Hans Abrahamsen
Born: December 23, 1952; Kongens Lyngby
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Born in 1952, Hans Abrahamsen is one of the younger representatives of the Danish movement toward "new simplicity" (ny enkelhed), which developed in the 1960s and 1970s. His pieces, mostly quite short, are marked by very light, finely orchestrated textures, a lack of harsh dissonance, and the use of collage and pastiche.
Abrahamsen studied music history, theory, and French horn at the Royal Danish Conservatory in Copenhagen, while
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Biography |
by David McCarthy
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Born in 1952, Hans Abrahamsen is one of the younger representatives of the Danish movement toward "new simplicity" (ny enkelhed), which developed in the 1960s and 1970s. His pieces, mostly quite short, are marked by very light, finely orchestrated textures, a lack of harsh dissonance, and the use of collage and pastiche.
Abrahamsen studied music history, theory, and French horn at the Royal Danish Conservatory in Copenhagen, while studying composition privately with Per Nørgård and Pelle Gudmundsen-Holmgreen, two of the founders of the "new simplicity" movement. In the 1970s, Abrahamsen's music was known for a simple, almost naïve, use of contrasting blocks of material, often built of three-note cells, as in Skum (1970) for chamber orchestra, or the Ten Preludes for string quartet (1973). Abrahamsen subsequently developed more complex and dramatic style, as exemplified by the Second String Quartet (1981) and Nacht und Trompeten for orchestra (1981), probably his most popular orchestral work.
In all his music, Abrahamsen has striven to make the instrumentation clear and delicate (he is an influential teacher of orchestration at the Royal Danish Conservatory). In 1990, Abrahamsen created, with Søren Hansen among others, the Århus Sinfonietta, which has been an important outlet for new music in Denmark. Abrahamsen's other works include arrangements for chamber ensemble of music by Satie, Nielsen, and Ravel. |
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