Fabio Biondi

Biography

Fabio Biondi is Italy's leading period instruments and Baroque violinist, and is one of the leading European violinists.

He began violin lessons with Salvatore Cicerto at the age of five in his native Palermo. At the age of 12 he appeared as a concerto soloist with the Italian Radio (RAI) Symphony Orchestra in several concerts. At that time, he played modern violin, but in his early teens, he began to take an interest in period
Read more instruments and performing styles and began to play Baroque and Classical violin as well as the modern instrument. (The distinction between these types of string instruments is how they are set up -- what kinds of strings, bridges, and bows are used, for instance.)

In the 1970s, when Biondi was polishing his technique, period instrument performance flourished in Europe and America, although Italy was not in the forefront of it. He studied at the Conservatory of Rome with Mauro Lo Guercio, winning first prize in violin in 1981.

By then Biondi had already began establishing himself as a Baroque violinist, having made his first appearance in that capacity in a concert at the Musikverein in Vienna at the age of 16. After graduation, he formed a string quartet, the Stendahl Quartet, which gave concerts from the quartet repertory from the Classical through contemporary times. What set the Stendahl Quartet apart was that any work that it performed was always played on instruments appropriate to the period, and in a stylistically informed manner. Several Italian composers composed for the quartet.

Biondi worked during the 1980s with several of the leading original instruments ensembles of the continent, including Hesperion XX, Les Musiciens du Louvre, Musica Antiqua of Vienna, the Clemencic Consort, the Chapelle Royale, and the Camerata di Lugano. He recorded the earliest of violin concertos, those by such Italian masters as Veracini, Locatelli, and Tartini.

In 1989, he founded La Europa Galante, Italy's first dedicated Baroque original instruments orchestra. Since then, he has served as its conductor and music director, as well as its solo violinist. Where appropriate, he conducts from the violin, as was often done during the era.

Biondi and La Europa Galante have often appeared at major international music festivals, and the ensemble has functioned as the orchestra in several productions of Baroque opera. These include the modern premiere of the opera Poro by Handel, and in the oratorios La Maddelena and Humanità e Lucifero by Alessandro Scarlatti and La Passione di Gèsu Cristo by Caldara. He has led La Europa Galante in opera productions at Monte Carlo, the St. Cecilia Academy in Rome, the Baroque Music Center in Versailles, the Nice Opera, and Wigmore Hall in London.

He often guest conducts with standard orchestras, which include the Radio France Philharmonic, the Montpelier Philharmonic Orchestra, and chamber and period orchestras including the Collegium Orchestra of New York, the Rotterdam Chamber Orchestra, the Netherlands Chamber Orchestra, and the Ensemble Orchestral de Paris.

Biondi has won numerous recording prizes including the Diapason d'Or of the Year, the Priz Cini of Italy, the ffff de Telérama, and Choc de Musique. His widely acclaimed recording with La Europa Galante of Vivaldi's Four Seasons was named Disc of the Year by organizations in Canada, Sweden, France, Spain, and Finland. He is an exclusive artist for Virgin Classics. Read less
Cavalli: La Virtu De’ Strali D’amore / Biondi, Nicotra, Bertagnolli, Sancho, Invernizzi
Release Date: 10/25/2011   Label: Naxos  
Catalog: 2110614   Number of Discs: 2
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There are 67 Fabio Biondi recordings available.

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Biography

Fabio Biondi is Italy's leading period instruments and Baroque violinist, and is one of the leading European violinists.

He began violin lessons with Salvatore Cicerto at the age of five in his native Palermo. At the age of 12 he appeared as a concerto soloist with the Italian Radio (RAI) Symphony Orchestra in several concerts. At that time, he played modern violin, but in his early teens, he began to take an interest in period
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
I. Allegro ma poco
II. Larghetto
III. Allegro
I. Larghetto
II. Allegro non molto e pianissimo
II. Largo
III. Allegro molto
I. Allegro ma poco poco
II. Andante ma poco
III. Allegro
I. Allegro molto
II. Andante
III. Allegro
I. Allegro
II. Andante
III. Allegro
I. Allegro
I. Allegro
II. Largo e pianissimo sempre
II. Largo e pianissimo sempre
III. Danza pastorale: Allegro
III. Danza pastorale: Allegro
I. Allegro
I. Allegro
II. Adagio
II. Adagio
III. Tempo impetuoso d'Es tate
III. Tempo impetuoso d'Es tate
I. Allegro
I. Allegro
II. Adagio
II. Adagio
III. La caccia
III. La caccia
I. Allegro non molto
I. Allegro non molto
II. Largo
II. Largo
III. Allegro
III. Allegro
I. Allegro
II. Largo
III. Allegro non molto
I. Allegro molto marcato
II. Andante
III. Allegro molto
Ouverture
La reveille de Quixotte
Son attaque des Moulens a Vent
Ses soupirs amoureux apres la Princesse Dulcinée
Sanche Panche Berné
Le Galop de Rossinant
La couche de Quixotte
Ouverture
Loure
Les Scaramouches - Vitement
La Plaisanterie
Hornpipe
Avec douceur
Canarie
Menuets I & II
Vivaldi: The Four Seasons, Concerto No. 1 in E Major, RV 269, 'Spring': I. Allegro
Vivaldi: The Four Seasons, Concerto No. 1 in E Major, RV 269, 'Spring': III. Allegro
Vivaldi: The Four Seasons, Concerto No. 1 in E Major, RV 269, Op. 8, No. 1 'Spring': II. Largo
Vivaldi: The Four Seasons, Concerto No. 2 in G Minor, RV 315, 'Summer': I. Allegro non molto
Vivaldi: The Four Seasons, Concerto No. 2 in G Minor, RV 315, 'Summer': II. Adagio
Vivaldi: The Four Seasons, Concerto No. 2 in G Minor, RV 315, 'Summer': III. Presto
Vivaldi: The Four Seasons, Concerto No. 3 in F Major, RV 293, 'Autumn': I. Allegro
Vivaldi: The Four Seasons, Concerto No. 3 in F Major, RV 293, 'Autumn': II. Adagio molto
Vivaldi: The Four Seasons, Concerto No. 3 in F Major, RV 293, 'Autumn': III. Allegro
Vivaldi: The Four Seasons, Concerto No. 4 in F Minor, RV 297, 'Winter': I. Allegro non molto
Vivaldi: The Four Seasons, Concerto No. 4 in F Minor, RV 297, 'Winter': II. Largo
Vivaldi: The Four Seasons, Concerto No. 4 in F Minor, RV 297, 'Winter': III. Allegro
La Stravaganza Op.4 No.9, Concerto in B Flat Major, RV 383a: I. Allegro
La Stravaganza Op.4 No.9, Concerto in B Flat Major, RV 383a: II. Largo e Cantabile
La Stravaganza Op.4 No.9, Concerto in B Flat Major, RV 383a: III. Allegro
La Stravaganza Op.4 No.9, Concerto in E Minor, RV 279: I. Allegro
La Stravaganza Op.4 No.9, Concerto in E Minor, RV 279: II. Largo
La Stravaganza Op.4 No.9, Concerto in E Minor, RV 279: III. Allegro
La Stravaganza Op.4 No.9, Concerto in A Minor, RV 357: I. Allegro
La Stravaganza Op.4 No.9, Concerto in A Minor, RV 357: II. Grave e sempre piano
La Stravaganza Op.4 No.9, Concerto in A Minor, RV 357: III. Allegro
La Stravaganza Op.4 No.9, Concerto in F Major, RV 284: I. Allegro
La Stravaganza Op.4 No.9, Concerto in F Major, RV 284: II. Largo
La Stravaganza Op.4 No.9, Concerto in F Major, RV 284: III. Allegro
La Stravaganza Op.4 No.9, Concerto in D Major, RV 204: I. Allegro
La Stravaganza Op.4 No.9, Concerto in D Major, RV 204: II. Largo
La Stravaganza Op.4 No.9, Concerto in D Major, RV 204: III. Allegro assai
La Stravaganza: Concerto RV291 in F major: I. Allegro
La Stravaganza: Concerto RV291 in F major: II. Larghetto
La Stravaganza: Concerto RV291 in F major: III. Allegro
Concerto for violin, cello and strings in F major, RV 544 'Proteo o sia il mondo al rovescio': I. Allegro
Concerto for violin, cello and strings in F major, RV 544 'Proteo o sia il mondo al rovescio': II. Largo
Concerto for violin, cello and strings in F major, RV 544 'Proteo o sia il mondo al rovescio': III. Allegro
String Quintet in A minor Op. 25 No. 6 (G300): I. Allegro non molto
String Quintet in A minor Op. 25 No. 6 (G300): I. Allegro non molto
String Quintet in A minor Op. 25 No. 6 (G300): II. Minuetto
String Quintet in A minor Op. 25 No. 6 (G300): III. Largo cantabile
String Quintet in A minor Op. 25 No. 6 (G300): IV. Finale : Allegro giusto
String Quintet in C major Op. 25 No. 4 (G298): I. Allegro
String Quintet in C major Op. 25 No. 4 (G298): II. Larghetto
String Quintet in C major Op. 25 No. 4 (G298): III. Minuetto
String Quintet in C major Op. 25 No. 4 (G298): IV. Allegro
String Quintet in D minor Op. 25 No. 1 (G295): I. Larghetto
String Quintet in D minor Op. 25 No. 1 (G295): II. Allegro
String Quintet in D minor Op. 25 No. 1 (G295): III. Minuetto con moto
String Quintet in D minor Op. 25 No. 1 (G295): IV. Rondeau allegretto
Overture
Menuet
Act I Scene 1: Accompagnato: It must be so, or these vile Ammonites (Zebul)
Act I Scene 1: Air: Pour forth no more unheeded prayr's (Zebul)
Act I Scene 1: No more to Ammon's god and king (Chorus)
Act I Scene 2: Recitative: But Jephtha comes (Zebul, Jephtha)
Act I Scene 2: Air: Virtue my soul shall still embrace (Jephtha)
Act I Scene 2: Recitative: Twill be a painful separation, Jephtha (Storge)
Act I Scene 2: Air: In gentle murmurs will I mourn (Storge)
Act I Scene 3: Recitative: Happy this embassy, my charming Iphis (Hamor)
Act I Scene 3: Air: Dull delay, in piercing anguish (Hamor)
Act I Scene 3: Recitative: Ill suits the voice of love (Iphis)
Act I Scene 3: Air: Take the heart you fondly gave (Iphis)
Act I Scene 3: Recitative: I go, my soul, inspir'd by thy command (Hamor)
Act I Scene 3: Duet: These labours past, how happy we (Iphis, Hamor)
Act I Scene 4: Recitative: What mean these doubtful fancies of the brain? (Jephtha)
Act I Scene 4: O God, behold our sore distress (Chorus)
Act I Scene 5: Recitative: Some dire event hangs o'er our heads (Storge)
Act I Scene 5: Air: Scenes of horror, scenes of woe (Storge)
Act I Scene 6: Recitative: Say, my dear mother, whence these piercing cries (Iphis, Storge)
Act I Scene 6: Air: The smiling dawn of happy days (Iphis)
Act I Scene 7: Recitative: Such, Jephtha, was the haughty king's reply (Zebul, Jephtha)
Act I Scene 7: When his loud voice in thunder spoke (Chorus)
Act II Scene 1: Recitative: Glad tidings of great joy to thee, dear Iphis (Hamor)
Act II Scene 1: Cherub and Seraphim, unbodied forms (Chorus)
Act II Scene 1: Air: Up the dreadful steep ascending (Hamor)
Act II Scene 1: Recitative: Tis well. Haste, haste, ye maidens (Iphis)
Act II Scene 1: Air: Tune the soft melodious lute (Iphis)
Act II Scene 2: Recitative: Heav'n smiles once more on his repentant people (Jephtha)
Act II Scene 2: Air: His mighty arm, with sudden blow (Jephtha)
Act II Scene 2: In glory high, in might serene (Chorus)
Act II Scene 3: Symphony
Act II Scene 3: Hail, glorious conqueror! (Iphis)
Act II Scene 3: Air and Chorus: Welcome, as the cheerful light ... Welcome thou, whose deeds conspire (Iphis, Chorus)
Act II Scene 3: Recitative: Horror! Confusion! (Jephtha)
Act II Scene 3: Air: Open thy marble jaws, O tomb (Jephtha)
Act II Scene 3: Recitative: Why is my brother thus afflicted? (Zebul, Jephtha)
Act II Scene 3: Accompagnato and Arioso: First perish thou, and perish all the world! - Let other creatures (Storge)
Act II Scene 3: Recitative: If such thy cruel purpose, lo, your friend (Hamor)
Act II Scene 3: Air: On me let blind mistaken zeal (Hamor)
Act II Scene 3: Quartet: O spare your daughter! (Storge, Hamor, Jephtha, Zebul)
Act II Scene 4: Recitative: Such news flies swift (Iphis)
Act II Scene 4: Air: Happy they! (Iphis)
Act II Scene 4: Accompagnato: Deeper and deeper still, thy goodness, child (Jephtha)
Act II Scene 4: How dark, O Lord, are thy decrees! (Chorus)
Act III Scene 1: Arioso: Hide thou thy hated beams (Jephtha)
Act III Scene 1: Air: Waft her, angels, through the skies (Jephtha)
Act III Scene 1: Accompagnato: Ye sacred priests, whose hands ne'er yet were stain'd (Iphis)
Act III Scene 1: Air: Farewell, ye limpid springs and floods (Iphis)
Act III Scene 1: Doubtful fear and reverend awe (Chorus)
Act III Scene 1: Symphony
Act III Scene 1: Recitative: Rise, Jephtha, and ye rev'rend priests, withhold (Angel)
Act III Scene 1: Air: Happy, Iphis, shalt thou live (Angel)
Act III Scene 1: Arioso: For ever blessed be Thy holy name (Jephtha)
Act III Scene 1: Theme sublime of endless praise (Chorus)
Act III Scene 2: Recitative: Let me congratulate, this happy turn (Zebul)
Act III Scene 2: Air: Laud her, all ye virgin train (Zebul)
Act III Scene 2: Recitative: O let me fold thee in a mother's arms (Storge)
Act III Scene 2: Air: Sweet as sight to the blind (Storge)
Act III Scene 2: Recitative: With transport, Iphis, I behold thy safety (Hamor)
Act III Scene 2: Recitative: With transport... - Aria: 'Tis Heaven's all ruling power... (Hamor)
Act III Scene 2: Recitative: My faithful Hamor, may that Providence (Iphis)
Act III Scene 2: Quintet: All that is in Hamor mine (Iphis, Hamor, Storge, Jephtha, Zebul)
Act III Scene 2: Ye house of Gilead, with one voice (Chorus)
Ercole sul Termodonte RV710: Sinfonia
Ercole sul Termodonte RV710, Act I, Scena 1: Recitativo: Itene, o mie compagne
Ercole sul Termodonte RV710, Act I, Scena 1: Coro: Oh figlia di Giove
Ercole sul Termodonte RV710, Act I, Scena 1: Aria: Dea di Delo
Ercole sul Termodonte RV710, Act I, Scena 1: Recitativo: Dunque ché più si tarda?
Ercole sul Termodonte RV710, Act I, Scena 1: A due: Sereno il cielo
Ercole sul Termodonte RV710, Act I, Scena 2: Recitativo: Antiope, genitrice
Ercole sul Termodonte RV710, Act I, Scena 2: Aria: Con aspetto lusinghiero
Ercole sul Termodonte RV710, Act I, Scena 3: Recitativo: Mostro di tal natura
Ercole sul Termodonte RV710, Act I, Scena 3: Aria: Certo pensier ch'ho in petto
Ercole sul Termodonte RV710, Act I, Scena 3: Sinfonia
Ercole sul Termodonte RV710, Act I, Scena 4: Recitativo: Amici, eccoci omai
Ercole sul Termodonte RV710, Act I, Scena 4: Aria: Vedrà l'empia
Ercole sul Termodonte RV710, Act I, Scena 4: Recitativo: Grand'Alcide, io ti seguo
Ercole sul Termodonte RV710, Act I, Scena 4: Aria: Quella beltà
Ercole sul Termodonte RV710, Act I, Scena 5: Recitativo: No, che amor non è fallo in cor guerriero
Ercole sul Termodonte RV710, Act I, Scena 6: Recitativo: Da sì nobile sfera
Ercole sul Termodonte RV710, Act I, Scena 6: Aria: Occhio, che il sol rimira
Ercole sul Termodonte RV710, Act I, Scena 7: Recitativo: All'armi, all'armi
Ercole sul Termodonte RV710, Act I, Scena 8: Recitativo: Orizia generosa
Ercole sul Termodonte RV710, Act I, Scena 9: Recitativo: Per riveder l'aspetto
Ercole sul Termodonte RV710, Act I, Scena 9: Aria: Non saria pena la mia
Ercole sul Termodonte RV710, Act I, Scena 10: Recitativo: martesia è mia
Ercole sul Termodonte RV710, Act I, Scena 10: Aria: Un sguardo, un vezzo, un riso
Ercole sul Termodonte RV710, Act I, Scena 11: Recitativo: Per sì bella speranza che non saprò tentar?
Ercole sul Termodonte RV710, Act I, Scena 11: Aria: Sento con qual diletto
Ercole sul Termodonte RV710, Act I, Scena 12: Recitativo: Ercole, ohimè!
Ercole sul Termodonte RV710, Act I, Scena 12: Sinfonia: Abbattimento sul ponte
Ercole sul Termodonte RV710, Act II, Scena 1: Aria: Onde chiare che sussurrate
Ercole sul Termodonte RV710, Act II, Scena 1: Recitativo: Quanto per me fatale
Ercole sul Termodonte RV710, Act II, Scena 1: Aria: Bel piacer ch'è la vendetta
Ercole sul Termodonte RV710, Act II, Scena 1: Recitativo: Palpita per timore il core amante
Ercole sul Termodonte RV710, Act II, Scena 1: Aria: Da due venti
Ercole sul Termodonte RV710, Act III, Scena 7: Martesia, e come qui?
Ercole sul Termodonte RV710, Act III, Scena 7: Duetto: Spera, bell'idol mio
Ercole sul Termodonte RV710, Act III, Scena 8: Regio mio brando illustre
Ercole sul Termodonte RV710, Act III, Scena 8: Aria: Scenderò, volerò, griderò
Ercole sul Termodonte RV710, Act III, Scena 9: Recitativo: Ah, ingiusta sorte!
Ercole sul Termodonte RV710, Act III, Scena 10: Aria: Coronatemi le chiom
Ercole sul Termodonte RV710, Act III, Scena 10: Recitativo: Non l'hai tutte ancor vinte
Ercole sul Termodonte RV710, Act III, Scena 11: Recitativo: ma la richiesta è vana
Ercole sul Termodonte RV710, Act III, Scena ultima: Recitativo: Signor, mirati al piede
Ercole sul Termodonte RV710, Act III, Scena ultima: Coro: Cinzia e Giove
Oratorio per la Santissima Trinità, Prima Parte: Sinfonia
Oratorio per la Santissima Trinità, Prima Parte: Duetto - No, possibil non è (Fede/Teologia)
Oratorio per la Santissima Trinità, Prima Parte: Recitativo - Io che tutti secreti (Teologia)
Oratorio per la Santissima Trinità, Prima Parte: Aria - Una pianta tre rami distende (Teologia)
Oratorio per la Santissima Trinità, Prima Parte: Recitativo - O quanto stolta sei (Fede)
Oratorio per la Santissima Trinità, Prima Parte: Aria - Cieca talpa intorno al sole (Fede)
Oratorio per la Santissima Trinità, Prima Parte: Recitativo - Tu ch'hai gl'occhi bendati (Teologia/Fede)
Oratorio per la Santissima Trinità, Prima Parte: A due - No, possibil non è (Fede/Teologia)
Oratorio per la Santissima Trinità, Prima Parte: Recitativo - Baldanzose donzelle (Infedeltà)
Oratorio per la Santissima Trinità, Prima Parte: Aria - Che da un mar nascano i fiumi (Infeldeltà)
Oratorio per la Santissima Trinità, Prima Parte: Recitativo - Si profondo mistero (Teologia)
Oratorio per la Santissima Trinità, Prima Parte: Aria - Constante prestar fede (Fede)
Oratorio per la Santissima Trinità, Prima Parte: Recitativo - Con l'ali al piede (Tempo)
Oratorio per la Santissima Trinità, Prima Parte: Aria - Pretende invano (Tempo)
Oratorio per la Santissima Trinità, Prima Parte: Recitativo - Dunque è ver (Infedeltà/Fede)
Oratorio per la Santissima Trinità, Prima Parte: Aria - Della Fede il bel candore (Fede)
Oratorio per la Santissima Trinità, Prima Parte: Recitativo - O tu che vanti (Tempo/Infedeltà)
Oratorio per la Santissima Trinità, Prima Parte: Aria - Che sia Tempo (Tempo)
Oratorio per la Santissima Trinità, Prima Parte: Recitativo - È ver quanto m'esponi (Infedeltà)
Oratorio per la Santissima Trinità, Prima Parte: Aria - L'eterno Padre (Infedeltà)
Oratorio per la Santissima Trinità, Prima Parte: Recitativo - Ti risponde dal Cielo (Amor divino)
Oratorio per la Santissima Trinità, Prima Parte: Aria - Quell'Amore ch'eterno si scorge (Amor divino)
Oratorio per la Santissima Trinità, Prima Parte: Recitativo - Ecco dunque spiegato (Teologia)
Oratorio per la Santissima Trinità, Prima Parte: Aria - Ma nobile scudo (Teologia)
Oratorio per la Santissima Trinità, Prima Parte: Recitativo - È ver che luce (Amor divino)
Oratorio per la Santissima Trinità, Prima Parte: Aria - Or di voi più fortunato (Amor divino)
Oratorio per la Santissima Trinità, Prima Parte: Recitativo - O te felice (Fede)
Oratorio per la Santissima Trinità, Prima Parte: Duetto - Quanto invidio i tuoi contenti (Fede/Amor divino)
Oratorio per la Santissima Trinità, Seconda Parte: Duetto - Cedi, infida, al mio valore (Fede/Infedeltà)
Oratorio per la Santissima Trinità, Seconda Parte: Recitativo - Cara Fede adorata (Teologia)
Oratorio per la Santissima Trinità, Seconda Parte: Aria - Pensier così fundesto (Teologia)
Oratorio per la Santissima Trinità, Seconda Parte: Recitativo - Non paventar (Amor divino/Infedeltà)
Oratorio per la Santissima Trinità, Seconda Parte: Aria - Un volere, un potere (Amore divino)
Oratorio per la Santissima Trinità, Seconda Parte: Recitativo - Ancor non sei convinta? (Tempo/Infedeltà/Amor divino)
Oratorio per la Santissima Trinità, Seconda Parte: Aria - Vedrai la tortorella (Fede)
Oratorio per la Santissima Trinità, Seconda Parte: Recitativo - Ancor non cedi (Teologia)
Oratorio per la Santissima Trinità, Seconda Parte: Duetto - L'augelletto che sen vive (Fede/Amor divino)
Oratorio per la Santissima Trinità, Seconda Parte: Recitativo - Con assalto più ardito (Infedeltà)
Oratorio per la Santissima Trinità, Seconda Parte: Aria - Povera navicella (Teologia)
Oratorio per la Santissima Trinità, Seconda Parte: Recitativo - Di naufragio non teme (Amor divino)
Oratorio per la Santissima Trinità, Seconda Parte: Aria - Tanto parla, tanto crede (Amot divino)
Oratorio per la Santissima Trinità, Seconda Parte: Recitativo - Povera Infedeltà (Teologia/Fede/Infedeltà)
Oratorio per la Santissima Trinità, Seconda Parte: Aria - Tutte le furie (Infedeltà)
Oratorio per la Santissima Trinità, Seconda Parte: Recitativo - Stolta sei se ciò credi (Tempo)
Oratorio per la Santissima Trinità, Seconda Parte: Aria - Con la Fede e Amor divino (Tempo)
Oratorio per la Santissima Trinità, Seconda Parte: Recitativo - Tanto farà quel Dio (Fede)
Oratorio per la Santissima Trinità, Seconda Parte: Aria - Ora ch'è vinta (Fede)
Oratorio per la Santissima Trinità, Seconda Parte: Recitativo - É vano il tuo gioir (Infedeltà)
Oratorio per la Santissima Trinità, Seconda Parte: Quintetto finale - Ch'oi ti ceda? (Infedeltà/Tempo/Teologia/Amor divino/Fede)
Part I: Sinfonia
Part I: Recitative: E qual d'intorno io miro (Humanita)
Part I: Aria: La bianca aurora (Humanita)
Part I: Recitative: Ah ch'a ragion l'aurora (Humanita)
Part I: Sinfonia con tromba
Part I: Recitative: Ma qual fragor (Humanita)
Part I: Aria: A dispetto delle stelle (Lucifero)
Part I: Recitative: E che ti pensi, o Ciel nemico (Lucifero)
Part I: Aria: A dispetto delle stelle (Lucifero)
Part I: Recitative: Affrena, iniquo mostro (Humanita)
Part I: Aria: Al lampo del ciglio (Humanita)
Part I: Recitative: Oh quanto rido (Lucifero)
Part I: Aria: Fin ch'arene havra Cocito (Lucifero)
Part I: Recitative: Mira, superbo, mira (Humanita)
Part I: Duet: Comincia pure a piangere (Humanita, Lucifero)
I. Preludio: Largo
II. Corrente: Allegro
III. Adagio
IV. Allemanda: Presto
Part II: Sinfonia
Part II: Recitative: Cadde il barbaro mostro (Humanita)
Part II: Aria: Se fanciulla sempre in culla (Humanita)
Part II: Recitative: Per me sempre crudeli (Lucifero)
Part II: Aria: Pianga pure al duol (Lucifero)
I. Grave
II. Vivace
III. Largo
IV. Allegro
Part II: Recitativo: Or vanne altero grande (Humanita)
Part II: Aria: Il nuovo mio piacer (Humanita)
Part II: Recitativo: Lo veggio, si lo veggio (Lucifero)
Part II: Aria: Torno ai regni dell'orrido Averno (Lucifero)
Part II: Recitativo: Chi potra ridire, Vergine bella (Humanita)
Part II: Aria: Ogni sponda ed ogni riva (Humanita)
Concerto for Oboe, Violin and Strings in C minor BWV1060: I. Allegro
Concerto for Oboe, Violin and Strings in C minor BWV1060: II. Adagio
Concerto for Oboe, Violin and Strings in C minor BWV1060: III. Allegro
Cantata No. 82, 'Ich habe genug' BWV82: Aria: Ich habe genug
Cantata No. 82, 'Ich habe genug' BWV82: Recit: Ich habe genug
Cantata No. 82, 'Ich habe genug' BWV82: Aria: Schlummert ein
Cantata No. 82, 'Ich habe genug' BWV82: Recit: Mein Gott! wann kommt das Schöne Nun!
Cantata No. 82, 'Ich habe genug' BWV82: Aria: Ich freue mich auf meinen Tod
Cantata No. 55, 'Ich armer Mensch, ich Sündenknecht' BWV55: Aria: Ich armer Mensch, ich Sündenknecht (Tenor)
Cantata No. 55, 'Ich armer Mensch, ich Sündenknecht' BWV55: Recitativo: Ich habe wider Gott gehandelt (Tenor)
Cantata No. 55, 'Ich armer Mensch, ich Sündenknecht' BWV55: Aria: Erbarme dich (Tenor)
Cantata No. 55, 'Ich armer Mensch, ich Sündenknecht' BWV55: Recitativo: Erbarme dich! Jedoch nun tröst' ich mich (Tenor)
Cantata No. 55, 'Ich armer Mensch, ich Sündenknecht' BWV55: Choral: Bin ich gleich von dir gewichen (chorus)
Laudate, pueri Dominum, psalm 112 for soprano, 2 violins, viola & bass RV 600: Laudate, pueri Dominum [Allegro]
Laudate, pueri Dominum, psalm 112 for soprano, 2 violins, viola & bass RV 600: Sit nomen Domini [largo]
Laudate, pueri Dominum, psalm 112 for soprano, 2 violins, viola & bass RV 600: A solis ortu usque ad occasum [Allegro]
Laudate, pueri Dominum, psalm 112 for soprano, 2 violins, viola & bass RV 600: Excelsus super omnes [Andante]
Laudate, pueri Dominum, psalm 112 for soprano, 2 violins, viola & bass RV 600: Qui sicut Dominus Deus [largo]
Laudate, pueri Dominum, psalm 112 for soprano, 2 violins, viola & bass RV 600: Suscitans a terra inopem [Presto]
Laudate, pueri Dominum, psalm 112 for soprano, 2 violins, viola & bass RV 600: Ut collocet eum [Allegro]
Laudate, pueri Dominum, psalm 112 for soprano, 2 violins, viola & bass RV 600: Gloria Patri et Filio [Largo]
Laudate, pueri Dominum, psalm 112 for soprano, 2 violins, viola & bass RV 600: Laudate, pueri Dominum [Allegro]
Laudate, pueri Dominum, psalm 112 for soprano, 2 violins, viola & bass RV 600: Amen [Allegro]
In furore, motet for soprano, 2 violins, viola & bass RV626: I Aria: In furore [Allegro]
In furore, motet for soprano, 2 violins, viola & bass RV626: II Recitativo
In furore, motet for soprano, 2 violins, viola & bass RV626: III Aria: Tunc mesu fletus [Largo]
In furore, motet for soprano, 2 violins, viola & bass RV626: IV Alleluia [Allegro]
In turbato mare irato, motet for soprano, 2 violins, viola & bass RV627: I Aria: In turbato mare irato [Allegro]
In turbato mare irato, motet for soprano, 2 violins, viola & bass RV627: II Recitativo: Splmende serena, o lux amata
In turbato mare irato, motet for soprano, 2 violins, viola & bass RV627: III Aria: Respende, bella, divina stella [Larghetto]
In turbato mare irato, motet for soprano, 2 violins, viola & bass RV627: IV Alleluia [Allegro]
O qui coeli terraeque serenitas, motet for soprano, 2 violins, viola & bass RV631: I Aria: O qui coeli terraeque serenitas [Allegro]
O qui coeli terraeque serenitas, motet for soprano, 2 violins, viola & bass RV631: II Recitativo: Fac ut sordescat tellus
O qui coeli terraeque serenitas, motet for soprano, 2 violins, viola & bass RV631: III Aria: Rosa quae moritur [Largo]
O qui coeli terraeque serenitas, motet for soprano, 2 violins, viola & bass RV631: IV Alleluia [Allegro]
Quintet No.91 for 2 violins, viola & 2 cellos in C minor Op.45 No.1 (1792) 'Opera Grande' G 355: I Adagio non tanto
Quintet No.91 for 2 violins, viola & 2 cellos in C minor Op.45 No.1 (1792) 'Opera Grande' G 355: II Allegro assai
Quintet No.91 for 2 violins, viola & 2 cellos in C minor Op.45 No.1 (1792) 'Opera Grande' G 355: III Tempo di minuetto
Quintet No.91 for 2 violins, viola & 2 cellos in C minor Op.45 No.1 (1792) 'Opera Grande' G 355: IV Finale. Presto
String Quartet No.56 in C minor Op.41 No.1 (1788) 'Opera Grande' G 214: I Prestissimo
String Quartet No.56 in C minor Op.41 No.1 (1788) 'Opera Grande' G 214: II Tempo di minuetto
String Quartet No.56 in C minor Op.41 No.1 (1788) 'Opera Grande' G 214: III Andante Flebile
String Quartet No.56 in C minor Op.41 No.1 (1788) 'Opera Grande' G 214: IV Prestissimo
String Trio No.22 in D major Op.14 No.4 (1772) ' Opera Grande' G 98: I Allegro
String Trio No.22 in D major Op.14 No.4 (1772) ' Opera Grande' G 98: II Andantino
String Trio No.22 in D major Op.14 No.4 (1772) ' Opera Grande' G 98: III Allegro assai
I. Allegro
II. Largo e pianissimo
III. Danza pastorale: Allegro
I. Allegro
II. Adagio
III. Tempo impetuoso d'Estate
I. Allegro
II. Adagio
III. La Caccia
I. Allegro non molto
II. Largo
III. Allegro
I. Allegro
II. Largo
III. Allegro
I. Allegro
II. Largo e sempre piano
III. Allegro
I. Allegro
II. Andante
III. Allegro
I. Allegro
II. Andante
III. Allegro molto
Concerto in D minor, RV 394: I Allegro
Concerto in D minor, RV 394: II Largo
Concerto in D minor, RV 394: III Allegro
Concerto in A major, RV 396: I Allegro
Concerto in A major, RV 396: II Andante
Concerto in A major, RV 396: III Allegro
Concerto in D major, RV 392: I Allegro
Concerto in D major, RV 392: II Largo
Concerto in D major, RV 392: III Allegro
Concerto in D minor, RV 393: I Allegro
Concerto in D minor, RV 393: II Adagio
Concerto in D minor, RV 393: III Presto
Concerto in D minor, RV 395: I Allegro
Concerto in D minor, RV 395: II Largo
Concerto in D minor, RV 395: III Allegro
Concerto in A minor, RV 397: I Allegro
Concerto in A minor, RV 397: II Largo
Concerto in A minor, RV 397: III Allegro
Concerto in F major, RV 97: I Largo & II Allegro
Concerto in F major, RV 97: III Adagio
Concerto in F major, RV 97: IV Allegro
Concerto in D minor, RV 540: I Allegro
Concerto in D minor, RV 540: II Largo
Concerto in D minor, RV 540: III Allegro
Salve Regina, Mater misericordiae
Ad te clamamus exsules filii Hevae - Ad te clamamus exsules filii Hevae
Eja ergo, advocata nostra
O clemens, o pia, o dulcis virgo Maria
Salve Regina, Mater misericordiae
Ad te clamamus exsules filii Hevae
Ad te suspiramus gementes et flentes
Eja ergo, advocata nostra
Et jesum, benedictum fructum ventris tui
O clemens, o pia, o dulcis virgo Maria
Largo
Allegro
Largo
Allegretto
O Clement, o Pieuse, o douce
Overture (Sinfonia) in G minor (J-C 57): I Allegro
Overture (Sinfonia) in G minor (J-C 57): II Andante
Overture (Sinfonia) in G minor (J-C 57): III Allegro
Sinfonia No.6 in D minor, G 506 (La Casa del Diavolo)/rev. Antonio de Almeida: I Andante sostenuto
Sinfonia No.6 in D minor, G 506 (La Casa del Diavolo)/rev. Antonio de Almeida: II Allegro assai
Sinfonia No.6 in D minor, G 506 (La Casa del Diavolo)/rev. Antonio de Almeida: III Andantino con moto
Sinfonia No.6 in D minor, G 506 (La Casa del Diavolo)/rev. Antonio de Almeida: IV Andante sostenuto
Sinfonia No.6 in D minor, G 506 (La Casa del Diavolo)/rev. Antonio de Almeida: V Allegro con molto
Stabat Mater: I: Stabat Mater dolorosa environ
Stabat Mater: II: Cujus animam gementem
Stabat Mater: III: O quam tristis et afflicta
Stabat Mater: IV: Quae moerabat et dolebat
Stabat Mater: V: Quis est homo, qui non fleret
Stabat Mater: VI: Vidit suum dulcem Natum
Stabat Mater: VII: Eja Mater, fons amoris
Stabat Mater: VIII: Fac et ardeat cor meum
Stabat Mater: IX: Sancta Mater istud agas
Stabat Mater: X: Fac ut portem Christi mortem
Stabat Mater: XI: Inflammatus et accensus
Stabat Mater: XII: Quando corpus morietur
Salve Regina in F minor: I. Salve Regina
Salve Regina in F minor: II. Ad te clamamus
Salve Regina in F minor: III. Eia ergo, advocata nostra
Salve Regina in F minor: IV. Et Jesum
Salve Regina in F minor: V. O clemens
Salve Regina in A minor: I. Salve Regina
Salve Regina in A minor: II. Ad te clamamus
Salve Regina in A minor: III. Eia ergo, advocata nostra
Salve Regina in A minor: IV. O clemens
Violin Concerto No.1 in B flat major K.207: I. [Allegro moderato]
Violin Concerto No.1 in B flat major K.207: II. Adagio
Violin Concerto No.1 in B flat major K.207: III. Presto
Violin Concerto No.2 in D major K.211: I. [Allegro moderato]
Violin Concerto No.2 in D major K.211: II. [Andante]
Violin Concerto No.2 in D major K.211: III. Rondeau (Allegro)
Violin Concerto No.3 in G major K.216: I. Allegro
Violin Concerto No.3 in G major K.216: II. Adagio
Violin Concerto No.3 in G major K.216: III. Rondeau (Allegro - Andante - Allegretto)
Concerto for 2 violins, 2 recorders, 2 oboe, bassoon & strings in D minor RV566: Allegro assai
Concerto for 2 violins, 2 recorders, 2 oboe, bassoon & strings in D minor RV566: Largo (2 flutes)
Concerto for 2 violins, 2 recorders, 2 oboe, bassoon & strings in D minor RV566: Allegro
Concerto for violin, 2 oboe, bassoon, 2 horns & strings in F major RV569: I Adagio - Allegro
Concerto for violin, 2 oboe, bassoon, 2 horns & strings in F major RV569: II Grave (Largo)
Concerto for violin, 2 oboe, bassoon, 2 horns & strings in F major RV569: III Allegro
Concerto for solo viola d'amore, lute & strings in D minor RV540: I Allegro
Concerto for solo viola d'amore, lute & strings in D minor RV540: II Largo
Concerto for solo viola d'amore, lute & strings in D minor RV540: III Allegro
Concerto for solo violin, 2 cellos & strings in C major RV561: Allegro
Concerto for solo violin, 2 cellos & strings in C major RV561: Largo
Concerto for solo violin, 2 cellos & strings in C major RV561: Allegro molto
Concerto for cello & strings in G major RV413: I Allegro
Concerto for cello & strings in G major RV413: II Largo
Concerto for cello & strings in G major RV413: III Allegro
Concerto for 4 solo violins & strings in B flat major RV553: I Allegro
Concerto for 4 solo violins & strings in B flat major RV553: II Largo
Concerto for 4 solo violins & strings in B flat major RV553: III Allegro
Bajazet, Sinfonia: I Allegro
Bajazet, Sinfonia: II Andante molto
Bajazet, Sinfonia: III Allegro
Bajazet, Act 1, Scene 1: Recit: Prence lo so, vi devo (Bajazet/Andronico)
Bajazet, Act 1, Scene 1: Aria: Del destin non dee lagnarsi (Bajazet)
Bajazet, Act 1, Scene 2: Recit: Non si perda di vista (Andronico/Idaspe)
Bajazet, Act 1, Scene 2: Aria: Nasce rosa lusinghiera (Idaspe)
Bajazet, Act 1, Scene 3: Recit: Principe, or ora i greci (Tamerlano/Andronico)
Bajazet, Act 1, Scene 3: Aria: In si torbida procella (Tamerlano)
Bajazet, Act 1, Scene 4: Recit: Il tartaro ama Asteria (Andronico)
Bajazet, Act 1, Scene 4: Aria: Quel ciglio vezzosetto (Andronico)
Bajazet, Act 1, Scenes 4 & 5: Recit: Or si, fiero destino...Non è più tempo Asteria (Tamerlano/Asteria)
Bajazet, Act 1, Scenes 4 & 5: Aria: Vedeste mai sul prato (Tamerlano)
Bajazet, Act 1, Scenes 7 & 8: Recit: Non ascolto più nulla!...Asteria non parlate? (Bajazet/Asteria/Andronico)


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