Gianandrea Noseda

Biography

Born: 1964; Milan, Italy  
Gianandrea Noseda has developed a well-deserved reputation as a conductor who has mastered a wide range of both symphonic and stage music. He has conducted operas at the Mariinsky Theater in St. Petersburg and the Met in New York, as well as at other major operatic venues across the globe. He has led world-renowned orchestras in symphonic repertory, including the New York Philharmonic, Pittsburgh Symphony, Vienna Philharmonic, Chamber Orchestra Read more of Europe, Tokyo Symphony Orchestra, City of Birmingham Symphony Orchestra, and the BBC Symphony Orchestra. With the latter ensemble he has taken on major projects that include a complete live cycle of the nine Beethoven symphonies. Noseda has made numerous recordings for a variety of labels that include DG, Decca, Philips, and Chandos.

Noseda was born in Milan in 1964. He first studied piano, then later focused on composition and conducting. His teachers included Valery Gergiev, Myung-Whun Chung, and Donato Renzetti. In 1994 Noseda won two prestigious conducting competitions, the first in Douai, France, and the latter in Cadaques, Spain. His official debut followed shortly when he led the Orchestra Sinfonica di Milano Giuseppe Verdi. With this ensemble he made his first recording (1995), a disc of Rodrigo's Concierto de Aranjuez and other guitar works with soloist Emanuele Segre, for the Claves label.

In October 1997, upon the initiative of Gergiev, Noseda was made principal guest conductor at the Mariinsky Theater, the first foreigner to be given this honor. The following year he was appointed principal conductor of the Orquesta de Cadaqués. More important conducting posts followed: Noseda served as principal guest conductor of the Rotterdam Philharmonic Orchestra (1999-2003) and the Orchestra Sinfonica Nazionale della RAI, Turin (2003-2006).

2002 was perhaps the most important year in the new century for Noseda: he made his debut at the Met conducting Prokofiev's War and Peace and in September was appointed principal conductor of the BBC Philharmonic Orchestra. Noseda returned to the Met in 2006 to lead acclaimed performances of Verdi's La forza del destino and in the following season to conduct Un ballo in maschera.

Noseda's most popular recordings include the best-selling 2003 solo debut CD of soprano arias by Anna Netrebko, with the Vienna Philharmonic, on DG. Most of his symphonic recordings have been made for the Chandos label and include a complete cycle of the Liszt symphonic poems (finished in 2007), with the BBC Symphony Orchestra. Read less

There are 71 Gianandrea Noseda recordings available.

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Biography

Born: 1964; Milan, Italy  
Gianandrea Noseda has developed a well-deserved reputation as a conductor who has mastered a wide range of both symphonic and stage music. He has conducted operas at the Mariinsky Theater in St. Petersburg and the Met in New York, as well as at other major operatic venues across the globe. He has led world-renowned orchestras in symphonic repertory, including the New York Philharmonic, Pittsburgh Symphony, Vienna Philharmonic, Chamber Orchestra Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
I. Gagliarda
II. Ciaccona
III. Giga
No. 1. Jesu dulcis memoria
No. 2. Te lucis ante terminum
No. 3. Lucis creator optime
No. 4. Salvete Christi vulnera
Andante lento: Sola nel mondo eterna -
Scherzo strumentale: Moderato -
Andante lento: Vivemmo, e qual di paurosa larva -
Tempo dello scherzo - Sostenuto, ma non troppo -
Moderatissimo: Che fummo?
I. Réveries ? Passions (Passions)
??. Un bal (A Ball)
?II. Scčne aux champs (Scene in the country)
?V. Marche an supplice (March to the Scaffold)
V. Songe d?une nuit du Sabbat (Dream of a Sabbath Night)
I. Allegro con brio
II. Largo
III. Rondo: Allegro
Allegro brioso -
Meno mosso -
Andante assai -
Allegro scherzando
I. Andantino - Allegretto
II. Scherzo: Vivace
III. Intermezzo: Allegro moderato
IV. Finale: Allegro tempestoso
I. Andante - Allegro
II. Tema con variazioni
III. Allegro ma non troppo
I. Vivace
II. Andante
III. Moderato
IV. Vivace
I. Allegro con brio
II. Moderato ben accentuato
III. Toccata: Allegro con fuoco
IV. Larghetto
V. Vivo
I. Andantino - Poco piu mosso - Meno mosso - Andante assai (Assai piu lento che la prima volta)
II. Scherzo: Vivacissimo
III. Moderato - Allegro moderato - Moderato - Piu tranquillo
I. Allegro moderato
II. Andante assai
III. Allegro, ben marcato
I. -
II. -
III. -
IV. -
V. -
Lento, Grave, Tragico; con molta fantasia ?
Lento assai ? Lontano ?
Allegretto grazioso, poco mosso - Lento - Sempre piu lento -
Allegro molto vivace - Festoso, con animo
I. Introduzione
II. Corale
III. Marcia
I. Allegro mosso
II. Andante molto moderato quasi adagio
III. Scherzo - Minore: Allegro alquanto pesante e sempre molto ritmico - Maggiore: Allegro giocoso ed animato - Variazione (Minore e tempo primo)
IV. Rondo Finale: Allegro molto vivace ed animato - Grazioso e leggiero - Scherzando grazioso - (Tempo primo) - Grazioso e leggiero - Animando - Andante molto moderato
anima mea Dominum
Et exultavit spiritus meus
in Deo salutari meo
Quia respexit humilitatem ancillae suae
Quia fecit mihi magna
et sanctum nomen ejus
Et misericordia ejus
Fecit potentiam in brachio suo
Deposuit potentes de sede
Esurientes implevit bonis
Suscepit Israel puerum suum
Sicut locutus est ad patres nostros
Gloria Patri, et Filio
Part I: Confitebor tibi Domine
Part I: Quoniam fecisti judicium meum
Part I: Increpasti gentes
Part I: Inimici defecerunt frameae in fine
Part I: et civitates eorum dextruxisti
Part I: Et Dominus in aeternum permanet
Part I: Et factus est Dominus refugium pauperi
Part I: Et sperent in te
Part II: Psallite Domino qui habitat in Sion
Part II: vide humilitatem meam de inimici mei
Part II: exultabo in salutari tuo
Part II: Cognoscetur Dominus judicia faciens
Part II: Convertantur peccatores in infernum
Part II: Quoniam non in finem oblivio
Part II: Exurge, Domine
Part II: Constitue, Domine, legislatorem super eos
I. Sinfonia
II. Passacaglia
III. Inno
Lento molto, misterioso
Andante molto tranquillo e calmo, quasi adagio
Agitando e cresc, molto
Lento motlo, misterioso
Andante molto tranquillo e calmo, quasi adagio
I. Musica del sogno di re altidor: Andante
II. Interludio: Andante moderato
III. Marcia Guerriera: Tempo di marcia
I. Sinfonia Allegro vivacissimo
I. Preludio Lento, ma non troppo: Sempre piu ff
II. Battaglia - III. Finale Allegro vivacissimo
I. Allegretto
II. Moderato
III. Cadenza
IV. Allegro con moto
I. Largo ?
II. Scherzo: Allegretto ?
III. Finale: Allegretto
No. 1. Over the stream, the swift stream
No. 2. Ah, Vanka, you are so dashing
No. 3. My cheeks, so white, so rosy!
I. Allegro, ma non tanto
II. Lento
III. Presto
IV. Lento lugubre - Allegro - Andante - Tempo I
I. Andante sostenuto
II. Allegro giocoso
I. Allegro non troppo
II. Andante tranquillo
III. Allegro molto
I. Moderato
II. Adagio religioso
III. Allegro vivace
Mozart: Alcandro lo confesso ... Non sň d'onde viene, K.512 - Alcandro lo confesso
Mozart: Alcandro lo confesso ... Non sň d'onde viene, K.512 - Non sň d'onde viene
Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1 - "Fin ch'han dal vino"
Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1 - "Fin ch'han dal vino"
Mozart: Le nozze di Figaro, K.492 / Act 4 - "Tutto č disposto"
Mozart: Le nozze di Figaro, K.492 / Act 4 - "Aprite un po' quegli occhi"
Mozart: Le nozze di Figaro, K.492 - Original version, Vienna 1786 / Act 3 - "Hai giŕ vinta la causa!"
Mozart: Le nozze di Figaro, K.492 - Original version, Vienna 1786 / Act 3 - "Vedro mentr'io sospiro"
I. Lento - Allegro moderato
II. Adagio ma non troppo
III. Allegro


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