Florence Quivar

Biography

Born: March 3, 1944; Philadelphia, PA  
Florence Quivar is one of the most prominent American mezzos of her generation and has appeared all over the world in concerts and recitals, winning consistent praise for her musicality and expressiveness. Though her oratorio performances are less frequent, she has enjoyed notable success in that field. And although she has been far less active in the world of staged opera, she has appeared at most of the major opera houses of the world, Read more performing coloratura as well as dramatic mezzo-soprano roles, though most of her performances are in lyric mezzo roles. She has also been particularly active in championing new music, appearing in the world premieres of works by Anthony Davis (The Goddess of the Waters in his opera Amistad at the Lyric Opera of Chicago) in 1999 and William Bolcom (in his song cycle From the Diary of Sally Hemmings at the Library of Congress) in 2001. Her interest in music started early; her mother was a piano teacher who taught voice and who also formed the gospel group the Harmonic Choraliers. Quivar herself made her singing debut at the age of six in a church performance. She became fascinated when she saw Madama Butterfly when the Met company tour performed in Philadelphia, though practical matters made her plan to be an elementary school teacher and enrolled in a teachers' college. Realizing that her true love was really music after just one day of classes, she joined the Philadelphia Academy of Music. After graduating, she briefly enrolled in Juilliard, where she made her stage debut in 1975 as the witch Jezibaba and the Foreign Princess in Dvorák's Rusalka. Not feeling ready to establish herself in New York, she returned to Philadelphia, where she taught and sang recitals with the Franklin Concert Series. Inspired by master classes with Maureen Forrester, Quivar became deeply interested in lieder, as well as oratorio. Returning to New York, she won the Marian Anderson Award, and after drawing the attention of noted impresario Harold Shaw, she began to appear with orchestras all over the United States. She made her Met debut in 1977 as Marina in Mussorgsky's Boris Godunov, the house at which she has sung the most stage performances. Read less

Biography

Born: March 3, 1944; Philadelphia, PA  
Florence Quivar is one of the most prominent American mezzos of her generation and has appeared all over the world in concerts and recitals, winning consistent praise for her musicality and expressiveness. Though her oratorio performances are less frequent, she has enjoyed notable success in that field. And although she has been far less active in the world of staged opera, she has appeared at most of the major opera houses of the world, Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Kyrie: Kyrie eleison
Kyrie: Christe eleison
Kyrie: Kyrie eleison
Gloria: Gloria in excelsis Deo
Gloria: Gratias agimus
Gloria: Domine Deus
Gloria: Qui tollis
Gloria: Quoniam
Gloria: In gloria Dei Patris
Gloria: Amen
Gloria: Gloria in excelsis Deo
Credo: Credo in unum Deum
Credo: Et incarnatus est
Credo: Et homo factus est
Credo: Crucifixus
Credo: Et resurrexit
Credo: Et ascendit
Credo: Credo in Spiritum Sanctum
Credo: Et vitam venturi saeculi
Sanctus: Sanctus
Sanctus: Pleni sunt coeli
Sanctus: Osanna in excelsis
Sanctus: Benedictus
Agnus Dei: Agnus Dei
Agnus Dei: Dona nobis pacem
Agnus Dei: Agnus Dei
Sinfonia
Act I, Introduzione - Orchestral Prelude
Act I, Introduzione - Ti desta, Luisa, regina de' cori
Act I, Introduzione - Ecco mia figlia
Act I, Introduzione - Lo vidi, e'l primo palpito
Act I, Introduzione - T'amo d'amor ch'esprimere
Act I, Scene ed aria - Ferma ed ascolta
Act I, Scene ed aria - Sacra la scelta è d'un consorte
Act I, Scene ed aria - Costarti, o vecchio debole
Act I, Scene ed aria - Ah! Fu giusto il mio sospetto!
Act I, Scene ed aria - Che mai narrasti!
Act I, Scene ed aria - Il mio sangue, la vita darei
Act I, Scene ed aria - Padre... M'abbraccia
Act I, Scene ed aria - Quale un sorriso d'amica sorte
Act I, Recitativo e duetto - Duchessa... Dall'aule raggianti
Act I, Finale I - Sciogliete i levrieri
Act I, Finale I - Del conte di Walter figlio
Act I, Finale I - Tu, signor, fra queste soglie!
Act I, Finale I - Fra'mortali ancora oppressa
Act I, Finale I - I cenni miei si compiano
Act II, Coro, scena ed aria - Ah! Luisa, ove sei?
Act II, Coro, scena ed aria - Il padre tuo... Finisci
Act II, Coro, scena ed aria - Tu puniscimi, o Signore
Act II, Coro, scena ed aria - Qui nulla s'attenta imporre al tuo core
Act II, Coro, scena ed aria - A brani, a brani, o perfido
Act II, Recitativo, scena e duetto - Egli delira, Sul mattin degli anni
Act II, Recitativo, scena e duetto - L'alto retaggio non ho bramato
Act II, Recitativo, scena e duetto - Vien la duchessa!
Act II, Scena e quartetto - Presentarti alla duchessa
Act II, Scena ed aria - Il foglio dunque?... Io tutto già vi narrai!
Act II, Scena ed aria - Quando le sere al placido
Act II, Scena ed aria - Di mi chiedeste?... Appressati
Act II, Scena ed aria - L'ara, o l'avello apprestami
Act III, Scena e coro - Como in un giorno solo
Act III, Scena e coro - O dolce amica, e ristorar non vuoi
Act III, Scena e duetto - Pallida, mesta sei!
Act III, Scena e duetto - La tomba è un letto sparso di fiori
Act III, Scena e duetto - Andrem, raminghi e poveri
Act III, Scena e duetto finale - Ah! L'ultima preghiera
Act III, Scena e duetto finale - Piangi, piangi. Il tuo dolore
Act III, Scena e terzetto finale - Donna, per noi terribile ora squillò suprema!
Act III, Finale - Padre ricevi l'estremo addio
Act I: Scene 1: All'erta, all'erta!
Act I: Scene 1: Di due figli vivea padre beato
Act I: Scene 2: Che più t'arresti?
Act I: Scene 2: Tacea la notte placida
Act I: Scene 2: Di tale amor che dirsi
Act I: Scene 2: Tace la notte!
Act I: Scene 2: Deserto sulla terra
Act I: Scene 2: Non m'inganno
Act I: Scene 2: Di geloso amor sprezzato
Act II: Scene 1: Vedi! Le fosche notturne spoglie
Act II: Scene 1: Stride la vampa!
Act II: Scene 1: Soli or siamo!
Act II: Scene 1: Condotta ell'era in ceppi
Act II: Scene 1: Non son tuo figlio?
Act II: Scene 1: Mal reggendo all'aspro assalto
Act II: Scene 1: Inoltra il piè
Act II: Scene 1: Perigliarti ancor languente
Act II: Scene 2: Tutto è deserto
Act II: Scene 2: Il balen del suo sorriso
Act II: Scene 2: Qual suono! Oh ciel!
Act II: Scene 2: Per me ora fatale
Act II: Scene 2: Ah! Se l'error t'ingombra
Act II: Scene 2: Perchè piangete?
Act II: Scene 2: E deggio e posso crederlo?
Introduction
Prologue: "D'anciennes haines endormies"
"Premiers transports"...Heureux enfants"
Récitatif et Scherzetto: "Bientôt de Roméo" - "Mab! la messagère" - "Bientôt la mort est souveraine"
Roméo seul - Tristesse Grande fête chez Capulets
"Ohé! Capulets" - Scène d'amour
Scherzo - La Reine Mab où la Fée des songes
"Jetez des fleurs pour la vierge expirée"
Roméo au tombeau de Juliette
"Quoi! Roméo de retour! Roméo!"
"Pauvres enfants que je pleure"
"Jurez donc par l'auguste symbole"
Introduction - Jazzbo Brown Blues
"Summertime"
"A Woman Is a Sometime Thing"
"Here Come De Honey Man ... Here's the Ol' Crap Shark"
"They Pass By Singin'...Here Comes Big Boy!...Don't You Ever Let a Woman Grieve You"
"O, Little Stars...Touch That Money an' Meet Yo' Gawd!"
"Wake Up An' Hit It Out!...That You, Sportin'Life?"
"Gone, Gone, Gone"
"Overflow, Overflow ... Gawd Got Plenty Of Money For De Saucer"
"Um! A Saucer-Burial Setup, I See"
"My Man's Gone Now"
"Headin' For the Promis' Lan'"
"It Takes a Long Pull To Get There"
"I Got Plenty O' Nuttin'"
"I Hates Yo' Struttin'...Mornin, Lawyer..Dey's a Buckra"
Buzzard Song
"Bess, You Is My Woman Now"
"Oh, I Can't Sit Down"
"I Ain't Got No Shame"
"It Ain't Necessarily So"
"Oh! What You Want Wid Bess?"
"Honey, Dat's All De Breakfast...Take You' Hands Off Me"
"Oh, Doctor Jesus"
"Oh, Dey's So Fresh ... I'm Talkin' About Devil Crabs"
"Porgy, Porgy, Dat You There"
"I Loves You, Porgy"
"Why You Been Out On That Wharf?"
"Oh, Doctor Jesus, Look Down On Me Wit' Pity"
"Oh, De Lawd Shake De Heavens...One Of Dese Mornings"
"Oh Dere's Somebody Knockin' At De Do'"
"A Red-Headed Woman..Jake's Boat....Oh Doctor Jesus"
"Clara, Clara...Crown, Crown...Summertime"
Interlude (Death Of Crown)
Introduction..."Wait For Us...What Is Your Name?"
"You've Got To Go...Oh Gawd! They Goin' To Make Him Look"
"There's a Boat Dat's Leavin'"
Introduction
"Good Mornin' Sistuh...Thank Gawd I's Home Again!"
"Dem White Folks Sure Ain't Put Nuthin'"
"Oh, Bess, Oh Where's My Bess"
"Bess Is Gone"
"Oh Lawd, I'm On My Way"
I loves you, Porgy
Introduction - Jazzbo Brown Blues
"Summertime"
"A Woman Is a Sometime Thing"
"Here Come De Honey Man ... Here's the Ol' Crap Shark"
"They Pass By Singin'...Here Comes Big Boy!...Don't You Ever Let a Woman Grieve You"
"O, Little Stars...Touch That Money an' Meet Yo' Gawd!"
"Wake Up An' Hit It Out!...That You, Sportin'Life?"
"Gone, Gone, Gone"
"Overflow, Overflow ... Gawd Got Plenty Of Money For De Saucer"
"Um! A Saucer-Burial Setup, I See"
"My Man's Gone Now"
"Headin' For the Promis' Lan'"
"It Takes a Long Pull To Get There"
"I Got Plenty O' Nuttin'"
"I Hates Yo' Struttin'...Mornin, Lawyer..Dey's a Buckra"
Buzzard Song
"Bess, You Is My Woman Now"
"Oh, I Can't Sit Down"
"I Ain't Got No Shame"
"It Ain't Necessarily So"
"Oh! What You Want Wid Bess?"
"Honey, Dat's All De Breakfast...Take You' Hands Off Me"
"Oh, Doctor Jesus"
"Oh, Dey's So Fresh ... I'm Talkin' About Devil Crabs"
"Porgy, Porgy, Dat You There"
"I Loves You, Porgy"
"Why You Been Out On That Wharf?"
"Oh, Doctor Jesus, Look Down On Me Wit' Pity"
"Oh, De Lawd Shake De Heavens...One Of Dese Mornings"
"Oh Dere's Somebody Knockin' At De Do'"
"A Red-Headed Woman..Jake's Boat....Oh Doctor Jesus"
"Clara, Clara...Crown, Crown...Summertime"
Interlude (Death Of Crown)
Introduction..."Wait For Us...What Is Your Name?"
"You've Got To Go...Oh Gawd! They Goin' To Make Him Look"
"There's a Boat Dat's Leavin'"
Introduction
"Good Mornin' Sistuh...Thank Gawd I's Home Again!"
"Dem White Folks Sure Ain't Put Nuthin'"
"Oh, Bess, Oh Where's My Bess"
"Bess Is Gone"
"Oh Lawd, I'm On My Way"
Messiah, Part One: Sinfony: Grave - Allegro moderato
Messiah, Part One: Comfort ye my people (tenor)
Messiah, Part One: Ev'ry valley shall be exalted (tenor)
Messiah, Part One: And the glory of the Lord shall be revealed
Messiah, Part One: Thus saith the Lord of Hosts (bass)
Messiah, Part One: But who may abide the day of His coming (counter-tenor)
Messiah, Part One: And he shall Purify
Messiah, Part One: Behold a virgin shall conceive (alto)
Messiah, Part One: O thou that tellest good tidings to Zion (alto/chorus)
Messiah, Part One: For behold, darkness shall cover the earth (bass)
Messiah, Part One: The people that walked in darkness (bass)
Messiah, Part One: For unto us a child is born
Messiah, Part One: Pifa (Pastoral Symphony)
Messiah, Part One: There were shepards
Messiah, Part One: And lo, the Angel of the Lord
Messiah, Part One: And the angel said unto them
Messiah, Part One: And suddenly there was with the angel
Messiah, Part One: Glory to God in the highest
Messiah, Part One: Rejoice greatly, O daughter of Zion (soprano I)
Messiah, Part One: Then shall the eyes of the blind be open'd (counter-tenor)
Messiah, Part One: He shall feed His flock like a shepherd (counter-tenor/soprano I)
Messiah, Part One: His yoke is easy, his burthen is light
Messiah, Part Two: Behold, The Lamb of God
Messiah, Part Two: He was despised (alto)
Messiah, Part Three: The trumpet shall sound (bass)
Messiah, Part Three: Then shall be brought to pass the saying (counter-tenor)
Messiah, Part Three: O death, where is thy sting (counter-tenor/tenor)
Messiah, Part Three: But thanks be to God
Messiah, Part Three: If God be for us (alto)
Messiah, Part Three: Worthy is Lamb that was slain ... Amen
Messiah, Part One: Sinfony: Grave - Allegro moderato
Messiah, Part One: Comfort ye my people (tenor)
Messiah, Part One: Ev'ry valley shall be exalted (tenor)
Messiah, Part One: And the glory of the Lord shall be revealed
Messiah, Part One: Thus saith the Lord of Hosts (bass)
Messiah, Part One: But who may abide the day of His coming (counter-tenor)
Messiah, Part One: And he shall Purify
Messiah, Part One: Behold a virgin shall conceive (alto)
Messiah, Part One: O thou that tellest good tidings to Zion (alto/chorus)
Messiah, Part One: For behold, darkness shall cover the earth (bass)
Messiah, Part One: The people that walked in darkness (bass)
Messiah, Part One: For unto us a child is born
Messiah, Part One: Pifa (Pastoral Symphony)
Messiah, Part One: There were shepards
Messiah, Part One: And lo, the Angel of the Lord
Messiah, Part One: And the angel said unto them
Messiah, Part One: And suddenly there was with the angel
Messiah, Part One: Glory to God in the highest
Messiah, Part One: Rejoice greatly, O daughter of Zion (soprano I)
Messiah, Part One: Then shall the eyes of the blind be open'd (counter-tenor)
Messiah, Part One: He shall feed His flock like a shepherd (counter-tenor/soprano I)
Messiah, Part One: His yoke is easy, his burthen is light
Messiah, Part Two: Behold, The Lamb of God
Messiah, Part Two: He was despised (alto)
Messiah, Part Three: The trumpet shall sound (bass)
Messiah, Part Three: Then shall be brought to pass the saying (counter-tenor)
Messiah, Part Three: O death, where is thy sting (counter-tenor/tenor)
Messiah, Part Three: But thanks be to God
Messiah, Part Three: If God be for us (alto)
Messiah, Part Three: Worthy is Lamb that was slain ... Amen
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - Poco adagio
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Waldung, sie schwankt heran"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Uns bleibt ein Erdenrest"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Dir, der Unberührbaren"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Blicket auf zum Retterblick"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Alles Vergängliche"
Stabat Mater, Op.53: I. Stala Matka bolejaca (Stabat Mater dolorosa)
Stabat Mater, Op.53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret)
Stabat Mater, Op.53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris)
Stabat Mater, Op.53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere)
Stabat Mater, Op.53: V. Panno slodka racz mozolem (Virgo virginum praeclare)
Stabat Mater Op. 53: VI. Chrystus niech mi bedzie grodem (Christe, cum sit hinc exire)
Introduction - Jazzbo Brown Blues
"Summertime"
"A Woman Is a Sometime Thing"
"Here Come De Honey Man ... Here's the Ol' Crap Shark"
"They Pass By Singin'...Here Comes Big Boy!...Don't You Ever Let a Woman Grieve You"
"O, Little Stars...Touch That Money an' Meet Yo' Gawd!"
"Wake Up An' Hit It Out!...That You, Sportin'Life?"
"Gone, Gone, Gone"
"Overflow, Overflow ... Gawd Got Plenty Of Money For De Saucer"
"Um! A Saucer-Burial Setup, I See"
"My Man's Gone Now"
"Headin' For the Promis' Lan'"
"It Takes a Long Pull To Get There"
"I Got Plenty O' Nuttin'"
"I Hates Yo' Struttin'...Mornin, Lawyer..Dey's a Buckra"
Buzzard Song
"Bess, You Is My Woman Now"
"Oh, I Can't Sit Down"
"I Ain't Got No Shame"
"It Ain't Necessarily So"
"Oh! What You Want Wid Bess?"
"Honey, Dat's All De Breakfast...Take You' Hands Off Me"
"Oh, Doctor Jesus"
"Oh, Dey's So Fresh ... I'm Talkin' About Devil Crabs"
"Porgy, Porgy, Dat You There"
"I Loves You, Porgy"
"Why You Been Out On That Wharf?"
"Oh, Doctor Jesus, Look Down On Me Wit' Pity"
"Oh, De Lawd Shake De Heavens...One Of Dese Mornings"
"Oh Dere's Somebody Knockin' At De Do'"
"A Red-Headed Woman..Jake's Boat....Oh Doctor Jesus"
"Clara, Clara...Crown, Crown...Summertime"
Interlude (Death Of Crown)
Introduction..."Wait For Us...What Is Your Name?"
"You've Got To Go...Oh Gawd! They Goin' To Make Him Look"
"There's a Boat Dat's Leavin'"
Introduction
"Good Mornin' Sistuh...Thank Gawd I's Home Again!"
"Dem White Folks Sure Ain't Put Nuthin'"
"Oh, Bess, Oh Where's My Bess"
"Bess Is Gone"
"Oh Lawd, I'm On My Way"
Overture (Allegro di molto)
No.1 Scherzo
No.3 Song with Chorus: "Bunte Schlangen, zweigezüngt"
No.5 Intermezzo
No.7 Notturno
No.9 Wedding March
Finale: "Though this house give glimm'ring light" [A Midsummer Night's Dream, Op.61 Incidental Music]
Stabat Mater, Op.53: I. Stala Matka bolejaca (Stabat Mater dolorosa)
Stabat Mater, Op.53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret)
Stabat Mater, Op.53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris)
Stabat Mater, Op.53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere)
Stabat Mater, Op.53: V. Panno slodka racz mozolem (Virgo virginum praeclare)
Stabat Mater Op. 53: VI. Chrystus niech mi bedzie grodem (Christe, cum sit hinc exire)
Overture
"Posa in pace"
"S'avanza il conte - La rivedrà nell'estasi"
"Alla vita che t'arride"
"Volta la terrea"
Signori: "oggi d'Ulrica"
"Zitti...l'incanto non dèssi turbare"
"Che v'agita cosi?" ... "Della città all'occaso"
"Su, profetessa" ... "Di' tu se fedele"
"E la destra d'un grande" - "E scherzo od è follia"
"Finisci il vaticinio" ... "O figlio della patria"
Preludio
"Ecco l'orrido campo"
"Teco io sto" ... "Oh, qual soave brivido"
"Ahimè! S'appressa alcun!" ... "Odi tu come fremono cupi"
"Seguitemi"
"A tal colpa"
"Morrò, ma prima in grazia"
"Eri tu che macchiavi quell'anima"
"Siam soli. Udite" ... "Dunque l'onta di tutti sol una"
"Il messaggio entri" - "Ah! Di che fulgor" (Renato, Oscar, Amelia, Horn, Ribbing)
"Forse la soglia attinse" - "Ma se m'è forza perderti"
"Ah! dessa è là ...Si, rivederti, Amelia" ... "Fervono amori e danze"
"Saper vorreste"
"Ah! perché qui! fuggite"
"Ella è pura"
Overture
"Posa in pace"
"S'avanza il conte - La rivedrà nell'estasi"
"Alla vita che t'arride"
"Volta la terrea"
Signori: "oggi d'Ulrica"
"Zitti...l'incanto non dèssi turbare"
"Che v'agita cosi?" ... "Della città all'occaso"
"Su, profetessa" ... "Di' tu se fedele"
"E la destra d'un grande" - "E scherzo od è follia"
"Finisci il vaticinio" ... "O figlio della patria"
Preludio
"Ecco l'orrido campo"
"Teco io sto" ... "Oh, qual soave brivido"
"Ahimè! S'appressa alcun!" ... "Odi tu come fremono cupi"
"Seguitemi"
"A tal colpa"
"Morrò, ma prima in grazia"
"Eri tu che macchiavi quell'anima"
"Siam soli. Udite" ... "Dunque l'onta di tutti sol una"
"Il messaggio entri" - "Ah! Di che fulgor" (Renato, Oscar, Amelia, Horn, Ribbing)
"Forse la soglia attinse" - "Ma se m'è forza perderti"
"Ah! dessa è là ...Si, rivederti, Amelia" ... "Fervono amori e danze"
"Saper vorreste"
"Ah! perché qui! fuggite"
"Ella è pura"
Allegro ma non troppo, un poco maestoso
Molto vivace; Presto; Molto vivace
Adagio molto e cantabile; Andante moderato
Presto; Allegro assai
Presto; Recitativo "O Freunde, nicht diese Töne!"
Allegro assai vivace "Froh, froh, wie seine Sonnen"
Andante maestoso "Seid umschlungen Millionen!"
Allegro energico, sempre ben marcato "Freude, schöner Götterfunken"
Allegro ma non tanto "Freude, Tochter aus Elysium!"
Messiah, Part One: Sinfony: Grave - Allegro moderato
Messiah, Part One: Comfort ye my people (tenor)
Messiah, Part One: Ev'ry valley shall be exalted (tenor)
Messiah, Part One: And the glory of the Lord shall be revealed
Messiah, Part One: Thus saith the Lord of Hosts (bass)
Messiah, Part One: But who may abide the day of His coming (counter-tenor)
Messiah, Part One: And he shall Purify
Messiah, Part One: Behold a virgin shall conceive (alto)
Messiah, Part One: O thou that tellest good tidings to Zion (alto/chorus)
Messiah, Part One: For behold, darkness shall cover the earth (bass)
Messiah, Part One: The people that walked in darkness (bass)
Messiah, Part One: For unto us a child is born
Messiah, Part One: Pifa (Pastoral Symphony)
Messiah, Part One: There were shepards
Messiah, Part One: And lo, the Angel of the Lord
Messiah, Part One: And the angel said unto them
Messiah, Part One: And suddenly there was with the angel
Messiah, Part One: Glory to God in the highest
Messiah, Part One: Rejoice greatly, O daughter of Zion (soprano I)
Messiah, Part One: Then shall the eyes of the blind be open'd (counter-tenor)
Messiah, Part One: He shall feed His flock like a shepherd (counter-tenor/soprano I)
Messiah, Part One: His yoke is easy, his burthen is light
Messiah, Part Two: Behold, The Lamb of God
Messiah, Part Two: He was despised (alto)
Messiah, Part Three: The trumpet shall sound (bass)
Messiah, Part Three: Then shall be brought to pass the saying (counter-tenor)
Messiah, Part Three: O death, where is thy sting (counter-tenor/tenor)
Messiah, Part Three: But thanks be to God
Messiah, Part Three: If God be for us (alto)
Messiah, Part Three: Worthy is Lamb that was slain ... Amen


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