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Sardelli: 6 Sonate a tre / Bruni, Scarpa, Parravicini, Hoffmann, Talamini


Release Date: 07/05/2019 
Label:  Brilliant Classics   Catalog #: BRI95999  
Composer:  Federico Maria Sardelli
Performer:  Paola TalaminiStefano BruniGiovanni Battista ScarpaLorenzo Parravicini,   ... 
Number of Discs: 1 
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Notes and Editorial Reviews

The ‘living Baroque’ idiom of Federico Maria Sardelli has been extensively documented on Brilliant Classics, with albums of concertos (BC94749), cantatas (BC95068) and harpsichord music (BC95488) that have advanced the reputation of this modern composer and scholar and won international attention, with 5-star reviews in Diapason and elsewhere. Now Sardelli turns his imagination to the genre of the trio sonata that exemplified chamber music-making in the Baroque era. The collection of six presented here divides into two sub-genres, of the church sonatas (Nos. 2, 4, 5) and chamber sonata (Nos. 1, 3, 6) which would have been heard in a domestic, albeit aristocratically appointed, context. Sardelli makes passing and subtle allusions to poignant Read more melancholy (in the Larghetto of the First Sonata), to an infernal rhythmic impulse (the second movement of the Fifth), to more profound meditations on mortality (such as the Adagio without bass of the Third), and even to declarations of love (the opening of the Sixth) – though the subject of Sardelli’s affection is surely Vivaldi himself. According to the composer, this is not Baroque pastiche. Rather, as a noted scholar of Vivaldi, he seeks to recreate such music in his own image with music of the present which ‘regains its own original language and adheres to its own original criteria, expressing vibrant new ideas that are in keeping with its identity.’ It would be quite possible to think that the trio sonatas here had been written with a goose quill in 17th-century Venice, but they are by no means dry exercises in imitation. Rather they are full of an authentically Venetian vibrancy and color from any age, sparkling with a variety of knowing brilliance that belongs to the temperamental character of the city. The performances here are given by musicians who have long worked with Sardelli in his Modo Antiquo ensemble which has made highly praised recordings of ‘real’ Vivaldi as well as Sardelli. Read less

Works on This Recording

1.
Trio Sonatas (6) for 2 Violins, Cello, & Organ No. 1 in B-Flat by Federico Maria Sardelli
Performer:  Paola Talamini (Organ), Stefano Bruni (Violin), Giovanni Battista Scarpa (Violin),
Lorenzo Parravicini (Cello)
Period: Contemporary 
Written: 2019; Italy 
2.
Trio Sonatas (6) for 2 Violins, Cello, & Organ No. 2 in D Minor by Federico Maria Sardelli
Performer:  Paola Talamini (Organ), Stefano Bruni (Violin), Giovanni Battista Scarpa (Violin),
Bettina Hoffmann (Cello)
Period: Contemporary 
Written: 2019; Italy 
3.
Trio Sonatas (6) for 2 Violins, Cello, & Organ No. 3 in E Major by Federico Maria Sardelli
Performer:  Paola Talamini (Organ), Stefano Bruni (Violin), Giovanni Battista Scarpa (Violin),
Bettina Hoffmann (Cello)
Period: Contemporary 
Written: 2019; Italy 
4.
Trio Sonatas (6) for 2 Violins, Cello, & Organ No. 4 in A Minor by Federico Maria Sardelli
Performer:  Paola Talamini (Organ), Stefano Bruni (Violin), Giovanni Battista Scarpa (Violin),
Lorenzo Parravicini (Cello)
Period: Contemporary 
Written: 2019; Italy 
5.
Trio Sonatas (6) for 2 Violins, Cello, & Organ No. 5 in C Major by Federico Maria Sardelli
Performer:  Paola Talamini (Organ), Stefano Bruni (Violin), Giovanni Battista Scarpa (Violin),
Lorenzo Parravicini (Cello)
Period: Contemporary 
Written: 2019; Italy 
6.
Trio Sonatas (6) for 2 Violins, Cello, & Organ No. 6 in G Major by Federico Maria Sardelli
Performer:  Paola Talamini (Organ), Stefano Bruni (Violin), Giovanni Battista Scarpa (Violin),
Lorenzo Parravicini (Cello)
Period: Contemporary 
Written: 2019; Italy 

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