Hans-Christoph Rademann

WORKS ALBUMS
TITLE/COMPOSER
LABEL
Introitus
Letzte Leidensankündigung
Die Salbung in Bethanien
Verrat des Judas
Das Heilige Abendmahl
Ankündigung der Verleugnung des Petrus
Jesus in Gethsemane
Jesu Gefangennahme
Jesus vor dem Hohen Rat
Verleugnung des Petrus
Jesus vor Pilatus - Das Ende des Judas
Verurteilung und Verspottung
Kreuzigung und Tod
Jesu Grablegung
Bewachung des Grabes
Beschluss
No. 1. Der Mensch lebt und bestehet
No. 2. Morgengesang
No. 3. Nachtlied
No. 4. Unser lieben Frauen Traum
No. 5. Kreuzfahrerlied
No. 6. Das Agnus Dei
No. 7. Schlachtgesang
No. 8. Wir glauben all an einen Gott
No. 1. Mein Odem ist schwach
No. 3. O Tod, wie bitter bist du
No. 2. Ach, Herr, strafe mich nicht
Introitus
Verrat des Judas
Das heilige Abendmahl
Gesprache mit den Jungern
Jesus in Gethsemane
Jesu Gefangennahme
Verleugnung des Petrus
Jesus vor dem Hohen Rat
Jesus vor Pilatus
Jesus und Herodes
Jesu Verurteilung
Auf dem Weg nach Golgatha
Kreuzigung und Tod
Jesu Grablegung
Conclusio
I. Tristis est anima mea
II. Ecce vidimus eum
III. Velum templi scissum est
IV. Tenebrae factae sunt
V. Caligaverunt oculi mei
VI. Recessit pastor noster
VII. Aestimatus sum
I. Da verliessen ihn
II. Da schrien alle
III. Vater, vergib ihnen
IV. Jesus schrie nochmals
V. Wahrhaftig dieser war Gottes Sohn
Nacket bin ich vom Mutterleibe kommen, SWV 279, "Concert ... in Form einer teutschen Missa"
Herr, wenn ich nur dich habe, SWV 280: Herr, wenn ich nur dich habe (Chorus)
Herr nun lässest du deinen Diener, SWV 281: Herr, nun lassest du deinen - Selig sind die Totesn (Chorus)
I. Introitus. Requiem aeternam. II. Kyrie
II. III. Sequenz - Dies irae (Coro)
III. 2. Aria (B). Quantus tremor
IV. 3. Aria (S). Tuba mirum
V. 4. Coro. Mors stupebit
VI. 5. Aria (A). Quid sum miser
VII. 6. Terzetto (S, A, B). Rex tremendae
VIII. 7. Coro. Juste judex ultionis
IX. 8. Aria (T). Ingemisco
X. 9. Duetto (A, T). Qui Mariam absolvisti
XI. 10. Quartetto. Confutatis maledictis
XII. 11. Aria (A). Oro supplex
XIII. 12. Coro. Lacrimosa
I. 1. Coro. Miserere mei Deus
II. 2. Aria (T). Et secundum multitudinem
III. 3. Coro. Tibi soli peccavi
IV. 4. Duetto (A, T). Asperges me hyssopo
V. 5. Aria (S). Cor mundum
VI. 6. Coro. Docebo iniquos vias tuas
VII. 7. Terzetto (S, A, B). Libera me
VIII. 8. Aria (A). Sacrificium Deo
IX. 9. Coro. Tunc acceptabis
Symphony
Act I Scene 1: How excellent Thy name, O Lord (Chorus)
Act I Scene 1: Air: An Infant rais'd by thy Command (Soprano)
Act I Scene 1: Trio: Along the Monster Atheist strode (Chorus)
Act I Scene 1: The Youth inspir'd by Thee, O Lord (Chorus)
Act I Scene 1: How excellent thy name, O Lord (Chorus)
Act I Scene 2: Recitative: He comes! (Michal)
Act I Scene 2: Recitative: Behold, O King... Young Man... The Son of Jesse (Abner, Saul, David)
Act I Scene 2: Air: O King, your Favours with Delight (David)
Act I Scene 2: Recitative: O early Piety! (Jonathan)
Act I Scene 2: Air: What abject Thoughts a Prince can have (Merab)
Act I Scene 2: Recitative: Yet think with whom this Honour you bestow (Merab)
Act I Scene 2: Air: Birth and Fortune I despise! (Jonathan)
Act I Scene 2: Recitative: Go on, illustrious Pair! (High Priest)
Act I Scene 2: Air: While yet thy Tide of Blood runs high (High Priest)
Act I Scene 2: Recitative: Thou, Merab, first in Birth (Saul)
Act I Scene 2: Air: My Soul rejects the Thought with scorn (Merab)
Act I Scene 2: Air: See with what a scornful Air (Michal)
Act I Scene 2: Air: Ah, lovely Youth! (Michal)
Act I Scene 3: Symphony
Act I Scene 3: Recitative: Already see the Daughters of the Land (Michal)
Act I Scene 3: Welcome, welcome, mighty King! (Chorus)
Act I Scene 3: Accompagnato: What do I hear? (Saul)
Act I Scene 3: David his Ten Thousands slew (Chorus)
Act I Scene 3: Accompagnato: To him Ten Thousands! (Saul)
Act I Scene 3: Air: With Rage I shall burst his Praises to hear! (Saul)
Act I Scene 4: Recitative: Imprudent Women!... 'Tis but his old Disease (Jonathan, Michal)
Act I Scene 4: Air: Fell Rage and black Despair possest (Michal)
Act I Scene 4: Recitative: This but the smallest part of Harmony (High Priest)
Act I Scene 4: Accompagnato: By thee this Universal Frame (High Priest)
Act I Scene 5: Recitative: Rack'd with Infernal Pains (Abner)
Act I Scene 5: Air: O Lord, whose Mercies numberless (David)
Act I Scene 5: Symphony (Arpa): Largo
Act I Scene 5: Recitative: 'Tis all in vain (Jonathan)
Act I Scene 5: Air: A Serpent, in my Bosom warm'd (Saul)
Act I Scene 5: Recitative: Has he escap'd my Rage? (Saul)
Act I Scene 5: Air: Capricious Man, in Humour lost (Merab)
Act I Scene 6: Accompagnato: O Filial Piety! (Jonathan)
Act I Scene 6: Air: No, cruel Father, no (Jonathan)
Act I Scene 6: Air: O Lord, whose Providence (High Priest)
Act I Scene 6: Preserve him for the Glory of thy Name (Chorus)
Act II Scene 1: Envy! Eldest-born of Hell! (Chorus)
Act II Scene 2: Recitative: Ah, dearest Friend (Jonathan)
Act II Scene 2: Air: But sooner Jordan's Stream, I swear (Jonathan)
Act II Scene 2: Recitative: O strange Vicissitude!... My Sister Merab... (David, Jonathan)
Act II Scene 2: Air: Such haughty Beauties (David)
Act II Scene 2: Recitative: My Father comes (Jonathan)
Act II Scene 3: Recitative: Hast thou obey'd my orders... Alas, my Father! (Saul, Jonathan)
Act II Scene 3: Air: Sin not, O King, against the Youth (Jonathan)
Act II Scene 3: Air: As Great Jehovah lives, I swear (Saul)
Act II Scene 3: Air: From Cities storm'd, and Battles won (Jonathan)
Act II Scene 4: Recitative: Appear, my Friend... No more imagine Danger (Jonathan, Saul)
Act II Scene 4: Air: Your words, O King, my Loyal Heart (David)
Act II Scene 4: Recitative: Yes, he shall wed my Daughter! (Saul)
Act II Scene 5: Recitative: A Father's Will has authoriz'd my Love (Michal)
Act II Scene 5: Duet: O Fairest of ten thousand fair (Michal, David)
Act II Scene 5: Is there a Man, who all his Ways Directs (Chorus)
Act II Scene 5: Symphony: Largo
Act II Scene 6: Recitative: Thy Father is as cruel, and as false (David)
Act II Scene 6: Duet: At Persecution I can laugh (David, Michal)
Act II Scene 7: Recitative: Whom dost thou seek?... I seek for David (Michal, Doeg)
Act II Scene 7: Air: No, no, let the Guilty tremble (Michal)
Act II Scene 8: Recitative: Mean as he was, he is my Brother now (Merab)
Act II Scene 8: Air: Author of Peace, who canst controll (Merab)
Act II Scene 9: Symphony: Allegro
Act II Scene 9: Accompagnato: The Time at length is come (Saul)
Act II Scene 10: Recitative: Where is the Son of Jesse?... He earnestly asked Leave (Saul, Jonathan)
Act II Scene 10: O fatal Consequence (Chorus)
Act III Scene 1: Accompagnato: Wretch that I am! (Saul)
Act III Scene 1: Recitative and Accompagnato: 'Tis said, here lives a Woman (Saul)
Act III Scene 2: Recitative: With me what would'st thou?... I wou'd (Witch of Endor, Saul)
Act III Scene 2: Air: Infernal Spirits, by wose Pow'r (Witch of Endor)
Act III Scene 3: Accompagnato: Why hast thou force'd me from the Realm of Peace... O holy Prophet, holy Prophet! (Samuel, Saul)
Act III Scene 3: Symphony: Allegro
Act III Scene 4: Recitative: Whence com'st thou?... Out of the Camp of Israel (David, Amalekite)
Act III Scene 4: Air: Impious Wretch, of Race accurst! (David)
Act III Scene 5: March: Grave
Act III Scene 5: Mourn, Israel, mourn thy Beauty lost (Chorus)
Act III Scene 5: Air: O let it not in Gath be heard (High Priest)
Act III Scene 5: Air: From this unhappy Day (Merab)
Act III Scene 5: Air: Brave Jonathan his Bow ne'er drew (David)
Act III Scene 5: Eagles were not so swift as they (Chorus)
Act III Scene 5: Air: In sweetest Harmony they liv'd (Michal)
Act III Scene 5: O fatal Day! How low the Mighty lie! (David, Chorus)
Act III Scene 5: Air: Ye men of Judah, weep no more (High Priest)
Act III Scene 5: Gird on thy Sword, thou Man of Might (Chorus)
I. Der Weg
II. Taube auf dem Dach
III. Die Peitsche
IV. Der Wagen
V. Der Sündenfall
VI. Müßiggang
Pater noster, qui es in caelis
I. Pater noster
II. From needing danger
III. Through thy submitting all
IV. Et dimitte nobis
V. Et ne nos inducas
Amen
I. Der Mensch
II. Tröstung
III. Die Römer
I. This Life, which seems so fair
II. Even such is time


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