Emmanuelle Haïm

Biography

Country: France  
A sensational new figure on the Baroque music scene in the early 2000s, conductor Emmanuelle Haïm electrified audiences with her passionate interpretations of operatic and choral works. She has never studied conducting formally, and, like many other performers involved with older repertoire, she first came to early music only in adulthood. Haïm has never divulged her birthdate, but music suffused her family background. In her deep ancestry was a Read more family of Breton organmakers, and her Hungarian stepfather passed time as friends with both Andras Schiff and Zoltan Kocsis. Emmanuelle and her siblings performed chamber music at these high-level gatherings, and she soon decided on a musical career.

At first Haïm studied piano, but in her mid-twenties she switched to harpsichord because she wanted to participate in a performance of Bach's St. Matthew Passion and couldn't think of another way to become involved. Among her teachers at the Paris Conservatoire were Kenneth Gilbert and Christophe Rousset, and she was soon pulling down top prizes. Her harpsichord skills were spotted by conductor William Christie, and for a decade Haïm performed with his ensemble, Les Arts Florissants. Though neither Haïm nor Christie realized it at the time, she was also studying conducting. "Bill is a showman; he has a sense of the life and rhythm of a show," Haïm later explained to the Independent. She also performed Baroque and Classical repertory with big-name conductors such as Simon Rattle, who would later encourage her in her own conducting efforts. And she was a noted accompanist who worked with Cecilia Bartoli, among others.

Haïm's conducting debut was as unplanned as her turn toward the harpsichord; a group of instrumentalist friends wanted practice working with singers, and Haïm agreed to helm an impromptu ensemble. She began to find opportunities as a Baroque opera conductor, and in 2000 she formed an ensemble of her own, Le Concert d'Astrée. That put Haïm and her enthusiasm squarely in the spotlight ("like a ballerina on speed" was the Independent's description of Haïm in rehearsal), and engagements and support began to flow her way. (Le Concert d'Astrée is backed by France Télécom, but not by the French government.) In 2003 Haïm conducted Monteverdi's Orfeo at the Barbican in London in a series of six sold-out performances featuring star tenor Ian Bostridge. She made numerous guest-conducting appearances, but declined chances to move into mainstream repertory. Haïm was slated to conduct Orfeo in 20 performances across France in the 2005-2006 season. Read less

Biography

Country: France  
A sensational new figure on the Baroque music scene in the early 2000s, conductor Emmanuelle Haïm electrified audiences with her passionate interpretations of operatic and choral works. She has never studied conducting formally, and, like many other performers involved with older repertoire, she first came to early music only in adulthood. Haïm has never divulged her birthdate, but music suffused her family background. In her deep ancestry was a Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Messiah, HWV 56, Part 1: Grave - Allegro moderato
Messiah, HWV 56, Part 1: "Comfort ye my people" (Tenor)
Handel: Messiah, HWV 56, Part 1: "Ev'ry valley shall be exalted" (Tenor)
Messiah, HWV 56, Part 1: "And the glory of the Lord shall be revealed" (Chorus)
Messiah, HWV 56, Part 1: "Thus saith the Lord of Hosts" (Bass)
Messiah, HWV 56, Part 1: "But who may abide the day of His coming?" (Alto)
Messiah, HWV 56, Part 1: "And he shall purify" (Chorus)
Messiah, HWV 56, Part 1: "Behold, a virgin shall conceive" (Alto)
Messiah, HWV 56, Part 1: "O thou that tellest good tidings to Zion" (Alto, Chorus)
Messiah, HWV 56, Part 1: "For behold, darkness shall cover the earth" (Bass)
Messiah, HWV 56, Part 1: "The people that walked in darkness" (Bass)
Messiah, HWV 56, Part 1: "For unto us a child is born" (Chorus)
Messiah, HWV 56, Part 1: Larghetto e mezzo piano
Messiah, HWV 56, Part 1: "There were shepherds abiding in the field" (Soprano)
Messiah, HWV 56, Part 1: "And lo, the angel of the Lord came upon them" (Soprano)
Messiah, HWV 56, Part 1: "And the angel said unto them" (Soprano)
Messiah, HWV 56, Part 1: "And suddenly there was with the angel" (Soprano)
Messiah, HWV 56, Part 1: "Glory to God in the highest" (Chorus)
Messiah, HWV 56, Part 1: "Rejoice greatly, O daughter of Zion" (Soprano)
Messiah, HWV 56, Part 1: "Then shall the eyes of the blind be open'd" (Alto)
Messiah, HWV 56, Part 1:"He shall feed His flock like a shepherd" (Alto, Soprano)
Messiah, HWV 56, Part 1: "His yoke is easy, His burthen is light" (Chorus)
Messiah, HWV 56, Part 2: "Behold the Lamb of God" (Chorus)
Messiah, HWV 56, Part 2: "He was despised" (Alto)
Messiah, HWV 56, Part 2: "Surely He hath borne our griefs" (Chorus)
Messiah, HWV 56, Part 2: "And with His stripes we are healed" (Chorus)
Messiah, HWV 56, Part 2: "All we, like sheep, have gone astray" (Chorus)
Messiah, HWV 56, Part 2: "All they that see Him laugh Him to scorn" (Tenor)
Messiah, HWV 56, Part 2: "He trusted in God" (Chorus)
Messiah, HWV 56, Part 2: "Thy rebuke hath broken His heart" (Tenor)
Messiah, HWV 56, Part 2: "Behold, and see, if there be any sorrow" (Tenor)
Messiah, HWV 56, Part 2: "He was cut off out of the land of the living" (Tenor)
Messiah, HWV 56, Part 2: "But Thou didst not leave His soul in hell" (Tenor)
Messiah, HWV 56, Part 2: "Lift up your heads, O ye gates" (Chorus)
Messiah, HWV 56, Part 2: "Unto which of the angels said He at any time" (Tenor)
Messiah, HWV 56, Part 2: "Let all the angels of God worship Him" (Chorus)
Messiah, HWV 56, Part 2: "Thou art gone up on high" (Alto)
Messiah, HWV 56, Part 2: "The Lord gave the word" (Chorus)
Messiah, HWV 56, Part 2: "How beautiful are the feet" (Soprano)
Messiah, HWV 56, Part 2: "Their sound is gone out into all lands" (Chorus)
Messiah, HWV 56, Part 2: "Why do the nations so furiously rage together" (Bass)
Messiah, HWV 56, Part 2: "Let us break their bonds asunder" (Chorus)
Messiah, HWV 56, Part 2: "He that dwelleth in heaven" (Tenor)
Messiah, HWV 56, Part 2: "Thou shalt break them with a rod of iron" (Tenor)
Messiah, HWV 56, Part 2: "Hallelujah!" (Chorus)
Messiah, HWV 56, Part 3: "I know that my Redeemer liveth" (Soprano)
Messiah, HWV 56, Part 3: "Since by man came death" (Chorus)
Messiah, HWV 56, Part 3: "Behold, I tell you a mystery" (Bass)
Messiah, HWV 56, Part 3: "The trumpet shall sound" (Bass)
Messiah, HWV 56, Part 3: "Then shall be brought to pass the saying" (Alto)
Messiah, HWV 56, Part 3: "O death, where is thy sting?" (Alto, Tenor)
Messiah, HWV 56, Part 3: "But thanks be to God" (Chorus)
Messiah, HWV 56, Part 3: "If God be for us, who can be against us?" (Soprano)
Messiah, HWV 56, Part 3: "Worthy is the Lamb that was slain" - Amen (Chorus)
Orfeo: Toccata
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Dal Moi Permesso' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Io la Musica son' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Io su cetera' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Quinci a dir d'Orfeo' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Hor mentre i canti alterno' (La Musica)
Orfeo, Atto Primo: 'In questi lieto fortunato giorno' (Pastore)
Orfeo, Atto Primo: 'Vieni Imeneo, deh vieni' (Choro)
Orfeo, Atto Primo: 'Muse honor di Parnasso (Ninfa
Orfeo, Atto Primo: 'Lasciate i monte, lasciate i fonte' (Choro)
Orfeo, Atto Primo: 'Ma tu gentil cantor' (Pastore)
Orfeo, Atto Primo: 'Rosa del ciel, vita del mondo' Orfeo
Orfeo, Atto Primo: 'Io non diro qual sia' (Euridice)
Orfeo, Atto Primo: 'Lasciate i monte, lasciate i fonte' (Choro)
Orfeo, Atto Primo: 'Vieni Imeneo, deh vieni' (Choro)
Orfeo, Atto Primo: 'Ma s'il nostro gioir dal ciel deriva' (Pastore)/Ritornello
Orfeo, Atto Primo: 'Alcun non sia che disperato in preda'/Ritornello
Orfeo, Atto Primo: 'Che poi che nembro rio gravido il seno'/Ritornello
Orfeo, Atto Primo: 'E dopo l'aspro gel del verno ignudo'
Orfeo, Atto Primo: 'Ecco Orfeo cui pur dianzi'
Orfeo, Atto Secondo: Sinfonia/'..Ecco pur ch'a voi ritorno' (Orfeo)
Orfeo, Atto Secondo: Ritornello/'..Mira ch'a se n'alletta' (Pastore)
Orfeo, Atto Secondo: Ritornello/'In questo prato adorno' (Due Pastori)
Orfeo, Atto Secondo: Ritornello/'Qui le Nappe e vezzose' (Due Patori)
Orfeo, Atto Secondo: Ritornello/'Vi ricorda o boschi ombrosi' (Orfeo)
Orfeo, Atto Secondo: 'Mira deh mira Orfeo' (Pastore)
Orfeo, Atto Secondo: 'In un fiorito prato' (Messagiera)
Orfeo, Atto Secondo: 'Tu se' morta' (Orfeo)
Orfeo, Atto Secondo: 'Ahi caso acerbo' (Choro)
Orfeo, Atto Secondo: 'Ma io ch'in questa lingua' (Messagiera)
Orfeo, Atto Secondo: Sinfonia/'Chi be consoal ahi lassi?' (Due Pastori)
Orfeo, Atto Secondo: Ritornello
Orfeo, Atto Terzo: Sinfonia
Orfeo, Atto Terzo: 'Scorto da te mio Nume' (Orfeo)
Orfeo, Atto Terzo: 'Ecco l'altra palude, ecco il nocchiero' (Speranza/Orfeo)
Orfeo, Atto Terzo: 'O tu ch'innanzi mort'a questi rive' (Caronte)
Orfeo, Atto Terzo: Sinfonia
Orfeo, Atto Terzo: 'Possente Spirito e formidabil Nume' (Orfeo)
Orfeo, Atto Terzo: Ritornello (Violino I e II)
Orfeo, Atto Terzo: 'Non viv'io no, che poi di vita è priva' (Orfeo)
Orfeo, Atto Terzo: Ritornello (Cornetto I e II)
Orfeo, Atto Terzo: 'A lei volt'ho il camin per l'aer cieco' (Orfeo)
Orfeo, Atto Terzo: Ritornello (Arpa)
Orfeo, Atto Terzo: 'Orfeo son io che d'Euridice i passi' (Orfeo)
Orfeo, Atto Terzo: 'Sol Tu nobile Deo puoi darmi aita' (Orfeo)
Orfeo, Atto Terzo: 'Ben mi lusinga alquanto' (Caronte/Orfeo)
Orfeo, Atto Terzo: 'Ahi sventurato a mante, Sperar dunque non lice' (Orfeo)
Orfeo, Atto Terzo: Sinfonia
Orfeo, Atto Terzo: 'Ei dorme e la mia cetra Se pietà non impetra' (Orfeo)
Orfeo, Atto Terzo: Sinfonia a 7 /'Nulla impressa per huom si tenta invano' (Choro)/Sinfonia a 7
Orfeo, Atto Quarto: 'Signor quel infelice' (Proserpina)
Orfeo, Atto Quarto: 'Benchè severo e immutabil fato' (Plutone)
Orfeo, Atto Quarto: 'O degli habitato de l'ombre eterne' (Uno spirito del coro/Un altro spirito del coro)
Orfeo, Atto Quarto: 'Quali grazie tirendo' (Proserpina/Plutone)
Orfeo, Atto Quarto: 'Tue soavi parole d'Amor l'antica piaga...' (Plutone)
Orfeo, Atto Quarto: 'Pietade oggi et Amore Trionfan' (Coro di spiriti a Cinque/Spirito del coro)
Orfeo, Atto Quarto: 'Qual honor di te fia degno' (Orfeo)
Orfeo, Atto Quarto: 'Ma mentre io canto (oimè)' (Orfeo)
Orfeo, Atto Quarto: 'O dolcissimi lumi io pur vi veggio' (Orfeo/ Un spirito)
Orfeo, Atto Quarto: 'Ahi vista troppo dolce e troppo amara' (Euridice/Un spirito del coro)
Orfeo, Atto Quarto: 'Dove te'n vai mia vita' (Orfeo)
Orfeo, Atto Quarto: Sinfonia a 7/'E la virtute un raggio' (Choro di Spiriti)/Sinfonia a 7
Orfeo, Atto Quinto: Ritornello
Orfeo, Atto Quinto: 'Questi i campi di Tracia' (Orfeo)
Orfeo, Atto Quinto: 'Ma tu anima mia se mai ritorna' (Orfeo)
Orfeo, Atto Quinto: Tu bella fusti e saggia' (Orfeo)
Orfeo, Atto Quinto: 'Hor l'altra Donne son superbe e perfide' (Orfeo)
Orfeo, Atto Quinto: Sinfonia
Orfeo, Atto Quinto: 'Perch'a lo sdegno e al dolor in preda' (Apollo)
Orfeo, Atto Quinto: 'Padre cortese al maggior uopo arrivi' (Orfeo)
Orfeo, Atto Quinto: 'Troppo gioisti di tua lieta ventura' (Apollo)
Orfeo, Atto Quinto: 'Si non vedro piu mai...' (Orfeo/Apollo)
Orfeo, Atto Quinto: 'Saliam d'al Cielo' (Orfeo/Apollo)
Orfeo, Atto Quinto: Ritornello/'Vanne Orfeo felice a pieno' (Choro)
Orfeo, Atto Quinto: Moresca
Dido and Aeneas: Overture
Dido and Aeneas, ACT 1: Scene: The Palast: Shake the Clouds from off your Brow (Belinda)
Dido and Aeneas, ACT 1: Scene: The Palast: Banish Sorrow, banish care (Chorus)
Dido and Aeneas, ACT 1: Scene: The Palast: Ah! Belinda, I am press'd with torment (Dido)
Dido and Aeneas, ACT 1: Scene: The Palast: Grief increases by concealing (Belinda-Dido)
Dido and Aeneas, ACT 1: Scene: The Palast: When Monarchs unite how happy their state (Chorus)
Dido and Aeneas, ACT 1: Scene: The Palast: Whence could so much virtue spring? (Dido-Belinda)
Dido and Aeneas, ACT 1: Scene: The Palast: Fear no danger to ensue (Belinda-Second Woman-Chorus)
Dido and Aeneas, ACT 1: Scene: The Palast: See, your Royal Guest appears (Belinda-Aeneas-Dido)
Dido and Aeneas, ACT 1: Scene: The Palast: Cupid only throws the dart (Chorus)
Dido and Aeneas, ACT 1: Scene: The Palast: If not for mine, for Empire's sake (Aeneas-Belinda)
Dido and Aeneas, ACT 1: Scene: The Palast: To the Hills and the Vales (Chorus)
Dido and Aeneas, ACT 1: Scene: The Palast: The Triumphing Dance
Dido and Aeneas, ACT 2, Scene 1:The Cave: Wayward sisters, you that fright (Sorceress)/Harm's our Delight (Chorus)
Dido and Aeneas, ACT 2, Scene 1:The Cave: The Queen of Carthage, whom we hate (Sorceress)/Ho Ho Ho (Chorus)
Dido and Aeneas, ACT 2, Scene 1:The Cave: Ruin'd ere the set of sun? (Two Witches-Sorceress)/Ho Ho Ho (Chorus)
Dido and Aeneas, ACT 2, Scene 1:The Cave: But ere we this perform (Two Witches)
Dido and Aeneas, ACT 2, Scene 1:The Cave: In our deep vaulted cell (Echo Chorus)
Dido and Aeneas, ACT 2, Scene 1:The Cave: Echo Dance of Furies
Dido and Aeneas, ACT 2, Scene 2: The Grove: Ritornelle
Dido and Aeneas, ACT 2, Scene 2: The Grove: Thanks to these lonesome vales (Belinda-Chorus)
Dido and Aeneas, ACT 2, Scene 2: The Grove: Oft she visits this lone mountain (Second Woman)
Dido and Aeneas, ACT 2, Scene 2: The Grove: Behold, upon my bending spear (Aeneas-Dido)
Dido and Aeneas, ACT 2, Scene 2: The Grove: Haste, haste to town (Belinda-Chorus)
Dido and Aeneas, ACT 2, Scene 2: The Grove: Stay, Prince, and hear Great Jove's Command (Spirit-Aeneas)
Dido and Aeneas, ACT 3, Scene 1: The Ships: Come away fellow Sailors (First Sailor-Chorus)
Dido and Aeneas, ACT 3, Scene 1: The Ships: The Sailors' Dance
Dido and Aeneas, ACT 3, Scene 1: The Ships: See the flags and streamers curling (Sorceress-Two Witches)
Dido and Aeneas, ACT 3, Scene 1: The Ships: Our next Motion (Sorceress)
Dido and Aeneas, ACT 3, Scene 1: The Ships: Destruction's our delight (Chorus)
Dido and Aeneas, ACT 3, Scene 1: The Ships: The Witches' Dance
Dido and Aeneas, ACT 3, Scene 2: Your Counsel all is urg'd in vain (Dido-Belinda-Aeneas)
Dido and Aeneas, ACT 3, Scene 2: Great minds against themselves conspire (Chorus)
Dido and Aeneas, ACT 3, Scene 2: Thy hand Belinda; Darkness shades me (Dido)
Dido and Aeneas, Act 3: "When I am laid in earth" (Dido)
Dido and Aeneas, ACT 3, Scene 2: With drooping wings (Chorus)
Component 1: Cantata "Jauchzet Gott in allen Landen" BWV 51: I Aria: Jauchzet Gott in allen Landen
Cantata "Jauchzet Gott in allen Landen" BWV 51: II Recitativo: Wir beten zu dem Tempel an
Cantata "Jauchzet Gott in allen Landen" BWV 51: III Aria: Höchster, mache deine Güte
Cantata "Jauchzet Gott in allen Landen" BWV 51: IV Chorale: Sei Lob und Preis mit Ehren - V Finale: Alleluja!
Cantata No. 82, 'Ich habe genug' BWV82: Aria: Ich habe genug
Cantata No. 82, 'Ich habe genug' BWV82: Recit: Ich habe genug
Cantata No. 82, 'Ich habe genug' BWV82: Aria: Schlummert ein
Cantata No. 82, 'Ich habe genug' BWV82: Recit: Mein Gott! wann kommt das Schöne Nun!
Cantata No. 82, 'Ich habe genug' BWV82: Aria: Ich freue mich auf meinen Tod
Cantata "Mein Herze schwimmt im Blut" BWV 199: I Recitativo: Mein Herze schwimmt im Blut
Cantata "Mein Herze schwimmt im Blut" BWV 199: II Aria & Recitativo: Stumme Seufzer, stille Klagen
Cantata "Mein Herze schwimmt im Blut" BWV 199: III Recitativo: Doch Gott muss mir genädig sein
Cantata "Mein Herze schwimmt im Blut" BWV 199: IV Aria: Tief gebückt und voller Reue
Cantata "Mein Herze schwimmt im Blut" BWV 199: V Recitativo: Auf diese Schmerzensreu
Cantata "Mein Herze schwimmt im Blut" BWV 199: VI Chorale: Ich, dein betrübtes Kind
Cantata "Mein Herze schwimmt im Blut" BWV 199: VII Recitativo: Ich lege mich in diese Wunden
Cantata "Mein Herze schwimmt im Blut" BWV 199: VIII Aria: Wie freudig ist mein Herz
Magnificat in D Major, BWV243: Magnificat
Magnificat in D Major, BWV243: Et exsultavit
Magnificat in D Major, BWV243: Quia respexit
Magnificat in D Major, BWV243: Omnes generationes
Magnificat in D Major, BWV243: Quia fecit mihi magna
Magnificat in D Major, BWV243: Et misericordia
Magnificat in D Major, BWV243: Fecit potentiam
Magnificat in D Major, BWV243: Deposuit potentes
Magnificat in D Major, BWV243: Esurentes implevit bonis
Magnificat in D Major, BWV243: Suscepit Israel
Magnificat in D Major, BWV243: Sicut Iocutus est
Magnificat in D Major, BWV243: Gloria Patri
Dixit Dominus HWV 232: Dixit Dominus Domino meo (chorus)
Dixit Dominus HWV 232: Virgam virtutis tuae (countertenor)
Dixit Dominus HWV 232: Tecum principium in die virtutis tuae (soprano)
Dixit Dominus HWV 232: Juravit Dominus (chorus)
Dixit Dominus HWV 232: Secundum ordinem Melchisedech (chorus)
Dixit Dominus HWV 232: Dominus a dextris tuis (quintet, chorus)
Dixit Dominus HWV 232: De torrente in via bibet (sopranos, chorus)
Dixit Dominus HWV 232: Gloria Patri et Filio (chorus)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707): Overture
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Aria : "Fido specchio" (Bellezza)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Recit.: "Io che sono il Piacere" (Bellezza/Piacere)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Aria: "Fosco genio, e nero duolo" (Piacere)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Recit.: "Ed io, che'l Tempo sono" (Disinganno/Tempo)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Aria: "Se la Bellezza perde vaghezza" (Disinganno)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Recit.:"Dunque si predan l'armi" (Bellezza/Piacere)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Aria: "Una schiera de piaceri" (Bellezza)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Recit.: "I colossi del sol" (Tempo)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Aria: "Urne voi, che racchiudete" (Tempo)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Recit.: "Sono troppo crudeli" (Piacere)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Duo: "Il voler nel fior degl'anni" (Bellezza/Piacere)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Recit.: "Della vita mortale" (Bellezza/Disinganno)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Aria: "Un pensiero nemico di pace" (Bellezza)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Recti.: "Folle, tu niegh'l tempo" (Bellezza/Piacere/Disinganno)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Aria: "Nasce l'uomo" (Tempo)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Aria: "L'uomo sempre se spesso" (Disinganno)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Recit.: "Questa è la reggia mia" (Piacere)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Sonata: "Taci, qual suono ascolto!" (Bellezza)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Aria: "Un leggiadro giovinetto" (Piacere)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Recit.: "Fra nella destra l'ali" (Bellezza)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Aria "Venga il Tempo" (Bellezza)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Aria: "Crede l'uom ch'egli riposi" (Disinganno
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Recit.: "Tu credi che sia lungi" (Bellezza/Disinganno/Tempo)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Aria: "Folle, dunque tu sola presumi" (Tempo)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Recit.: "La reggia del Piacer vedesti" (Disinganno/Tempo)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part One: Quartetto: "Se non sei più ministro" (Bellezza/Piacere/Disinganno/Tempo)
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part Two: Aria: "Tu del ciel ministro eletto" (Bellezza)
Il Delirio Amoroso, HWV 99: Introduzione
Il Delirio Amoroso, HWV 99: "Da quel Giorno Fatale"
Il Delirio Amoroso, HWV 99: "Un pensiero voli in ciel"
Il Delirio Amoroso, HWV 99: "Ma fermati pensier!"
Il Delirio Amoroso, HWV 99: "Per te lasciai la luce"
Il Delirio Amoroso, HWV 99: "Non ti bastava, ingrato"
Il Delirio Amoroso, HWV 99: "Lascia omai le brune vele"
Il Delirio Amoroso, HWV 99: "Ma siamo giunti in Lete"
Il Delirio Amoroso, HWV 99: Entrée
Il Delirio Amoroso, HWV 99: "In queste amene piagge serene"
Il Delirio Amoroso, HWV 99: "Si disse Clori"
Il Delirio Amoroso, HWV 99: Minuet
Mi palpita il cor, HWV 132b: "Mi palpita il cor"
Mi palpita il cor, HWV 132b: "Agitata è l'alma mia"
Mi palpita il cor, HWV 132b: "Tormento e gelosia"
Mi palpita il cor, HWV 132b: "Ho tanti affanni in petto"
Mi palpita il cor, HWV 132b: "Clori dite mi lagno"
Mi palpita il cor, HWV 132b: "Se un di m'adora la mia crudele"
Orfeo: Toccata
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Dal Moi Permesso' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Io la Musica son' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Io su cetera' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Quinci a dir d'Orfeo' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Hor mentre i canti alterno' (La Musica)
Orfeo, Atto Primo: 'In questi lieto fortunato giorno' (Pastore)
Orfeo, Atto Primo: 'Vieni Imeneo, deh vieni' (Choro)
Orfeo, Atto Primo: 'Muse honor di Parnasso (Ninfa
Orfeo, Atto Primo: 'Lasciate i monte, lasciate i fonte' (Choro)
Orfeo, Atto Primo: 'Ma tu gentil cantor' (Pastore)
Orfeo, Atto Primo: 'Rosa del ciel, vita del mondo' Orfeo
Orfeo, Atto Primo: 'Io non diro qual sia' (Euridice)
Orfeo, Atto Primo: 'Lasciate i monte, lasciate i fonte' (Choro)
Orfeo, Atto Primo: 'Vieni Imeneo, deh vieni' (Choro)
Orfeo, Atto Primo: 'Ma s'il nostro gioir dal ciel deriva' (Pastore)/Ritornello
Orfeo, Atto Primo: 'Alcun non sia che disperato in preda'/Ritornello
Orfeo, Atto Primo: 'Che poi che nembro rio gravido il seno'/Ritornello
Orfeo, Atto Primo: 'E dopo l'aspro gel del verno ignudo'
Orfeo, Atto Primo: 'Ecco Orfeo cui pur dianzi'
Orfeo, Atto Secondo: Sinfonia/'..Ecco pur ch'a voi ritorno' (Orfeo)
Orfeo, Atto Secondo: Ritornello/'..Mira ch'a se n'alletta' (Pastore)
Orfeo, Atto Secondo: Ritornello/'In questo prato adorno' (Due Pastori)
Orfeo, Atto Secondo: Ritornello/'Qui le Nappe e vezzose' (Due Patori)
Orfeo, Atto Secondo: Ritornello/'Vi ricorda o boschi ombrosi' (Orfeo)
Orfeo, Atto Secondo: 'Mira deh mira Orfeo' (Pastore)
Orfeo, Atto Secondo: 'In un fiorito prato' (Messagiera)
Orfeo, Atto Secondo: 'Tu se' morta' (Orfeo)
Orfeo, Atto Secondo: 'Ahi caso acerbo' (Choro)
Orfeo, Atto Secondo: 'Ma io ch'in questa lingua' (Messagiera)
Orfeo, Atto Secondo: Sinfonia/'Chi be consoal ahi lassi?' (Due Pastori)
Orfeo, Atto Secondo: Ritornello
Orfeo, Atto Quinto: 'Padre cortese al maggior uopo arrivi' (Orfeo)
Orfeo, Atto Quinto: 'Troppo gioisti di tua lieta ventura' (Apollo)
Orfeo, Atto Quinto: 'Si non vedro piu mai...' (Orfeo/Apollo)
Orfeo, Atto Quinto: 'Saliam d'al Cielo' (Orfeo/Apollo)
Orfeo, Atto Quinto: Ritornello/'Vanne Orfeo felice a pieno' (Choro)
Orfeo, Atto Quinto: Moresca
Dido and Aeneas: Overture
Dido and Aeneas, ACT 1: Scene: The Palast: Shake the Clouds from off your Brow (Belinda)
Dido and Aeneas, ACT 1: Scene: The Palast: Banish Sorrow, banish care (Chorus)
Dido and Aeneas, ACT 1: Scene: The Palast: Ah! Belinda, I am press'd with torment (Dido)
Dido and Aeneas, ACT 1: Scene: The Palast: Grief increases by concealing (Belinda-Dido)
Dido and Aeneas, ACT 1: Scene: The Palast: When Monarchs unite how happy their state (Chorus)
Dido and Aeneas, ACT 1: Scene: The Palast: Whence could so much virtue spring? (Dido-Belinda)
Dido and Aeneas, ACT 1: Scene: The Palast: Fear no danger to ensue (Belinda-Second Woman-Chorus)
Dido and Aeneas, ACT 1: Scene: The Palast: See, your Royal Guest appears (Belinda-Aeneas-Dido)
Dido and Aeneas, ACT 1: Scene: The Palast: Cupid only throws the dart (Chorus)
Dido and Aeneas, ACT 1: Scene: The Palast: If not for mine, for Empire's sake (Aeneas-Belinda)
Dido and Aeneas, ACT 1: Scene: The Palast: To the Hills and the Vales (Chorus)
Dido and Aeneas, ACT 1: Scene: The Palast: The Triumphing Dance
Dido and Aeneas, ACT 2, Scene 1:The Cave: Wayward sisters, you that fright (Sorceress)/Harm's our Delight (Chorus)
Dido and Aeneas, ACT 2, Scene 1:The Cave: The Queen of Carthage, whom we hate (Sorceress)/Ho Ho Ho (Chorus)
Dido and Aeneas, ACT 2, Scene 1:The Cave: Ruin'd ere the set of sun? (Two Witches-Sorceress)/Ho Ho Ho (Chorus)
Dido and Aeneas, ACT 2, Scene 1:The Cave: But ere we this perform (Two Witches)
Dido and Aeneas, ACT 2, Scene 1:The Cave: In our deep vaulted cell (Echo Chorus)
Dido and Aeneas, ACT 2, Scene 1:The Cave: Echo Dance of Furies
Dido and Aeneas, ACT 2, Scene 2: The Grove: Ritornelle
Dido and Aeneas, ACT 2, Scene 2: The Grove: Thanks to these lonesome vales (Belinda-Chorus)
Dido and Aeneas, ACT 2, Scene 2: The Grove: Oft she visits this lone mountain (Second Woman)
Dido and Aeneas, ACT 2, Scene 2: The Grove: Behold, upon my bending spear (Aeneas-Dido)
Dido and Aeneas, ACT 2, Scene 2: The Grove: Haste, haste to town (Belinda-Chorus)
Dido and Aeneas, ACT 2, Scene 2: The Grove: Stay, Prince, and hear Great Jove's Command (Spirit-Aeneas)
Dido and Aeneas, ACT 3, Scene 1: The Ships: Come away fellow Sailors (First Sailor-Chorus)
Dido and Aeneas, ACT 3, Scene 1: The Ships: The Sailors' Dance
Dido and Aeneas, ACT 3, Scene 1: The Ships: See the flags and streamers curling (Sorceress-Two Witches)
Dido and Aeneas, ACT 3, Scene 1: The Ships: Our next Motion (Sorceress)
Dido and Aeneas, ACT 3, Scene 1: The Ships: Destruction's our delight (Chorus)
Dido and Aeneas, ACT 3, Scene 1: The Ships: The Witches' Dance
Dido and Aeneas, ACT 3, Scene 2: Your Counsel all is urg'd in vain (Dido-Belinda-Aeneas)
Dido and Aeneas, ACT 3, Scene 2: Great minds against themselves conspire (Chorus)
Dido and Aeneas, ACT 3, Scene 2: Thy hand Belinda; Darkness shades me (Dido)
Dido and Aeneas, ACT 3, Scene 2: When I am laid in earth (Dido)
Dido and Aeneas, ACT 3, Scene 2: With drooping wings (Chorus)
Aci, Galatea e Polifemo, Ouverture: Andante - Allegro - Andante
Aci, Galatea e Polifemo, Ouverture: Allegro
Aci, Galatea e Polifemo, Cantata: Duetto: Sorge il dì (Galatea)
Aci, Galatea e Polifemo, Cantata: Recitativo: Vanti, o cara, il ruscello (Aci/Galatea)
Aci, Galatea e Polifemo, Cantata: Aria: Sforzano a piangere con più dolor (Galatea)
Aci, Galatea e Polifemo, Cantata: Recitativo: E qual nuova sventura (Aci/Galatea)
Aci, Galatea e Polifemo, Cantata: Aria: Che non può la gelosia (Aci)
Aci, Galatea e Polifemo, Cantata: Recitativo accompagnato: Ma qual orrido suono (Galatea/Aci)
Aci, Galatea e Polifemo, Cantata: Recitativo: Ahi! che da l'ombre eterne (Galatea/Aci)
Aci, Galatea e Polifemo, Cantata: Aria: Sibilar l'angui d'Aletto (Polifemo)
Aci, Galatea e Polifemo, Cantata: Recitativo: Deh lascia, o Polifemo (Galatea/Polifemo)
Aci, Galatea e Polifemo, Cantata: Aria: Benché tuoni e l'etra avvampi (Galatea)
Aci, Galatea e Polifemo, Cantata: Recitativo: Cadrai depressa e vinta (Polifemo/Galatea)
Aci, Galatea e Polifemo, Cantata: Aria: Non sempre, no, crudele (Polifemo)
Aci, Galatea e Polifemo, Cantata: Recitativo: Folle, quanto mi rido (Galatea, Polifemo/Aci)
Aci, Galatea e Polifemo, Cantata: Aria: Dell' aquila l'artigli (Aci)
Aci, Galatea e Polifemo, Cantata: Recitativo: Meglio spiega i tuoi sensi (Polifemo)
Aci, Galatea e Polifemo, Cantata: Aria: Precipitoso nel mar che freme (Polifemo)
Aci, Galatea e Polifemo, Cantata: Recitativo: Sì, t'intendo, inumano (Galatea)
Aci, Galatea e Polifemo, Cantata: Aria: S'agita in mezzo all'onde (Galatea)
Aci, Galatea e Polifemo, Cantata: Recitativo: So che le cinosure (Polifemo/Aci)
Aci, Galatea e Polifemo, Cantata: Terzetto: Proverà lo sdegno mio (Polifemo/Galatea/Aci)
Aci, Galatea e Polifemo, Cantata: Recitativo: Ingrata, se mi nieghi (Polifemo/Galatea/Aci)
Aci, Galatea e Polifemo, Cantata: Aria: Fra l'ombre e gl'orrori (Polifemo)
Aci, Galatea e Polifemo, Cantata: Recitativo: Ma che? non andrà inulta (Polifemo)
Aci, Galatea e Polifemo, Cantata: Aria: Qui l'augel da pianta in pianta (Aci)
Aci, Galatea e Polifemo, Cantata: Recitativo: Giunsi al fin mio tesoro (Galatea/Aci)
Aci, Galatea e Polifemo, Cantata: Aria: Se m'ami, o caro (Galatea)
Aci, Galatea e Polifemo, Cantata: Recitativo: Quì su l'alto del monte (Polifemo/Aci/Galatea)
Aci, Galatea e Polifemo, Cantata: Terzetto: Delce amico amplesso (Aci/Galatea/Polifemo)
Aci, Galatea e Polifemo, Cantata: Recitativo: Or poichè sordi sono (Polifemo/Aci)
Aci, Galatea e Polifemo, Cantata: Aria: Verso già l'alma col sangue (Aci)
Aci, Galatea e Polifemo, Cantata: Recitativo: Misera, e dove sono? (Galatea)
Aci, Galatea e Polifemo, Cantata: Aria: Impara, ingrata, impara (Polifemo)
Aci, Galatea e Polifemo, Cantata: Recitativo: Ah, tiranno, inumano! (Galatea/Polifemo)
Aci, Galatea e Polifemo, Cantata: Aria: Del mar fra l'onde (Galatea)
Aci, Galatea e Polifemo, Cantata: Recitativo: Ferma! ma già nel mare (Polifemo)
Aci, Galatea e Polifemo, Cantata: Recitativo accompagnato: Vissi fedel, mia vita (Polifemo)
Aci, Galatea e Polifemo, Cantata: Recitativo: Ed io che anto ascolto (Polifemo)
Aci, Galatea e Polifemo, Cantata: Terzetto: Chi ben ama ha per oggetti
Handel: Cantata XV - Quel fior che all'alba ride, HWV192: "Quel fior che all'alba ride"
Handel: Cantata XV - Quel fior che all'alba ride, HWV192: "E unfior la vita ancora"
Handel: Cantata XV - Quel fior che all'alba ride, HWV192: "L'occaso ha nell'aurora"
Cantata IX - Conservate, raddoppiate HWV185: Conservate, raddoppiate
Handel: Cantata IX - Conservate, raddoppiate, HWV185: "Nodi voi, che gli stringeste"
Handel: Cantata X - Tanti strali al sen mi scocchi, HWV197: "Tanti strali al sen mi scocchi"
Handel: Cantata X - Tanti strali al sen mi scocchi, HWV197: "Ma se l'alma sempre geme"
Handel: Cantata X - Tanti strali al sen mi scocchi, HWV197: "Dunque annoda pur, ben mio"
Handel: Cantata VI - A mirarvi io son intento, HWV 178: "A mirarvi io son intento"
Handel: Cantata VI - A mirarvi io son intento, HWV 178: "Ma l'amor per mio tormento"
Handel: Cantata VI - A mirarvi io son intento, HWV 178: "E vibrando in un baleno"
Handel: Cantata I - Sono liete, fortunate, HWV 194: "Sono liete, fortunate"
Handel: Cantata I - Sono liete, fortunate, HWV 194: "Crudelta ne lontananza"
Handel: Cantata I - Sono liete, fortunate, HWV 194: "Non avran mai la possanza"


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