![]() |
![]() |
|||||||||||
|
|
||||||||||||
| Composers | | Conductors | | Performers | | Ensembles | | Operas | | Labels | | ArkivCDs | | DVDs | | More... | ![]() |
Weekend Specials | ![]() |
|
Home >
Performers >
|
| Notes & Reviews | Back to Top | ||
| Like the legendary Phoenix rising from the ashes, the Prinzregenten Theatre in Munich, has undergone three rebirths - the first in 1901, the second in 1945 and the third, in two stages, in 1988 and 1996. To be inaugurated, shut down and re-opened is the troublesome Leitmotiv in this wonderful theater's 100 years of existence. This very existence began precisely on Tuesday August 20, 1901 at 6 PM, with an inaugural celebration before many invited VIP guests. After introductory remarks by Max von Schillings, Margarete Swoboda, a court actress, recited a festival prologue penned by Hans von Hopfen. After this, act III of Wagner's Meistersinger was given conducted by Herman Zumpe, the musical director of the theater. Right up until World War II, the theater was the place in Munich where the operas of Wagner were performed, with the best singers and conductors. After the War, because it had been hardly damaged, it once again became the focal point of Munich's opera life. In 1988, the theater was refurbished and in 1996 it was completely renovated. Undoubtedly, the different phases in the 100 year history of the Prinzregenten Theatre - 1901-1944 the Wagner stage; 1945-1963 the stop-gap stage for the State Opera; 1988/96 until the present day opera workshops and a multi-purpose theater - determined what kind of singers were heard there. Initially, of course, the Siegfrieds, Wotans and Brunnhildes dominated right before the broad spectrum of all vocal ranges and categories came to the fore. That in this present CD collection Wagner singers must perforce dominate is due to the fact that for legal reasons only artists could be included whose recordings are older than fifty years. This means that the second phase of the history of this theater is dominated by artists who made their debut prior to 1950 and that the third phase is not represented at all. | |||||
| Works on This Recording | Back to Top | |||
| 1. |
Die Meistersinger von Nürnberg: Fanget an! by Richard Wagner |
||||
|
Performer:
Heinrich Knote (Tenor)
Period: Romantic Written: 1868; Munich, Germany |
Date of Recording: 1909 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 2. |
Die Meistersinger von Nürnberg: Verachtet mir die Meister by Richard Wagner |
||||
|
Performer:
Fritz Feinhals (Bass)
Period: Romantic Written: 1868; Germany |
Date of Recording: 1909 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 3. |
Die Walküre: Der Männer Sippe sass hier im Saal by Richard Wagner |
||||
|
Performer:
Berta Morena (Soprano)
Period: Romantic Written: 1856; Germany |
Date of Recording: 1909 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 4. |
Tristan und Isolde: Tatest du's wirklich by Richard Wagner |
||||
|
Performer:
Paul Bender (Bass)
Period: Romantic Written: 1859; Germany |
Date of Recording: 1909 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 5. |
Die Entführung aus dem Serail, K 384: Ach, ich liebte by Wolfgang Amadeus Mozart |
||||
|
Performer:
Hermine Bosetti (Soprano)
Period: Classical Written: 1782; Vienna, Austria |
Date of Recording: 1909 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 6. |
Rienzi: Gerechter Gott! by Richard Wagner |
||||
|
Performer:
Margaret Matzenauer (Mezzo Soprano)
Period: Romantic Written: 1840-1843; Germany |
Date of Recording: 1907 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| Notes: This selection begins with "In seiner Blüte bleicht mein Leben..." | |||||
| 7. |
Die Walküre: Winterstürme wichen dem Wonnemond by Richard Wagner |
||||
|
Performer:
Ernst Kraus (Tenor)
Period: Romantic Written: 1856; Germany |
Date of Recording: 1909 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 8. |
Das Rheingold: Bin ich nun frei? "Alberich's Curse" by Richard Wagner |
||||
|
Performer:
Desider Zador (Bass)
Period: Romantic Written: 1854; Germany |
Date of Recording: 1909 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 9. |
Das Rheingold: Immer ist Undank Loges Lohn by Richard Wagner |
||||
|
Performer:
Karl Erb (Tenor)
Period: Romantic Written: 1854; Germany |
Date of Recording: 1914 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 10. |
Undine: Nun ist's vollbracht...O kehr zurück by Albert Lortzing |
||||
|
Performer:
Karl Erb (Baritone)
Period: Romantic Written: 1845; Germany |
Date of Recording: 1922 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 11. |
Die Entführung aus dem Serail, K 384: Im Mohrenland gefangen war ein Mädchen by Wolfgang Amadeus Mozart |
||||
|
Performer:
Carl Seydel (Tenor)
Period: Classical Written: 1782; Vienna, Austria |
Date of Recording: 1922 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 12. |
Parsifal: Du siehst, das ist nicht so by Richard Wagner |
||||
|
Performer:
Julius Gless (Bass)
Period: Romantic Written: 1877-1882; Germany |
Date of Recording: 1922 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 13. |
Das Rheingold: Weiche, Wotan, weiche by Richard Wagner |
||||
|
Performer:
Hedwig Fichtmüller (Alto)
Period: Romantic Written: 1854; Germany |
Date of Recording: 1923 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 14. |
Die Meistersinger von Nürnberg: Am stillen Herd by Richard Wagner |
||||
|
Performer:
Fritz Krauss (Tenor)
Period: Romantic Written: 1867; Germany |
Date of Recording: 1924 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 15. |
Götterdämmerung: Seit er von dir geschieden by Richard Wagner |
||||
|
Performer:
Maria Olszewska (Alto)
Period: Romantic Written: 1874; Germany |
Date of Recording: 1925 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 16. |
Palestrina: Nun setzt euch zu mir her by Hans Pfitzner |
||||
|
Performer:
Emil Schipper (Baritone)
Period: 20th Century Written: 1912-1915; Germany |
Date of Recording: 1925 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 17. |
Die Walküre: Ho-jo-to-ho! by Richard Wagner |
||||
|
Performer:
Gertrude Kappel (Soprano)
Period: Romantic Written: 1856; Germany |
Date of Recording: 1924 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 18. |
Die Meistersinger von Nürnberg: Ein Kind war hier geboren by Richard Wagner |
||||
|
Performer:
Wilhelm Rode (Baritone)
Period: Romantic Written: 1862-1867; Germany |
Date of Recording: 1924 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 19. |
Der fliegende Holländer: Die Frist ist um [Monologue] by Richard Wagner |
||||
|
Performer:
Hans Hermann Nissen (Baritone)
Period: Romantic Written: 1841/1852; Germany |
Date of Recording: 1939 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 20. |
Der fliegende Holländer: Jo-ho-joe! Trafft ihr das Schiff by Richard Wagner |
||||
|
Performer:
Elisabeth Ohms (Soprano)
Period: Romantic Written: 1841/1852; Germany |
Date of Recording: 1929 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 21. |
Der fliegende Holländer: Mögst du, mein Kind by Richard Wagner |
||||
|
Performer:
Georg Hann (Bass)
Period: Romantic Written: 1841/1852; Germany |
Date of Recording: 1942 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 22. |
Tristan und Isolde: Einsam wachend...Habet Acht! by Richard Wagner |
||||
|
Performer:
Luise Willer (Mezzo Soprano)
Period: Romantic Written: 1859; Germany |
Date of Recording: 1935 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 23. |
Don Giovanni, K 527: Mi tradì, quell' alma ingrata by Wolfgang Amadeus Mozart |
||||
|
Performer:
Felicie Hüni-Mihacsek (Soprano)
Period: Classical Written: 1787; Prague, Czech Republ |
Date of Recording: 1927 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 24. |
Die Zauberflöte, K 620: Dies Bildnis ist bezaubernd schön by Wolfgang Amadeus Mozart |
||||
|
Performer:
Julius Patzak (Tenor)
Period: Classical Written: 1791; Vienna, Austria |
Date of Recording: 1930 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 25. |
Die Zauberflöte, K 620: Ein Mädchen oder Weibchen by Wolfgang Amadeus Mozart |
||||
|
Performer:
Heinrich Rehkemper (Baritone)
Period: Classical Written: 1791; Vienna, Austria |
Date of Recording: 1928 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 26. |
Lohengrin: Euch Lüften, die mein Klagen by Richard Wagner |
||||
|
Performer:
Maria Reining (Soprano)
Period: Romantic Written: 1847; Germany |
Date of Recording: 1939 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 27. |
Die Meistersinger von Nürnberg: Morgenlich leuchtend by Richard Wagner |
||||
|
Performer:
Max Proebstl (Baritone)
Period: Romantic Written: 1867; Germany |
Date of Recording: 1949 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 28. |
Die Walküre: Leb' wohl..."Farewell and Magic Fire music" by Richard Wagner |
||||
|
Performer:
Hans Hotter (Baritone)
Period: Romantic Written: 1856; Germany |
Date of Recording: 1942 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 29. |
Il trovatore: Ai nostri monti by Giuseppe Verdi |
||||
|
Performer:
Georgine von Milinkovic (Mezzo Soprano),
Horst Taubmann (Tenor)
Period: Romantic Written: 1853; Italy |
Date of Recording: 1943 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 30. |
Tristan und Isolde: Tot denn alles by Richard Wagner |
||||
|
Performer:
Ferdinand Frantz (Bass)
Period: Romantic Written: 1857-1859; Germany |
Date of Recording: 1950 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 31. |
Tristan und Isolde: Mild und leise "Liebestod" by Richard Wagner |
||||
|
Performer:
Helena Braun (Soprano)
Period: Romantic Written: 1859; Germany |
Date of Recording: 1942 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 32. |
Aida: Ciel, mio padre!...Su dunque sorgete by Giuseppe Verdi |
||||
|
Performer:
Anneliese Kupper (Soprano),
Hans Reinmar (Baritone)
Period: Romantic Written: 1871; Italy |
Date of Recording: 1949 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 33. |
Iphigénie en Aulide: Ils m'étaient chers by Christoph W. Gluck |
||||
|
Performer:
Cäcilie Reich (Soprano),
Gottfried Riedner (Tenor)
Period: Classical Written: 1772-1774; Vienna, Austria |
Date of Recording: 1948 Venue: Live Prinzregenten Theater, Munich, Germany Language: German |
||||
| 34. |
Die Entführung aus dem Serail, K 384: Wenn der Freude Tränen fliessen by Wolfgang Amadeus Mozart |
||||
|
Performer:
Richard Holm (Tenor)
Period: Classical Written: 1782; Vienna, Austria |
Date of Recording: 1950 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 35. |
Bastien und Bastienne, K 50 (46a): Mein liebster Freund hat mich verlassen by Wolfgang Amadeus Mozart |
||||
|
Performer:
Käthe Nentwig (Soprano)
Period: Classical Written: 1768; Vienna, Austria |
Date of Recording: 1950 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 36. |
Leonore, Op. 72: Hat man nicht auch Gold beineben by Ludwig van Beethoven |
||||
|
Performer:
Käthe Nentwig (Soprano)
Period: Classical Written: 1805; Vienna, Austria |
Date of Recording: 1950 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 37. |
Tannhäuser: O Fürstin...So stehet auf...Den Gott der Liebe by Richard Wagner |
||||
|
Performer:
Marianne Schech (Soprano),
August Seider (Tenor)
Period: Romantic Written: 1845/1861; Germany |
Date of Recording: 1950 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 38. |
Tannhäuser: Den Bronnen, den uns Wolfram nannte by Richard Wagner |
||||
|
Performer:
Franz Klarwein (Tenor)
Period: Romantic Written: 1845/1861; Germany |
Date of Recording: 1950 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 39. |
Tannhäuser: O, du mein holder Abendstern by Richard Wagner |
||||
|
Performer:
Karl Schmitt-Walter (Baritone)
Period: Romantic Written: 1845/1861; Germany |
Date of Recording: 1943 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 40. |
Lohengrin: Gott grüss euch by Richard Wagner |
||||
|
Performer:
Kurt Böhme (Bass)
Period: Romantic Written: 1846-1847; Germany |
Date of Recording: 1951 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 41. |
Lohengrin: Dank, König dir by Richard Wagner |
||||
|
Performer:
Karl Kronenberg (Baritone)
Period: Romantic Written: 1850; Weimar, Germany |
Date of Recording: 1951 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 42. |
Die Meistersinger von Nürnberg: Der Meister Tön' und Weisen by Richard Wagner |
||||
|
Performer:
Paul Kuen (Tenor)
Period: Romantic Written: 1867; Germany |
Date of Recording: 1949 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 43. |
Die Meistersinger von Nürnberg: Das schöne Fest by Richard Wagner |
||||
|
Performer:
Max Proebstl (Baritone)
Period: Romantic Written: 1867; Germany |
Date of Recording: 1949 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 44. |
Otello: Già nella notte densa by Giuseppe Verdi |
||||
|
Performer:
Franz Völker (Tenor),
Maud Cunitz (Soprano)
Period: Romantic Written: 1887; Italy |
Date of Recording: 1946 Venue: Live Prinzregenten Theater, Munich, Germany Language: German |
||||
| 45. |
Bartered Bride, B 143/T 93: Alone at last...How strange by Bedrich Smetana |
||||
|
Performer:
Elisabeth Lindermeier (Soprano)
Period: Romantic Written: 1863/1870; Czech Republic |
Date of Recording: 1957 Venue: Live Prinzregenten Theater, Munich, Germany Language: German |
||||
| 46. |
Carmen: La fleur que tu m'avais jetée "Flower song" by Georges Bizet |
||||
|
Performer:
Lorenz Fehenberger (Tenor)
Period: Romantic Written: 1873-1874; France |
Date of Recording: 1948 Venue: Live Prinzregenten Theater, Munich, Germany Language: German |
||||
| Notes: Composition written: France (1873 - 1874). | |||||
| 47. |
Cavalleria Rusticana: Mamma, quel vino è generoso "Addio" by Pietro Mascagni |
||||
|
Performer:
Hans Hopf (Tenor)
Period: Romantic Written: 1890; Italy |
Date of Recording: 1943 Venue: Live Prinzregenten Theater, Munich, Germany Language: German |
||||
| 48. |
Der Freischütz, J 277: Schweig, damit dich niemand warnt by Carl Maria von Weber |
||||
|
Performer:
Ludwig Weber (Bass)
Period: Romantic Written: 1817-1821; Dresden, Germany |
Date of Recording: 1949 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
| 49. |
Königskinder: O du liebheilige Einfalt du! by Engelbert Humperdinck |
||||
|
Performer:
Friedrich Brodersen (Baritone)
Period: Romantic Written: 1910; Germany |
Date of Recording: 1923 Venue: Live Prinzregenten Theater, Munich, Germany |
||||
|
|
||||
| Customer Reviews | Back to Top | |||
|
|
||||
| Be the first to review this title |
Share your Thoughts:
|
|
|
|
|
|
| About ArkivMusic Contact Us Partner Program Institutional Sales Terms & Conditions Privacy Policy Help Your Account Shortcuts |
| ArkivMusic - The Source for Classical Music! |
| Copyright ArkivMusic LLC, 2012. | |||
| Data supplied by Rovi Data Solutions, Inc. Copyright 1948-2012. For personal use only. All rights reserved. | |||