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Spanish Classics - Albeniz: Piano Music 2 / Gonzalez


Release Date: 09/25/2007 
Label:  Naxos   Catalog #: 8570553   Spars Code: n/a 
Composer:  Isaac Albeniz
Performer:  Guido Gonzalez
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 13 Mins. 

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Notes and Editorial Reviews

An interesting juxtaposition of fairly early and (very) late works by Albéniz.

As a performer, Albéniz was a musical prodigy. His first public appearance as a pianist was made at the age of four - dressed, apparently, in Scottish costume! - playing duets with his seven year old sister Clementina, before an excited audience. As a youngster he made his way around Spain giving impromptu recitals (and watching the bull-fights he loved). He had many adventures in both Spain and Southern America – or so we are told – as an improbably youthful touring pianist. He entertained American audiences by playing - sometimes with crossed hands - with his back turned to the keyboard!

For all the wealth of his
Read more own early history as a performer and his exposure to a huge variety of musical experiences, Albéniz was actually relatively slow to find his real voice as a composer. Much of his early work for piano might, if one is honest, be confused with the salon pieces of many other ultimately lesser composers. Quite rightly, this second disc Naxos series of his (complete?) piano music, mixes the relative slightness of his early work with the full splendour of his considerable later achievement. Of course in a life which, as a serious composer, was little more than twenty five years long, terms such as ‘early’ and ‘late’ are pretty relative. But that his music matured enormously during that period – and that it might well have gone on to even greater heights but for his early death – is surely undeniable.

On the present disc the Recuerdos de viaje are ‘early’ works; the seven pieces which make up this musical album of images from the composer’s travels (real or imagined) are, if truth be told, fairly slight for the most part. The booklet notes by Montserrat Bergadá refer to the Recuerdos as “a miscellaneous collection in the form of postcards”, and that gets it about right. They incorporate some Spanish elements, but their essential musical idiom belongs in the tradition of Central European romantic pianism. The results are pretty but slight, music which doesn’t offer very much nourishment after a few hearings. This is superior salon music; several of the pieces became ‘hits’ on pianola rolls. The most memorable pieces are perhaps the mildly infectious bolero ‘Puerto de tierra’, and ‘Rumores de la caleta’ – an engaging malagueña.

The other, later, pieces on the disc offer far more musical substance. Especially fine is La Vega, a long and truly poetic nocturne, tonally adventurous, full of sophisticated polyphonic writing. The American writer and photographer Carl van Vechten wrote (in his 1926 book Excavations) that in this piece “the composer evoked the spirit of the plain of Granada, lying tranquil under the high stars, sleeping to the murmur of brooks and to the soft sweep of the breeze over the gardens and groves of blooming orange trees” and that doesn’t seem an inappropriately fanciful response to a lovely, subtle, suggestive piece, beautifully played here by Guillermo González.

Also very fine and interesting are the two pieces left unfinished at Albéniz’s death, and written (after Albéniz’ masterpiece Iberia) during his final illness: Azaluejos and Navarra. Azaluejos (the title refers to a kind of glazed tile) was completed by Granados – perhaps with a bit too much self indulgence and a certain lack of the subtlety that Albéniz himself might have brought to the task; Navarra was left only a few bars short of completion and was completed with less self-indulgence! by Déodat de Séverac. Both offer tantalising hints of the music we might have been treated to post-Iberia had Albéniz lived to write it.

Granados said of Albéniz’s music that it had “a very nervous tranquillity”; that it was characterised by “an elegance that smiles with sadness”. There is something of such qualities to be heard in the best music here – and those qualities are not by any means wholly absent even from the Recuerdos de viaje.

Guillermo González leaves one in no doubt whatsoever that he is a pianist well-equipped – both technically and imaginatively – to interpret Albéniz’s work. There is little to quibble at in these performances, and much that commands the listener’s contented assent and provokes his satisfied pleasure.

-- Glyn Pursglove, MusicWeb International
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Works on This Recording

1. Recuerdos de Viaje, Op. 71 by Isaac Albeniz
Performer:  Guido Gonzalez (Piano)
Period: Romantic 
Written: by 1887; Madrid, Spain 
Date of Recording: 11/2004 
Venue:  Music Conservatory, Madrid, Spain 
Length: 30 Minutes 1 Secs. 
2. España "Souvenirs" by Isaac Albeniz
Performer:  Guido Gonzalez (Piano)
Period: Romantic 
Written: 1896; Paris, France 
Date of Recording: 11/2004 
Venue:  Music Conservatory, Madrid, Spain 
Length: 10 Minutes 40 Secs. 
3. Azulejos by Isaac Albeniz
Performer:  Guido Gonzalez (Piano)
Period: Romantic 
Written: 1909; France 
Date of Recording: 11/2004 
Venue:  Music Conservatory, Madrid, Spain 
Length: 10 Minutes 6 Secs. 
4. La Vega by Isaac Albeniz
Performer:  Guido Gonzalez (Piano)
Period: Romantic 
Written: 1897 
Date of Recording: 11/2004 
Venue:  Music Conservatory, Madrid, Spain 
Length: 15 Minutes 32 Secs. 
5. Suite Iberia: no 13, Navarra [unfinished] by Isaac Albeniz
Performer:  Guido Gonzalez (Piano)
Period: Romantic 
Written: 1906-1908; France 
Date of Recording: 11/2004 
Venue:  Music Conservatory, Madrid, Spain 
Length: 6 Minutes 16 Secs. 

Sound Samples

Recuerdos de viaje: I. En el mar
Recuerdos de viaje: II. Leyenda
Recuerdos de viaje: III. Alborada
Recuerdos de viaje: IV. En la Alambra
Recuerdos de viaje: V. Puerta de Tierra
Recuerdos de viaje: VI. Rumores de la Caleta
Recuerdos de viaje: VII. En la playa
Espagne (Souvenirs): I. Prelude
Espagne (Souvenirs): II. Asturias
Azulejos
La Vega, "Fantaisie espagnole"
Navarra (fragment, completed by D. de Severac)

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