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Francis Lai
Born: April 26, 1932; Nice, France  
Best remembered for his Oscar-winning scores to A Man and a Woman and Love Story, composer Francis Lai was born April 26, 1932, in Nice, France. After studying piano as a child, he later discovered jazz and during the 1950s followed friend and singer Claude Goaty to Paris, eventually settling in Montmartre. At the local Taverne d'Attilio, Lai met Bernard Dimey, with whom he collaborated on well over 100 songs; a brief stint in Michel Magne's ...
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Francis Lai titles in:
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Works
A Man And A Woman (Un Homme Et Une Femme): Theme (1)
A Man and a Woman: A man and a woman (3)
Dark Eyes (1)
Love Story (1)
Love Story, film score: Love Story (1)
Love Story, film score: Where Do I Begin (1)
Love Story, film score: [Unspecified excerpt] (1)
Love Story: Theme (13)
Love Story: Where Do I Begin? (2)
Where Do I Begin (for the film Love Story) (1)
Biography by Jason Ankeny
Best remembered for his Oscar-winning scores to A Man and a Woman and Love Story, composer Francis Lai was born April 26, 1932, in Nice, France. After studying piano as a child, he later discovered jazz and during the 1950s followed friend and singer Claude Goaty to Paris, eventually settling in Montmartre. At the local Taverne d'Attilio, Lai met Bernard Dimey, with whom he collaborated on well over 100 songs; a brief stint in Michel Magne's orchestra preceded his tenure as accompanist for Edith Piaf, for whom Lai also composed a number of songs as well. He made his film debut in 1964 with the score to Roger Vadim's remake of Max Ophuls' classic La Ronde, and two years later composed the music for Jean-Luc Godard's Masculin/Feminin; however, it was his work on Claude Lelouch's 1966 hit A Man and a Woman which elevated Lai to international renown, and in addition to earning an Academy Award, he notched a perennial easy listening favorite with the picture's Brazilian-inflected title tune. He won a second Oscar for the 1970 Arthur Hiller blockbuster Love Story, and the film's theme, "Where Do I Begin?," also became a Top 40 hit for Andy Williams, Henry Mancini, and even Lai himself. Although the composer never again reached the same commercial heights, he continued working regularly in the cinema, often in conjunction with director Lelouch, and composed a number of instrumental favorites, including "Today It's You," "Happy New Year," and "Love in the Rain." ~ Jason Ankeny
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