest - La Forêt)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 6. Die Geister (The Spirits - Les Fantômes)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 7. Die falsche Freiheit (False Freedom - La Fausse Liberté)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 8. Die Frauen (Women - Les Femmes)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 9. Die Maschinen (The Machines - Les Machines)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 10. Die Pfarrer (The Clergy - Les Prêtres)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 11. Der Aufstand (The Uprising - Le Soulèvement)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 12. Die Schlacht von Mal Tiempo (The Battle of/La Bataille de Mal Tiempo
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 13. Der schlechte Sieg (The Evil Victory - La Mauvaise Victoire)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 14. Die Freundlichkeit (Friendliness - L'Amabilité)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 15. Das Messer (The Knife - Le Couteau)
Henze: Fantasia For Strings - 1. Adagio
Henze: Fantasia For Strings - 2. Tempo eines Trauermarsches
Henze: Fantasia For Strings - 3. Espressivo
Henze: Fantasia For Strings - 4. Allegro moderato - Meno mosso
Henze: Fantasia For Strings - 5. Air - Pastorale - Air
Henze: Fantasia For Strings - 6. Vivace - Epilogo. Adagio
I. Moderato - Più mosso - Lo stesso tempo (Clarinet cadenza) (quasi attacca) -
II. Allegretto
III. Allegramente (Horn cadenza) - Malincolia - Allegretto (Bossoon cadenza) - attacca -
IV. Vivace - Allegramente - Molto meno mosso - Vivace e burlesco - Con moto - Un poco meno mosso - Ancora meno mosso
V. Quia respexit humilitatem ancillae suae
Henze: Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra - 1. Aggio saputo ca la morte vene
Henze: Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra - 2. A l'acqua de li ffuntanelle
Henze: Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra - 3. Amaie 'na nenne pe' tridece mise
Henze: Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra - 4. Amaie 'nu ninno cu' sudore e stiente
Henze: Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra - 5. Arbero piccerillo, te chiantaie
I. Pastorale
II. Morgenlied
III. Ballade
IV. Tanz
V. Rezitativ
VI. Abendlied
VII. Ausklang
1. Calmo - attaca:
2. Vivo
3. Tranquillo
4. Tempo d'una marcia solenne, ma non lenta - attacca:
5. Grave - Come un inno
I. Adagio rubato
II. Poco allegretto
III. Pastorale
IV. Andante con moto, rubato
V. Vivace
VI. Tango
VII. Allegro marciale
VIII. Allegretto
IX. Menuett
Henze: Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963 - 1. Allegretto, con grazia
Henze: Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963 - 2. Notturno: Lento
Henze: Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963 - 3. Allegro con moto
Henze: Sinfonie Nr. 3 (1949-50) For Large Orchestra - 1. Invocation Of Apollo
Henze: Sinfonie Nr. 3 (1949-50) For Large Orchestra - 2. Dithyramb Moderato
Henze: Sinfonie Nr. 3 (1949-50) For Large Orchestra - 3. Conjuring Dance
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Crotched = 50
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Crotched = 100 (T./b. 15)
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Crotched = 80 (T. 49)
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Crotched = 80 (T.72)
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Crotched = 80 (T.155)
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Dotted Crotched = 84 (T.205)
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Crotched = 132 (T.272)
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - molto ritardando (T.418)
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Quaver = 92 (T.460)
Henze: Sinfonie Nr.5 (1962) For Large Orchestra - 1. Movimentato
Henze: Sinfonie Nr.5 (1962) For Large Orchestra - 2. Adagio
Henze: Sinfonie Nr.5 (1962) For Large Orchestra - 3. Moto perpetuo
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1 - crotchet = 92
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1 - un poco meno mosso
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1 - meno mosso
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1 - Corona
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1 - meno mosso del tempo I
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - Lento
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - Song to Freedom
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - Largo
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - dotted crotchet = 66
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - crotched = 66
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - crotchet = 92
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3 - più mosso
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3 - meno mosso
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3 - più mosso, con fuoco
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3 - dotted crotchet = 100
WORKS
Qual Rugiada
Compianto
Maraviglioso Fior del Vostro Mare
Estro
Deh, vien, Morte soave
Three Auden Songs: I. In Memoriam L.K.A. 1950-1952
Three Auden Songs: II. Rimbaud
Three Auden Songs: III. Lay Your Sleeping Head, My Love
Henze: Ballet Variations (1949) - 5. Poco Allegretto
Henze: Ballet Variations (1949) - 4. Allegro marciale
Henze: Boulevard Solitude - Intermezzi - Nr. 7 = 48
Henze: Boulevard Solitude - Intermezzi - Nr. 11 = 40
Henze: Boulevard Solitude - Intermezzi - Nr. 17 - Andante con moto
Henze: Boulevard Solitude - Intermezzi - Nr. 22 - Vivace
Henze: Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema" - "Solo chi ama conosce" - Andante ma non troppo
Henze: Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema" - "Sei tu Giulietta?" - Allegretto
Henze: Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema" - "Sono i tuoi giorni un prato lucente" - Allegretto
Henze: Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema" - "Tu eri il paggio favorito alla corte d'Oriente" - Allegretto (lo stesso tempo)
Henze: Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema" - "La bella trama, adorata dal mio cuore" - Corale
Henze: Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema" - "Quando mi sei vicino" - Andante
Henze: Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema" - "Passa la cacciatrice lunare" - Meno mosso
1. Moderato cantabile
2. Vivace
3. Ciacona
Moderato - Vivace - Meno mosso
Moderato - Vivace - Lento Vivace - Piu mosso
I. Largamente, rubato ? Allegro molto
II. Vivacissimo
III. Andante con moto
IV. Allegro molto vivace
Henze: 2nd Violin Concerto (For solo violin, tape, voices and 33 instrumentalists) - Using the poem "Homage a Godel" by Hans Magnus Enzensberger - 1. presentazione
Henze: 2nd Violin Concerto (For solo violin, tape, voices and 33 instrumentalists) - Using the poem "Homage a Godel" by Hans Magnus Enzensberger - 2. teorema
Henze: 2nd Violin Concerto (For solo violin, tape, voices and 33 instrumentalists) - Using the poem "Homage a Godel" by Hans Magnus Enzensberger - 3. fantasia I
Henze: 2nd Violin Concerto (For solo violin, tape, voices and 33 instrumentalists) - Using the poem "Homage a Godel" by Hans Magnus Enzensberger - 4. divertimento
Henze: 2nd Violin Concerto (For solo violin, tape, voices and 33 instrumentalists) - Using the poem "Homage a Godel" by Hans Magnus Enzensberger - 5. fantasia II
Henze: 2nd Violin Concerto (For solo violin, tape, voices and 33 instrumentalists) - Using the poem "Homage a Godel" by Hans Magnus Enzensberger - 6. conclusione
I. Esmeralda: nicht eilen, tanzerisch gemutvoll
II. Das Kind Echo: Adagio - Tempo giusto
III. Rudi S.: Andante - Piu mosso
Henze: Der junge Lord / Act 1 - Introduction "Herr Professor, ich nehme kein Blatt.."
Henze: Der junge Lord / Act 1 - Ob er uns gefallen wird oder nicht?
Henze: Der junge Lord / Act 1 - O Ida, liebste Ida
Henze: Der junge Lord / Act 1 - Zu uns kommt ein Edelmann
Henze: Der junge Lord / Act 1 - Vivat! vivat! Hoch lebe der reiche, englische Herr!
Henze: Der junge Lord / Act 1 - Hu, kaltes Land - und Leute gaffen
Henze: Der junge Lord / Act 1 - "Er ist es" / "Ist das Sir Edgar?"
Henze: Der junge Lord / Act 1 - Entr'acte
Henze: Der junge Lord / Act 1 - Mein liebes Kind
Henze: Der junge Lord / Act 1 - Frau Baronin. Der Mohr ist da
Henze: Der junge Lord / Act 1 - Dieser Mensch täuscht sich
Henze: Der junge Lord / Act 1 - Zwischenspiel
Henze: Der junge Lord / Act 1 - Hochverehrtes Publikum!
Henze: Der junge Lord / Act 1 - Der Engländer ist aus dem Haus
Henze: Der junge Lord / Act 1 - Hochverehrtes Publikum
Henze: Der junge Lord / Act 1 - Im Namen des Gesetzes dieser Stadt
Henze: Der junge Lord / Act 1 - "Wir sind ihm nicht gut genug" - Notturno
Henze: Der junge Lord / Act 2 - Hu, der böse Mohr, der so schwarz wie Sünde ist!
Henze: Der junge Lord / Act 2 - Leibhaftiger! Geister sind's nicht
Henze: Der junge Lord / Act 2 - "Meine Luise"... "Oh, mein Wilhelm"
Henze: Der junge Lord / Act 2 - Ihr Herren, hierher!
Henze: Der junge Lord / Act 2 - Er wird Ihre Bälle und auch alle die Konzerte
Henze: Der junge Lord / Act 2 - Zwischenspiel
Henze: Der junge Lord / Act 2 - Man nimmt ein halbes Pfund goldenen Sirup
Henze: Der junge Lord / Act 2 - Nur zu gerne ... und mit großer Erwartung
Henze: Der junge Lord / Act 2 - Welche Freude!
Henze: Der junge Lord / Act 2 - Dieser flegelhafte Mensch!
Henze: Der junge Lord / Act 2 - Es ist genug, was dieser Herr sich herausnimmt!
Henze: Der junge Lord / Act 2 - Zwischenspiel
Henze: Der junge Lord / Act 2 - Diese Benommenheit
Henze: Der junge Lord / Act 2 - Wo bin ich denn geblieben?
Henze: Der junge Lord / Act 2 - Walzer der Debütantinnen
Henze: Der junge Lord / Act 2 - Eine gewisse nationale Roheit
Henze: Der junge Lord / Act 2 - Es wird Schreckliches geschehen
Henze: Der junge Lord / Act 2 - Steht uns kein Himmel bei?
Henze: Double Concerto For Oboe, Harp And Strings (1966) - = c.112 -
Henze: Double Concerto For Oboe, Harp And Strings (1966) - Andante ( = 50) -
Henze: Double Concerto For Oboe, Harp And Strings (1966) - = 80 -
Henze: Double Concerto For Oboe, Harp And Strings (1966) - Andante ( = 80)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 1. Die Welt (The World - Le Monde)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 2. Der Cimarrón
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 3. Die Sklaverei (Slavery - L'Esclavage)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 4. Die Flucht (Flight - La Fuite)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 5. Der Wald (The Forest - La Forêt)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 6. Die Geister (The Spirits - Les Fantômes)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 7. Die falsche Freiheit (False Freedom - La Fausse Liberté)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 8. Die Frauen (Women - Les Femmes)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 9. Die Maschinen (The Machines - Les Machines)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 10. Die Pfarrer (The Clergy - Les Prêtres)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 11. Der Aufstand (The Uprising - Le Soulèvement)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 12. Die Schlacht von Mal Tiempo (The Battle of/La Bataille de Mal Tiempo
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 13. Der schlechte Sieg (The Evil Victory - La Mauvaise Victoire)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 14. Die Freundlichkeit (Friendliness - L'Amabilité)
Henze: El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans - 15. Das Messer (The Knife - Le Couteau)
Henze: Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze - Ah! Schnee fällt aufs Blütenmeer
Henze: Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze - Gut. Gut. Genau wie es mir passte
Henze: Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze - Wie reizend du bist!
Henze: Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze - Nimm Platz, mein Kind
Henze: Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze - Du mein, ganz mein
Henze: Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze - Aus dem Garten, paradiesisch
Henze: Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze - Schon morgen von den Bergen
Henze: Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze - Grüss Gott. Auf ein Wort nur
Henze: Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze - Eins. Zwei. Drei. Vier. Wen bewundern wir?
Henze: Essay On Pigs (1968) Based On A Poem By Gastón Salvatore - (versuch über schweine) "deine versuche sind"
Henze: Essay On Pigs (1968) Based On A Poem By Gastón Salvatore - langer exkurs für entenlockflöte "einmal hieß es von ihm"
Henze: Essay On Pigs (1968) Based On A Poem By Gastón Salvatore - abschiedsformeln "es ist nicht strafbar"
Henze: Essay On Pigs (1968) Based On A Poem By Gastón Salvatore - feststellung "besser ist es"
Henze: Essay On Pigs (1968) Based On A Poem By Gastón Salvatore - müder anlauf und vorläufiges ende "der verstorbene naive"
Henze: Fantasia For Strings - 1. Adagio
Henze: Fantasia For Strings - 2. Tempo eines Trauermarsches
Henze: Fantasia For Strings - 3. Espressivo
Henze: Fantasia For Strings - 4. Allegro moderato - Meno mosso
Henze: Fantasia For Strings - 5. Air - Pastorale - Air
Henze: Fantasia For Strings - 6. Vivace - Epilogo. Adagio
Henze: Drei Tientos für Gitarre - Tiento Nr. 1
Henze: Drei Tientos für Gitarre - Tiento Nr. 2
Henze: Drei Tientos für Gitarre - Tiento Nr. 3
I. Moderato - Più mosso - Lo stesso tempo (Clarinet cadenza) (quasi attacca) -
II. Allegretto
III. Allegramente (Horn cadenza) - Malincolia - Allegretto (Bossoon cadenza) - attacca -
IV. Vivace - Allegramente - Molto meno mosso - Vivace e burlesco - Con moto - Un poco meno mosso - Ancora meno mosso
V. Quia respexit humilitatem ancillae suae
Henze: Moralities (1967) - 1. "In Urzeiten lebten friedlich" - Higgeli Pigelli"
Henze: Moralities (1967) - 2. "Ehe Zeit war, zu des Anfangs Beginn" - "Schwarz sollt ihr sein"
Henze: Moralities (1967) - 3. "Ein Schiff stach in See, verließ den Hafen" - Rauh wird die Nacht
Henze: Muses Of Sicily (1966) - 1. Pastorale
Henze: Muses Of Sicily (1966) - 2. Adagio
Henze: Muses Of Sicily (1966) - 3. Silenus. Vivace
Henze: Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra - 1. Aggio saputo ca la morte vene
Henze: Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra - 2. A l'acqua de li ffuntanelle
Henze: Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra - 3. Amaie 'na nenne pe' tridece mise
Henze: Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra - 4. Amaie 'nu ninno cu' sudore e stiente
Henze: Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra - 5. Arbero piccerillo, te chiantaie
I. Pastorale
II. Morgenlied
III. Ballade
IV. Tanz
V. Rezitativ
VI. Abendlied
VII. Ausklang
1. Calmo - attaca:
2. Vivo
3. Tranquillo
4. Tempo d'una marcia solenne, ma non lenta - attacca:
5. Grave - Come un inno
No. 1. What was Hell like?
No. 2. The Point to be Noted
No. 3. You Who Survived
No. 4. It was Changed
No. 5. Orpheus
I.Teil
II.Teil
III.Teil
Henze: Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang - Prolog des Charon
Henze: Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang - 1. Motto (Pascal "Pensées" aus dem 383. Fragment)
Henze: Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang - 2. Ordre und Musterrolle
Henze: Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang - 3. Journal der Überfahrt
Henze: Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang - 4. Eine Antwort
Henze: Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang - 5. Versuche zur Rettung
Henze: Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang - 6. Die Ausschiffung
Henze: Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang - 7. Ballade vom Verrat
Henze: Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang - 8. Gesang mit neun Stimmen
Henze: Das Floß der Medusa / Part 1 - Die Einschiffung zum Untergang - 9. Anweisungen für den zweiten Tag
Henze: Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen - 10. Feststellung der Lage
Henze: Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen - 11. Motto (Pascal, aus dem 205.-207. und 347. Fragment der "Pensées"
Henze: Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen - 12. Appell unter dem Mond
Henze: Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen - 13. Die Rechnung zum Tode
Henze: Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen - 14. Die Ballade vom Mann auf dem Floß
Henze: Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen - 15. Fuge der Überlebenden und Ankündigung der Rettung
Henze: Das Floß der Medusa / Part 2 - Die neunte Nacht und der Morgen - 16. Finale
I. quarter note = 112
II. Tempo di Foxtrot
III. Tempo di Son
IV. Tempo di Tango
V. quarter note = 100
VI. Tempo di Rumba
VII. Ragtime
VIII. Tempo di Tango
IX. quarter note = 120
X. eighth note = 112
XI. Allegro vivace
I. Quarter note = circa 80
II. Ruhig fliessend
III. Quarter note = 66
I. Adagio rubato
II. Poco allegretto
III. Pastorale
IV. Andante con moto, rubato
V. Vivace
VI. Tango
VII. Allegro marciale
VIII. Allegretto
IX. Menuett
Henze: Sonata per otto ottoni - 1. Largo
Henze: Sonata per otto ottoni - 2. Allegramente
Henze: Sonata per otto ottoni - 3. Rondino I
Henze: Sonata per otto ottoni - 4. Grave
Henze: Sonata per otto ottoni - 5. Rondino II
Henze: Sonata For Strings - 1. Allegro
Henze: Sonata For Strings - 2. 32 Variazioni
Henze: Sonatina (for Solo Trumpet) - 1. Toccata
Henze: Sonatina (for Solo Trumpet) - 2. Canzona
Henze: Sonatina (for Solo Trumpet) - 3. Segnali
Henze: Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963 - 1. Allegretto, con grazia
Henze: Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963 - 2. Notturno: Lento
Henze: Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963 - 3. Allegro con moto
Henze: Sinfonie Nr. 2 (1949) For Large Orchestra - 1. Lento
Henze: Sinfonie Nr. 2 (1949) For Large Orchestra - 2. Allegro molto vivace
Henze: Sinfonie Nr. 2 (1949) For Large Orchestra - 3. Adagio
Henze: Sinfonie Nr. 3 (1949-50) For Large Orchestra - 1. Invocation Of Apollo
Henze: Sinfonie Nr. 3 (1949-50) For Large Orchestra - 2. Dithyramb Moderato
Henze: Sinfonie Nr. 3 (1949-50) For Large Orchestra - 3. Conjuring Dance
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Crotched = 50
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Crotched = 100 (T./b. 15)
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Crotched = 80 (T. 49)
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Crotched = 80 (T.72)
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Crotched = 80 (T.155)
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Dotted Crotched = 84 (T.205)
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Crotched = 132 (T.272)
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - molto ritardando (T.418)
Henze: Sinfonie Nr. 4 (1955) For Large Orchestra - Quaver = 92 (T.460)
Henze: Sinfonie Nr.5 (1962) For Large Orchestra - 1. Movimentato
Henze: Sinfonie Nr.5 (1962) For Large Orchestra - 2. Adagio
Henze: Sinfonie Nr.5 (1962) For Large Orchestra - 3. Moto perpetuo
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1 - crotchet = 92
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1 - un poco meno mosso
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1 - meno mosso
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1 - Corona
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1 - meno mosso del tempo I
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - Lento
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - Song to Freedom
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - Largo
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - dotted crotchet = 66
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - crotched = 66
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - crotchet = 92
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3 - più mosso
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3 - meno mosso
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3 - più mosso, con fuoco
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3 - dotted crotchet = 100
I. Tanz. Lebhaft und beseelt
II. Ruhig bewegt
III. Unablassig in Bewegung
IV. Ruhig, verhalten
Henze: The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers - 1. Planimetry
Henze: The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers - 2. Attempts At Molestation
Henze: The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers - 3. The Veiled Messengers
Henze: The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers - 4. The Listless Spy
Henze: The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers - 5. Introduction To The Difficult Bourgeoisie
Henze: The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers - 6. The Difficult Bourgeoisie: Attempted Return No.1
Henze: The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers - 7. Attempted Return No.2
Henze: The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers - 8. Attempted Return No.3
Henze: The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers - 9. Geodesy
Henze: The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers - 10. Speech Practice
Henze: The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers - 11. Metapenthes
Henze: Tristan (1973) Preludes For Piano, Tapes And Orchestra - 1. Prologue
Henze: Tristan (1973) Preludes For Piano, Tapes And Orchestra - 2. Lament
Henze: Tristan (1973) Preludes For Piano, Tapes And Orchestra - 3. Preludes and Variations
Henze: Tristan (1973) Preludes For Piano, Tapes And Orchestra - 4. Tristan's Folly
Henze: Tristan (1973) Preludes For Piano, Tapes And Orchestra - 5. Adagio - Burla I (Valse) - Burla II (alla turca) - Ricercare I - Burla III (Marcia) - Ricercare II
Henze: Tristan (1973) Preludes For Piano, Tapes And Orchestra - 6. Epilogue
Henze: Whispers From Heavenly Death (1948) - 1. "Darest thou now, o soul" (Moderato)
Henze: Whispers From Heavenly Death (1948) - 2. "No map there" (Tranquillo)
Henze: Whispers From Heavenly Death (1948) - 3. "I know it not, o soul" (Adagio)
Henze: Whispers From Heavenly Death (1948) - 4. "Till when the ties loosen" (Allegro)
Henze: Whispers From Heavenly Death (1948) - 5. "Then we burst forth" (Allegro molto)


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