Dresden Staatskapelle

Composers

Biography

Active: 1548 - ; Dresden, Germany
The Dresden State Orchestra (its official name is Sächsische Staatskapelle Dresden or Saxon State Orchestra Dresden) is one of the oldest orchestras in the world and is renowned for its special, well-blended sound.

The Dresden State Opera dates its founding to 1548 when the ruler, Elector Moritz, founded a Hofkantorei (Court Chorus) and brought in foreign musicians to augment it. Dresden came to possess one of the finest royal musical
Read more establishments in Europe, under the leadership of such stellar names as Michael Praetorius and Heinrich Schütz. Johann Adolf Hasse, Kapellmeister from 1734 to 1763, brought Dresden opera to its highest level during the Baroque.

Saxony's defeat in the Seven Years' War (1756-1763) required the opera to be curtailed drastically. Elector Friedrich Augustus III realized that the orchestra must be the nucleus if the opera were ever to rebuild its prestige. J.G. Naumann, director from 1776 to 1801, returned the Kapelle to the highest standards of instrumental playing. By 1810 the opera was again one of Europe's greatest.

The post-Napoleonic Congress of Vienna made Saxony a kingdom. In 1817, the director of the new Royal Kapelle founded a German Opera in addition the established Italian troupe. Under the leadership of Carl Maria von Weber from 1817-1826, this company won the favor of the populace. The Italian company disbanded in 1832. Kapellmeister Karl Gottlieb Reissinger maintained high standards, assisted by Richard Wagner until the later was exiled in 1849 for revolutionary activities. Wagner premiered his Rienzi, Flying Dutchman and Tannhäuser in Dresden's new opera house, opened in 1841, designed by Gottfried Semper. Wagner called the orchestra a "magic harp" that stimulated his ideas of orchestration and led it often in symphony concerts.

The orchestra presented its first concert series in 1858. In 1869 the Royal Opera Theater burned down. When a new concert hall, the Gewerbehausall, opened in 1870, the orchestra gave its concerts there (along with the newly formed Dresden Philharmonic) until 1878, when a second Semper-designed opera house opened. The music director of opera and orchestra from 1882 to 1914 was Ernst von Schuch, who gave the premieres of Strauss' Feuersnot, Salome, Elektra, and Der Rosenkavalier at the Semperoper.

After World War I, the Royal Kapelle became the Sächsischer Staatsoper and the Sachsischer Staatskapelle. The orchestra remains the orchestra of the opera, which is still also called the Semperoper. In 1923, the orchestra founded its own orchestral school under Fritz Busch (later under Karl Böhm), now known as the State Academy for Music and Theater. The majority of musicians in the orchestra are natives of the region and graduates of the school, a reason for the remarkable continuity of its special sound.

The second Semper Opera House was destroyed by bombing in 1945. After the war, the orchestra and the opera performed in temporary halls until 1948, when a city theater was remodeled and opened as the Grosses Haus of a state theater complex. Joseph Keilberth brought the opera and the orchestra both to their feet as music director from 1945 to 1950. His successors with the orchestra included Rudolf Kempe, Lovro von Matacic, Othmar Suitner and Kurt Sanderling, while Rudolf Neuhaus was general music director of the opera. In 1975, Herbert Blomstedt became conductor of both the orchestra and the opera.

In 1985, the opera and orchestra again regained their own home when the replacement Semperoper (built on Semper's plans for the second house) finally opened with a performance of Weber's Der Freischütz). Under Giuseppe Sinopoli, its conductor from 1991 to 2001, the Dresden Staatskapelle continued its tradition of performance at the highest level. Read less
Beethoven: Symphonies No 5 & 6 / Blomstedt, Staatskapelle Dresden
Release Date: 01/13/2009   Label: Brilliant Classics  
Catalog: 93840   Number of Discs: 1
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Ginastera, Boieldieu: Harp Concertos / Zoff, Kurz, Dresden Staatskapelle
Release Date: 07/30/2013   Label: Brilliant Classics  
Catalog: 9438   Number of Discs: 1
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Weber: Euryanthe / Janowski, Norman, Vogel, Gedda, Dresden Staatskapelle
Release Date: 07/30/2013   Label: Brilliant Classics  
Catalog: 94682   Number of Discs: 3
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Hindemith: Orchestral Music / Kegel, Dresden Philharmonic Orchestra
Release Date: 09/24/2013   Label: Brilliant Classics  
Catalog: 9441   Number of Discs: 5
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Beethoven: Symphony No 9 / Blomstedt, Döse, Adam, Schiml, Schreier, Dresden Staatskapelle
Release Date: 01/13/2009   Label: Brilliant Classics  
Catalog: 93841   Number of Discs: 1
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There are 468 Dresden Staatskapelle recordings available.

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Composers

Conductors

Biography

Active: 1548 - ; Dresden, Germany
The Dresden State Orchestra (its official name is Sächsische Staatskapelle Dresden or Saxon State Orchestra Dresden) is one of the oldest orchestras in the world and is renowned for its special, well-blended sound.

The Dresden State Opera dates its founding to 1548 when the ruler, Elector Moritz, founded a Hofkantorei (Court Chorus) and brought in foreign musicians to augment it. Dresden came to possess one of the finest royal musical
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WORKS ALBUMS
TITLE/COMPOSER
LABEL
Prelude: Scene 1: Prelude - Ohe! Ohe! Ohe! (Nando, Pedro)
Prelude: Scene 1: Zwei Vaterunser bet ich vor dem Schlafengehn (Pedro, Nando)
Prelude: Scene 1: Wenn ich nur wusste (Pedro, Sebastiano, Nando)
Prelude: Scene 2: Ist Pedro nicht hier? (Sebastiano, Nando, Marta, Pedro)
Prelude: Scene 3: Na, mein Pedro, sag' mir mal (Sebastiano, Pedro)
Prelude: Scene 3: Ich wohne viele Meilen weit (Tommaso, Sebastiano, Pedro, Nando)
Prelude: Scene 4: Hast du's gehort? ich krieg' ein Weib (Pedro, Nando)
Act I Scene 1: Sag' uns doch, ist es wahr? (Pepa, Antonia, Rosalia, Moruccio)
Act I Scene 2: Da bin ich! Alle Huhner hab' ich in (Nuri, Antonia, Pepa, Rosalia, Moruccio)
Act I Scene 2: An einem Abend war's (Nuri, Pepa, Moruccio)
Act I Scene 3: Oh, sie ist fort! (Nuri, Pepa, Rosalia, Antonia, Women, Marta)
Act I Scene 3: Und ich, soll ich auch gehen (Nuri, Marta)
Act I Scene 4: Sein bin ich, sein! Sein Eigentum! (Marta)
Act I Scene 5: Er kommt! Er kommt! (Farmer, Nuri, Pepa, Antonia, Rosalia, Moruccio, Tommaso)
Act I Scene 6: Da ist er, seht nur! (Pepa, Rosalia, Antonia, Farmer, Pedro, Tommaso, Moruccio)
Act I Scene 7: Schau, da kommt er selbst (Moruccio, Nuri, Sebastiano, Pedro, Pepa, Tommaso, Marta, Antonia, Rosalia, Farmer)
Act I Scene 8: Tu mit mir, was du willst (Marta, Sebastiano)
Act I Scene 9: Er will kein Stutzer sein (Manner, Women, Pedro, Sebastiano, Marta, Nuri, Tommaso)
Act I Scene 10: Was suchst du noch, Moruccio? (Sebastiano, Moruccio, Tomasso)
Act I Scene 11: Das Fest ist vorbei (Pedro)
Act I Scene 11: Dast Tor ist zu (Pedro, Marta)
Act I Scene 11: Schau her, das ist ein Taler (Pedro, Marta)
Act I Scene 11: So nimm das Geld (Pedro, Marta)
Act II Scene 1: Die Sterne gingen zur Ruh (Nuri, Pedro)
Act II Scene 2: Da ist Marta. Nun will ich gehen (Nuri, Pedro, Marta)
Act II Scene 3: Wo willst du hin? (Tommaso, Marta)
Act II Scene 3: Ich weiss nicht, wer mein Vater war (Marta, Tommaso)
Act II Scene 3: Wenn du ihn liebst (Tommaso, Marta)
Act II Scene 4: Da ist Tommaso. Er muss reden (Pepa, Antonia, Rosalia, Tommaso, Nuri)
Act II Scene 5: Ei, so murrish, so verdriesslich! (Pepa, Rosalia, Pedro, Antonia, Women, Nuri)
Act II Scene 6: Schau, da kommt sie selbst - Das Essen ist da (Pepa, Antonia, Rosalia, Marta)
Act II Scene 6: Ich sollt dich toten? (Marta, Pedro)
Act II Scene 6: Mein Gott - Nun bist du mein! (Marta, Pedro)
Act II Scene 7: Recht guten Tag! Was gibt es Neues? (Sebastiano, Pedro)
Act II Scene 7: Hull in die Mantille dich fester ein (Sebastiano, Farmer, Pedro)
Act II Scene 7: Was sagt der Mensch? (Sebastiano, Marta, Farmer, Pedro)
Act II Scene 8: Was wollt lhr, he? (Sebastiano, Tommaso, Marta)
Act II Scene 9: Nun soll er kommen und dich mir entreissen! (Sebastiano, Pedro, Marta)
Act II Scene 10: He, Burschen, her! lhr Frauen, kommt! (Pedro, Farmer, Pepa, Rosalia, Tommaso, Marta)
Brahms: Symphony No.1 In C Minor, Op.68 - 1. Un poco sostenuto - Allegro - Meno allegro
Brahms: Symphony No.1 In C Minor, Op.68 - 2. Andante sostenuto
Brahms: Symphony No.1 In C Minor, Op.68 - 3. Un poco allegretto e grazioso
Brahms: Symphony No.1 In C Minor, Op.68 - 4. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro
Brahms: Symphony No.2 In D, Op.73 - 1. Allegro non troppo
Brahms: Symphony No.2 In D, Op.73 - 2. Adagio non troppo - L'istesso tempo, ma grazioso
Brahms: Symphony No.2 In D, Op.73 - 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai
Brahms: Symphony No.2 In D, Op.73 - 4. Allegro con spirito
Brahms: Symphony No.3 In F, Op.90 - 1. Allegro con brio - Un poco sostenuto - Tempo I
Brahms: Symphony No.3 In F, Op.90 - 2. Andante
Brahms: Symphony No.3 In F, Op.90 - 3. Poco allegretto
Brahms: Symphony No.3 In F, Op.90 - 4. Allegro
Brahms: Symphony No.4 In E Minor, Op.98 - 1. Allegro non troppo
Brahms: Symphony No.4 In E Minor, Op.98 - 2. Andante moderato
Brahms: Symphony No.4 In E Minor, Op.98 - 3. Allegro giocoso - Poco meno presto - Tempo I
Brahms: Symphony No.4 In E Minor, Op.98 - 4. Allegro energico e passionato - Più allegro
R. Strauss: Elektra, Op.58 - "Wo bleibt Elektra?"
R. Strauss: Elektra, Op.58 - "Allein! Weh, ganz allein."
R. Strauss: Elektra, Op.58 - "Elektra!"
R. Strauss: Elektra, Op.58 - "Ich kann nicht sitzen und ins Dunkel starren"
R. Strauss: Elektra, Op.58 - "Es geht ein Lärm los."
R. Strauss: Elektra, Op.58 - "Was willst du? Seht doch dort!"
R. Strauss: Elektra, Op.58 - "Die Götter! bist doch selber eine Göttin."
R. Strauss: Elektra, Op.58 - "Ich will nichts hören!"
R. Strauss: Elektra, Op.58 - "Ich habe keine guten Nächte."
R. Strauss: Elektra, Op.58 - "Wenn das rechte Blutopfer unterm Beile fällt"
R. Strauss: Elektra, Op.58 - "Was bluten muß? Dein eigenes Genick"
R. Strauss: Elektra, Op.58 - "Was sagen Sie ihr denn?"
R. Strauss: Elektra, Op.58 - "Orest! Orest ist tot!"
R. Strauss: Elektra, Op.58 - "Platz da! Wer lungert so vor einer Tür?"
R. Strauss: Elektra, Op.58 - "Nun muß es hier von uns geschehn."
R. Strauss: Elektra, Op.58 - "Du! Du! Denn du bist stark! Wie stark du bist"
R. Strauss: Elektra, Op.58 - "Nun denn, allein!"
R. Strauss: Elektra, Op.58 - "Was willst du, fremder Mensch?"
R. Strauss: Elektra, Op.58 - "Elektra! Elektra!"
R. Strauss: Elektra, Op.58 - "Orest!"
R. Strauss: Elektra, Op.58 - "Du wirst es tun? Allein? Du armes Kind?"
R. Strauss: Elektra, Op.58 - "Seid ihr von Sinnen"
R. Strauss: Elektra, Op.58 - "Ich habe ihm das Beil nicht geben können!"
R. Strauss: Elektra, Op.58 - "Es muss etwas geschehen sein"
R. Strauss: Elektra, Op.58 - "He! Lichter!"
R. Strauss: Elektra, Op.58 - "Elektra! Schwester!"
R. Strauss: Elektra, Op.58 - "Ob ich nicht höre?"
R. Strauss: Elektra, Op.58 - "Hörst du denn nicht"
R. Strauss: Elektra, Op.58 - "Schweig, und tanze."
Overture
Act I: Fidelio kommt nicht zuruck! (Marzelline)
Act I: Aria: O war' ich schon mit dir vereint (Marzelline)
Act I: Wenn ich diese Tur nicht (Jaquino, Marzelline)
Act I: Duet: Jetzt, Schatzchen, jetzt sind wir allein (Jaquino, Marzelline)
Act I: Hore, Jaquino (Marzelline, Jaquino, Rocco)
Act I: Trio: Ein Mann ist bald genommen (Rocco, Jaquino, Marzelline)
Act I: Ist Fidelio noch nicht nach Hause gekommen? (Rocco, Marzelline, Jaquino, Leonore)
Act I: Quartet: Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino)
Act I: Dialogue: Hore Fidelio! (Rocco, Marzelline)
Act I: Aria: Hat man nicht auch Gold beineben (Rocco)
Act I: Ihr konnt das leicht sagen (Leonore, Rocco, Marzelline)
Act I: Terzetto: Gut Sohnchen, gut (Rocco, Leonore, Marzelline)
Act I: March
Act I: Dialogue: Drei Schildwachen auf den Wall (Pizarro, Rocco)
Act I: Aria and Chorus: Ha! Welch ein Augenblick! (Pizarro, Rocco)
Act I: Rocco (Leonore, Rocco)
Act I: Duet: Jetzt, Alter, jetzt hat es Eile! (Pizarro, Rocco)
Act II: Nun ist es endlich entschieden (Marzelline, Leonore)
Act II: Duet: Um in der Ehe froh zu leben (Marzelline, Leonore)
Act II: Sie doch, wie du so schnell (Marzelline, Leonore)
Act II: Recitative and Aria: Ach, brich noch nicht (Leonore)
Act I: Finale: O welche Lust (Chorus)
Act II: Finale: Entfernt euch jetzt! (Rocco, Leonore)
Act II: Finale: Wir mussen gleich zu Werke schreiten (Rocco, Leonore, Marzelline, Pizarro)
Act II: Finale: Auf euch nur will ich bauen (Pizarro, Chorus)
Act II: Recitative and Aria: Gott! Welch' Dunkel hier! (Florestan)
Act II: Melodrama and Duet: Wie kalt ist es (Leonore, Rocco)
Act II: Dialogue: Er erwacht! (Leonore, Rocco, Florestan)
Act II: Terzetto: Euch werde Lohn in bessern Welten (Florestan, Rocco, Leonore)
Act II: Dialogue: Alles ist bereit (Rocco, Leonore, Pizarro)
Act II: Quartet: Er sterbe! (Pizarro, Florestan, Leonore, Rocco)
Act II: Die Waffe hab' ich mir (Leonore)
Act III: Recitative and Duet: Ich kann mich noch nicht fassen (Florestan, Leonore)
Act III: O Leonore, sprich! (Florestan, Leonore)
Act III: Finale: Zur Rache (Leonore, Florestan, Rocco, Don Fernando, Chorus)
Act III: Finale: O Gott! O welch ein Augenblick! (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus)
Act III: Finale: Wie lange habt Ihr sie getragen? (Don Fernando, Florestan, Rocco, Leonore, Marzelline, Jaquino, Chorus)
Act III: FInale: Preist mit hoher Freude Glut (Chorus)
Act III: Finale: Wer ein solches Weib errungen (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus)
Brahms: Piano Concerto No.2 In B Flat, Op.83 - 1. Allegro non troppo
Brahms: Piano Concerto No.2 In B Flat, Op.83 - 2. Allegro appassionato
Brahms: Piano Concerto No.2 In B Flat, Op.83 - 3. Andante - Più adagio
Brahms: Piano Concerto No.2 In B Flat, Op.83 - 4. Allegretto grazioso - Un poco più presto
Overture
Act I Scene 1: Hej hola! (Zwei Landknechte, Dorotka)
Act I Scene 1: Kukuc (Babinsky, Dorotka)
Act I Scene 1: Dlouho me nechals cekat (Dorotka, Svanda, Babinsky)
Act I Scene 1: Pome síc se milujou, lasku sisli bujou (Babinsky, Svanda)
Act I Scene 1: Zda znas tu slavnou baj (Babinsky)
Act I Scene 1: Jak je as krasny ten dalny svet (Svanda)
Act I Scene 1: Svando? (Dorotka)
Act I Scene 1: Entr'acte
Act I Scene 2: Vorspiel
Act I Scene 2: Vmem srdci chlad a kolem stin a led (Konigin, Magier)
Act I Scene 2: Polka
Act I Scene 2: Kdojsi, cizince, jenz dovedls mne hudbou ... (Konigin, Svanda, Chorus)
Act I Scene 2: Jsem tva, jsem tva (Konigin, Svanda, Chorus)
Act I Scene 2: Slava bude povsem kralovstvi (Konigin, Svanda, Dorotka, Magier)
Act I Scene 2: Pres hory a strane (Dorotka)
Act I Scene 2: Kdo je tato zena (Konigin, Svanda, Magier)
Act I Scene 2: Vsechny sny uz pochovany (Konigin)
Act I Scene 3: Uz dohral! (Magier, Konigin, Dorotka, Chorus)
Act I Scene 3: Dudaku, receny Svando (Scharfrichter, Svanda, Magier, Konigin)
Act I Scene 3: Devce rozmile (Svanda, Dorotka, Scharfrichter, Chorus)
Act I Scene 3: Protoze dudy nebyly nalezeny (Scharfrichter, Chorus)
Act I Scene 3: Proc pri teli procbys (Babinsky, Dorotka, Konigin, Svanda, Chorus)
Act I Scene 3: Odzemek
Act I Scene 3: Vidis, jaky jsi ty osemetny nevernik (Dorotka, Svanda, Babinsky)
Act I Scene 3: Ale Dorotko nac vycitas? (Svanda, Dorotka)
Act I Scene 3: O, ja nestastna (Dorotka, Babinsky)
Act I Scene 3: Na tomnasem dvore (Dorotka)
Act II Scene 1: Jo, jo zac pakvlastne bratru stoji takovyhle zivot? (Teufel, Svanda)
Act II Scene 1: Dost! Ale znas ty vyhravat (Svanda, Teufel)
Act II Scene 1: Coz zapomenout mozno vsrdci uprimnem ... (Svanda)
Act II Scene 1: Vsak ty tvrda ceska lebko (Teufel, Svanda, Chorus)
Act II Scene 2: Rad odpoved dam (Babinsky, Chorus)
Act II Scene 2: Pekelny hejtman se hlasi panu Babinskemu (Hollenhauptmann, Teufel, Babinsky, Svanda)
Act II Scene 1: Co vidim? Karty? (Babinsky, Teufel, Svanda, Chorus)
Act II Scene 2: Nuze dobre Plati (Teufel, Babinsky, Des Teufels Famulus, Svanda, Chorus)
Act II Scene 2: Bylo mi velkoucti (Babinsky, Teufel, Svanda, Des Teufels Famulus)
Act II Scene 2: Nuz brachu nenaríkej (Babinsky, Teufel, Svanda, Des Teufels Famulus, Chorus)
Act II Scene 2: Fuge: Dobre znas veru hrat (Babinsky, Des Teufels Famulus, Teufel, Chorus)
Act II Scene 2: Entr'acte
Act II Scene 2: Toz pribeh se konci (Babinsky, Dorotka, Svanda)
Act II Scene 2: Natomna sem dvore vsech (Dorotka, Svanda, Chorus)
Svanda dudak (Schwanda, the Bagpiper), Act II: Wie kann ich denn vergessen (Sung in German)
Orchestral Introduction
"Mein Herr Haushofmeister!"
"Du allmächtiger Gott!"
Hast ein Stückerl Notenpapier?
Ist schon geschehn. Wir sind bereit
Nein, Herr, so kommt es nicht
"Ein Augenblick ist wenig"
"Sein wir wieder gut" - "Musik ist eine heilige Kunst"
Overture
"Schläft sie?"
Wo war ich? Tot?
Ein Schönes war: hiess Theseus - Ariadne
"Lieben, Hassen, Hoffen, Zagen"
"Es gibt ein Reich"
"Die Dame gibt mit trüben Sinn" - "Wie sie sich schwingen"
"Großmächtige Prinzessin"
"Hübsch gepredigt! Aber tauben Ohren!" - "Eine Stör- rische zu trösten"
"Ein schönes Wunder!"
"Circe, kannst du mich hören?"
Theseus! Nein, nein!
Das waren Zauberworte!
"Gibt es kein Hinüber?"
I. Allegro
II. Menuetto: Maestoso
III. Adagio cantabile
IV. Finale: Presto
I. Adagio - Allegro vivace
II. Andante
III. Menuetto: Allegretto
IV. Allegro vivace
I. Largo - Allegro vivace
II. Andante
III. Menuetto: Allegro vivace
IV. Presto vivace
I. Adagio maestoso - Allegro con brio
II. Allegretto
III. Menuetto: Vivace
IV. Presto vivace
I. Adagio molto - Allegro vivace
II. Andante
III. Menuetto: Allegro vivace
IV. Allegro
I. Allegro
II. Andante con moto
III. Menuetto: Allegro molto
IV. Allegro vivace
I. Adagio - Allegro
II. Andante
III. Scherzo: Presto
IV. Allegro moderato
I. Allegro moderato
II. Andante con moto
I. Andante - Allegro ma non troppo
II. Andante con moto
III. Scherzo: Allegro vivace
IV. Allegro vivace
I. Ouverture (Jourdain - der Burger)
II. Menuett
III. Der Fechtmeister
IV. Auftritt und Tanz der Schneider
V. Das Menuett des Lully
VI. Courante
VII. Auftritt des Cleonte
VIII. Vorspiel zum II. Aufzug (Intermezzo)
IX. Das Diner: Tafelmusik und Tanz des Kuchenjungen
I. Walzerszene
II. Traumerei am Kamin
IV. Frohlicher Beschluss
V. Das Menuett des Lully
II. Menuett
J.S. Bach: Christmas Oratorio, BWV 248 - Part One - For the first Day of Christmas - No.1 Chorus: "Jauchzet, frohlocket"
J.S. Bach: Christmas Oratorio, BWV 248 - Part One - For the first Day of Christmas - No.2 Evangelist: "Es begab sich aber zu der Zeit"
J.S. Bach: Christmas Oratorio, BWV 248 - Part One - For the first Day of Christmas - No.3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam"
J.S. Bach: Christmas Oratorio, BWV 248 - Part One - For the first Day of Christmas - No.4 Aria (Alto): " Bereite dich, Zion"
J.S. Bach: Christmas Oratorio, BWV 248 - Part One - For the first Day of Christmas - No.5 Choral: "Wie soll ich dich empfangen"
J.S. Bach: Christmas Oratorio, BWV 248 - Part One - For the first Day of Christmas - No.6 Evangelist, No.7 Choral
J.S. Bach: Christmas Oratorio, BWV 248 - Part One - For the first Day of Christmas - No.8 Aria (Baß): "Großer Herr, o starker König"
J.S. Bach: Christmas Oratorio, BWV 248 - Part One - For the first Day of Christmas - No.9 Choral: "Ach mein herzliebes Jesulein"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Two - For the second Day of Christmas - No.10 Sinfonia
J.S. Bach: Christmas Oratorio, BWV 248 - Part Two - For the second Day of Christmas - No.11 Evangelist: "Und es waren Hirten in derselben Gegend"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Two - For the second Day of Christmas - No.12 Chorale: "Brich an, o schönes Morgenlicht"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Two - For the second Day of Christmas - No.13 Evangelist, Engel: "Und der Engel sprach zu Ihnen"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Two - For the second Day of Christmas - No.14 Rezitativ (Baß): "Was Gott dem Abraham Verheißen"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Two - For the second Day of Christmas - No.15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Two - For the second Day of Christmas - No.16 Evangelist: "Und das habt zum Zeichen"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Two - For the second Day of Christmas - No.17 Chorale: "Schaut hin, dort liegt im finstern Stall"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Two - For the second Day of Christmas - No.18 Rezitativ (Baß): "So geht denn hin, ihr Hirten, geht"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Two - For the second Day of Christmas - No.19 Aria (Alto): "Schlafe, mein Liebster, geniesse der Ruh"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Two - For the second Day of Christmas - No.20 Evangelist: "Und alsbald war da bei dem Engel"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Two - For the second Day of Christmas - No.21 Chor: "Ehre sei Gott in der Höhe"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Two - For the second Day of Christmas - No.22 Rezitativ (Baß): "So recht, ihr Engel, jauchzt und singet"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Two - For the second Day of Christmas - No.23 Chorale: "Wir singen dir in deinem Heer"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Three - For the third Day of Christmas - No.24 Chor: "Herrscher des Himmels, erhöre das Lallen"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Three - For the third Day of Christmas - No.25 Evangelist, No.26 Chor, No.27 Rezitativ (Baß)
J.S. Bach: Christmas Oratorio, BWV 248 - Part Three - For the third Day of Christmas - No.28 Choral: "Dies hat er alles uns getan"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Three - For the third Day of Christmas - No.29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Three - For the third Day of Christmas - No.30 Evangelist: "Und sie kamen eilend"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Three - For the third Day of Christmas - No.31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Three - For the third Day of Christmas - No.32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Three - For the third Day of Christmas - No.33 Choral: "Ich will dich mit Fleiß bewahren"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Three - For the third Day of Christmas - No.34 Evangelist: "Und die Hirten kehrten wieder um"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Three - For the third Day of Christmas - No.35 Choral: "Seid froh dieweil"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Three - For the third Day of Christmas - No.24 Chor (da capo): "Herrscher des Himmels, erhöre das Lallen"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Four - For New Year's Day - No.36 Chor: "Fallt mit Danken, fallt mit Loben"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Four - For New Year's Day - No.37 Evangelist: "Und da acht Tage um waren"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Four - For New Year's Day - No.38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Four - For New Year's Day - No.39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Four - For New Year's Day - No.40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Four - For New Year's Day - No.41 Aria (Tenor): "Ich will nur dir zu Ehren leben"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Four - For New Year's Day - No.42 Choral: "Jesus richte mein Beginnen"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Five - For the 1st Sunday in the New Year - No.43 Chor: "Ehre sei dir, Gott, gesungen"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Five - For the 1st Sunday in the New Year - No.44 Evangelist, No.45 Chor
J.S. Bach: Christmas Oratorio, BWV 248 - Part Five - For the 1st Sunday in the New Year - No.46 Choral: "Dein Glanz all Finsternis verzehrt"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Five - For the 1st Sunday in the New Year - No.47 Aria (Bass): "Erleucht auch meine finstre Sinnen"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Five - For the 1st Sunday in the New Year - No.48 Evangelist, No.49 Rezitativ (Alt)
J.S. Bach: Christmas Oratorio, BWV 248 - Part Five - For the 1st Sunday in the New Year - No.50 Evangelist: "Und ließ versammeln alle Hohepriester"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Five - For the 1st Sunday in the New Year - No.51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Five - For the 1st Sunday in the New Year - No.52 Rezitativ (Alt): "Mein Liebster herrschet schon"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Five - For the 1st Sunday in the New Year - No.53 Choral: "Zwar ist solche Herzensstube"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Six - For the Feast of Epiphany - No.54 Chor: "Herr, wenn die stolzen Feinde schnauben"
J.S. Bach: Christmas Oratorio, BWV 248 / Part Six - For the Feast of Epiphany - No.55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Six - For the Feast of Epiphany - No.56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Six - For the Feast of Epiphany - No.57 Aria (Sopran): "Nur ein Wink von seinen Händen"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Six - For the Feast of Epiphany - No.58 Evangelist: "Als sie nun den König gehöret hatten"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Six - For the Feast of Epiphany - No.59 Chorale: "Ich steh an deiner Krippen hier"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Six - For the Feast of Epiphany - No.60 Evangelist: "Und Gott befahl ihnen im Traum"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Six - For the Feast of Epiphany - No.61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Six - For the Feast of Epiphany - No.62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Six - For the Feast of Epiphany - No.63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?"
J.S. Bach: Christmas Oratorio, BWV 248 - Part Six - For the Feast of Epiphany - No.64 Choral: "Nun seid ihr wohl gerochen"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.1 Chorus: "Herr, unser Herrscher"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.2 Evangelist, Jesus, Chorus "Jesus ging mit seinen Jüngern"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.3 Choral: "O große Lieb, o Lieb ohn' alle Maße"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.4 Evangelist, Jesus: "Auf daß das Wort erfüllet würde"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.5 Choral: "Dein Will gescheh, Herr Gott zugleich"
J.S. Bach: St. John Passion, BWV 245 / Part One - No. 6 Evangelist:" Die Schar aber"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.7 Aria (Alt): "Von den Stricken meiner Sünden"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.8 Evangelist: "Simon Petrus aber folgete Jesu nach"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.9 Aria(Sopran): Ich folge dir gleichfalls"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.10 Evangelist, Ancilla, Petrus, Jesus, Servus: "Derselbige Jünger war dem Hohenpriester bekannt"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.11 Choral: "Wer hat dich so geschlagen"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.12 Evangelist, Chorus, Evangelist, Petrus, Servus: " Und Hannas sandte ihn gebunden "
J.S. Bach: St. John Passion, BWV 245 / Part One - No.13 Aria (Tenor): "Ach mein Sinn"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.14 Choral: "Petrus, der nicht denkt zurück"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.15 Choral: "Christus, der uns selig macht"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.16 Evangelist, Pilatus, Chorus: " Da führeten sie Jesum "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.17 Choral: "Ach großer König, groß zu allen Zeiten"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.18 Evangelist, Pilatus, Jesus, Chorus, Evangelist: "Da sprach Pilatus zu ihnen"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.19 Arioso (Baß): "Betrachte, meine Seele"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.20 Aria (Tenor): " Erwäge, wie sein blutgefärbter Rücken"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.21 Evangelist, Pilatus, Jesus, Chorus: " Und die Kriegsknechte flochten "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.22 Choral: "Durch dein Gefängnis, Gottes Sohn"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.23 Evangelist, Pilatus, Chorus: " Die Juden aber schrieen und sprachen "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.24 Aria (Baß) - Chor: "Eilt ihr angefochtnen Seelen"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.25 Evangelist, Chorus, Pilatus: " Allda kreuzigten sie ihn "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.26 Choral: "In meines Herzens Grunde"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.27 Evangelist, Chorus, Evangelist: " Die Kriegsknechte aber "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.28 Choral: " Er nahm alles wohl in acht"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.29 Evangelist, Jesus: " Und von Stund an "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.30 Aria (Alt): " Es ist vollbracht "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.31 Evangelist: " Und neigte das Haupt und verschied "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.32 Aria (baß) - Chorus: " Mein teurer Heiland "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.33 Evangelist: " Und siehe da "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.34 Arioso (Tenor): " Mein Herz, indem die ganze Welt "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.35 Aria (soprano): " Zerfließe, mein Herz "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.36 Evangelist: "Die Juden aber"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.37 Choral:" O hilf, Christe, Gottes Sohn"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.38 Evangelist: "Darnach bat Pilatum"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.39 Chorus: "Ruht wohl, ihr heiligen Gebeine"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.40 Choral: "Ach Herr, laß dein lieb Engelein"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.11+ Aria (Basso)-Choral: " Himmel reiße, Welt erbebe" - "Jesu, deine Passion"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.13 II Aria (Tenore): " Zerschmettert mich"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.19 II: Aria (Tenore): " Ach windet euch nicht so "
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.1 Chorus I/II: "Kommt, ihr Töchter, helft mir klagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.2 Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.3 Choral: "Herzliebster Jesu, was hast du verbrochen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.4 Evangelist, Chorus I/II, Jesus: "Da versammelten sich die Hohenpriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.5 Recitative (Alto): "Du lieber Heiland du"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.6 Aria (Alto): "Buss und Reu"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.7 Evangelist, Judas: "Da ging hin der Zwölfen einer"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.8 Aria (Soprano): "Blute nur, du liebes Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.9 Evangelist, Chorus I, Jesus: "Aber am ersten Tage der süssen Brot"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.10 Choral: "Ich bin's, ich sollte büssen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.11 Evangelist, Jesus, Judas: "Er antwortete und sprach"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.12 Recitative (Soprano): "Wiewohl mein Herz in Tränen schwimmt"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.13 Aria (Soprano): "Ich will dir mein Herz schenken"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.14 Evangelist, Jesus: "Und da sie den Lobgesang gesprochen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.15 Choral: "Erkenne mich, mein Hüter"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.16 Evangelist, Jesus, Petrus: "Petrus aber antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.17 Choral: "Ich will hier bei dir stehen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.18 Evangelist, Jesus: "Da kam Jesus mit ihnen zu einem Hofe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.21 Evangelist, Jesus: "Und ging hin ein wenig"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.22 Recitative (Bass): "Der Heiland fällt vor seinem Vater nieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.23 Aria (Bass): "Gerne will ich mich bequemen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.24 Evangelist, Jesus: "Und er kam zu seinen Jüngern"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.25 Choral: "Was mein Gott will, das g'scheh allzeit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.26 Evangelist, Jesus, Judas: "Und er kam und fand sie aber schlafend"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.28 Evangelist, Jesus: "Und siehe, einer aus denen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.29 Choral: "O Mensch, bewein dein Sünde groß"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.31 Evangelist: "Die aber Jesum gegriffen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.32 Choral: "Mir hat die Welt trüglich gericht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.33 Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.35 Aria (Tenor): "Geduld"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.36 Evangelist, Pontifex, Jesus, Chorus I/II: "Und der Hohepriester antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.37 Choral: "Wer hat dich so geschlagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.38 Evangelist, Ancilla I/II, Petrus, Chorus II: "Petrus aber sass draussen im Palast"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.39 Aria (Alto): "Erbarme dich"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.40 Choral: "Bin ich gleich von dir gewichen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.41 Evangelist, Judas, Chorus I/II, Pontifex I/II: "Des Morgens aber hielten alle Hohepriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.42 Aria (Bass): "Gebt mir meinen Jesum wieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.43 Evangelist, Pilatus, Jesus: "Sie hielten aber einen Rat"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.44 Choral: "Befiehl du deine Wege"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.45 Evangelist, Pilatus, Uxor Pilati, Chorus I/II: "Auf das Fest aber hatte der Landpfleger Gewohnheit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.46 Choral: "Wie wunderbarlich ist doch diese Strafe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.47 Evangelist, Pilatus: "Der Landpfleger sagte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.48 Recitative (Soprano): "Er hat uns allen wohlgetan"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.49 Aria (Soprano): "Aus Liebe will mein Heiland sterben"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.50 Evangelist, Chorus I/II, Pilatus: "Sie schrieen aber noch mehr"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.51 Recitative (Alto): "Erbarm es Gott"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.52 Aria (Alto): "Können Tränen meiner Wangen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.53 Evangelist, Chorus I/II: "Da nahmen die Kriegsknechte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.54 Choral: "O Haupt voll Blut und Wunden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.55 Evangelist: "Und da sie ihn verspottet hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.56 Recitative (Bass): "Ja freilich will in uns das Fleisch und Blut"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.57 Aria (Bass): "Komm, süsses Kreuz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.58 Evangelist, Chorus I/II: "Und da sie an die Stätte kamen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.59 Recitative (Alto): "Ach Golgatha"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.60 Aria (Alto, Chorus II): "Sehet, Jesus hat die Hand"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.61 Evangelist, Jesus, Chorus I/II: "Und von der sechsten Stunde an"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.62 Choral: "Wenn ich einmal soll scheiden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.63 Evangelist, Chorus I/II: "Und siehe da, der Vorhang im Tempel zerriss"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.64 Recitative (Bass): "Am Abend, da es kühle war"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.65 Aria (Bass): "Mache dich, mein Herze, rein"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.66 Evangelist, Chorus I/II, Pilatus: "Und Joseph nahm den Leib"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.67 Recitative (Soprano, Alto, Tenor, Bass, Chorus II): "Nun ist der Herr zur Ruh gebracht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.68 Chorus I/II: "Wir setzen uns mit Tränen nieder"
J.S. Bach: Mass in B minor, BWV 232 - Kyrie - Kyrie Eleison
J.S. Bach: Mass in B minor, BWV 232 - Kyrie - Christe eleison
J.S. Bach: Mass in B minor, BWV 232 - Kyrie - Kyrie eleison
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Gloria in excelsis Deo
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Et in terra pax
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Laudamus te
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Gratias agimus tibi
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Domine Deus
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Qui tollis peccata mundi
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Qui sedes ad dexteram Patris
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Quoniam tu solus sanctus
J.S. Bach: Mass in B minor, BWV 232 - Gloria - Cum Sancto Spiritu
J.S. Bach: Mass in B minor, BWV 232 - Credo - Credo in unum Deum
J.S. Bach: Mass in B minor, BWV 232 - Credo - Patrem omnipotentem
J.S. Bach: Mass in B minor, BWV 232 - Credo - Et in unum Dominum
J.S. Bach: Mass in B minor, BWV 232 - Credo - Et incarnatus est
J.S. Bach: Mass in B minor, BWV 232 - Credo - Crucifixus
J.S. Bach: Mass in B minor, BWV 232 - Credo - Et resurrexit
J.S. Bach: Mass in B minor, BWV 232 - Credo - Et in Spiritum Sanctum
J.S. Bach: Mass in B minor, BWV 232 - Credo - Confiteor unum baptisma
J.S. Bach: Mass in B minor, BWV 232 - Credo - Et expecto resurrectionem
J.S. Bach: Mass in B minor, BWV 232 - Sanctus - Sanctus
J.S. Bach: Mass in B minor, BWV 232 - Sanctus - Osanna in excelsis
J.S. Bach: Mass in B minor, BWV 232 - Sanctus - Benedictus
J.S. Bach: Mass in B minor, BWV 232 - Sanctus - Osanna in excelsis
J.S. Bach: Mass in B minor, BWV 232 - Agnus Dei - Agnus Dei
J.S. Bach: Mass in B minor, BWV 232 - Agnus Dei - Dona nobis pacem
I. Allegro
II. Scherzo (Turandot): Moderato - Lebhaft
III. Andantino
IV. Marsch
Henze: Muses Of Sicily (1966) - 1. Pastorale
Henze: Muses Of Sicily (1966) - 2. Adagio
Henze: Muses Of Sicily (1966) - 3. Silenus. Vivace
I. Allegro
II. Andante lento
III. Rondeau: Allegro agitato
I. Allegro giusto
II. Molto moderato
III. Liberamente capriccioso - Vivace
I. Andante. Nobilmente e semplice - Allegro
II. Allegro molto -
III. Adagio - Molto expressivo e sostenuto
IV. Lento - Allegro - Grandioso
I. Andante con moto
II. Vivace non troppo
III. Adagio
IV. Allegro vivacissimo
I. Andante - Allegro con fuoco
II. Allegro vivace
III. Andante
IV. Andante con moto - Allegro vivace
I. Allegretto
II. Tempo Andante, ma rubato
III. Vivacissimo -
IV. Finale: Allegro moderato
I. Allegro moderato
II. Andante con moto
I. Allegro con brio - Un poco sostenuto
II. Andante
III. Poco allegretto
IV. Allegro - Un poco sostenuto
Requiem et Kyrie
Dies irae
Quid sum miser
Rex tremendae
Quaerens me
Lacrimosa
Offertoirium
Hostias
Sanctus
Agnus Dei


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