Gwynne Howell

Biography

Born: June 13, 1938; Gorseinon, Wales  
Tall, warm of voice, and reserved in stage manner, lyric bass Gwynne Howell found his career significantly advanced with his early work with both Benjamin Britten and Georg Solti. Still active in his sixties, Howell pursued twin pathways in opera and concert work, consistently winning good reviews in the latter while achieving his greatest stage successes in roles not requiring a galvanizing stage persona. A fine Wagner singer, he is better Read more suited to such parts as Fasolt, King Marke, and Pogner, rather than to such a hard-edged character as Hunding. In the later stages of his career, his once rock-steady instrument has spread in its upper range, though its timbre remains attractive and soft-grained. During his studies at the Royal Manchester College of Music, Howell was afforded the opportunity to sing Mozart in concert while learning his stagecraft in student performances of Wagner operas. Of the several roles he essayed, Pogner remained in his active repertory and grew into an astutely acted, handsomely sung portrayal. Making his debuts with London's two major companies just two years apart, Howell has continued to sing with both, pursuing at the English National Opera (Sadler's Wells at the time of the singer's first performance in 1968) and the Royal Opera House operas both in the established repertory and new works, many of them premieres. At both houses, first roles were small, though important ones. Soon, Howell's dignified presence and uncommonly beautiful sound were considered too valuable not to engage for principal parts. At Sadler's Wells/English National Opera, he progressed from Monterone to Filippo II in Don Carlo, the protagonist in Bartók's Bluebeard's Castle, Gurnemanz, and even into the bass baritone reaches of Hans Sachs. In 2000, he created the unsavory Croucher in the world premiere of Mark-Anthony Turnage's The Silver Tassel with the company. Meanwhile, at Covent Garden, Howell moved from the First Nazarene in Strauss' Salome to Padre Guardiano, Pimen, the Landgraf in Tannhäuser and Richard Taverner in the 1972 world premiere of Maxwell Davies' Taverner. In 1996, Howell participated in another Davies' premiere, The Doctor of Myddfai, this one at the Welsh National Opera. Critics drew parallels between this work, based on a Welsh subject portraying an extended dialogue between the Doctor and a weak-willed Ruler, and the facedown between Filippo and the Grand Inquisitor in Verdi's Don Carlo. As the Ruler, Howell revealed new dramatic purpose, a quality acknowledged in the overwhelmingly favorable reviews. The Financial Times referred to the singer's "noble disillusioned Ruler" while The Western Mail noted, "Welsh bass Gwynne Howell gave a characteristically strong performance as the Ruler who at first rejects the Doctor but seeks his help when inflicted by the terrible disease that has struck down the Myddfai villagers." Although Howell has centered his stage career in London, he has sung also in the major houses of, among other cities, New York, Chicago, San Francisco, Munich, Paris, and Geneva. During the course of his long career, he has collaborated with such celebrated conductors as Claudio Abbado, James Levine, Carlos Kleiber, Carlo Maria Giulini, Leonard Bernstein, Riccardo Muti, Pierre Boulez, and Daniel Barenboim. Among Howell's numerous recordings are Britten's English-language edition of Bach's St. John Passion (where he sings Jesus), Elgar's Dream of Gerontius, Rossini's Guillaume Tell, and Handel's Messiah. Read less

Biography

Born: June 13, 1938; Gorseinon, Wales  
Tall, warm of voice, and reserved in stage manner, lyric bass Gwynne Howell found his career significantly advanced with his early work with both Benjamin Britten and Georg Solti. Still active in his sixties, Howell pursued twin pathways in opera and concert work, consistently winning good reviews in the latter while achieving his greatest stage successes in roles not requiring a galvanizing stage persona. A fine Wagner singer, he is better Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
1. Stabat Mater Dolorosa
2. O quam tristis et afflicta
3. Quis est homo, qui non fleret
4. Quis non posset contristari
5. Pro peccatis suae gentis
6. Vidit suum dulcem natum
7. Eja mater, fons amoris
8. Sancta mater istud agas
9. Fac me vere tecum flere
10. Virgo virginium praeclara
11. Flammis orci ne succendar
12. Fac me cruce custodiri
13. Quando corpus morietur...Paradisi gloria
"Sire, Lord and Master"
"Jesus Went With His Disciples"
"O generous Love!"
"So That the Word Might Be Fulfilled"
"Thy Will Be Done, O God Of Love"
"The Band Then, Together With the Captain"
"To Release Me From the Prison"
"Simon Peter Also Followed Jesus From Afar"
"I'll Follow Thee Also"
"Now That Same Disciple Was Known Unto the High Priest"
"Ah, Who Would Dare To Smite Thee?"
"Now Annas Sent Him Bound Unto the High Priest"
"Ah! Take Flight"
"Peter, Who Denied His Lord"
"Christ, Who Gave Us Life and Light"
"Then Led They Jesus From Caiaphas To the Judgement"
"Ah, King Of Heaven"
"And Pilate Said Unto Him"
"Look Yonder, O My Soul"
"Consider, How His Body"
"And When the Soldiers Had Plaited a Crown Of Thorns"
"Thy Bonds, O Christ, Have Set Us Free"
"But the Jews Cried Out and Said"
"Haste, Ye Souls Forlorn and Weary"
"And There Crucified They Him"
"Within My Heart, O Saviour"
"And Then Did the Soldiers"
"When His Life Had Reached Its End"
"And From That Hour He Took Her Unto His Own Home"
"The End Is Nigh"
"My Dearest Saviour, Wilt Thou Answer?"
"And Then Behold, the Veil Of the Temple Was Rent"
"My Heart, Behold How All the World"
"With Torrents Of Weeping"
"The Jews Therefore, Because It Was the Preparation"
"Help Us, Son Of God Most High"
"And After This, Joseph Of Arimethea"
"Farewell, O Weary, Broken Body"
"Lord Jesus, When We Come To Die"
Part I: Prelude
Part I: Jesu, Maria - I am near to death (Gerontius)
Part I: Kyrie eleison (Chorus)
Part I: Rouse thee, my fainting soul (Gerontius)
Part I: Be merciful, be gracious (Chorus)
Part I: Sanctus fortis, Sanctus Deus (Gerontius)
Part I: I can no more; for now it comes again (Gerontius)
Part I: Rescue him, O Lord (Chorus)
Part I: Novissima hora est (Gerontius)
Part I: Profiscere, anima Christiana (The Priest)
Part I: Go, in the name of Angels (Chorus)
Part II: I went to sleep (The Soul of Gerontius)
Part II: My work is done (The Angel, The Soul of Gerontius)
Part II: All hail, my child! (The Angel, The Soul of Gerontius)
Part II: Low-born clods of brute earth (Chorus)
Part II: It is the restless panting of their being (The Angel)
Part II: The mind bold and independent (Chorus)
Part II: I see not those false spirits (The Soul of Gerontius, The Angel)
Part II: Praise to the Holiest (Chorus, Angel)
Part II: We now have passed the gate (Angel, The Soul of Gerontius)
Part II: Glory to Him (Chorus)
Part II: They sing of thy approaching agony (The Angel, The Soul of Gerontius)
Part II: But hark! A grand mysterious harmony (The Soul of Gerontius)
Part II: And now the threshold (The Angel)
Part II: Praise to the Holiest (Chorus)
Part II: The judgment now is near (The Angel, The Soul of Gerontius)
Part II: Jesu! By that shuddering dread (The Angel of the Agony)
Part II: I go before my Judge (The Soul of Gerontius, Chorus)
Part II: Praise to His Name! (The Angel)
Part II: Take me away (The Soul of Gerontius)
Part II: Lord, Thou hast been our refuge (Chorus)
Part II: Softly and gently (The Angel, Chorus)
Mozart: Vesperae solennes de confessore in C, K.339 - 1. Dixit Dominus Domino meo
Mozart: Vesperae solennes de confessore in C, K.339 - 2. Confitebor tibi, Domine
Mozart: Vesperae solennes de confessore in C, K.339 - 3. Beatus vir qui timet Dominum
Mozart: Vesperae solennes de confessore in C, K.339 - 4. Laudate pueri Dominum
Mozart: Vesperae solennes de confessore in C, K.339 - 5. Laudate Dominum omnes gentes
Mozart: Vesperae solennes de confessore in C, K.339 - 6. Magnificat anima mea
Manon Lescaut (1993 Remastered Version), Act I: Ave, sera gentile (Edmondo/Coro/Des Grieux)
Manon Lescaut (1993 Remastered Version), Act I: Tra voi, belle, brune e bionde (Des Grieux/Coro)
Manon Lescaut (1993 Remastered Version), Act I: Ma bravo! (Edmondo/Coro)
Manon Lescaut (1993 Remastered Version), Act I: Discendono, vediam! (Coro/Edmondo/Lescaut/L'Oste/Des Grieux/Geronte)
Manon Lescaut (1993 Remastered Version), Act I: Cortese damigella, il priego mio accettate (Des Grieux/Manon/Lescaut)
Manon Lescaut (1993 Remastered Version), Act I: Donna non vidi mai (Des Grieux)
Manon Lescaut (1993 Remastered Version), Act I: La tua ventura ci rassicura (Edmondo/Coro/Geronte/Lescaut/L'Oste)
Manon Lescaut (1993 Remastered Version), Act I: La tua Propsperina di resisteri (Edmondo/Des Grieux)
Manon Lescaut (1993 Remastered Version), Act I: Vedete? Io son fedele alla parola mia (Manon/Des Grieux/Lescaut)
Manon Lescaut (1993 Remastered Version), Act I: Un libertino audace (Des Grieux/Manon/Edmondo/Geronte/L'Oste/Lescaut)
Manon Lescaut (1993 Remastered Version), Act I: Cavalli pronti avete? (Lescaut/Geronte/Edmondo/Coro)
Manon Lescaut (1993 Remastered Version), Act II: Dispettosetto questo riccio! (Manon/Lescaut)
Manon Lescaut (1993 Remastered Version), Act II: Sei splendida e lucente! (Lescaut/Manon)
Manon Lescaut (1993 Remastered Version), Act II: In quelle trine morbide (Manon)
Manon Lescaut (1993 Remastered Version), Act II: Poichè tu vuoi saper (Lescaut/Manon)
Manon Lescaut (1993 Remastered Version), Act II: Che ceffi son costor? (Lescaut/Manon/Un Musico/Coro)
Manon Lescaut (1993 Remastered Version), Act II: Paga costor! (Manon/Lescaut)
Manon Lescaut (1993 Remastered Version), Act II: Vi prego, signorina (Il Maestro di Ballo/Geronte/Manon/Coro)
Manon Lescaut (1993 Remastered Version), Act II: Oh, sarò la più bella! (Manon/Des Grieux)
Manon Lescaut (1993 Remastered Version), Act II: Ah! ... Affè madamigella (Manon/Geronte/Des Grieux)
Manon Lescaut (1993 Remastered Version), Act II: Ah! Manon, mi tradisce (Des Grieux/Manon)
Manon Lescaut (1993 Remastered Version), Act II: Lescaut! ... Tu qui? (Des Grieux/Manon/Lescaut/Un Sergente)
Manon Lescaut (1993 Remastered Version), Act II: Intermezzo
Manon Lescaut (1993 Remastered Version), Act III: Ansia, eterna, crudel (Des Grieux/Lescaut)
Manon Lescaut (1993 Remastered Version), Act III: Manon! ... Des Grieux! (Des Grieux/Manon/Un Lampionaio)
Manon Lescaut (1993 Remastered Version), Act III: All'armi! All'armi! (Coro/Lescaut/Des Grieux/Manon)
Manon Lescaut (1993 Remastered Version), Act III: Il passo m'aprite (Sergente/Comandante/Coro)
Manon Lescaut (1993 Remastered Version), Act III: Rosetta! (Sergente/Coro/Lescaut/Manon/Des Grieux)
Manon Lescaut (1993 Remastered Version), Act III: Presto il fila! Marciate! (Sergente/Des Grieux/Coro/Comandante)
Manon Lescaut (1993 Remastered Version), Act III: Ah! non v'avvicinate! ... Come io piango ed imploro (Des Grieux/Comandante)
Manon Lescaut (1993 Remastered Version), Act IV: Tutta su me ti posa (Des Grieux/Manon)
Manon Lescaut (1993 Remastered Version), Act IV: Manon, senti, amor mio! ... Vedi, son io che piango (Des Grieux/Manon)
Manon Lescaut (1993 Remastered Version), Act IV: E nulla! Nulla! (Des Grieux/Manon)
Manon Lescaut (1993 Remastered Version), Act IV: Sola, perduta, abbandonata (Manon/Des Grieux)
Part I: Waldmachen (Forest Legend)
Part II: Der Spielmann (The Minstrel)
Part III: Hochzeitsstuck (Wedding Piece)
"Over hill, over dale"
"Oberon is passing fell and wrath"
"Well, go thy way"
"How now my love?"
"Be it on lion, bear, or wolf, or bull"
"Welcome wanderer!"
"Is all our company here?"
"Fair love, you faint with wand'ring in the wood"
"Through the forest have I gone"
"Stay, though thou kill me, sweet Demetrius"
"Come, now a roundel and a fairy song"
"You spotted snakes with double tongue"
"What thou seest when thou dost wake"
Introduction: The wood
"Are we all met?"
"I see their knavery"
"Be kind and courteous to this gentleman"
"Hail, mortal, hail!"
"I have a reas'nable good ear in music"
"How now, mad spirit?"
"Flower of this purple dye"
"Puppet? Why so?"
"This is thy negligence"
"Up and down, up and down"
"On the ground, sleep sound"
"My gentle Robin, see'st thou this sweet sight?"
"Helena! Hermi! Demetrius! Lysander!"
"When my cue comes, call me"
"Have you sent to Bottom's house?"
"Now, fair Hippolyta"
"If we offend, it is with our good will"
"Gentles, perchance you wonder at this show"
"In this same interlude it doth befall"
"O grim-look'd night, O night with hue so black"
"O wall, full often hast thou heard my moans"
"You ladies, you whose gentle hearts do fear"
"This lanthorn doth the horned moon present"
"Sweet moon, I thank thee for thy sunny beams"
"Asleep, my love?"
"Come, your Bergomask"
"Now the hungry lion roars"
I Capuleti e i Montecchi: Sinfonia
I Capuleti e i Montecchi, Act I - Scene 1: Aggiorna appena ... (Coro)
I Capuleti e i Montecchi, Act I - Scene 1: O di Capellio, generosi amici (Tebaldo/Coro/Cappellio/Lorenzo)
I Capuleti e i Montecchi, Act I - Scene 1: E' serbata a questa acciaro (Tebaldo)
I Capuleti e i Montecchi, Act I - Scene 1: Si: m'abbraccia
I Capuleti e i Montecchi, Act I - Scene 1: L'amo tanto, e mi è si cara (Capellio/Lorenzo/Tebaldo/Coro)
I Capuleti e i Montecchi, Act I - Scene 1: Vanne Lorenzo (Capellio/Tebaldo/Coro)
I Capuleti e i Montecchi, Act I - Scene 1: Lieto del dolce incarco (Romeo/Tebaldo/Capellio/Coro)
I Capuleti e i Montecchi, Act I - Scene 1: Ascolta. Se Romeo t'uccise un figlio (Romeo)
I Capuleti e i Montecchi, Act I - Scene 1: Riedi al campo
I Capuleti e i Montecchi, Act I - Scene 1: La tremenda ultrice spada (Capellio/Romeo/Tebaldo/Coro)
I Capuleti e i Montecchi, Act I - Scene 2: Eccomi in lieta vesta
I Capuleti e i Montecchi, Act I - Scene 2: Oh! quante volte (Giulietta)
I Capuleti e i Montecchi, Act I - Scene 2: Propizia è l'ora (Lorenzo/Giulietta/Romeo)
I Capuleti e i Montecchi, Act I - Scene 2: Si fuggire: a noi non resta
I Capuleti e i Montecchi, Act I - Scene 2: Odi tu? L'altar funesto
I Capuleti e i Montecchi, Act I - Scene 2: Vieni, ah!, vieni, e in me riposa (Romeo/Giulietta)
I Capuleti e i Montecchi, Act II - Scene 3: O tu, mia sola speme (Romeo/Giulietta)
I Capuleti e i Montecchi, Act II - Scene 3: Ah! crudel! che mai facesti? (Giulietta/Romeo/Coro/Capellio/Lorenzo)
Guillaume Tell: Ouverture (Orchestre)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Quel jour serein le ciel présage! (Choeurs)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Accours dans ma nacelle (Pêcheur/Tell/Jemmy/Hedwige)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: On entend des montagnes (Xhoeurs/Jemmy/Hedwige/Pêcheur/Tell/Arnold/Melchthal)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Pasteurs, que vos accents s'unissent (Melchthal/Choeurs/Arnold/Pêcheurs/Tell)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Près des torrents qui grondent (Choeurs)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Contre les feux du jour que mon toit solitaire (Tell/Melchthal)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Le mien, dit-il, jamais le mien! (Arnold)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Où vas-tu?
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Du danger quand sonnera l'heure
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: O Ciel, tu sais si Mathilde m'est chère! (Tell/Arnold)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Sur nos têtes le soleil brille (Hedwige)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Quand le Ciel entend votre promesse (Melchthal/Tell/Choeurs/Arnold)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Des antiques vertus vous nous rendez l'exemple (Melchthal/Tell/Arnold)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Gessler proscrit ces voeux, écoutez le tyran (Tell/Hedwige/Jemmy)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Hymenée, ta journée fortunée luit pour nous (Choeurs)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Pas de six (Orchestre)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Gloire, honneur au fils de Tell ... Enfants de la nature (Choeurs/Jemmy/Hedwige)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Pâle et tremblant, se soutenant à peine (Jemmy/Pêcheur/Leuthold/Hedwige/Melchthal)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Arnold a disparu (Tell/Choeurs/Leuthold/Hedwige)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Dieu de bonté, Dieu tout-puissant (Choeurs/Rodolphe/Jemmy/Hedwige/Melchthal)
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Ils vont parler
Guillaume Tell, PREMIER ACTE/ACT 1/ATTO PRIMO/ERSTER AKT: Comme lui nous aurions dû faire (Jemmy/Hedwige/Rodolphe/Choeurs/Pêcheurs/Melchthal)
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: Quelle sauvage harmonie (Choeurs)
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: Quel est ce bruit? (Chasseur/Choeurs)
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: Ils s'éloignent enfin
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: Sombre forêt (Mathilde)
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: Ma présence pour vous est peut-être un outrage?
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: Oui, vous l'arrachez à mon âme
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: Deux aveu! ce tendre langage
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: Il est digne de mon amour, oui ... Dans celle que j'aime ...
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: On vient, séparons-nous (Arnold/Mathilde)
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: Ciel! Walter et Guillaume, oui ... Tu n'étais pas seul en ces lieux?
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: Quand l'Helvétie est un champ de supplices
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: Ses jours qu'ils ont osé proscrire
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: Il est donc vrai! (Arnold/Tell/Walter)
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: Des profondeurs du bois immense (Tell/Arnold/Walter/Choeurs)
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: En ces temps de malheurs (Choeurs)
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: On pardonne la crainte à de si grands malheurs
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: De prompts effets la promesse est suivie
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: L'avalanche roulant de haut des nos montagnes
Guillaume Tell, DEUXIEME ACTE/ACT 2/ATTO SECONDO/ZWEITER AKT: Jurons, jurons par nos dangers (Tell/Arnold/Walter/Choeurs)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Arnold, d'où naît ce désespoir? (Mathilde/Arnold)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Pour notre amour plus d'espérance (Mathilde)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Qual bruit arrive à mon oreille?
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Sur la rive étrangère (Mathilde/Arnold)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Gloire au povoir suprême! (Choeurs)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Vainement dans son insolence (Gessler/Choeurs)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Que l'empire germain de votre obéissance (Gessler)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Toi que l'oiseau ne suvrait pas (Choeurs)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Danse (Orchestre)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Toi que l'oiseau ne suvrait pas (Choeurs)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Pas de Soldats (Orchestre)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Audaciaux, incline-toi! (Rodolphe/Tell/Choeurs/Gessler)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: C'est là cet archer redoutable (Soldats/Gessler/Tell/Rodolphe/Jemmy)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Réjoins ta mère, je l'ordonne (Tell/Gessler/Jemmy)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Je te bénis en répandant des larmes (Tell/Gessler/Jemmy)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Sois immobile, et vers la terre (Tell)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Victoire! victoire! (Choeurs/Jemmy/Tell/Gessler/Mathilde)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Au nom du souverain, je le prends sous ma garde
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Quand l'orgueil les égare (Mathilde/Rodolphe/Choeurs/Soldats/Gessler/Jemmy/Tell)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT: Anathème à Gessler! (Mathilde/Rodolphe/Choeurs/Soldats/Gessler/Jemmy/Tell)
Guillaume Tell, TROISIEME ACTE/ACT 3/ATTO TERZO/DRITTER AKT, Appendice:: Ah! que ton âme se rassure (Jeremy)
Guillaume Tell, QUATRIEME ACTE/ACT 4/ATTO QUATRO/VIERTER AKT: Ne m'abandonne pas, espoir de la vengeance!
Guillaume Tell, QUATRIEME ACTE/ACT 4/ATTO QUATRO/VIERTER AKT: Asile héréditaire (Arnold)
Guillaume Tell, QUATRIEME ACTE/ACT 4/ATTO QUATRO/VIERTER AKT: Vengeance! Vengeance!
Guillaume Tell, QUATRIEME ACTE/ACT 4/ATTO QUATRO/VIERTER AKT: Amis, amis, secondez ma vengeance (Choeurs/Arnold)
Guillaume Tell, QUATRIEME ACTE/ACT 4/ATTO QUATRO/VIERTER AKT: Où vas-tu? Te douleur t'égare (Choeurs/Hedwige/Jemmy)
Guillaume Tell, QUATRIEME ACTE/ACT 4/ATTO QUATRO/VIERTER AKT: Je rends à votre amour un fils digne de vous
Guillaume Tell, QUATRIEME ACTE/ACT 4/ATTO QUATRO/VIERTER AKT: Quoi! dans nos maux acceptant un partage (Mathilde/Jemmy/Hedwige)
Guillaume Tell, QUATRIEME ACTE/ACT 4/ATTO QUATRO/VIERTER AKT: Toi, qui du faible est l'espérance (Hedwige/Mathilde/Choeurs)
Guillaume Tell, QUATRIEME ACTE/ACT 4/ATTO QUATRO/VIERTER AKT: Suivez-moi! suivez-moi! (Leuthold/Hedwige/Mathilde)
Guillaume Tell, QUATRIEME ACTE/ACT 4/ATTO QUATRO/VIERTER AKT: Je te revois! (Hedwige/Jemmy/Tell/Soldats/Gessler/Choeurs/Mathilde)
Guillaume Tell, QUATRIEME ACTE/ACT 4/ATTO QUATRO/VIERTER AKT: En vain il vent nous fuir
Guillaume Tell, QUATRIEME ACTE/ACT 4/ATTO QUATRO/VIERTER AKT: A ces signeux de flamme enfin cessons de craindre (Walter/Tell/Jemmy/Hedwige/Mathilde/Choeurs/Arnold)
Guillaume Tell, QUATRIEME ACTE/ACT 4/ATTO QUATRO/VIERTER AKT: Pourquoi ta presence, ô mon père! ... Tout change et grandit en ces lieux! (Arnold/Tell/Hedwige/Jemmy/Choeurs)
Symphony
"Comfort ye, My people... Ev'ry Valley shall be exalted"
"And The Glory Of the Lord"
"This said the Lord... But who may abide..."
"And He shall purify the sons of Levi"
"Behold, a virgin shall conceive...O thou that tellest good tidings"
"For behold, darkness shall cover the earth...The people that walked in darkness"
"For Unto Us A Child Is Born"
Pifa (Pastoral Symphony)
"There were shepherds... And lo, the angel of the Lord... And the angel said unto them - And suddenly"
"Glory To God In the Highest"
"Rejoice Greatly, O Daughter Of Zion"
"Then shall the eyes of the blind...He shall feed his flock"
"His yoke is easy"
"Behold the Lamb of God"
"He was despised"
"Surely He hath borne our griefs"
"And with His stripes we are healed"
"All We Like Sheep Have Gone Astray"
"All they that see him...He trusted in God"
"Thy rebuke hath broken his heart...Behold and see"
"He was cut off...But Thou didst not leave his soul in Hell"
"Lift up your heads"
"Unto which of the angels...Let all the Angels"
"Thou art gone up on high"
"The Lord gave the word"
"How beautiful are the feet"
"Their sound is gone out"
"Why do the nations...Let us break asunder"
"He that dwelleth in heaven...Thou shalt break them"
"Hallelujah"
"I Know That My Redeemer Liveth"
"Since by man came death"
"Behold, I tell you...The Trumpet shall sound"
"Then shall be brought to pass...O death...But thanks be to God"
"If God be for us"
" Worthy is the Lamb... Amen"
Part One: Hymnus "Veni creator spiritus"
Poco adagio
"Waldung, sie schwankt heran"
"Uns bleibt ein Erdenrest"
"Dir, der Unberührbaren"
"Blicket auf zum Retterblick"
"Alles Vergängliche"
I Capuleti e i Montecchi: Sinfonia
I Capuleti e i Montecchi, Act I - Scene 1: Aggiorna appena ... (Coro)
I Capuleti e i Montecchi, Act I - Scene 1: O di Capellio, generosi amici (Tebaldo/Coro/Cappellio/Lorenzo)
I Capuleti e i Montecchi, Act I - Scene 1: E' serbata a questa acciaro (Tebaldo)
I Capuleti e i Montecchi, Act I - Scene 1: Si: m'abbraccia
I Capuleti e i Montecchi, Act I - Scene 1: L'amo tanto, e mi è si cara (Capellio/Lorenzo/Tebaldo/Coro)
I Capuleti e i Montecchi, Act I - Scene 1: Vanne Lorenzo (Capellio/Tebaldo/Coro)
I Capuleti e i Montecchi, Act I - Scene 1: Lieto del dolce incarco (Romeo/Tebaldo/Capellio/Coro)
I Capuleti e i Montecchi, Act I - Scene 1: Ascolta. Se Romeo t'uccise un figlio (Romeo)
I Capuleti e i Montecchi, Act I - Scene 1: Riedi al campo
I Capuleti e i Montecchi, Act I - Scene 1: La tremenda ultrice spada (Capellio/Romeo/Tebaldo/Coro)
I Capuleti e i Montecchi, Act I - Scene 2: Eccomi in lieta vesta
I Capuleti e i Montecchi, Act I - Scene 2: Oh! quante volte (Giulietta)
I Capuleti e i Montecchi, Act I - Scene 2: Propizia è l'ora (Lorenzo/Giulietta/Romeo)
I Capuleti e i Montecchi, Act I - Scene 2: Si fuggire: a noi non resta
I Capuleti e i Montecchi, Act I - Scene 2: Odi tu? L'altar funesto
I Capuleti e i Montecchi, Act I - Scene 2: Vieni, ah!, vieni, e in me riposa (Romeo/Giulietta)
I Capuleti e i Montecchi, Act II - Scene 3: O tu, mia sola speme (Romeo/Giulietta)
I Capuleti e i Montecchi, Act II - Scene 3: Ah! crudel! che mai facesti? (Giulietta/Romeo/Coro/Capellio/Lorenzo)
Prologue: Roll up, roll up for the menagerie (Animal tamer)
Act I Scene 1: Am I trespassing? (Alwa, Dr. Schon, Lulu)
Act I Scene 1: Gnadige Frau ... Frau Medizinalrat ... (Painter, Lulu)
Act I Scene 1: You are far too slow to capture me (Lulu, Painter)
Act I Scene 1: What's happening? (Painter, Lulu)
Act I Scene 1: Open the door! (Professor of Medicine, Lulu, Painter)
Act I Scene 1: Just wait, he'll jump right up ... (Lulu)
Act I Scene 1: Can't you help him recover his senses? (Painter, Lulu)
Act I Scene 1: You make me jealous, you lucky bastard! (Lulu)
Act I Scene 1: Please help me do this up (Lulu)
Act I Scene 2: Eva! - What is it? (Painter, Lulu)
Act I Scene 2: Eva! - What is it? (Painter, Lulu)
Act I Scene 2: He's not quite what I imagined him to be (Schigolch, Lulu, Dr. Schon)
Act I Scene 2: If you and I married (Dr. Schon, Lulu, Painter)
Act I Scene 2: So? - Your marriage has made you at least a million marks ... (Painter, Dr. Schon, Lulu)
Act I Scene 2: Don't talk so loud (Dr. Schon, Alwa, Lulu)
Act I Scene 2: Verwandlung (Transformation)
Act I Scene 3: I've never in my life known an audience so excited (Alwa, Lulu)
Act I Scene 3: More for me, please (Lulu, Alwa)
Act I Scene 3: That girl and her lovers (Alwa)
Act I Scene 3: I met her first at Dr. Schon's (African Prince, Alwa)
Act I Scene 3: She's had a sort of fainting fit (Dresser, Alwa, Theatre Manager, Prince, Lulu)
Act I Scene 3: What's wrong with her? (Dr. Schon, Alwa, Lulu, Dresser, Theatre Manager, Prince)
Act I Scene 3: How dare you attempt to ruin my well-laid plans? (Dr. Schon, Lulu)
Act I Scene 3: Take this pen and paper (Lulu, Dr. Schon)
1. Dixit Dominus Domino meo
2. Confitebor tibi, Domine
3. Beatus vir qui timet Dominum
4. Laudate pueri Dominum
5. Laudate Dominum omnes gentes
6. Magnificat anima mea
Mozart: Vesperae solennes de confessore in C, K.339 - 1. Dixit Dominus Domino meo
Mozart: Vesperae solennes de confessore in C, K.339 - 2. Confitebor tibi, Domine
Mozart: Vesperae solennes de confessore in C, K.339 - 3. Beatus vir qui timet Dominum
Mozart: Vesperae solennes de confessore in C, K.339 - 4. Laudate pueri Dominum
Mozart: Vesperae solennes de confessore in C, K.339 - 5. Laudate Dominum omnes gentes
Mozart: Vesperae solennes de confessore in C, K.339 - 6. Magnificat anima mea
Stabat Mater: Stabat mater dolorosa (Introduction)
Stabat Mater: Cujus animam gementem
Stabat Mater: Quis est homo
Stabat Mater: Pro peccatis suae gentis
Stabat Mater: Eja, mater, fons amoris
Stabat Mater: Sancta mater, istud agas
Stabat Mater: Fac, ut portem Christi mortem
Stabat Mater: Inflammatus et accensus
Stabat Mater: Quando corpus morietur
Stabat Mater: Amen. In sempiterna saecula
Requiem K626 (Mass No. 19 in D minor): Introitus: Requiem aeternam
Requiem K626 (Mass No. 19 in D minor): Kyrie eleison
Requiem K626 (Mass No. 19 in D minor), Sequenz: Dies irae
Requiem K626 (Mass No. 19 in D minor), Sequenz: Tuba mirum
Requiem K626 (Mass No. 19 in D minor), Sequenz: Rex tremendae
Requiem K626 (Mass No. 19 in D minor), Sequenz: Recordare
Requiem K626 (Mass No. 19 in D minor), Sequenz: Confutatis
Mozart: Requiem K. 626 (Mass No. 19 in D Minor), Sequenz: Lacrimosa
Requiem K626 (Mass No. 19 in D minor), Offertorium: Domine Jesu Christe
Requiem K626 (Mass No. 19 in D minor), Offertorium: Hostias et preces tibi
Requiem K626 (Mass No. 19 in D minor): Sanctus
Requiem K626 (Mass No. 19 in D minor): Benedictus
Requiem K626 (Mass No. 19 in D minor): Agnus Dei
Requiem K626 (Mass No. 19 in D minor): Communio: Lux aeterna
Puccini: La Fanciulla del West / Act 1 - Introduction
Puccini: La Fanciulla del West / Act 1 - Hello ... Nick!
Puccini: La Fanciulla del West / Act 1 - Che faranno i vecchi miei
Puccini: La Fanciulla del West / Act 1 - Jim, perchè piangi?
Puccini: La Fanciulla del West / Act 1 - Andiam, ragazzi
Puccini: La Fanciulla del West / Act 1 - Un poker? Nick, gettoni!
Puccini: La Fanciulla del West / Act 1 - Mrs Rance, fra poco
Puccini: La Fanciulla del West / Act 1 - Hello, Minnie!
Puccini: La Fanciulla del West / Act 1 - Dove eravamo?
Puccini: La Fanciulla del West / Act 1 - La posta! La posta!
Puccini: La Fanciulla del West / Act 1 - Ti voglio bene, Minnie
Puccini: La Fanciulla del West / Act 1 - Minnie, dalla mia casa son partito
Puccini: La Fanciulla del West / Act 1 - Laggiù nel Soledad
Puccini: La Fanciulla del West / Act 1 - Chi c'è per farmi i rici?
Puccini: La Fanciulla del West / Act 1 - Vi recordate di me?
Puccini: La Fanciulla del West / Act 1 - Mister Johnson, voi m'avete seccato!
Puccini: La Fanciulla del West / Act 1 - Mister Johnson, un valzer?
Puccini: La Fanciulla del West / Act 1 - Mister Johnson, siete rimasto indietro
Puccini: La Fanciulla del West / Act 1 - Io non son che una povera fanciulla
Puccini: La Fanciulla del West / Act 1 - Quello che tacete
Puccini: La Fanciulla del West / Act 1 - Come voi leggermi in cor non so
Puccini: La Fanciulla del West / Act 1 - Ah, non temete, nessuno ardirà
Puccini: La Fanciulla del West / Act 2 - Il mio bimbo è grande e piccino
Puccini: La Fanciulla del West / Act 2 - Billy, è fissato?
Puccini: La Fanciulla del West / Act 2 - Voglio vestirmi tutta
Puccini: La Fanciulla del West / Act 2 - Oh, se sapeste
Puccini: La Fanciulla del West / Act 2 - Ugh! ... Neve!
Puccini: La Fanciulla del West / Act 2 - Hello!
Puccini: La Fanciulla del West / Act 2 - Vieni fuori!
Puccini: La Fanciulla del West / Act 2 - ...Io so, Io so! Ma non vi avrei rubato!
Puccini: La Fanciulla del West / Act 2 - L'han ferito ... Che importa
Puccini: La Fanciulla del West / Act 2 - Che c'è di nuovo, Jack?
Puccini: La Fanciulla del West / Act 2 - E là! E là!
Puccini: La Fanciulla del West / Act 2 - Un partita a poker!
Puccini: La Fanciulla del West / Act 3 - Ve lo giuro, sceriffo
Puccini: La Fanciulla del West / Act 3 - Maledetto cane!
Puccini: La Fanciulla del West / Act 3 - Ah! Ah! Ah!
Puccini: La Fanciulla del West / Act 3 - Sceriffo Rance!
Puccini: La Fanciulla del West / Act 3 - E così, Mister Johnson, come va?
Puccini: La Fanciulla del West / Act 3 - Risparmiate lo scherno
Puccini: La Fanciulla del West / Act 3 - Ch'ella mi creda libero e lontano
Puccini: La Fanciulla del West / Act 3 - Ah-Ah-Ah!
Puccini: La Fanciulla del West / Act 3 - Basta!'quando per voi
Puccini: La Fanciulla del West / Act 3 - E anche tu lo vorrai
Puccini: La Fanciulla del West / Act 3 - Le tue parole sono di Dio
Act I: How Sharp-Ears was caught: Prelude
Act I: How Sharp-Ears was caught: Going to be a storm soon (Forester)
Act I: How Sharp-Ears was caught: Come on, old lady, and let's get the show started (Cricket, Caterpillar, Mosquito, Frog)
Act I: How Sharp-Ears was caught: Mummy! Mummy! What is that? (Vixen Cub, Forester)
Act I: How Sharp-Ears was caught: Pantomime
Act I: Sharp-Ears at the Forester's lakeside farmyard: Interlude
Act I: Sharp-Ears at the Forester's lakeside farmyard: Look at how big she's grown! (Forester, Forester's Wife, Vixen, Dog)
Act I: Sharp-Ears at the Forester's lakeside farmyard: I'm just the same too (Vixen)
Act I: Sharp-Ears at the Forester's lakeside farmyard: Look what we've got down 'ere (Pepik, Frantik, Vixen, Forester's Wife, Forester)
Act I: Sharp-Ears at the Forester's lakeside farmyard: Interlude (beginning) (Vixen), "Ou, ou!"
Act I: Sharp-Ears at the Forester's lakeside farmyard: Interlude (conclusion)
Act I: Sharp-Ears as politician: You should take a lesson from me! (Dog, Rooster, Hens, Chief Hen)
Act I: Sharp-Ears as politician: Sisters! Comrades! (Vixen, Hens, Rooster)
Act I: Sharp-Ears as politician: Come on then, don't be frightened (Chief Hen, Forester's Wife, Vixen, Forester)
Act II: Sharp-Ears expropriates a home: Prelude
Act II: Sharp-Ears expropriates a home: Ah! - Who's that out there screaming? (Vixen, Badger, Forest creatures)
Act II: Sharp-Ears expropriates a home: Interlude
Act II: Sharp-Ears expropriates a home: In my view parish things have got to be better! (Priest, Forester)
Act II: Sharp-Ears expropriates a home: Once long since, long ago (Forester, Schoolmaster, Priest, Pasek)
Act II: Sharp-Ears expropriates a home: Home now? (Forester, Pasek)
Act II: Sharp-Ears expropriates a home: Interlude
Act II: Sharp-Ears expropriates a home: Something is wrong with my equilibrium (Schoolmaster)
Act II: Sharp-Ears expropriates a home: Staccato! Flageoletti! (Schoolmaster)
Act II: Sharp-Ears expropriates a home: So remember to be a good man! (Priest)
Act II: Sharp-Ears expropriates a home: Memnestho aner agathos einai (Priest, Forester, Schoolmaster)
Act II: Sharp-Ears's courtship; Sharp-Ears's love and marriage: Interlude
Act II: Sharp-Ears's courtship; Sharp-Ears's love and marriage: O my God! He's so handsome! (Vixen, Fox)
Act II: Sharp-Ears's courtship; Sharp-Ears's love and marriage: One dark night (Vixen)
Act II: Sharp-Ears's courtship; Sharp-Ears's love and marriage: Fox Goldenstripe (Fox, Vixen)
Act II: Sharp-Ears's courtship; Sharp-Ears's love and marriage: Can it be that I am lovely? (Vixen, Fox)
Act II: Sharp-Ears's courtship; Sharp-Ears's love and marriage: Let me go! I am afraid of you! (Vixen, Fox)
Act II: Sharp-Ears's courtship; Sharp-Ears's love and marriage: If you had only seen what I saw just now (Owl, Jay, Vixen, Fox)
Act II: Sharp-Ears's courtship; Sharp-Ears's love and marriage: That's how it is! (Fox, Vixen, Woodpecker, Forest creatures)
Overture
"Posa in pace"
"S'avanza il conte - La rivedrà nell'estasi"
"Il cenno mio"
"Alla vita che t'arride"
"Volta la terrea"
Signori: "oggi d'Ulrica"
"Zitti...l'incanto non dèssi turbare"
"Su, fatemi largo"
"Che v'agita cosi?"
"Su, profetessa"
"Di'tu se fedele"
"Chi voi siate"
"E scherzo od è follia"
"Finisci il vaticinio"
Preludio
"Ecco l'orrido campo"
"Ma dall'arido stelo divulsa"
"Teco io sto"
"M'ami, m'ami"
"Ahimè. S'appressa alcun"
"Seguitemi"
"Ve', se di notte"
"A tal colpa"
"Morrò, ma prima in grazia"
"Alzati; là tuo figlio"
"Eri tu che macchiavi quell'anima"
"Siam soli. Udite"
"Il messaggio entri"
"Forse la soglia attinse"
"Ma se m'è forza perderti"


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