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In 1977 EMI issued the first of what eventually would be four boxed sets of LPs encompassing the history of singing on record from 1899 until the end of the shellac era. The label subsequently brought out an expanded version of Volume 4 on CD, while Testament reissued Volume 3 intact, with slightly improved sound and a few items restored to proper pitch. Volumes 1 and 2 never made it to CD (officially, that is), although EMI did refurbish Volume 1 in 1982 as "A Record of Singers" together with a supplementary LP. Here is a 10-CD overview of the four volumes.
It must not have been easy for producer Tony Locantro to pare down all four volumes and retain a judicious (if not appreciably comprehensive) mix of schools, styles, and temperaments. While John Steane's booklet notes attempt to put a positive spin on the set's inclusions and omissions, collectors invariably will carp. I wonder why Locantro left out Kirsten Flagstad and Maria Callas, yet kept in two Beniamino Gigli selections. Then there are tracks that offer more historic significance than artistic pleasure (baritone Édouard de Reszke and the notorious "last castrato" Alessandro Moreschi, for example). However, musical riches dominate. Personal favorites include Fernando de Lucia with his prodigious breath control, Marian Anderson's goose-bump-inducing low D-natural in Schubert's Death and the Maiden, Mariano Stabile's natural speech/song fusion in the Honor Monologue from Verdi's Falstaff, the Carmen Habanera with Jennie Tourel in her prime, plus Pol Plançon heading a short list of singularly elegant French basses. In short, there's ample opportunity to discover one's own obscure treasures and to reconnect with more familiar fare. For this reason, consider "The Very Best of Volumes 1-4" the ideal gift for a devoted opera lover who is not a specialist collector. Shall we anticipate a complete, digitally reasserted Record of Singing CD edition? --Jed Distler, ClassicsToday.com |
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| Works on This Recording | Back to Top | |||
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| 1. |
Ave Maria by Charles Gounod |
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Performer:
Alessandro Moreschi (Castrato)
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Date of Recording: 04/1904 Venue: Sistine Chapel, Rome |
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| 2. |
La sonnambula: Ah, non credea mirarti by Vincenzo Bellini |
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Performer:
Alfredo Barili (Piano),
Adelina Patti (Soprano)
Period: Romantic Written: 1831; Italy |
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Date of Recording: 06/1906 Venue: Craig-y-Nos, Wales |
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| 3. |
L'éte by Cécile Louise Chaminade |
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Performer:
Emma Albani (Soprano)
Period: Romantic Written: France |
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Date of Recording: c1904 Venue: London, England |
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| 4. |
Le nozze di Figaro, K 492: Sull' aria...Che soave zeffiretto by Wolfgang Amadeus Mozart |
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Performer:
Marcella Sembrich (Soprano),
Emma Eames (Soprano)
Period: Classical Written: 1786; Vienna, Austria |
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Date of Recording: 01/25/1908 Venue: Camden, New York |
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| 5. |
Les anges pleurent by Hermann Bemberg |
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Performer:
Nellie Melba (Soprano),
Gabriel Lapierre (Piano)
Period: Romantic Written: France |
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Date of Recording: 10/04/1913 Venue: Camden, New York |
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| 6. |
Manon Lescaut: C'est l'histoire amoureuse by Daniel-François Auber |
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Performer:
Ellen Beach Yaw (Soprano)
Period: Romantic Written: 1856; France |
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Date of Recording: 03/11/1899 Venue: London, England |
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| 7. |
Mainacht by Berthold Goldschmidt |
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Performer:
Blanche Marchesi (Soprano),
Bruno Seidler-Winkler (Piano)
Period: 20th Century |
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Date of Recording: 1906 Venue: Berlin, Germany |
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| 8. |
Hunyadi László: Ah rebeges by Ferenc Erkel |
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Performer:
Lillian Nordica (Soprano),
Romayne Simmons (Piano)
Period: Romantic Written: 1844; Hungary |
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Date of Recording: 05/23/1907 Venue: USA |
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| 9. |
Mattinata by Francesco Paolo Tosti |
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Performer:
Geraldine Farrar (Soprano)
Period: Romantic Written: Italy |
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Date of Recording: 1904 Venue: Berlin, Germany |
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| 10. |
Orfeo ed Euridice: Addio, addio by Christoph W. Gluck |
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Performer:
Louise Homer (Alto)
Period: Classical Written: 1762/1774; Vienna, Austria |
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Date of Recording: 11/02/1903 Venue: New York, NY Language: English |
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| 11. |
Simon the Cellarer by John Liptrott Hatton |
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Performer:
Charles Santley (Baritone)
Period: Romantic Written: England |
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Date of Recording: 06/08/1903 Venue: London, England |
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| 12. |
Dichterliebe, Op. 48: no 7, Ich grolle nicht by Robert Schumann |
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Performer:
George Henschel (Baritone),
George Henschel (Piano)
Period: Romantic Written: 1840; Germany |
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Date of Recording: 01/19/1914 Venue: Hayes, Middlesex |
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| 13. |
La chanson de Fortunio: Vous croyez que je vais dire by Jacques Offenbach |
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Performer:
Emilio de Gogorza (Baritone)
Conductor: Josef Pasternack Period: Romantic Written: 1861; Paris, France |
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Date of Recording: 10/23/1916 Venue: Camden, New York |
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| 14. |
Otello: Era la notte by Giuseppe Verdi |
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Performer:
Victor Maurel (Baritone)
Period: Romantic Written: 1887; Italy |
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Date of Recording: 11/1904 Venue: Milan, Italy |
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| 15. |
Per valli, per boschi by Felice Blangini |
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Performer:
Charles Gilibert (Baritone),
Nellie Melba (Soprano)
Conductor: Walter B. Rogers Period: Romantic |
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Date of Recording: 03/28/1907 Venue: Camden, New York |
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| 16. |
Embarquez-vous? by Benjamin Godard |
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Performer:
Pol Plançon (Bass)
Period: Romantic Written: France |
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Date of Recording: 08/1902 Venue: London, England |
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| 17. |
Martha: Lasst mich euch fragen "Porter's Song" by Friedrich von Flotow |
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Performer:
Edouard De Reszke (Bass),
Charles Adams Prince (Piano)
Period: Romantic Written: 1847; Germany |
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Date of Recording: 1903 Venue: USA Language: French |
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| 18. |
Carmen: L'amour est un oiseau rebelle "Habañera" by Georges Bizet |
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Performer:
Emma Calvé (Soprano),
Remualdo Sapio (Piano)
Written: 1873-1874 |
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Date of Recording: 06/06/1916 Venue: Camden, New York |
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| 19. |
Aida: I sacri nomi di padre, d'amante by Giuseppe Verdi |
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Performer:
Félia Litvinne (Soprano)
Period: Romantic Written: 1871; Italy |
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Date of Recording: 1905 Venue: Paris, France Language: French |
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| 20. |
Le jongleur de Notre-Dame: Dame des cieux...Liberté! Liberté! c'est Elle by Jules Massenet |
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Performer:
Mary Garden (Soprano)
Period: Romantic Written: 1902; France |
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Date of Recording: 03/21/1911 Venue: New York, NY |
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| 21. |
Amour! Amour! by Francesco Paolo Tosti |
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Performer:
Mattia Battistini (Baritone),
Carlo Sabajno (Piano)
Period: Romantic Written: 1899; London, England |
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Date of Recording: 06/02/1911 Venue: Milan, Italy |
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| 22. |
L'Elisir d'Amore: Come Paride by Gaetano Donizetti |
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Performer:
Antonio Scotti (Baritone)
Period: Romantic Written: 1832; Italy |
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Date of Recording: 03/02/1905 Venue: New York, NY |
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| 23. |
Adriana Lecouvreur: Bene! Benissimo! by Francesco Cilèa |
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Performer:
Giuseppe de Luca (Baritone),
Francesco Cilèa (Piano)
Period: Romantic Written: Italy |
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Date of Recording: 12/12/1902 Venue: Milan, Italy |
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| 24. |
L'Elisir d'Amore: Udite, o rustici by Gaetano Donizetti |
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Performer:
Antonio Pini-Corsi (Baritone)
Period: Romantic Written: 1832; Italy |
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Date of Recording: 1912 Venue: Milan, Italy |
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| 25. |
I due Foscari: Questa dunque è l'iniquia mercede by Giuseppe Verdi |
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Performer:
Pasquale Amato (Baritone)
Period: Romantic Written: 1844; Italy |
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Date of Recording: 06/15/1911 Venue: Milan, Italy |
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| 26. |
Hamlet: O vin dissipe la tristesse by Ambroise Thomas |
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Performer:
Titta Ruffo (Baritone)
Period: Romantic Written: 1868; France |
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Date of Recording: 1907 Venue: Milan, Italy Language: Italian |
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| 27. |
Luna-lù by V. Ricciardi |
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Performer:
Fernando de Lucia (Tenor)
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Date of Recording: 05/21/1909 Venue: Naples, Italy |
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| 28. |
Paride ed Elena: Spiagge amate by Christoph W. Gluck |
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Performer:
Alessandro Bonci (Tenor)
Period: Classical Written: 1770; Vienna, Austria |
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Date of Recording: 02/1905 Venue: Milan, Italy |
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| 29. |
Otello: Niun mi tema (Death of Otello) by Giuseppe Verdi |
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Performer:
Francesco Tamagno (Tenor)
Period: Romantic Written: 1887; Italy |
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Date of Recording: 02/1903 |
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| 30. |
Andrea Chénier: Un dì all' azzuro spazio "Improvviso" by Umberto Giordano |
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Performer:
Giovanni Zenatello (Tenor)
Period: Romantic Written: 1896; Italy |
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Date of Recording: 02/15/1906 Venue: Milan, Italy |
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| 31. |
L'Elisir d'Amore: Una furtiva lagrima by Gaetano Donizetti |
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Performer:
Salvatore Cottone (Piano),
Enrico Caruso (Tenor)
Period: Romantic Written: 1832; Italy |
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Date of Recording: 04/11/1902 Venue: Milan, Italy |
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| 32. |
Queen of Spades, Op. 68: Midnight is nearing (Lisa's Aria) by Peter Ilyich Tchaikovsky |
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Performer:
Medea Mei-Figner (Soprano)
Period: Romantic Written: 1890; Russia |
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Date of Recording: 11/1901 Venue: St. Petersburg, Russia |
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| 33. |
Olga: E lo sapevi by Gianelli, |
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Performer:
Olimpia Boronat (Soprano)
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Date of Recording: 1908 Venue: Milan, Italy |
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| 34. |
Cavalleria Rusticana: Voi lo sapete, o Mamma by Pietro Mascagni |
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Performer:
Gemma Bellincioni (Soprano)
Period: Romantic Written: 1890; Italy |
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Date of Recording: 10/1903 Venue: Milan, Italy |
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| 35. |
La Bohème: Mimì Pinson la biondietta by Ruggero Leoncavallo |
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Performer:
Rosina Storchio (Soprano)
Period: Romantic Written: 1897; Italy |
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Date of Recording: 02/02/1911 Venue: Milan, Italy |
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| 36. |
Mireille: O d’amor messagera by Charles Gounod |
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Performer:
Luisa Tetrazzini (Soprano)
Period: Romantic Written: France |
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Date of Recording: 07/05/1909 Venue: London, England |
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| 37. |
La dame blanche: Ce domaine by François Boieldieu |
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Performer:
Franz Naval (Tenor),
Marie Gutheil-Schoder (Soprano)
Period: Romantic |
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Date of Recording: 1902 Venue: Vienna, Austria Language: German |
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| 38. |
Lucia di Lammermoor: Regnava nel silenzio by Gaetano Donizetti |
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Performer:
Frieda Hempel (Soprano)
Period: Romantic Written: 1835; Italy |
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Date of Recording: 10/1907 Venue: Berlin, Germany |
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| 39. |
Rigoletto: Caro nome by Giuseppe Verdi |
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Performer:
Selma Kurz (Soprano)
Period: Romantic Written: 1851; Italy |
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Date of Recording: 1905 Venue: Vienna, Austria |
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| 40. |
Don Giovanni, K 527: Or sai chi l'onore by Wolfgang Amadeus Mozart |
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Performer:
Lilli Lehmann (Soprano)
Period: Classical Written: 1787; Prague, Czech Republ |
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Date of Recording: 1906 Venue: Berlin, Germany |
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| 41. |
Oberon, J 306: Ozean! du Ungeheuer by Carl Maria von Weber |
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Performer:
Anna Von Bahr-Mildenburg (Soprano)
Period: Romantic Written: 1825-1826; Dresden, Germany |
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Date of Recording: 1904 Venue: Vienna, Austria |
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| 42. |
Don Giovanni, K 527: In quali eccessi...Mi tradì quell' alma ingrata by Wolfgang Amadeus Mozart |
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Performer:
Johanna Gadski (Soprano)
Period: Classical Written: 1787; Prague, Czech Republ |
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Date of Recording: 09/21/1910 Venue: Camden, New York |
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| 43. |
Dalibor, B 133/T 96: Jac je mi by Bedrich Smetana |
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Performer:
Emmy Destinn (Soprano)
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Date of Recording: 1908 Venue: Berlin, Germany |
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| 44. |
Leggero invisible "Bolero" by Luigi Arditi |
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Performer:
Ernestine Schumann-Heink (Alto)
Period: Romantic Written: Italy |
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Date of Recording: 07/24/1907 Venue: Camden, New York |
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| 45. |
Dalibor, B 133/T 96: Oh, didst thou hear it, friend by Bedrich Smetana |
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Performer:
Hermann Winkelmann (Tenor)
Period: Romantic Written: 1865/1870; Czech Republic |
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Date of Recording: 1905 Venue: Vienna, Austria Language: German |
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| 46. |
Die Königin von Saba, Op. 27: Magische Töne by Karl Goldmark |
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Performer:
Leo Slezak (Tenor)
Period: Romantic Written: by 1875; Vienna, Austria |
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Date of Recording: 1905 Venue: Vienna, Austria |
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| 47. |
Die Walküre: Leb' wohl..."Farewell and Magic Fire music" by Richard Wagner |
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Performer:
Anton Van Rooy (Baritone)
Period: Romantic Written: 1856; Germany |
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Date of Recording: 1902 Venue: London, England |
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| 48. |
Golden Cockerel: Hymn to the sun by Nikolai Rimsky-Korsakov |
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Performer:
Antonina Nezhdanova (Soprano)
Period: Romantic Written: 1906-1907; Russia |
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Date of Recording: 01/28/1910 Venue: Moscow, Russia Language: Russian |
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| 49. |
The oprichnik: I swear before God and thee by Peter Ilyich Tchaikovsky |
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Performer:
Nicolai Figner (Tenor)
Period: Romantic Written: 1870-1872; Russia |
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Date of Recording: 11/1901 Venue: St. Petersburg, Russia Language: Russian |
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| 50. |
Dobrinja Nikitich: Flowers were blooming in the fields by Alexander Gretchaninov |
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Performer:
Leonid Sobinov (Tenor)
Period: Romantic Written: Russia |
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Date of Recording: 02/06/1910 Venue: Moscow, Russia Language: Russian |
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| 51. |
Iolanta, Op. 69: O God, if I have sinned by Peter Ilyich Tchaikovsky |
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Performer:
Lev Sibiriakov (Bass)
Period: Romantic |
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Date of Recording: 1910 Venue: Russia Language: Russian |
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| 52. |
Robert le Diable: Le rovine son queste by Giacomo Meyerbeer |
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Performer:
Feodor Chaliapin (Bass)
Conductor: Rosario Bourdon Orchestra/Ensemble: Orchestra Period: Romantic Written: 1831; France |
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Date of Recording: 01/03/1924 Venue: Camden, New York |
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| 53. |
Dubrovsky, Op 58: O give me oblivion! by Eduard Nápravník |
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Performer:
Dmitri Smirnov (Tenor)
Period: Romantic Written: 1895; Moravia, Czech Repub |
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Date of Recording: 10/19/1912 Venue: Moscow, Russia Language: Russian |
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| 54. |
L'Africaine: O paradis sorti de l'onde by Giacomo Meyerbeer |
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Performer:
Fernand Ansseau (Tenor)
Period: Romantic Written: 1865; Germany |
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Date of Recording: 10/21/1921 Venue: Paris, France |
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| 55. |
La coupe du roi de Thulé: Il est venu ce jour de lutte by Eugeno Diaz de la Peña |
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Performer:
Dinh Gilly (Baritone)
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Date of Recording: 08/24/1924 Venue: Hayes, Middlesex |
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| 56. |
La reine de Saba: Sous le pieds d'une femme by Charles Gounod |
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Performer:
Marcel Journet (Bass)
Period: Romantic Written: 1862; France |
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Date of Recording: 01/11/1912 Venue: Camden, New York |
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| 57. |
Monna Vanna: Ce n'est pas un vielliard by Henry Février |
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Performer:
Emile Vanni-Marcoux (Bass)
Conductor: Piero Coppola Orchestra/Ensemble: Orchestra Period: Romantic Written: 1909; Paris, France |
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Date of Recording: 10/06/1924 Venue: Paris, France |
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| 58. |
Louise: Depuis le jour by Gustave Charpentier |
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Performer:
Marie-Louise Edvina (Soprano)
Conductor: Percy Pitt Orchestra/Ensemble: Orchestra Period: Romantic Written: 1900; France |
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Date of Recording: 11/05/1919 Venue: Hayes, Middlesex |
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| 59. |
Antar: Air de l'Oasis by Gabriel Edouard Dupont |
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Performer:
Fanny Heldy (Soprano)
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Date of Recording: 1921 |
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| 60. |
La reine Topaze: Carnaval de Venise by Victor Massé |
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Performer:
Gabrielle Ritter-Ciampi (Soprano)
Period: Romantic Written: 1856; France |
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Date of Recording: 1923 |
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| 61. |
Adriana Lecouvreur: Io son l'umile ancella by Francesco Cilèa |
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Performer:
Claudia Muzio (Soprano)
Period: Romantic Written: 1902; Italy |
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Date of Recording: 04/29/1921 |
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| 62. |
Manon: Ah, mi rendi il tuo cor...La tua mano non è by Jules Massenet |
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Performer:
Carmen Melis (Soprano)
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Date of Recording: c1924 Venue: Milan, Italy |
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| 63. |
Isabeau: Questo mio bianco manto by Pietro Mascagni |
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Performer:
Gilda dalla Rizza (Soprano)
Period: Romantic Written: 1911; Italy |
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Date of Recording: c1915 Venue: Milan, Italy |
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| 64. |
La sonnambula: Come per me sereno...Sovra il sen by Vincenzo Bellini |
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Performer:
Amelita Galli-Curci (Soprano)
Conductor: Josef Pasternack Orchestra/Ensemble: Orchestra Period: Romantic Written: 1831; Italy |
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Date of Recording: 1919-1920 Venue: Camden, New York |
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| 65. |
La perla de Triana by Sebastián de Iradier |
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Performer:
Elvira De Hidalgo (Soprano)
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Date of Recording: 10/16/1908 |
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| 66. |
Il segreto di Susanna: O gioia la nube leggera by Ermanno Wolf-Ferrari |
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Performer:
Lucrezia Bori (Soprano)
Period: 20th Century Written: 1909; Munich, Germany |
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Date of Recording: 11/23/1921 |
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| 67. |
Mefistofele: Dai campi, dai prati by Arrigo Boito |
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Performer:
Beniamino Gigli (Tenor)
Period: Romantic Written: 1868; Italy |
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Date of Recording: 10/14/1918 Venue: Milan, Italy |
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| 68. |
I puritani: Vieni fra queste braccia by Vincenzo Bellini |
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Performer:
Hipolito Lazaro (Tenor)
Period: Romantic Written: 1835; Italy |
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Date of Recording: 05/01/1916 Venue: New York, NY |
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| 69. |
Carmen: La fleur que tu m'avais jetée "Flower song" by Georges Bizet |
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Performer:
Miguel Fleta (Tenor)
Conductor: Carlo Sabajno Orchestra/Ensemble: Orchestra Period: Romantic Written: 1873-1874; France |
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Date of Recording: 04/17/1922 Venue: Milan, Italy Language: Italian |
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| 70. |
Andrea Chénier: Un dì all' azzuro spazio "Improvviso" by Umberto Giordano |
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Performer:
Bernardo De Muro (Tenor)
Conductor: Carlo Sabajno Orchestra/Ensemble: Orchestra Period: Romantic Written: 1896; Italy |
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Date of Recording: 03/01/1912 Venue: Milan, Italy |
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| 71. |
Ernani: Mercè, diletti amici...Come rugiada al cospite by Giuseppe Verdi |
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Performer:
Giovanni Martinelli (Tenor)
Period: Romantic Written: 1844; Italy |
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Date of Recording: 04/27/1918 Venue: Camden, New York |
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| 72. |
La Favorita: A tanto amor, Leonora by Gaetano Donizetti |
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Performer:
Renato Zanelli (Tenor)
Conductor: Josef Pasternack Orchestra/Ensemble: Orchestra Period: Romantic Written: 1840; Italy |
|
Date of Recording: 10/10/1919 Venue: Camden, New York |
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| |||||
| |||||
| 73. |
Germania: Ascolta, io morirò by Alberto Franchetti |
||||
|
Performer:
Riccardo Stracciari (Baritone)
Period: Romantic Written: 1902; Italy |
|
Date of Recording: 02/08/1909 Venue: Milan, Italy |
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| |||||
| |||||
| 74. |
Loreley: Ah! dunque ei m'amerà by Alfredo Catalani |
||||
|
Performer:
Frances Alda (Soprano)
|
|
Date of Recording: 04/04/1912 Venue: Camden, New York |
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| |||||
| |||||
| 75. |
War schöner als der schönste Tag by Carl Loewe |
||||
|
Performer:
Francis Lapitino (Harp),
Alma Gluck (Soprano)
Conductor: Richard Hageman Orchestra/Ensemble: Orchestra Period: Romantic |
|
Date of Recording: 09/26/1916 Venue: Camden, New York |
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| |||||
| |||||
| 76. |
Chanson triste by Henri Duparc |
||||
|
Performer:
Eva Gauthier (Mezzo Soprano)
Period: 20th Century Written: 1868; France |
|
Date of Recording: c1917 |
|||
| |||||
| |||||
| 77. |
L'éclair: Call me thine own by Jacques Halévy |
||||
|
Performer:
Mabel Garrison (Soprano)
Conductor: Josef Pasternack Orchestra/Ensemble: Orchestra |
|
Date of Recording: 02/18/1920 Venue: Camden, New York Language: English |
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| |||||
| |||||
| 78. |
Ernani: Ernani, involami by Giuseppe Verdi |
||||
|
Performer:
Rosa Ponselle (Soprano)
Conductor: Rosario Bourdon Orchestra/Ensemble: Orchestra Period: Romantic Written: 1844; Italy |
|
Date of Recording: 12/11/1923 Venue: Camden, New York |
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| |||||
| |||||
| 79. |
Gianni Schicchi: O mio babbino caro by Giacomo Puccini |
||||
|
Performer:
Florence Easton (Soprano)
Period: Romantic Written: 1918; Italy |
|
Date of Recording: 1918 |
|||
| |||||
| |||||
| 80. |
La Bohème: Che gelida manina by Giacomo Puccini |
||||
|
Performer:
Charles Francis Hackett (Tenor)
Period: Romantic Written: 1896; Italy |
|
Date of Recording: 02/24/1924 Venue: London, England |
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| |||||
| |||||
| 81. |
Her Bright Smile Haunts Me Still by W.T. Wrighton |
||||
|
Performer:
Edward Johnson (Tenor)
Conductor: Josef Pasternack Period: Romantic Written: 1868; USA |
|
Date of Recording: 12/08/1919 Venue: Camden, New York |
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| |||||
| |||||
| 82. |
Silvana, J 87: Soll denn dies Herz nie Liebe finden by Carl Maria von Weber |
||||
|
Performer:
Alfred Piccaver (Tenor)
Period: Romantic Written: 1808-1810; Germany |
|
Date of Recording: 07/1920 Venue: Vienna, Austria |
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| |||||
| |||||
| 83. |
Queen of the Earth by Ciro Pinsutti |
||||
|
Performer:
Joseph Hislop (Tenor)
|
|
Date of Recording: 06/18/1914 Venue: Hayes, Middlesex |
|||
| |||||
| |||||
| 84. |
Morning Hymn by George Henschel |
||||
|
Performer:
Gervase Elwes (Tenor)
Period: 20th Century |
|
Date of Recording: 03/1912 |
|||
| |||||
| |||||
| 85. |
Songs (15), Op. 26: no 10, Before my window by Sergei Rachmaninov |
||||
|
Performer:
Edwin Schneider (Piano),
John McCormack (Tenor),
Fritz Kreisler (Violin)
Period: Romantic Written: 1906; Russia |
|
Date of Recording: 09/24/1924 Venue: Hayes, Middlesex |
|||
| |||||
| |||||
| 86. |
Il Pompeo: O cessate di piagarmi by Alessandro Scarlatti |
||||
|
Performer:
Reinald Werrenrath (Baritone)
Conductor: Ted Levy Orchestra/Ensemble: Orchestra Period: Baroque Written: 1683; Rome, Italy |
|
Date of Recording: 09/24/1914 Venue: Camden, New York |
|||
| |||||
| |||||
| 87. |
Israel in Egypt, HWV 54: The Lord is a man of war by George Frideric Handel |
||||
|
Performer:
Peter Dawson (Bass Baritone),
Robert Radford (Bass)
Conductor: George Byng Orchestra/Ensemble: Orchestra Period: Baroque Written: by 1739; London, England |
|
Date of Recording: 01/05/1924 Venue: Hayes, Middlesex |
|||
| |||||
| |||||
| 88. |
Fidelio, Op. 72: Abscheulicher!...Komm, Hoffnung by Ludwig van Beethoven |
||||
|
Performer:
Helene Wildbrunn (Soprano)
Period: Classical Written: 1805/1814; Vienna, Austria |
|
Date of Recording: 1922 |
|||
| |||||
| |||||
| 89. |
Die Walküre: Ho-jo-to-ho! by Richard Wagner |
||||
|
Performer:
Gertrude Kappel (Soprano)
Period: Romantic Written: 1856; Germany |
|
Date of Recording: 1924 |
|||
| |||||
| |||||
| 90. |
Oberon, J 306: Ozean! du Ungeheuer by Carl Maria von Weber |
||||
|
Performer:
Frida Leider (Soprano)
Period: Romantic Written: 1825-1826; Dresden, Germany |
|
Date of Recording: 1921 |
|||
| |||||
| |||||
| 91. |
Mignon: Elle est là près de lui by Ambroise Thomas |
||||
|
Performer:
Claire Dux (Soprano)
Period: Romantic Written: 1866; France |
|
Date of Recording: 08/14/1911 Language: German |
|||
| |||||
| |||||
| 92. |
Rigoletto: Caro nome by Giuseppe Verdi |
||||
|
Performer:
Maria Ivogün (Soprano)
Period: Romantic Written: 1851; Italy |
|
Date of Recording: 1917 Language: German |
|||
| |||||
| |||||
| 93. |
Ariadne auf Naxos, Op. 60: Es gibt ein Reich by Richard Strauss |
||||
|
Performer:
Maria Jeritza (Soprano)
Period: Romantic Written: 1911/1916; Germany |
|
Date of Recording: 1913 |
|||
| |||||
| |||||
| 94. |
Lieder (5), Op. 41: no 1, Wiegenlied by Richard Strauss |
||||
|
Performer:
Elena Gerhardt (Mezzo Soprano),
Arthur Nikisch (Piano)
Period: Romantic Written: 1899; Germany |
|
Date of Recording: 06/30/1911 |
|||
| |||||
| |||||
| 95. |
Die schöne Magelone, Op. 33: no 12, Muss es eine Trennung geben by Johannes Brahms |
||||
|
Performer:
Julia Culp (Mezzo Soprano),
Coenraad Bos (Piano)
Period: Romantic Written: ?1868; Austria |
|
Date of Recording: 09/1914 Venue: Berlin, Germany |
|||
| |||||
| |||||
| 96. |
Fidelio, Op. 72: Hat man nicht auch Gold beineben.... by Ludwig van Beethoven |
||||
|
Performer:
Richard Mayr (Bass)
Period: Classical Written: 1805/1814; Vienna, Austria |
|
Date of Recording: 1922 |
|||
| |||||
| |||||
| 97. |
Eugene Onegin, Op. 24: Prince Gremin's aria by Peter Ilyich Tchaikovsky |
||||
|
Performer:
Alexander Kipnis (Bass)
Period: Romantic Written: 1877-1878; Russia |
|
Date of Recording: 1921 Language: German |
|||
| |||||
| |||||
| 98. |
Idomeneo, K 366: Fuor del mar by Wolfgang Amadeus Mozart |
||||
|
Performer:
Hermann Jadlowker (Tenor)
Period: Classical Written: 1781; Munich, Germany |
|
Date of Recording: 1917 Language: German |
|||
| |||||
| |||||
| 99. |
Tannhäuser: Dir töne Lob! Die Wunder sei'n gepriesen by Richard Wagner |
||||
|
Performer:
Lauritz Melchior (Tenor)
Conductor: Sir John Barbirolli Orchestra/Ensemble: London Symphony Orchestra Period: Romantic Written: 1845/1861; Germany |
|
Date of Recording: 05/29/1930 Venue: Kingsway Hall, London |
|||
| |||||
| |||||
| 100. |
Die Walküre: Winterstürme wichen dem Wonnemond by Richard Wagner |
||||
|
Performer:
Max Lorenz (Tenor)
Conductor: Ernst Viebig Orchestra/Ensemble: Berlin State Opera Orchestra Period: Romantic Written: 1856; Germany |
|
Date of Recording: 03/12/1928 Venue: Singakademie, Berlin |
|||
| |||||
| |||||
| 101. |
Königsballade: Euren König will ich preisen by Rudolf Wille |
||||
|
Performer:
Helge Rosvaenge (Tenor)
Conductor: Bruno Seidler-Winkler Orchestra/Ensemble: Berlin State Opera Orchestra Period: 20th Century Written: Austria |
|
Date of Recording: 11/09/1937 Venue: Berlin, Germany |
|||
| |||||
| |||||
| 102. |
Die Fledermaus: Dieser Anstand, so manierlich by Johann Strauss Jr. |
||||
|
Performer:
Vera Schwarz (Soprano),
Richard Tauber (Tenor)
Conductor: Frieder Weissmann Orchestra/Ensemble: Berlin Staatskapelle Orchestra Period: Romantic Written: 1874; Vienna, Austria |
|
Date of Recording: 10/29/1928 Venue: Berlin, Germany |
|||
| |||||
| |||||
| 103. |
Der Evangelimann, Op. 45: Selig sind, die Verfolgung leiden by Wilhelm Kienzl |
||||
|
Performer:
Marcel Wittrisch (Tenor)
Conductor: Cornelius Kun Orchestra/Ensemble: Berlin State Opera Orchestra Period: Romantic Written: 1894; Bad Aussee, Austria |
|
Date of Recording: 09/15/1932 Venue: Berlin, Germany |
|||
| |||||
| |||||
| 104. |
Die tote Stadt, Op. 12: Glück, das mir verblieb "Mariettalied" by Erich Wolfgang Korngold |
||||
|
Performer:
Joseph Schmidt (Tenor)
Conductor: Otto Dobrindt Orchestra/Ensemble: Orchestra Period: 20th Century Written: 1920; Vienna, Austria |
|
Date of Recording: 04/24/1933 Venue: Berlin, Germany |
|||
| |||||
| |||||
| 105. |
Der Wachtelschlag, WoO 129 by Ludwig van Beethoven |
||||
|
Performer:
Bruno Seidler-Winkler (Piano),
Karl Erb (Tenor)
Period: Classical Written: 1803; Vienna, Austria |
|
Date of Recording: 11/1939 Venue: Electrola Studios, Berlin |
|||
| |||||
| |||||
| 106. |
Hänsel und Gretel: Ach, wir armen, armen Leute by Engelbert Humperdinck |
||||
|
Performer:
Gerhard Hüsch (Baritone)
Conductor: Hanns Udo Müller Orchestra/Ensemble: Berlin State Opera Orchestra Period: Romantic Written: 1893; Germany |
|
Date of Recording: 01/05/1937 Venue: Berlin, Germany |
|||
| |||||
| Notes: With unidentified soprano. | |||||
| |||||
| |||||
| 107. |
Das Nachtlager in Granada: Ein Schütz bin ich by Conradin Kreutzer |
||||
|
Performer:
Willi Domgraf-Fassbaender (Baritone)
Conductor: Erich Orthmann Orchestra/Ensemble: Berlin State Opera Orchestra Period: Romantic Written: 1834; Vienna, Austria |
|
Date of Recording: 11/18/1931 Venue: Berlin, Germany |
|||
| |||||
| |||||
| 108. |
Schwanengesang, D 957: no 11, Die Stadt by Franz Schubert |
||||
|
Performer:
Herbert Janssen (Baritone),
Gerald Moore (Piano)
Period: Romantic Written: 1828; Vienna, Austria |
|
Date of Recording: 11/16/1938 Venue: No.3 Studio, Abbey Road, London |
|||
| |||||
| |||||
| 109. |
Elijah, Op. 70: Lord God of Abraham by Felix Mendelssohn |
||||
|
Performer:
Friedrich Schorr (Baritone)
Conductor: Sir John Barbirolli Orchestra/Ensemble: London Symphony Orchestra Period: Romantic Written: 1846-1847; Germany |
|
Date of Recording: 05/11/1931 Venue: Kingsway Hall, London Language: German |
|||
| |||||
| |||||
| 110. |
Le Prophète: O prêtres de Baal by Giacomo Meyerbeer |
||||
|
Performer:
Sigrid Onegin (Alto)
Conductor: Rosario Bourdon Orchestra/Ensemble: Orchestra Period: Romantic Written: 1849; Germany |
|
Date of Recording: 03/21/1929 Venue: Liederkranz Hall, New York |
|||
| |||||
| |||||
| 111. |
Marienlied by Joseph Marx |
||||
|
Performer:
Elisabeth Schumann (Soprano)
Conductor: Karl Alwin Orchestra/Ensemble: Vienna State Orchestra Period: 20th Century Written: Germany |
|
Date of Recording: 08/15/1928 Venue: Vienna, Austria |
|||
| |||||
| |||||
| 112. |
Tsar's Bride: In Novgorod by Nikolai Rimsky-Korsakov |
||||
|
Performer:
Miliza Korjus (Soprano)
Conductor: Bruno Seidler-Winkler Orchestra/Ensemble: Berlin State Opera Orchestra Period: Romantic Written: 1898-1899; Russia |
|
Date of Recording: 01/29/1936 Venue: Berlin, Germany |
|||
| |||||
| |||||
| 113. |
Arias (3) nach Klopstock: Weine du nicht by Robert Oboussier |
||||
|
Performer:
Eta Harich-Schneider (Harpsichord),
Hans-Walter Schleif (Oboe),
Erna Berger (Soprano)
Period: 20th Century Written: Switzerland |
|
Date of Recording: 1937 Venue: Electrola Studios, Berlin |
|||
| |||||
| |||||
| 114. |
Arabella, Op. 79: Mein Elemer...Nach dem Matteo by Richard Strauss |
||||
|
Performer:
Tiana Lemnitz (Soprano)
Conductor: Bruno Seidler-Winkler Orchestra/Ensemble: Berlin State Opera Orchestra Period: Romantic Written: 1929-1932; Germany |
|
Date of Recording: 10/28/1940 Venue: Berlin, Germany |
|||
| |||||
| |||||
| 115. |
La Bohème: Si, mi chiamano Mimì by Giacomo Puccini |
||||
|
Performer:
Maria Cebotari (Soprano)
Conductor: Fritz Zweig Orchestra/Ensemble: Berlin State Opera Orchestra Period: Romantic Written: 1896; Italy |
|
Date of Recording: 11/24/1932 Venue: Berlin, Germany Language: German |
|||
| |||||
| |||||
| 116. |
L'Africaine: Adieu, mon doux rivage by Giacomo Meyerbeer |
||||
|
Performer:
Elisabeth Rethberg (Soprano)
Conductor: Frieder Weissmann Orchestra/Ensemble: Odeon Opera Orchestra Period: Romantic Written: 1865; France |
|
Date of Recording: 04/22/1932 Venue: Berlin, Germany Language: German |
|||
| |||||
| |||||
| 117. |
Der Rosenkavalier, Op. 59: Oh, sei er gut, Quinquin by Richard Strauss |
||||
|
Performer:
Lotte Lehmann (Soprano)
Conductor: Manfred Gurlitt Orchestra/Ensemble: Berlin State Opera Orchestra Period: Romantic |
|
Date of Recording: 12/13/1927 Venue: Berlin, Germany |
|||
| |||||
| |||||
| 118. |
Schlichte Weisen (60), Op. 76: no 3, Waldeinsamkeit by Max Reger |
||||
|
Performer:
Maria Müller (Soprano),
Ivor Newton (Piano)
Period: Romantic Written: 1903-1912; Germany |
|
Date of Recording: 05/24/1937 Venue: Road Studios, London |
|||
| |||||
| |||||
| 119. |
Siegfried: Ewig war ich, ewig bin ich by Richard Wagner |
||||
|
Performer:
Nanny Larsen-Todsen (Soprano)
Conductor: Eduard Mörike Orchestra/Ensemble: Orchestra Period: Romantic Written: 1871; Germany |
|
Date of Recording: 05/07/1928 Venue: Berlin, Germany |
|||
| |||||
| |||||
| 120. |
I zingari in fiera: Chi vuol la zingarella by Giovanni Paisiello |
||||
|
Performer:
Conchita Supervia (Mezzo Soprano)
Conductor: Antonio Capdevila Orchestra/Ensemble: Orchestra Period: Classical Written: 1789; Italy |
|
Date of Recording: 03/04/1930 Venue: Barcelona, Spain |
|||
| |||||
| |||||
| 121. |
I lombardi: Te, Vergin santa...Salve Maria by Giuseppe Verdi |
||||
|
Performer:
Giannina Arangi-Lombardi (Soprano)
Conductor: Lorenzo Molajoli Orchestra/Ensemble: Orchestra Period: Romantic Written: 1843; Italy |
|
Date of Recording: 04/1934 Venue: Milan, Italy |
|||
| |||||
| |||||
| 122. |
La forza del destino: Pace, pace, mio Dio by Giuseppe Verdi |
||||
|
Performer:
Dusolina Giannini (Soprano)
Conductor: Sir John Barbirolli Orchestra/Ensemble: Orchestra Period: Romantic Written: 1862/1869; Italy |
|
Date of Recording: 12/17/1928 Venue: London, England |
|||
| |||||
| |||||
| 123. |
Siberia: Qual vergogna tu porti by Umberto Giordano |
||||
|
Performer:
Maria Caniglia (Soprano)
Conductor: Giuseppe Antonicelli Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: 20th Century Written: 1903/1921; Italy |
|
Date of Recording: 04/10/1936 Venue: Conservatorio, Milan |
|||
| |||||
| |||||
| 124. |
La Fanciulla del West: Laggiù nel Soledad by Giacomo Puccini |
||||
|
Performer:
Gina Cigna (Soprano)
Conductor: Lorenzo Molajoli Orchestra/Ensemble: Orchestra Period: Romantic Written: 1910; Italy |
|
Date of Recording: c1934 Venue: Milan, Italy |
|||
| |||||
| |||||
| 125. |
Madama Butterfly: Con onor muore by Giacomo Puccini |
||||
|
Performer:
Margaret Burke Sheridan (Soprano),
Browning Mummery (Tenor)
Period: Romantic Written: 1904; Italy |
|
Date of Recording: 06/07/1927 Venue: Conservatorio, Milan |
|||
| |||||
| |||||
| 126. |
Manon Lescaut: In quelle trine morbide by Giacomo Puccini |
||||
|
Performer:
Licia Albanese (Soprano)
Conductor: Dino Olivieri Orchestra/Ensemble: Orchestra Period: Romantic Written: 1893; Italy |
|
Date of Recording: 1940 Venue: Conservatorio, Milan |
|||
| |||||
| |||||
| 127. |
Il Guarany: Gentile di cuore by Antonio Carlos Gomes |
||||
|
Performer:
Bidu Sayao (Soprano)
Conductor: Armando Giannetti Orchestra/Ensemble: RCA Victor Brasiliana Orchestra Period: Romantic Written: 1870; Italy |
|
Date of Recording: 11/1940 Venue: Rio de Janeiro, Brazil |
|||
| |||||
| |||||
| 128. |
Maori Lullaby by William Garnet James |
||||
|
Performer:
Toti Dal Monte (Soprano)
Conductor: Carlo Sabajno Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: 20th Century Written: Australia |
|
Date of Recording: 11/21/1927 Venue: Milan, Italy Language: English |
|||
| |||||
| |||||
| 129. |
Rigoletto: Caro nome by Giuseppe Verdi |
||||
|
Performer:
Lina Pagliughi (Soprano)
Conductor: Carlo Sabajno Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: Romantic Written: 1851; Italy |
|
Date of Recording: 07/05/1929 Venue: Milan, Italy |
|||
| |||||
| |||||
| 130. |
Requiem Mass: Confutatis maledictis by Giuseppe Verdi |
||||
|
Performer:
Ezio Pinza (Bass)
Conductor: Carlo Sabajno Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: Romantic Written: 1874; Italy |
|
Date of Recording: 09/05/1929 Venue: Milan, Italy |
|||
| |||||
| |||||
| 131. |
Crispino e la comare: Fermola!...Dapprima, figuratevi by Federico Ricci |
||||
|
Performer:
Irma Mion (Mezzo Soprano),
Salvatore Baccaloni (Bass)
Conductor: Lorenzo Molajoli Orchestra/Ensemble: Orchestra Period: Romantic Written: 1850; Venice, Italy |
|
Date of Recording: 03/1930 Venue: Milan, Italy |
|||
| |||||
| |||||
| 132. |
Falstaff: L'onore! Ladri! "Ford's Monologue" by Giuseppe Verdi |
||||
|
Performer:
Mariano Stabile (Baritone)
Conductor: Lorenzo Molajoli Orchestra/Ensemble: Orchestra Period: Romantic Written: 1893; Italy |
|
Date of Recording: 12/03/1926 Venue: Milan, Italy |
|||
| |||||
| |||||
| 133. |
Zazà: Buona Zazà, del mio buon tempo by Ruggero Leoncavallo |
||||
|
Performer:
Apollo Granforte (Baritone)
Conductor: Carlo Sabajno Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: Romantic Written: 1900; Italy |
|
Date of Recording: 04/12/1929 Venue: Milan, Italy |
|||
| |||||
| |||||
| 134. |
Do not go, my love by Richard Hageman |
||||
|
Performer:
Ivor Newton (Piano),
Dino Borgioli (Tenor)
Period: 20th Century Written: 1917; USA |
|
Date of Recording: 06/20/1935 Venue: Abbey Road Studios, London |
|||
| |||||
| |||||
| 135. |
Werther: Pourquoi me réveiller? by Jules Massenet |
||||
|
Performer:
Tito Schipa (Tenor)
Conductor: Franco Ghione Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: Romantic Written: 1892; France |
|
Date of Recording: 05/04/1934 Venue: Conservatorio, Milan |
|||
| |||||
| |||||
| 136. |
Manon Lescaut: Donna non vidi mai by Giacomo Puccini |
||||
|
Performer:
Francesco Merli (Tenor)
Conductor: Lorenzo Molajoli Orchestra/Ensemble: Orchestra Period: Romantic Written: 1893; Italy |
|
Date of Recording: 02/29/1928 Venue: Milan, Italy |
|||
| |||||
| |||||
| 137. |
Romanze (3): no 3, Aprile by Francesco Paolo Tosti |
||||
|
Performer:
Beniamino Gigli (Tenor)
Conductor: Lawrence Collingwood Orchestra/Ensemble: Orchestra Period: Romantic Written: 1882; London, England |
|
Date of Recording: 05/12/1939 Venue: Abbey Road Studios, London |
|||
| |||||
| |||||
| 138. |
Manon Lescaut: Ah! non m'avvicinate! by Giacomo Puccini |
||||
|
Performer:
Luigi Borgonovo (Baritone),
Giacomo Lauri-Volpi (Tenor)
Conductor: Franco Ghione Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: Romantic Written: 1893; Italy |
|
Date of Recording: 05/30/1934 Venue: Conservatorio, Milan |
|||
| |||||
| |||||
| 139. |
Adriana Lecouvreur: La dolcissima effigie by Francesco Cilèa |
||||
|
Performer:
Aureliano Pertile (Tenor)
Conductor: Carlo Sabajno Orchestra/Ensemble: Milan Teatro alla Scala Orchestra Period: Romantic Written: 1902; Italy |
|
Date of Recording: 12/10/1930 Venue: Conservatorio, Milan |
|||
| |||||
| |||||
| 140. |
Le rossignol by Camille Saint-Saëns |
||||
|
Performer:
Lily Pons (Soprano)
Conductor: Gustav Cloëz Orchestra/Ensemble: Orchestra Period: Romantic Written: 1892; France |
|
Date of Recording: 02/26/1929 Venue: Paris, France |
|||
| |||||
| |||||
| 141. |
Les berceaux, Op. 23 no 1 by Gabriel Fauré |
||||
|
Performer:
Ninon Vallin (Soprano),
Marguerite Long (Piano)
Period: Romantic Written: 1879; France |
|
Date of Recording: 06/12/1933 Venue: Paris, France |
|||
| |||||
| |||||
| 142. |
Une jeune fille parle by Pierre de Bréville |
||||
|
Performer:
Claire Croiza (Soprano),
Pierre de Bréville (Piano)
Period: 20th Century Written: 1911; France |
|
Date of Recording: 12/28/1928 Venue: Paris, France |
|||
| |||||
| |||||
| 143. |
Sigurd: Le bruit des chants by Ernest Reyer |
||||
|
Performer:
Georges Thill (Tenor)
Conductor: Eugène Bigot Orchestra/Ensemble: Orchestra Period: Romantic Written: 1884; France |
|
Date of Recording: 07/07/1933 Venue: Paris, France |
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| 144. |
La damnation de Faust, Op. 24: Esprits des flammes by Hector Berlioz |
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Performer:
Charles Panzera (Baritone)
Conductor: Piero Coppola Orchestra/Ensemble: Pasdeloup Concert Association Orchestra Period: Romantic Written: 1845-1846; France |
|
Date of Recording: 02/18/1931 Venue: Paris, France |
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| 145. |
Aurore, Op. 39 no 1 by Gabriel Fauré |
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Performer:
Pierre Bernac (Baritone),
Francis Poulenc (Piano)
Period: Romantic Written: 1884; France |
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Date of Recording: 12/05/1947 Venue: London, England |
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| 146. |
La Grande-Duchesse de Gérolstein: Dites lui qu'on by Jacques Offenbach |
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Performer:
Yvonne Printemps (Soprano),
Henri Busser (Piano)
Period: Romantic |
|
Date of Recording: 11/22/1929 Venue: Paris, France |
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| 147. |
La boulangère a des écus: Les charbonniers et fariniers by Jacques Offenbach |
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Performer:
Reynaldo Hahn (Tenor),
Reynaldo Hahn (Piano)
Period: Romantic Written: 1875; Paris, France |
|
Date of Recording: 09/19/1927 Venue: Paris, France |
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| 148. |
Falstaff: E sogno, o realtà? by Giuseppe Verdi |
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Performer:
Lawrence Tibbett (Baritone)
Conductor: Rosario Bourdon Orchestra/Ensemble: Orchestra Period: Romantic Written: 1893; Italy |
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Date of Recording: 03/03/1926 Venue: Camden, New York |
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| 149. |
Hamlet: O vin dissipe la tristesse by Ambroise Thomas |
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Performer:
John Charles Thomas (Baritone)
Conductor: Nat Finston Orchestra/Ensemble: Orchestra Period: Romantic Written: 1868; France |
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Date of Recording: 01/13/1934 Venue: Hollywood, California |
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| |||||
| 150. |
Il barbiere di Siviglia: Largo al factotum by Gioachino Rossini |
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Performer:
Dennis Noble (Baritone)
Conductor: Clarence Raybould Orchestra/Ensemble: Orchestra Period: Romantic Written: 1816; Italy |
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Date of Recording: 01/24/1926 Venue: London, England |
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| |||||
| 151. |
Hamlet: Comme une pâle fleur by Ambroise Thomas |
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Performer:
John Brownlee (Baritone)
Conductor: Georges Lauweryns Orchestra/Ensemble: Orchestra Period: Romantic Written: 1868; France |
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Date of Recording: 03/06/1929 Venue: Paris, France |
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| 152. |
Onaway, awake beloved by Frederick Hill Cowan |
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Performer:
Harold Williams (Baritone)
Conductor: Clarence Raybould |
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Date of Recording: 11/11/1931 Venue: London |
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| |||||
| 153. |
La jolie fille de Perth: A la voix d'un amant fidèle by Georges Bizet |
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Performer:
Heddle Nash (Tenor)
Conductor: Clarence Raybould Period: Romantic Written: 1866; France |
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Date of Recording: 09/09/1932 Venue: Abbey Road Studios, London |
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| |||||
| 154. |
Les contes d'Hoffmann: O Dieu! de quelle ivresse by Jacques Offenbach |
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Performer:
Charles Kullman (Tenor)
Period: Romantic Written: 1881; Paris, France |
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Date of Recording: 12/08/1931 Venue: Berlin Language: German |
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| |||||
| 155. |
Tosca: Recondita armonia by Giacomo Puccini |
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Performer:
Richard Crooks (Tenor)
Conductor: Clemens Schmalstich Orchestra/Ensemble: Berlin State Opera Orchestra Period: Romantic Written: 1900; Italy |
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Date of Recording: 11/01/1929 Venue: Singakademie, Berlin Language: German |
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| |||||
| 156. |
The Lost Chord by Arthur Sullivan |
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Performer:
Dame Clara Butt (Alto)
Period: Romantic Written: 1877; England |
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Date of Recording: 08/07/1930 Venue: Westminster Central Hall, London |
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| 157. |
Der Tod und das Mädchen, D 531/Op. 7 no 3 by Franz Schubert |
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Performer:
Marian Anderson (Alto),
Kosti Vehanen (Piano)
Period: Romantic Written: 1817; Vienna, Austria |
|
Date of Recording: 11/13/1936 Venue: Studio Albert, Paris |
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| |||||
| 158. |
Psyché by Emile Paladilhe |
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Performer:
Maggie Teyte (Soprano),
Gerald Moore (Piano)
Period: Romantic Written: France |
|
Date of Recording: 03/26/1941 Venue: Abbey Road Studios, London |
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