Frans Brüggen

Biography

Born: October 30, 1934; Amsterdam, The Netherlands   Died: August 13, 2014; Amsterdam, The Netherlands  
Frans Brüggen became one of the world's top recorder players and a leader in the revival of Baroque and other early music before switching his emphasis to conducting and gaining equal acclaim. He studied the recorder and the standard transverse flute, as well as musicology at the University of Amsterdam. Attending the Muzieklyceum, Amsterdam, he embarked upon recorder studies with Kees Otten, who was a student of Karl Dolmetsch, the great Read more rediscoverer of the instrument in the twentieth century. Brüggen decided to specialize in the recorder and in historical versions of the transverse flute. He became the first student of the Muzieklyceum to graduate with a diploma in recorder.

Thanks to the confluence of his own talents and the tremendous reawakening of interest in early music in the 1960s and 1970s, Brüggen evolved into something of an international recorder star. He was known for a brilliant and rapidly fluent technique and total devotion to historical accuracy, often established by his own research. Yet he was musical and often deeply affecting in performance. Brüggen is credited with inspiring succeeding generations of players; he became a highly respected teacher not only of the instrument but also of interpretation and performance practice. He joined the faculty of the Royal Conservatory of The Hague as professor of flute and in 1972-73 was the visiting Erasmus Professor of late Baroque Music at Harvard University. Brüggen has written exercise compositions for recorder students and treatises on playing the instrument. He has also prepared editions of Baroque music.

Though recognized for his recorder performances in the early music field, Brüggen also commissioned several new works for the instrument, including Gesti (1966) by Luciano Berio. He began to conduct music of various eras, and formed an avant-garde music group called Sourcream. Gradually he began to emphasize conducting and in 1981 founded the Orchestra of the 18th Century, an international group of specialists in early instrument performance who gather twice yearly in Amsterdam for concerts and touring. They play music of the later Baroque era (Purcell, Rameau, Bach, Handel, Vivaldi, and their contemporaries), the Classical era including Beethoven, and occasionally works from the earliest days of musical Romanticism, such as that of Mendelssohn.

He was also guest conductor with some of the most famous standard-repertory orchestras: the Orchestre de Paris, the Royal Concertgebouw Orchestra of Amsterdam, the Chicago Symphony Orchestra, the City of Birmingham Symphony Orchestra, the Vienna Philharmonic, the Rotterdam Philharmonic, the Chamber Orchestra of Europe, the Berlin Radio Symphony Orchestra, and many others. As an opera conductor he led Mozart's Mitridate, King of Ponto in Zurich and Gluck's Orfeo at the Lyons National Opera. In 1991, he was invited by Simon Rattle to participate in a series of recordings of music of Bach and Haydn with the Orchestra of the Age of Enlightenment, another leading Baroque-Classical specialty orchestra. He made well over a hundred recordings, both as a recorder player and a conductor. Read less

Biography

Born: October 30, 1934; Amsterdam, The Netherlands   Died: August 13, 2014; Amsterdam, The Netherlands  
Frans Brüggen became one of the world's top recorder players and a leader in the revival of Baroque and other early music before switching his emphasis to conducting and gaining equal acclaim. He studied the recorder and the standard transverse flute, as well as musicology at the University of Amsterdam. Attending the Muzieklyceum, Amsterdam, he embarked upon recorder studies with Kees Otten, who was a student of Karl Dolmetsch, the great Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
I. Allegro ma non troppo, un poco maestoso
II. Molto vivace
III. Adagio molto e cantabile - Andante moderato
IV. Presto -
IV. Recitativo: O Freunde, nicht diese Tone! (Bass) -
IV. Allegro assai: Freude, Freude (Quartet, Chorus) -
IV. Allegro assai vivace. Alla marcia - Froh, froh! (Tenor, Chorus)
IV. Andante maestoso: Seid umschlungen (Chorus) - Adagio ma non troppo, ma divoto: Ihr sturzt nieder (Chorus) -
IV. Allegro energico, sempre ben marcato: Seid umschlungen (Chorus) -
IV. Allegro Ma Non Tanto: Freude, Tochter Aus Elysium! (Quartet, Chorus)
1. Adagio - Allegro vivace
2. Andante
3. Allegro
4. Allegro vivace
1. Adagio molto - Allegro vivace
2. Andante
3. Menuetto (Allegro vivace)
4. Allegro
1. Largo - Allegro vivace
2. Andante
3. Menuetto (Allegro vivace)
4. Presto
1. Adagio maestoso - Allegro con brio
2. Allegretto
3. Menuetto (Vivace)
4. Presto. Vivace
1. Allegro
2. Andante con moto
3. Menuetto (Allegro molto)
4. Allegro vivace
1. Allegro moderato
2. Andante con moto
1. Adagio - Allegro
2. Andante
3. Scherzo (Presto)
4. Allegro moderato
1. Andante - Allegro ma non troppo
2. Andante con moto
3. Scherzo (Allegro vivace)
4. Allegro vivace
Beethoven: Symphony No.1 in C, Op.21 - 1. Adagio molto - Allegro con brio
Beethoven: Symphony No.1 in C, Op.21 - 2. Andante cantabile con moto
Beethoven: Symphony No.1 in C, Op.21 - 3. Menuetto (Allegro molto e vivace)
Beethoven: Symphony No.1 in C, Op.21 - 4. Finale (Adagio - Allegro molto e vivace)
Beethoven: Symphony No.5 in C minor, Op.67 - 1. Allegro con brio
Beethoven: Symphony No.5 in C minor, Op.67 - 2. Andante con moto
Beethoven: Symphony No.5 in C minor, Op.67 - 3. Allegro
Beethoven: Symphony No.5 in C minor, Op.67 - 4. Allegro
Beethoven: Symphony No.5 in C minor, Op.67 - 4. Allegro
Beethoven: Symphony No.5 in C minor, Op.67 - 4. Allegro
Beethoven: Symphony No.5 in C minor, Op.67 - 4. Allegro
Beethoven: Symphony No.5 in C minor, Op.67 - 4. Allegro
Beethoven: Symphony No.5 in C minor, Op.67 - 4. Allegro
Beethoven: Symphony No.5 in C minor, Op.67 - 4. Allegro
Beethoven: Symphony No.5 in C minor, Op.67 - 4. Allegro
Beethoven: Symphony No.5 in C minor, Op.67 - 4. Allegro
Beethoven: Symphony No.2 in D, Op.36 - 1. Adagio molto - Allegro con brio
Beethoven: Symphony No.2 in D, Op.36 - 2. Larghetto
Beethoven: Symphony No.2 in D, Op.36 - 3. Scherzo (Allegro)
Beethoven: Symphony No.2 in D, Op.36 - 4. Allegro molto
Beethoven: Symphony No.7 in A, Op.92 - 1. Poco sostenuto - Vivace
Beethoven: Symphony No.7 in A, Op.92 - 2. Allegretto
Beethoven: Symphony No.7 in A, Op.92 - 3. Presto - Assai meno presto
Beethoven: Symphony No.7 in A, Op.92 - 4. Allegro con brio
Beethoven: Symphony No.3 in E flat, Op.55 -"Eroica" - 1. Allegro con brio
Beethoven: Symphony No.3 in E flat, Op.55 -"Eroica" - 2. Marcia funebre (Adagio assai)
Beethoven: Symphony No.3 in E flat, Op.55 -"Eroica" - 3. Scherzo (Allegro vivace)
Beethoven: Symphony No.3 in E flat, Op.55 -"Eroica" - 4. Finale (Allegro molto)
Beethoven: Symphony No.8 in F, Op.93 - 1. Allegro vivace e con brio
Beethoven: Symphony No.8 in F, Op.93 - 2. Allegretto scherzando
Beethoven: Symphony No.8 in F, Op.93 - 3. Tempo di menuetto
Beethoven: Symphony No.8 in F, Op.93 - 4. Allegro vivace
Beethoven: Symphony No.4 in B flat, Op.60 - 1. Adagio - Allegro vivace
Beethoven: Symphony No.4 in B flat, Op.60 - 2. Adagio
Beethoven: Symphony No.4 in B flat, Op.60 - 3. Allegro vivace
Beethoven: Symphony No.4 in B flat, Op.60 - 4. Allegro ma non troppo
Beethoven: Symphony No.6 in F, Op.68 -"Pastoral" - 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
Beethoven: Symphony No.6 in F, Op.68 -"Pastoral" - 2. Szene am Bach: (Andante molto mosso)
Beethoven: Symphony No.6 in F, Op.68 -"Pastoral" - 3. Lustiges Zusammensein der Landleute (Allegro)
Beethoven: Symphony No.6 in F, Op.68 -"Pastoral" - 4. Gewitter, Sturm (Allegro)
Beethoven: Symphony No.6 in F, Op.68 -"Pastoral" - 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 1. Allegro ma non troppo, un poco maestoso
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 2. Molto vivace
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 3. Adagio molto e cantabile
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. - Presto -
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. - "O Freunde nicht diese Töne" -
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. - Allegro assai -
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. - Alla marcia (Allegro vivace assai) -
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. - Andante maestoso - Adagio non troppo, ma divoto -
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. - Allegro energico, sempre ben marcato -
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. - Allegro ma non tanto
Beethoven: Violin Concerto in D, Op.61 - 1. Allegro ma non troppo
Beethoven: Violin Concerto in D, Op.61 - 2. Larghetto
Beethoven: Violin Concerto in D, Op.61 - 3. Rondo. Allegro
Beethoven: Violin Concerto in D, Op.61 - 3. Rondo. Allegro
Beethoven: Violin Concerto in D, Op.61 - 3. Rondo. Allegro
Beethoven: Violin Concerto in D, Op.61 - 3. Rondo. Allegro
Beethoven: Violin Concerto in D, Op.61 - 3. Rondo. Allegro
Beethoven: Violin Concerto in D, Op.61 - 3. Rondo. Allegro
Beethoven: Violin Concerto in D, Op.61 - 3. Rondo. Allegro
Beethoven: Violin Concerto in D, Op.61 - 3. Rondo. Allegro
Beethoven: Violin Concerto in D, Op.61 - 3. Rondo. Allegro
Beethoven: The Creatures of Prometheus, Op.43 - Overtura
Beethoven: The Creatures of Prometheus, Op.43 - Introduzione. La Tempesta. Allegro non troppo
Beethoven: The Creatures of Prometheus, Op.43 - No.1 Poco Adagio
Beethoven: The Creatures of Prometheus, Op.43 - No.2 Adagio - Allegro con brio
Beethoven: The Creatures of Prometheus, Op.43 - No.3 Allegro vivace
Beethoven: The Creatures of Prometheus, Op.43 - No.4 Maestoso - Andante
Beethoven: The Creatures of Prometheus, Op.43 - No.5 Adagio - Andante quasi Allegretto
Beethoven: The Creatures of Prometheus, Op.43 - No.6 Un poco Adagio - Allegro
Beethoven: The Creatures of Prometheus, Op.43 - No.7 Grave
Beethoven: The Creatures of Prometheus, Op.43 - No.8 Allegro con brio
Beethoven: The Creatures of Prometheus, Op.43 - No.9 Adagio
Beethoven: The Creatures of Prometheus, Op.43 - No.10 Pastorale. Allegro
Beethoven: The Creatures of Prometheus, Op.43 - No.11 Coro di Gioja. Andante
Beethoven: The Creatures of Prometheus, Op.43 - No.12 Solo di Gioja. Maestoso - Adagio
Beethoven: The Creatures of Prometheus, Op.43 - No.13 Terzettino. Grotteschi. Allegro
Beethoven: The Creatures of Prometheus, Op.43 - No.14 Solo della Signora Cassentini. Andante - Adagio
Beethoven: The Creatures of Prometheus, Op.43 - No.15 Coro (e) Solo di Viganò. Andantino - Adagio
Beethoven: The Creatures of Prometheus, Op.43 - No.16 Finale. Allegretto
I. Adagio - Allegro
II. Andante con moto
III. Menuetto: Allegretto
IV. Finale: Allegro
I. Molto allegro
II. Andante
III. Menuetto: Allegretto
IV. Allegro assai
I. Allegro vivace
II. Andante cantabile
III. Menuetto: Allegretto
IV. Molto Allegro
I. Adagio molto - Allegro con brio
II. Andante cantabile con moto
III. Menuetto - Allegro molto e vivace
IV. Adagio - Allegro molto
I. Allegro con brio
II. Marcia funebre: Adagio assai
III. Scherzo: Allegro vivace
IV. Finale: Allegro molto
I. Adagio molto - Allegro molto
II. Larghetto
III. Scherzo
IV. Allegro molto
I. Adagio - Allegro vivace
II. Adagio
III. Menuetto: Allegro vivace
IV. Allegro ma non troppo
I. Awakening of Cheerful Feelings Upon Arrival in the Country: Allegro ma non troppo
II. Scene by the Brook: Andante molto mosso
III. Merry Gathering of Country Folk: Allegro
IV. Thunderstorm: Allegro
V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto
I. Allegro con brio
II. Andante con moto
III. Allegro
IV. Allegro
I. Allegro vivace e con brio
II. Allegretto scherzando
III. Tempo di menuetto
IV. Allegro vivace
I. Poco sostenuto - Vivace
II. Allegretto
III. Presto, assai meno presto
IV. Allegro con brio
I. Allegro ma non troppo, un poco maestoso
II. Molto vivace
III. Adagio molto e cantabile - Andante moderato
IV. Finale: Presto -
IV. Recitativo: O Freunde, Nicht Diese Tone! (Bass) -
IV. Allegro assai: Freude, Freude (Bass, Chorus) -
IV. Allegro assai vivace. Alla marcia - Froh, froh! (Tenor, Chorus) -
IV. Andante maestoso: Seid umschlungen - Adagio ma non troppo, ma divoto: Ihr sturzt nieder (Chorus) -
IV. Allegro energico, sempre ben marcato: Seid umschlungen (Chorus) -
IV. Allegro ma non tanto: Freude, Tochter aus Elysium (Quartet, Chorus)
1. Kyrie
2. Gloria
3. Credo
4. Sanctus
5. Benedictus
6. Agnus Dei
1. Dixit Dominus Domino meo (Ps. 109/110)
2. Confitebor tibi, Domine (Ps. 110/111)
3. Beatus vir qui timet Dominum (PS. 111/112)
4. Laudate pueri Dominum (Ps. 112/113)
5. Laudate Dominum omnes gentes (Ps. 116/117)
6. Magnificat anima mea (Luc. 1:46-55)
Mozart: Piano Concerto No.20 in D minor, K.466 - 1. Allegro
Mozart: Piano Concerto No.20 in D minor, K.466 - 2. Romance
Mozart: Piano Concerto No.20 in D minor, K.466 - 3. Rondo (Allegro assai)
Mozart: Piano Concerto No.24 in C minor, K.491 - 1. (Allegro)
Mozart: Piano Concerto No.24 in C minor, K.491 - 2. Larghetto
Mozart: Piano Concerto No.24 in C minor, K.491 - 3. (Allegretto)
Mozart: Symphony No.41 in C, K.551 - "Jupiter" - 1. Allegro vivace
Mozart: Symphony No.41 in C, K.551 - "Jupiter" - 2. Andante cantabile
Mozart: Symphony No.41 in C, K.551 - "Jupiter" - 3. Menuetto (Allegretto)
Mozart: Symphony No.41 in C, K.551 - "Jupiter" - 4. Molto allegro
Mozart: Serenade in B flat, K.361 "Gran partita" - 1. Largo - Allegro molto
Mozart: Serenade in B flat, K.361 "Gran partita" - 2. Menuetto (Allegretto) - Trio I-II
Mozart: Serenade in B flat, K.361 "Gran partita" - 3. Adagio
Mozart: Serenade in B flat, K.361 "Gran partita" - 4. Menuetto (Allegretto) - Trio I-II
Mozart: Serenade in B flat, K.361 "Gran partita" - 5. Romanze (Adagio - Allegretto - Adagio)
Mozart: Serenade in B flat, K.361 "Gran partita" - 6. Thema con 6 variazioni (Andante)
Mozart: Serenade in B flat, K.361 "Gran partita" - 7. Finale (Molto allegro)
1. Allegro
2. Adagio
3. Allegro assai
1. Adagio - Allegro vivace
2. Andante
3. Allegro
4. Allegro vivace
1. Adagio molto - Allegro vivace
2. Andante
3. Menuetto (Allegro vivace)
4. Allegro
1. Largo - Allegro vivace
2. Andante
3. Menuetto (Allegro vivace)
4. Presto
1. Adagio maestoso - Allegro con brio
2. Allegretto
3. Menuetto (Vivace)
4. Presto. Vivace
1. Allegro
2. Andante con moto
3. Menuetto (Allegro molto)
4. Allegro vivace
1. Allegro moderato
2. Andante con moto
1. Adagio - Allegro
2. Andante
3. Scherzo (Presto)
4. Allegro moderato
1. Andante - Allegro ma non troppo
2. Andante con moto
3. Scherzo (Allegro vivace)
4. Allegro vivace
1. Ouverture
2. Entrée des quatre nations
3. Air pour les esclaves africains
4. Air vif
5. Musette en rondeau
6. Air pour les amants et les amantes
7. Air pour les deux Polonais
8. Menuet I-II
9. Contredanse
10. Ritournelle pour "Le Turc généreux"
11. Forlane des matelots
12. Tambourin I-II
13. Ritournelle pour les Incas du Pérou
14. Air des Incas
15. Air pour l'adoration du soleil
16. Gavotte I-II
17. Ritournelle pour la fête persane
18. Marche
19. Air pour Zéphire
20. Air pour Borée et la rose
21. Air pour les sauvages
22. Chaconne
No.1 Chorus I/II: "Kommt, ihr Töchter, helft mir klagen"
No.2 Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte"
No.3 Choral: "Herzliebster Jesu, was hast du verbrochen"
No.4 Evangelist, Chorus I/II, Jesus: "Da versammelten sich die Hohenpriester"
No.5 Recitative (Alto): "Du lieber Heiland du"
No.6 Aria (Alto): "Buss und Reu"
No.7 Evangelist, Judas: "Da ging hin der Zwölfen einer"
No.8 Aria (Soprano): "Blute nur, du liebes Herz"
No.9 Evangelist, Chorus I, Jesus: "Aber am ersten Tage der süssen Brot"
No.10 Choral: "Ich bin's, ich sollte büssen"
No.11 Evangelist, Jesus, Judas: "Er antwortete und sprach"
No.12 Recitative (Soprano): "Wiewohl mein Herz in Tränen schwimmt"
No.13 Aria (Soprano): "Ich will dir mein Herz schenken"
No.14 Evangelist, Jesus: "Und da sie den Lobgesang gesprochen hatten"
No.15 Choral: "Erkenne mich, mein Hüter"
No.16 Evangelist, Jesus, Petrus: "Petrus aber antwortete"
No.17 Choral: "Ich will hier bei dir stehen"
No.18 Evangelist, Jesus: "Da kam Jesus mit ihnen zu einem Hofe"
No.19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz"
No.20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen"
No.21 Evangelist, Jesus: "Und ging hin ein wenig"
No.22 Recitative (Bass): "Der Heiland fällt vor seinem Vater nieder"
No.23 Aria (Bass): "Gerne will ich mich bequemen"
No.24 Evangelist, Jesus: "Und er kam zu seinen Jüngern"
No.25 Choral: "Was mein Gott will, das g'scheh allzeit"
No.26 Evangelist, Jesus, Judas: "Und er kam und fand sie aber schlafend"
No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner"
No.28 Evangelist, Jesus: "Und siehe, einer aus denen"
No.29 Choral: "O Mensch, bewein dein Sünde groß"
No.30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin"
No.31 Evangelist: "Die aber Jesum gegriffen hatten"
No.32 Choral: "Mir hat die Welt trüglich gericht"
No.33 Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten"
No.34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille"
No.35 Aria (Tenor): "Geduld"
No.36 Evangelist, Pontifex, Jesus, Chorus I/II: "Und der Hohepriester antwortete"
No.37 Choral: "Wer hat dich so geschlagen"
No.38 Evangelist, Ancilla I/II, Petrus, Chorus II: "Petrus aber sass draussen im Palast"
No.39 Aria (Alto): "Erbarme dich"
No.40 Choral: "Bin ich gleich von dir gewichen"
No.41 Evangelist, Judas, Chorus I/II, Pontifex I/II: "Des Morgens aber hielten alle Hohepriester"
No.42 Aria (Bass): "Gebt mir meinen Jesum wieder"
No.43 Evangelist, Pilatus, Jesus: "Sie hielten aber einen Rat"
No.44 Choral: "Befiel du deine Wege"
No.45 Evangelist, Pilatus, Uxor Pilati, Chorus I/II: "Auf das Fest aber hatte der Landpfleger Gewohnheit"
No.46 Choral: "Wie wunderbarlich ist doch diese Strafe"
No.47 Evangelist, Pilatus: "Der Landpfleger sagte"
No.48 Recitative (Soprano): "Er hat uns allen wohlgetan"
No.49 Aria (Soprano): "Aus Liebe will mein Heiland Sterben"
No.50 Evangelist, Chorus I/II, Pilatus: "Sie schrieen aber noch mehr"
No.51 Recitative (Alto): "Erbarm es Gott"
No.52 Aria (Alto): "Können Tränen meiner Wangen"
No.53 Evangelist, Chorus I/II: "Da nahmen die Kriegsknechte"
No.54 Choral: "O Haupt voll Blut und Wunden"
No.55 Evangelist: "Und da sie ihn verspotten hatten"
No.56 Recitative (Bass): "Ja freilich will in uns das Fleisch und Blut"
No.57 Aria (Bass): "Komm, süsses Kreuz"
No.58 Evangelist, Chorus I/II: "Und da sie an die Stätte kamen"
No.59 Recitative (Alto): "Ach Golgatha"
No.60 Aria (Alto, Chorus II): "Sehet, Jesus hat die Hand"
No.61 Evangelist, Jesus, Chorus I/II: "Und von der sechsten Stunde an"
No.62 Choral: "Wenn ich einmal soll scheiden"
No.63 Evangelist, Chorus I/II: "Und siehe da, der Vorhang im Tempel zerriss"
No.64 Recitative (Bass): "Am Abend, da es kühle war"
No.65 Aria (Bass): "Mache dich, mein Herze, rein"
No.66 Evangelist, Chorus I/II, Pilatus: "Und Joseph nahm den Leib"
No.67 Recitative (Soprano, Alto, Tenor, Bass, Chorus II): "Nun ist der Herr zur Ruh gebracht"
No.68 Chorus I/II: "Wir setzen uns mit Tränen nieder"
Beethoven: Violin Concerto in D, Op.61 - 1. Allegro ma non troppo
Beethoven: Violin Concerto in D, Op.61 - 2. Larghetto
Beethoven: Violin Concerto in D, Op.61 - 3. Rondo. Allegro
Concerto in D minor for Oboe, Strings and Basso continuo: Andante e spiccato
Adagio
Presto
Beethoven: Symphony No.6 in F, Op.68 -"Pastoral" - 2. Szene am Bach: (Andante molto mosso)
Beethoven: Symphony No.6 in F, Op.68 -"Pastoral" - 2. Szene am Bach: (Andante molto mosso)
Mozart: Clarinet Concerto in A, K.622 - 1. Allegro
Mozart: Clarinet Concerto in A, K.622 - 2. Adagio
Mozart: Clarinet Concerto in A, K.622 - 3. Rondo (Allegro)
Rameau: Suite Les Indes Galantes / Prologue - 1. Ouverture
Rameau: Suite Les Indes Galantes / Prologue - 2. Entrée des quatre nations
Rameau: Suite Les Indes Galantes / Prologue - 3. Air pour les esclaves africains
Rameau: Suite Les Indes Galantes / Prologue - 4. Air vif
Rameau: Suite Les Indes Galantes / Prologue - 5. Musette en rondeau
Rameau: Suite Les Indes Galantes / Prologue - 6. Air pour les amants et les amantes
Rameau: Suite Les Indes Galantes / Prologue - 7. Air pour les deux Polonais
Rameau: Suite Les Indes Galantes / Prologue - 8. Menuet I-II
Rameau: Suite Les Indes Galantes / Prologue - 9. Contredanse
Rameau: Suite Les Indes Galantes / Les Turcs - 10. Ritournelle pour "Le Turc généreux"
Rameau: Suite Les Indes Galantes / Les Turcs - 11. Forlane des matelots
Rameau: Suite Les Indes Galantes / Les Turcs - 12. Tambourin I-II
Rameau: Suite Les Indes Galantes / Les Incas - 13. Ritournelle pour les Incas du Pérou
Rameau: Suite Les Indes Galantes / Les Incas - 14. Air des Incas
Rameau: Suite Les Indes Galantes / Les Incas - 15. Air pour l'adoration du soleil
Rameau: Suite Les Indes Galantes / Les Incas - 16. Gavotte I-II
Rameau: Suite Les Indes Galantes / Les Fleurs - 17. Ritournelle pour la fête persane
Rameau: Suite Les Indes Galantes / Les Fleurs - 18. Marche
Rameau: Suite Les Indes Galantes / Les Fleurs - 19. Air pour Zéphire
Rameau: Suite Les Indes Galantes / Les Fleurs - 20. Air pour Borée et la rose
Rameau: Suite Les Indes Galantes / Les Sauvages - 21. Air pour les sauvages
Rameau: Suite Les Indes Galantes / Les Sauvages - 22. Chaconne


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