Guillaume Dufay

Biography

Born: 1400; Bersel, Brabant   Died: November 27, 1474; Cambrai, France  
Guillaume Dufay commenced a meteoric musical career as a simple choirboy at Cambrai Cathedral in 1409. Before his death, Dufay would lead the papal chapel, consort with popes and dukes, collaborate with Donatello and Brunelleschi, and be reckoned the first composer of the Renaissance. His birthdate is unknown -- the suggestion 1397 stems from the date of his priestly ordination -- but his lengthy contact with Cambrai Cathedral and the Vatican, Read more combined with evidence internal to his music, means that his life is quite well documented. His choirboy service apparently lasted until his voice broke in 1413 or 1414, when he was given a small chaplaincy. His early musical training came from choirmasters Nicholas Malin and the composer Richard Loqueville. The unusual gift of a book (the Doctrinale) in 1411 or 1412 testifies to the boy's intellectual abilities.

Cambrai's famous bishop Pierre d'Ailly took an active part in the Council of Constance (1414-1418), and Dufay's presence in his retinue could explain several points: his absence from Cambrai from November 1414, his early exposure to English music, and his contacts with the Malatesta family. After a brief tenure as subdeacon in Cambrai's St.-Géry, Dufay took up service with the Malatesta in Pesaro/Rimini. Two lavish wedding pieces, another motet, and a number of chansons date from this service, probably from 1420-1424. The health of his mother caused Dufay to return North, likely settling briefly in Laon, but the composer left for Italy again in 1426, bidding farewell to the fine wines of his homeland in the autobiographical Adieu ces bons vins.

Dufay stayed for some months in Bologna in the retinue of Cardinal Louis Aleman, possibly beginning his law degree there, but by December 1428 he had assumed a lucrative post in the Papal Chapel. Under Pope Martin V, the Chapel singers enjoyed a strong salary as well as the opportunity to hold several absentee benefice incomes; the musicians' fortunes improved further under the patronage of his successor, Eugenius IV (for whom Dufay wrote three more motets). However, Roman political turmoil helped push Dufay into the waiting arms of the Ducal Court of Savoy in 1433. As choirmaster there, his compositional life flourished, yielding a large cycle of hymn settings and many mature songs. A 1435 promotion to first singer (and choirmaster) lured him back to the Papal Chapel, now resident in Medicean Florence; among other pieces, Dufay gave the City of the Lily Nuper rosarum flores for the completion of Ghiberti's dome and the consecration of her Cathedral.

Dufay returned to a canonicate at Cambrai Cathedral by December 1439, where he remained for most of the remainder of his life. Only a trip to Italy in 1450, possibly to contribute the St. Anthony Mass for the dedication of Donatello's altar in Padua, and a final period of Savoyard service from 1452 to 1458, broke this semi-retirement. He took on a number of administrative tasks, such as ambassador to the Court of Burgundy (with which he apparently maintained a lifelong relationship), and musically led the petit vicaires as well as supervising the recopying of the Cathedral's chantbooks. He also composed several late cantus firmus masses, a lost requiem, and a plainchant Marian Office. At his death in 1474, Dufay left a sizable fortune (including cash, jewelry, furniture, and books), as well as musical provisions for his own memorial services. He also left an outstanding musical reputation and an exceptionally long shadow upon generations of composers to come. Read less
Cathedral Sounds - Guilaume Dufay / Clemencic Consort
Release Date: 02/14/2006   Label: Arte Nova  
Catalog: 925840   Number of Discs: 1
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There are 131 Guillaume Dufay recordings available.

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Works

Guillaume Dufay


MOST POPULAR WORKS
Salve flos Tusce / Vos nunc Etruscorum iubar / Viri mendaces
Urbs beata Jerusalem
Flos florum
Ave regina caelorum
Ave regina caelorum
Ave regina reparatrix
Mirandas parit hec urbs, "Imperatrix angelorum"
Ave maris stella
Inclita stella maris
Anima mea lique facta est
Jesu corona virginum
Ave virgo que de celis
Gaude virgo mater Christi
Kyrie
Gloria
Credo
Sanctus
Agnus Dei
WORKS
Salve flos Tusce / Vos nunc Etruscorum iubar / Viri mendaces
Urbs beata Jerusalem
Flos florum
Ave regina caelorum
Ave regina caelorum
Ave regina reparatrix
Mirandas parit hec urbs, "Imperatrix angelorum"
Ave maris stella
Inclita stella maris
Anima mea lique facta est
Jesu corona virginum
Ave virgo que de celis
Gaude virgo mater Christi
Mille bonjours je vous presente
Mille bonjours je vous presente
Kyrie
Gloria
Credo
Sanctus
Agnus Dei
Kyrie
Gloria
Credo
Sanctus
Agnus Dei
Introitus - Domine probasti me, Gloria - Repetitio
Kyrie
Gloria
Alleluya - Hispanorum clarens stella
Credo
Offertorium
Sanctus
Agnus Dei
Post Communio
Kyrie
Gloria
Credo
Sanctus
Agnus Dei


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