Elisabeth Grümmer

Biography

Born: March 31, 1911   Died: November 6, 1986   Country: Germany  
Elisabeth Grümmer was one of the favorite German sopranos of the middle two decades of the twentieth century.

She was born Elisabeth Schilz in Alsace-Lorraine. When the French regained the territory in 1918, her family moved to Meiningen. She studied drama at the university, and then started a successful career as a stage and film actress. Her stage training included training of her voice.

She moved to Aachen after marriage to
Read more Detlef Grümmer, the concertmaster of the orchestra there. She said that it was the sound of his violin, when he played cantabile, legato, that led her to understand the nature of singing. The music director at Aachen at that time was Herbert von Karajan, who cast her as one of the Flower Maidens in Wagner's Parsifal (Aachen, 1940). Soon she sang the leading role of Octavian in Strauss' Der Rosenkavalier, with her tall, slim figure making her especially convincing in this leading male role. (One critic rhapsodized that she "looked like a Botticelli Madonna in Gluck's Orpheus.")

In 1942 to 1944 she was engaged at that Duisberg Opera as the primary soprano for lyrical roles. During the war, her husband was killed in an air raid, in the basement of their home, holding his violin. She said he was her only love, and never remarried. After the end of the war, she joined the Städtische Oper of West Berlin (now the Deutsche Oper), which was her primary professional association throughout her career, remaining with that major company through 1972.

Her British debut was at Covent Garden in 1952, followed by an Edinburgh Festival in 1952, and she appeared at Bayreuth from 1957 to 1961. Her American debut was with the New York City Opera in Der Rosenkavalier (as the Marshallin) in 1967. She sang seven times with the Metropolitan Opera in that same year, as Elsa in Lohengrin. The first six of these were on tour; the seventh was her only appearance in the Metropolitan Opera House itself. By that time critics had been noticing some deterioration of her voice on and off for a few years, but, as she said at the time of the tour, "Granny can still do it."

She also appeared at Glyndebourne, the Hamburg Staatsoper, in East Berlin and Dresden, the Salzburg Festival, La Scala, Rome Opera, and Teatro Colón.

She excelled in the more noble and lyrical roles-the Marshallin, Octavian, the Countesses of Mozart (the Marriage of Figaro) and Strauss (Capriccio), Pamina, Euridice in Gluck's Orpheus, Ilia in Idomeneo, Eva in Meistersinger, and Elsa in Lohengrin, Desdemona in Verdi's Otello, and sang Ellen Orford in the first German production of Britten's Peter Grimes. By all accounts, her dramatic training served her well, helping to make her portrayals more convincing.

It has been suggested that the vocal decline of the 1960s was caused by an ill-advised turn to the dramatic soprano repertory. She sang Electra in Idomeneo in 1961 and 1962 at Salzburg, and Dona Anna in Don Giovanni shortly afterward.

As a recording artist, she made several notable discs, although the surplus of her voice type (Elisabeth Schwarzkopf, Lisa della Casa, Irmgard Seefried, and Sena Jurinac were all close contemporaries) meant that she never recorded her leading Strauss roles in their entirety. She was a noted recitalist, but was surprisingly stiff in that style of singing on recordings.

Her farewell stage performance was at the Deutsche Opera in 1972 (as the Marshallin). She actively taught in Lucerne and Paris after her stage retirement. Read less

Biography

Born: March 31, 1911   Died: November 6, 1986   Country: Germany  
Elisabeth Grümmer was one of the favorite German sopranos of the middle two decades of the twentieth century.

She was born Elisabeth Schilz in Alsace-Lorraine. When the French regained the territory in 1918, her family moved to Meiningen. She studied drama at the university, and then started a successful career as a stage and film actress. Her stage training included training of her voice.

She moved to Aachen after marriage to
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Lohengrin: Act I: Einsam in trüben Tagen
Lohengrin: Act I: Nun sei bedankt, mein lieber Schwan!
Lohengrin: Durch Gottes Sieg ist jetzt dein Leben mein (Lohengrin/Chor/König/Elsa/Ortrud/Friedrich)
Lohengrin: Act II: Du wilde Seherin!
Lohengrin: Vorspiel (Orchester)
Lohengrin (2000 Digital Remaster): Treulich geführt ziehet dahin (Chor)
Lohengrin: Das süße Lied verhallt: wir sind allein
Lohengrin: In fernem Land (Lohengrin/König/Chor)
Lohengrin: Act III: Mir schwankt der Boden!
Lohengrin: Act III: Mein lieber Schwan!
Der Freischütz · Oper in 3 Akten (1985 - Remaster): Ouvertüre (Orchester)
Der Freischütz · Oper in 3 Akten (1985 - Remaster): Ouvertüre (Orchester)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Viktoria! Der Meister soll leben (Chor)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Viktoria! Der Meister soll leben (Chor)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Bauernmarsch (Orchester)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Bauernmarsch (Orchester)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Schau der Herr mich an als König! (Kilian - Max - Chor)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Schau der Herr mich an als König! (Kilian - Max - Chor)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: O diese Sonne, furchtbar steigt sie empor! (Terzett: Max - Kuno - Kaspar - Chor)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: O diese Sonne, furchtbar steigt sie empor! (Terzett: Max - Kuno - Kaspar - Chor)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Böhmischer Walzer (Orchester)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Böhmischer Walzer (Orchester)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Nein, länger trag' ich nicht die Qualen - Durch die Wälder, durch die Auen (Szene & Arie: Max)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Nein, länger trag' ich nicht die Qualen - Durch die Wälder, durch die Auen (Szene & Arie: Max)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Hier im ird'schen Jammertal (Lied: Kaspar - Max)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Hier im ird'schen Jammertal (Lied: Kaspar - Max)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Schweig, schweig, damit dich niemand warnt! (Finale I: Kaspar)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 1. Akt: Schweig, schweig, damit dich niemand warnt! (Finale I: Kaspar)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 2. Akt: Schelm, halt fest! (Duett: Ännchen - Agathe)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 2. Akt: Schelm, halt fest! (Duett: Ännchen - Agathe)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 2. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 2. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 2. Akt: Kommt ein schlanker Bursch gegangen (Ariette: Ännchen)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 2. Akt: Kommt ein schlanker Bursch gegangen (Ariette: Ännchen)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 2. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 2. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 Digital Remaster), 2. Akt: Wie nahte mir der Schlummer - Leise. leise, fromme Weise (Szene & Arie: Agathe)
Der Freischütz · Oper in 3 Akten (1985 Digital Remaster), 2. Akt: Wie nahte mir der Schlummer - Leise. leise, fromme Weise (Szene & Arie: Agathe)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 2. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 2. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 2. Akt: Wie? Was? Entsetzen! (Terzett: Agathe - Ännchen - Max)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 2. Akt: Wie? Was? Entsetzen! (Terzett: Agathe - Ännchen - Max)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 2. Akt: Milch des Mondes fiel auf's Kraut! - Du weißt, daß meine Frist ... (Finale II - Die Wolfsschlucht: Kaspar - Samiel - Max - Chor)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 2. Akt: Milch des Mondes fiel auf's Kraut! - Du weißt, daß meine Frist ... (Finale II - Die Wolfsschlucht: Kaspar - Samiel - Max - Chor)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Entre-Akt (Orchester)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Entre-Akt (Orchester)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Und ob die Wolke sie verhülle (Kavatine: Agathe)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Und ob die Wolke sie verhülle (Kavatine: Agathe)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Einst träumte meiner sel'gen Base - Trübe Augen (Romanze & Arie: Ännchen)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Einst träumte meiner sel'gen Base - Trübe Augen (Romanze & Arie: Ännchen)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Wir winden dir den Jungfernkranz (Chor)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Wir winden dir den Jungfernkranz (Chor)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Dialog & Überleitung
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Dialog & Überleitung
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Was gleicht wohl auf Erden dem Jägervergnügen (Chor: Jägerchor)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Was gleicht wohl auf Erden dem Jägervergnügen (Chor: Jägerchor)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Dialog
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Schaut, o schaut! Er traf die eig'ne Brauit - Ja, laßt uns die Blicke erheben (Finale III: Agathe - Ännchen - Max - Kaspar - Kuno - Ottokar - Eremit - Chor)
Der Freischütz · Oper in 3 Akten (1985 - Remaster), 3. Akt: Schaut, o schaut! Er traf die eig'ne Brauit - Ja, laßt uns die Blicke erheben (Finale III: Agathe - Ännchen - Max - Kaspar - Kuno - Ottokar - Eremit - Chor)
Aria Duet: Wenn kommst du, mein Heil
Recitative: So geh herein zu mir
Aria Duet: Mein Freund ist mein
Mass No. 19 in D minor, 'Requiem' K626 (2006 Digital Remaster): Introitus:Requiem aeternam
Mass No. 19 in D minor, 'Requiem' K626 (2006 Digital Remaster): Kyrie eleison
Mass No. 19 in D minor, 'Requiem' K626 (2006 Digital Remaster), Sequenz: Dies irae
Mass No. 19 in D minor, 'Requiem' K626 (2006 Digital Remaster), Sequenz: Tuba mirum
Mass No. 19 in D minor, 'Requiem' K626 (2006 Digital Remaster), Sequenz: Rex tremendae majestatis
Mass No. 19 in D minor, 'Requiem' K626 (2006 Digital Remaster), Sequenz: Recordare
Mass No. 19 in D minor, 'Requiem' K626 (2006 Digital Remaster), Sequenz: Confutatis maledictis
Mass No. 19 in D minor, 'Requiem' K626 (2006 Digital Remaster), Sequenz: Lacrimosa
Mass No. 19 in D minor, 'Requiem' K626 (2006 Digital Remaster), Offertorium: Domine Jesu Christe
Mass No. 19 in D minor, 'Requiem' K626 (2006 Digital Remaster), Offertorium: Hostias et preces tibi, Domine
Mass No. 19 in D minor, 'Requiem' K626 (2006 Digital Remaster), Sanctus: Sanctus - Osanna I
Mass No. 19 in D minor, 'Requiem' K626 (2006 Digital Remaster), Sanctus: Benedictus - Osanna II
Mass No. 19 in D minor, 'Requiem' K626 (2006 Digital Remaster): Agnus Dei
Mass No. 19 in D minor, 'Requiem' K626 (2006 Digital Remaster), Communio: Lux eterna - Cum sanctis tuis
Overture
Act I Scene 1: Introduzione: Notte e giorno faticar - Recitative: Leporello, ove sei? (Leporello, Donna Anna, Don Giovanni, Il Commendatore)
Act I Scene 1: Recitative: Ah del padre in periglio (Donna Anna, Don Ottavio)
Act I Scene 2: Recitative: Orsu, spiciati presto (Don Giovanni, Leporello)
Act I Scene 2: Aria: Ah, chi mi dice mai (Donna Elvira, Don Giovanni, Leporello)
Act I Scene 2: Aria: Madamina, il catalogo e questo (Leporello, Donna Elvira)
Act I Scene 3: Coro: Giovinette che fate all'amore - Manco sale e partita (Zerlina, Masetto, Chorus, Don Giovanni, Leporello)
Act I Scene 3: Aria: Ho capito, Signor, si! (Masetto, Don Giovanni, Zerlina)
Act I Scene 3: Duettino: La ci darem la mano - Fermati, scellerato! (Zerlina, Don Giovanni, Donna Elvira)
Act I Scene 3: Aria: Ah! Fuggi il traditor! (Donna Elvira)
Act I Scene 3: Recitative: Mi par che oggi il demonio (Don Giovanni, Don Ottavio, Donna Anna)
Act I Scene 3: Aria: Or sai chi l'onore (Donna Anna)
Act I Scene 3: Recitative: Come mai creder deggio (Don Giovanni, Don Ottavio)
Act I Scene 3: Recitative: Io deggio ad ogni patto (Leporello, Don Giovanni)
Act I Scene 3: Finch'han dal vino, "Champagne Aria" (Don Giovanni)
Act I Scene 4: Recitative: Masetto, senti un po! (Zerlina, Massetto)
Act I Scene 4: Aria: Batti, batti, o bel Masetto (Zerlina)
Act I Scene 4: Recitative: Guarda un po' come seppe (Masetto, Don Giovanni, Zerlina, Donna Elvira, Don Ottavio, Donna Anna, Leporello)
Act I Scene 5: Riposate, vezzose ragazze (Don Giovanni, Masetto, Zerlina, Leporello, Donna Anna, Donna Elvira, Don Ottavio)
Act II Scene 1: Duetto: Eh via, buffone, non mi seccar! (Don Giovanni, Leporello)
Act II Scene 1: Terzetto: Ah taci ingiusto core (Donna Elvira, Leporello, Don Giovanni)
Act II Scene 1: Recitative: V'e gente alla finestra (Don Giovanni, Masetto)
Act II Scene 1: Aria: Vedrai, carino (Zerlina)
Act II Scene 2: Recitative: Di molte faci il lume (Leporello, Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto)
Act II Scene 2: Aria: Il mio tesoro intanto (Don Ottavio)
Act II Scene 2: Recitativo accompagnato ed Aria: In quali eccessi - Mi tradi quell'alma ingrata (Donna Elvira)
Act II Scene 3: Recitative: Ah, ah, ah questa buona (Don Giovanni, Leporello, Il Commendatore)
Act II Scene 4: Recitative: Calmatevi, idol mio! (Don Ottavio, Donna Anna)
Act II Scene 5: Gia la mensa e preparata (Don Giovanni, Leporello, Donna Elvira)
Act II Scene 5: Don Giovanni, a cenar teco (Il Commendatore, Don Giovanni, Leporello, Chorus)
Act II Scene 16: Ah dove e il perfido (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
Der Freischütz (2000 Digital Remaster): Overture
Der Freischütz (2000 Digital Remaster): Viktoria! Viktoria! der Meister soll leben
Der Freischütz (2000 Digital Remaster): War ich denn blind?
Der Freischütz (2000 Digital Remaster): Was gibt's hier?
Der Freischütz (2000 Digital Remaster): Oh, diese Sonne
Der Freischütz (2000 Digital Remaster): Wir wollen gute Freunde bleiben...Walzer
Der Freischütz (2000 Digital Remaster): Nein länger trag ich nicht die Qualen...Durch die Wälder, durch die Auen
Der Freischütz (2000 Digital Remaster): Da bist du noch Kamerad
Der Freischütz (2000 Digital Remaster): Hier im ird'schen Jammertal
Der Freischütz (2000 Digital Remaster): Elender, Agathe hat recht
Der Freischütz (2000 Digital Remaster): Schweig, damit dich niemand warnt
Der Freischütz (2000 Digital Remaster): Schelm halt fest, ich will dich's lehren
Der Freischütz (2000 Digital Remaster): So, nun wird der Großvater
Der Freischütz (2000 Digital Remaster): Kommt ein schlanker Bursch gegangen
Der Freischütz (2000 Digital Remaster): Und der Bursch nicht minder schön
Der Freischütz (2000 Digital Remaster): Wie nahte mir der Schlummer...Leise, leise fromme Weise
Der Freischütz (2000 Digital Remaster): Bist du endlich da!
Der Freischütz (2000 Digital Remaster): Wie? Was? Entsetzen!
Der Freischütz (2000 Digital Remaster): Milch des Mondes
Der Freischütz (2000 Digital Remaster): Samiel! Samiel! Erschein!
Der Freischütz (2000 Digital Remaster): Ha - furchtbar gähnt der düstre Abgrund
Der Freischütz (2000 Digital Remaster): Hier bin ich
Der Freischütz (2000 Digital Remaster): Introduktion
Der Freischütz (2000 Digital Remaster): Und ob die Wolke sich verhülle
Der Freischütz (2000 Digital Remaster): Agathe, ja du hast dich dazugehalten
Der Freischütz (2000 Digital Remaster): Einst träumte meiner sel'gen Base
Der Freischütz (2000 Digital Remaster): Nun muß ich doch geschwind...Wir winden dir
Der Freischütz (2000 Digital Remaster): Was gleicht wohl uaf Erden (Hunting Chorus)
Der Freischütz (2000 Digital Remaster): Genug nun der Freuden
Der Freischütz (2000 Digital Remaster): Schaut oh schaut!
Der Freischütz (2000 Digital Remaster): Nur du kannst dieses Rätsel losen
Der Freischütz (2000 Digital Remaster): Wer legt auf ihn so strengen Bann?
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 1, Chor: Kommt, ihr Töchter, helft mir klagen; Choral: O Lamm Gottes unschuldig
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 2, Rezitativ: Da Jesus diese Rede vollendet hatte (Evangelist/Jesus)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 3, Choral: Herzliebster Jesu
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 4, Rezitativ: Da versammleten sich die Hohenpriester (Evangelist)l
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 5, Chor: Ja nicht auf das Fest
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 6, Rezitativ: Da nun Jesus war zu Bethanien (Evangelist)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 7, Chor: Wozu dienet dieser Unrat?
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 8, Rezitativ: Da das Jesus merkete, sprach er zu ihnen (Evangelist/Jesus)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 9, Rezitativ: Du lieber Heiland du (Alt)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 10, Arie: Buß' und Reu'
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 11, Rezitativ: Da ging hin der Zwölfen einer (Evangelist/Jesus)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 12, Arie: Blute nur, du liebes Herz! (Sopran)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 13, Rezitativ: Aber am ersten Tage (Evangelist)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 14, Chor: Wo willst du?
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 15, Rezitativ: Er sprach: Gehet hin in die Stadt (Evangelist/Jesus/Chor)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 16, Choral: Ich bin's ich sollte büßen
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 17, Rezitativ: Er antwortete und sprach (Evangelist/Jesus/Judas)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 18, Rezitativ: Wiewohl mein Herz in Tränen schwimmt (Sopran)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 20, Rezitativ: Und da sie den Lobgesang gesprochen hatten (Evangelist/Jesus)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 21, Choral: Erkenne mich, mein Hüter
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 22, Rezitativ: Petrus aber antwortete (Evangelist/Petrus/Jesus)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 24, Rezitativ: Da kam Jesus mit ihnen (Evangelist/Jesus)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 25, Rezitativ: O Schmerz! (Tenor) mit Choral: Was ist die Ursach'
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 26, Arie: Ich will bei meinem Jesu wachen (Tenor) mit Chor: So schlafen
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 27, Rezitativ: Und ging hin ein wenig (Evangelist/Jesus)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 28, Rezitativ: Der Heiland fällt vor seinem Vater nieder (Baß)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 30, Rezitativ: Und er kam zu seinen Jüngern (Evangelist/Jesus)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 31, Choral: Was mein Gott will
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 32, Rezitativ: Da kam er zu seinen Jürgern (Evangelist/Jesus/Judas)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 33, Duett: So ist mein Jesus nun Jesus nun gefangen (Soprano/Alt) mit Chor: Laßt ihn, haltet, bindet nicht!
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 34, Rezitativ: Zu der Stund' sprach Jesus zu den Scharen (Evangelist/Jesus)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 1: No. 35, Choral: O Mensch, bewein' dein' Sünde groß
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 36, Arie: Ach, nun ist mein Jesus hin! (Alt) mit Chor: Wo ist denn dein Freund hingegangen?
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 37, Rezitativ: Die aber Jesum gegriffen hatten (Evangelist)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 39, Rezitativ: Und der Hohenpriester stand suf (Evangelist/Hohepriester)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 42, Rezitativ: Und der Hohepriester antwortete (Evangelist/Jesus/Chor)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 43, Da speieten sie aus in sein Angesicht (Evangelist/Chor)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 44, Choral: Wer hat dich so geschlagen
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 45, Rezitativ: Petrus aber saß draußen im Palast (Evangelist/Zwei Mägde/Petrus/Chor)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 46, Rezitativ: Da hub er an, sich zu verfluchen (Evangelist/Petrus)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 52, Rezitative aber stand vor dem Landpfeger (Pilatus/Jesus)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 53, Choral: Befiehl du weine Wege
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 54, Rezitativ: Auf das Fest aber hatte (Evangelist/Pilati Weib/Chor)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 56, Rezitativ: Der Landpfleger sagte (Evangelist/Pilatus)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 57, Rezitativ: Er hat uns allen wohlgetan (Sopran)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 58, Arie: Aus Liebe will mein Heiland sterben (Sopran)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 59, Rezitativ: Sie schrieen aber noch mehr (Evangelist/Pilatus/Chor)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 60, Rezitativ: Erbarm' es Gott! (Alt)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 62, Rezitativ: Da nahmen die Kriegsknechte des Landpflegers (Evangelist/Chor)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 63, Choral: O Haupt voll Blut und Wunden
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 64, Rezitativ: Und da sie ihn verspottet hatten (Evangelist)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 67, Rezitativ: Und da wurden zween Mörder mit ihm gekreuziget (Evangelist/Chor)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 68, Rezitativ: Desgleichen schmäheten ihn auch die Mörder (Evangelist)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 69: Ach, Golgotha (Alt)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 71, Rezitativ: Und von der sechsten Stunde (Evangelist/Jesus/Chor)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 72, Choral: Wenn ich einmal soll scheiden
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 73, Rezitativ mit Chor: Und siehe da, dar Vorhang im Tempest (Evangelist)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 74, Rezitativ: Am Abend, da es kühle war (Baß)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 76, Rezitativ: Und Joseph nahm den Leib (Evangelist)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 77, Rezitativ mit Chor: Nun ist der Herr zur Ruh' gebracht (Baß/Tenor/Alt/Sopran)
St Matthew Passion BWV244 (1995 Digital Remaster), PART 2: No. 78, Chor: Wir setzen uns mit Tränen nieder
Overture
Act I: Introduction: Victoria! der Meister soll leben (Max, Kilian, The Crowd, Chorus of Countryfolk, Kuno, Caspar)
Act I: Trio: O diese Sonne! (Max, Kuno, Kaspar, Huntsmen, Chorus Roustic)
Act I: Scene: Waltz - Aria: Durch die Waelder (Max, Caspar)
Act I: Song: Hier im ird' schen Jammerthal (Caspar, Max, Samiel)
Act I: Aria: Schweig! damit dich Niemand warnt (Caspar)
Act II: Duet: Schelm, halt fest! (Aennchen, Agathe)
Act II: Arietta: Kommt ein schlanker Bursh gegangen (Aennchen, Agathe)
Act II: Scene - Aria: Wie nahte mir der Schlummer (Agathe, Max, Aenncehn)
Act II: Trio: Wie Was Entsetzen! (Agathe, Aennchen, Max)
Act II: Finale: The Wolf's Glen (Chorus of Invisible Spirits, Caspar, Samiel, Max, Echo)
Act III: Entr'acte
Act III: Cavatina: Und ob die Wolke sie verhulle (Agathe, Aennchen)
Act III: Romance - Aria: Einst Traumte meiner sel'gen Base (Aennchen)
Act III: Folksong: Wir winden dir den Jungfern-Kranz (First Bride's Maid, All, Second Bride's Maid, Aennchen, Agathe)
Act III: Was gleicht wohl auf Erden (Chorus of Huntsmen, Ottokar, Caspar, Max, Agathe)
Act III: Finale: Schaut, o schaut (Chorus of Courtiers, Huntsmen, Peasant, Agathe, Aennchen, Kuno, Max, Caspar, Samiel, Hermit)
Was mein Gott will, das g'scheh allzeit (Chorus)
Aria: Entsetze dich, mein Herze, nicht (Bass)
Recitative: O Torichter! der sich von Gott entzieht (Alto)
Aria: So geh ich mit beherzten Schritten (Alto, Tenor)
Recitative: Drum wenn der Tod (Soprano)
Chorale: Noch eins, Herr, will ich bitten dich (Chorus)


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