Eliahu Inbal

Biography

Born: February 16, 1936; Jerusalem, Israel  
Israeli conductor Eliahu Inbal has become known to many worldwide for both his concert performances and his numerous recordings, including the complete symphonies of several composers. In Europe, however, Inbal is nearly as well known as a conductor of opera, with interests running from the Italian bel cantists through works of the twentieth century. Nor has he ignored the symphonic works of his own time; a number of important original works and Read more reconstructions have been premiered under his preparation and direction. Given his broad repertory, it is not surprising that few of his interpretations may be said to surpass all others, but his technical control and sensitivity to colors make the majority of his work highly commendable. Inbal attended Jerusalem University where he studied the violin, but thereafter he directed his training toward conducting. He participated in conducting classes led by the legendary and iconoclastic Romanian maestro Sergiu Celibidache at Hilversum and pursued further courses in conducting at the Paris Conservatoire. In 1963, Inbal's growing proficiency was recognized when he won the Guido Cantelli Prize at Novara. For the next two years, the young conductor concentrated his work in Italy, winning appreciative notices from critics and gaining increasing approval from the Italian public. Inbal's 1965 conducting debut in England, however, came not in the opera house, but in the concert hall when he led the London Philharmonic Orchestra. His success with the L.P.O. led to engagements with other English orchestras and to his eventual acquisition of joint British citizenship. Continuing to balance concert and opera work, Inbal made his debut in Bologna in 1969, leading a performance of Strauss' Elektra. A production of Verdi's Don Carlo at Verona the same year added to Inbal's reputation as a conductor able to draw together the strands of a sometimes-diffuse score. In 1971, he led a concert performance of Cherubini's Anacréon, the work's first French-language hearing since 1803, the year of its premiere. In 1984, Inbal was appointed chief conductor at the Teatro la Fenice in Venice, remaining in that position until 1989. Undertaking an unusually stressful assignment in 1986, Inbal conducted productions of two Verdi operas, Stiffelio and Aroldo, on the same day, receiving acclaim for the orchestral performance despite indifferent singing from the casts. Meanwhile, Inbal's other life proceeded apace with his engagement as chief conductor of the Frankfurt Radio Symphony Orchestra, the ensemble with which he would make a noteworthy series of recordings. Inbal remained at that post until 1990 and in 1996 was named the orchestra's conductor laureate. Presiding over several world premieres, Inbal received particular recognition for his performance of Juan Allende-Blin's edition of Debussy's uncompleted La chûte de la maison Usher given in 1977. That same year saw the first performance of Xavier Benguerel's Concerto for percussion. In 1982, Inbal presented the premiere of Isang Yun's first violin concerto. Among Inbal's achievements in the recording studio are the complete symphonies of Mahler, Bruckner, and Shostakovich, as well as releases of the complete orchestral works of Ravel, Scriabin, Schumann, and Berlioz. A recording of Donizetti's Maria de Rudenz issued on Mondo Musica is distinguished by the conductor's grasp of the composer's transitional style. In 1990, Inbal was honored with the French Ordre des Arts et des Lettres and in 1996 he was made an honorary member of Italy's Orchestra Sinfonica Nazionale della RAI. Read less
Verdi: Don Carlo / Inbal, Domingo, Caballe, Petkov, Et Al
Release Date: 05/01/2001   Label: Opera D'oro  
Catalog: 1296   Number of Discs: 3
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Biography

Born: February 16, 1936; Jerusalem, Israel  
Israeli conductor Eliahu Inbal has become known to many worldwide for both his concert performances and his numerous recordings, including the complete symphonies of several composers. In Europe, however, Inbal is nearly as well known as a conductor of opera, with interests running from the Italian bel cantists through works of the twentieth century. Nor has he ignored the symphonic works of his own time; a number of important original works and Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
1. Allegro
2. Largo -
3. Rondo alla Polacca
I. quarter note = 60
II. quarter note = 100
III. quarter note = 120
1. Allegro non troppo e molto maestoso - Allegro con spirito
2. Andantino semplice - Prestissimo - Tempo I
3. Allegro con fuoco
1. Andante
2. Finale (Allegro maestoso)
1. Allegro brillante
2. Andante non troppo
3. Allegro con fuoco
1. Quasi rondo (Andante mosso)
2. Contrastes (Andante cantabile)
Verdi: Don Carlo: Carlo il sommo imperatore
Verdi: Don Carlo: Io l'ho perduta!... Io la vidi
Verdi: Don Carlo: E lui!... Desso!... L'Infante!
Verdi: Don Carlo: Dio, che nell'alma infondere
Verdi: Don Carlo: Sotto ai folti, immensi abeti
Verdi: Don Carlo: Nei giardin del bello saracin
Verdi: Don Carlo: La Regina!
Verdi: Don Carlo: Carlo ch'e sol il nostro amore
Verdi: Don Carlo: Io vengo a domandar
Verdi: Don Carlo: Il Re! Perche sola e la Regina?
Verdi: Don Carlo: Non piangar, mia compagna
Verdi: Don Carlo: Restate!... Presso all amia persona
Verdi: Don Carlo: Quest'e la pace che date al mondo?
Verdi: Don Carlo: Prelude
Verdi: Don Carlo: A mezzanotte, ai giardin della Regina
Verdi: Don Carlo: Al mio furor sfuggite invano
Verdi: Don Carlo: Trema per te, falso figliuolo
Verdi: Don Carlo: Spuntato ecco il di
Verdi: Don Carlo: Nel posar sul mio capo la corona
Verdi: Don Carlo: Sire! Egli e tempo
Verdi: Don Carlo: Introduction
Verdi: Don Carlo: Ella giammai m'amo!
Verdi: Don Carlo: Il Grand' Inquisitor!
Verdi: Don Carlo: Giustizia, giustizia, Sire!
Verdi: Don Carlo: Soccorso alla Regina!
Verdi: Don Carlo: Pieta! Pieta! Perdon
Verdi: Don Carlo: O don fatale
Verdi: Don Carlo: Son io, mio Carlo
Verdi: Don Carlo: Per me e giunto il di supremo
Verdi: Don Carlo: Che parli tu di morte?
Verdi: Don Carlo: O Carlo, ascolta, la madre
Verdi: Don Carlo: Mio Carlo, a te la spada
Verdi: Don Carlo: Introduction
Verdi: Don Carlo: Tu che la vanita
Verdi: Don Carlo: E dessa!
Verdi: Don Carlo: Si!... Per sempre!
1. Allegro
2. Largo -
3. Rondo alla Polacca
Sinfonietta: I. Allegretto-Allegro-Maestoso
Sinfonietta: II. Andante
Sinfonietta: III. Moderato
Sinfonietta: IV. Allegretto-Presto
Sinfonietta: V. Andante Con Moto. Allegretto
Music for Strings, Percussion, & Celesta, Sz. 106: I. Andante Tranquilo
Music for Strings, Percussion, & Celesta, Sz. 106: II. Allegro
Music for Strings, Percussion, & Celesta, Sz. 106: III. Adagio
Music for Strings, Percussion, & Celesta, Sz. 106: IV. Allegro Molto
Concerto for Orchestra, Sz. 116: I. Introduzione
Concerto for Orchestra, Sz. 116: II. Giuoco delle Coppie - Allegretto Scherzando
Concerto for Orchestra, Sz. 116: III. Elegia - Andante Non Troppo
Concerto for Orchestra, Sz. 116: IV. Intermezzo Interronto
Concerto for Orchestra, Sz. 116: V. Finale - Pesante - Presto
Des Knaben Wunderhorn: I. Des Schilwache Nachtlied
Des Knaben Wunderhorn: II. Wer hat dies Liedlein erdacht?
Des Knaben Wunderhorn: III. Trost im Unglück
Des Knaben Wunderhorn: V. Wo die schönen Trompeten blasen
Des Knaben Wunderhorn: VI. Das irdische Leben
Des Knaben Wunderhorn: VII. Lied des Verfolgten im Turm
Des Knaben Wunderhorn: IX. Urlicht
Des Knaben Wunderhorn: X. Des Antonius von Padua Fischpredigt
Des Knaben Wunderhorn: XI. Rheinlegendchen
Des Knaben Wunderhorn: XII. Verlor'ne Müh
Des Knaben Wunderhorn: XIII. Lob des Hohen Verstandes
Lieder eines fahrenden Gesellen: I. Wenn Mein Schatz Hochzeit Macht
Lieder eines fahrenden Gesellen: II. Ging Heuf Morgen Uber's Feld
Lieder eines fahrenden Gesellen: III. Ich Hab'ein Gluhend Messer
Lieder eines fahrenden Gesellen: IV. Die Zwei Blauen Augen
Symphony No.1 in B-Flat, Op.38: I. Andante Un Poco Maestoso
Symphony No.1 in B-Flat, Op.38: II. Larghetto
Symphony No.1 in B-Flat, Op.38: III. Scherzo: Molto Vivace
Symphony No.1 in B-Flat, Op.38: IV. Allegro Animato E Grazioso
Fünf Sätze, Op.5: I. Heftig Bewegt, Tempo I/Etwas Ruhiger, Tempo II
Fünf Sätze, Op.5: II. Sehr Langsam
Fünf Sätze, Op.5: III.Sehr Lebhaft
Fünf Sätze, Op.5: IV. Sehr Langsam
Fünf Sätze, Op.5: V. In Zarten Bewegung
Symphony Op.21: I. Ruhig Schreitend
Symphony Op.21: II. Variationen
Symphony No. 1, Op. 10: I. Allegretto
Symphony No. 1, Op. 10: II. Allegro
Symphony No. 1, Op. 10: III. Lento - Attacca
Symphony No. 1, Op. 10: IV. Allegro Molto
Symphony No. 15, Op. 141: I. Allegretto
Symphony No. 15, Op. 141: II. Adagio - Attacca
Symphony No. 15, Op. 141: III. Allegretto
Symphony No. 15, Op. 141: IV. Adagio
Symphony No. 9 in E-Flat, Op. 70 (1945): I. Allegro
Symphony No. 9 in E-Flat, Op. 70 (1945): II. Moderato
Symphony No. 9 in E-Flat, Op. 70 (1945): III. Presto
Symphony No. 9 in E-Flat, Op. 70 (1945): IV. Largo
Symphony No. 9 in E-Flat, Op. 70 (1945): V. Allegretto
1. Allegro
2. Largo -
3. Rondo alla Polacca
Symphony No. 5 in D Minor, Op. 47: I. Moderato, Allegro non troppo
Symphony No. 5 in D Minor, Op. 47: II. Allegretto
Symphony No. 5 in D Minor, Op. 47: III. Largo
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo
Symphony No. 4: I. Bedachtig. Nicht eilen
Symphony No. 4: II. In gemachlicher bewegung. Ohne Hast
Symphony No. 4: III. Ruhevoll
Symphony No. 4: IV. Sehr behaglich
Symphony No. 1, Ia. Langsam, Schleppend
Symphony No. 1, Ib. Langsam, Schleppend
Symphony No. 1, Ic. Langsam, Schleppend
Symphony No. 1, Id. Langsam, Schleppend
Symphony No. 1, IIa, Kraftig bewegt, doch nicht zu schnell
Symphony No. 1, IIb, Kraftig bewegt, doch nicht zu schnell
Symphony No. 1, IIc, Kraftig bewegt, doch nicht zu schnell
Symphony No. 1, IId, Kraftig bewegt, doch nicht zu schnell
Symphony No. 1, IIIa, Feierlich und gemessen, ohne zu schleppen
Symphony No. 1, IIIb, Feierlich und gemessen, ohne zu schleppen
Symphony No. 1, IIIc, Feierlich und gemessen, ohne zu schleppen
Symphony No. 1, IIId, Feierlich und gemessen, ohne zu schleppen
Symphony No. 1, IVa, Sturmisch bewegt
Symphony No. 1, IVb, Sturmisch bewegt
Symphony No. 1, IVc, Sturmisch bewegt
Symphony No. 1, IVd, Sturmisch bewegt
Symphony No. 1, IVe, Sturmisch bewegt
Symphony No. 1, IVf, Sturmisch bewegt
Symphony No. 1, IVg, Sturmisch bewegt
Symphony No. 1, IVh, Sturmisch bewegt
Symphony No. 1, IVi, Sturmisch bewegt
Symphony No. 1, IVj, Sturmisch bewegt
Symphony No. 4 in C Minor, Op. 43: I. Allegretto poco moderato
Symphony No. 4 in C Minor, Op. 43, II. Moderato con moto
Symphony No. 4 in C Minor, Op. 43: III. Largo - Allegro
Symphonie Fantastique, Op. 14, I. Reveries, Passions
Symphonie Fantastique, Op. 14, II. A Ball
Symphonie Fantastique, Op. 14, III. Scene in the Country
Symphonie Fantastique, Op. 14, IV. March to the Scaffold
Symphonie Fantastique, Op. 14, V. Dream of a Witches' Sabbath
Daphnis Et Chloé 1ère Partie: 1. Introduction Et Danse Religieuse
Daphnis Et Chloé 1ère Partie: 2. Danse Religieuse
Daphnis Et Chloé 1ère Partie: 3. (Danse Générale)
Daphnis Et Chloé 1ère Partie: 4. Danse Générale
Daphnis Et Chloé 1ère Partie: 5. (Danse de Daphnis)
Daphnis Et Chloé 1ère Partie: 6. Danse Grotesque de Dorcon
Daphnis Et Chloé 1ère Partie: 7. Danse Légère Et Gracieuse de Daphnis
Daphnis Et Chloé 1ère Partie: 8. (Danse de Lyceion)
Daphnis Et Chloé 1ère Partie: 9. [Nocturne]
Daphnis Et Chloé 1ère Partie: 10. (Danse de 3 Nymphes)
Daphnis Et Chloé 1ère Partie: 11. [Interlude]
Daphnis Et Chloé 1ère Partie: 12. 2ème Partie
Daphnis Et Chloé 1ère Partie: 13. Danse Guerrière
Daphnis Et Chloé 1ère Partie: 14. Danse Suppliante de Chloé
Daphnis Et Chloé 1ère Partie: 15. 3ème Partie
Daphnis Et Chloé 1ère Partie: 16. [Lever Du Jour]
Daphnis Et Chloé 1ère Partie: 17. [Pantomime]
Daphnis Et Chloé 1ère Partie: 18. [Danse Générale]
Symphony No. 2, Ia. Allegro maestoso, Andante moderato
Symphony No. 2, Ib. Allegro maestoso, Sehr massig und (allmahlich) Zuruckhaltend
Symphony No. 2, Ic. Allegro maestoso, Sehr langsam beginnend
Symphony No. 2, Id. Allegro maestoso, Tempo I
Symphony No. 2, Ie. Allegro maestoso, Tempo sostenuto
Symphony No. 2, IIa. Andante moderato
Symphony No. 2, IIb. Andante moderato, Nicht eilen. Sehr gemachlich
Symphony No. 2, IIc. Andante moderato, Tempo I. Zuruckkerhren
Symphony No. 2, IId. Andante moderato, Tempo I. Energisch bewegt
Symphony No. 2, IIe. Andante moderato, Wieder in's Tempo zuruckgehen Tempo I
1. Allegro maestoso
2. Romance (Larghetto)
3. Rondo (Vivace)
1. Maestoso
2. Larghetto
3. Allegro vivace
Tchaikovsky: Piano Concerto No.1 In B Flat Minor, Op.23 - 1. Allegro non troppo e molto maestoso - Allegro con spirito
Tchaikovsky: Piano Concerto No.1 In B Flat Minor, Op.23 - 2. Andantino semplice - Prestissimo - Tempo I
Tchaikovsky: Piano Concerto No.1 In B Flat Minor, Op.23 - 3. Allegro con fuoco


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