Dorothea Röschmann

Biography

Born: Flensburg, Germany  
Dorothea Röschmann is a German soprano who has been establishing a notable career in Germany and abroad since the mid 1990s.

She undertook vocal studies at the Hamburg Musikhoschschule, then studied at the Akademie für Alte Musik in Bremen. She traveled to New York and Los Angeles to attend master classes, and for finishing touches studied in London in 1992 with Vera Rozsa.

She became a member of the company of the Staatsoper
Read more Unter den Linden Berlin. There she has sung, among other roles, Pamina in Die Zauberflöte, Ännchen in Der Freischütz with Zubin Mehta conducting, Nanetta in Verdi's Falstaff with Claudio Abbado, Cupido in Semele under René Jacobs, and Elmira in Keiser's Croesus, again with Jacobs on the podium.

She debuted at the Salzburg Festival as Susanna in a new production of Mozart's Marriage of Figaro in 1995, a portrayal she was invited to repeat there in 1996 and 1998. Her 1997 appearance at Salzburg was as Servilia in La Clemenza di Tito, and in 1999 she sang Pamina in The Magic Flute under Christoph von Dohnányi. Also in 1995, she made her first appearance as a guest artist with the Bavarian State Opera in Munich and at the Munich Opera Festival, singing Ännchen, Susanna, and Zerlina in Don Giovanni, Drusilla in Monteverdi's L'incoronazione di Poppea, and Marzelline in Beethoven's Fidelio. She debuted at La Monnaie of Brussels as Norina in Donizetti's Don Pasquale.

At her home base at the Unter den Linden theater, meanwhile, she was scheduled to sing leading roles in an integral production of the Mozart-Da Ponte operatic cycle, repeating the roles of Susanna and Zerlina, and as Despina in Così fan tutte. In the new century, she was scheduled to sing Almirena in a new production of Handel's Rinaldo at the Munich Opera Festival in 2000 and Pamina at the National Opéra of Paris; in 2001 to sing Nanetta at the Salzburg Easter Festival under Claudio Abbado, and Ann Trulove in Stravinsky's The Rake's Progress in 2002 in a new production at the Munich Festival. In the same year, she was scheduled to make her debut with the Chicago Lyric Opera as Pamina.

She also frequently sings on major concert stages. Her American concert debut was with the Chicago Symphony Orchestra under Daniel Barenboim in 1999 in Brahms' A German Requiem, also appearing in the same work with Barenboim in that year's Berlin Festival Days. She has also worked in concert with Harnoncourt, Mehta, Thomas Hengelbrock, Philippe Herreweghe, Jacobs, Charles Mackerras, and Antonio Pappano, and was scheduled to sing in concert with the London Symphony, the Royal Concertgebouw in Amsterdam and the Vienna Philharmonic. She is an avid song recitalist, and as such as visited the stages of New York's Lincoln Center and the Munich Opera Festival.

Her recordings include a Handel's Messiah with Paul McCreesh on Deutsche Grammophon, Puccini's Sour Angelica under Antonio Pappano, and as Orasia in Telemann's Orpheus under René Jacobs, a recording that has won prestigious recording awards. Read less

Biography

Born: Flensburg, Germany  
Dorothea Röschmann is a German soprano who has been establishing a notable career in Germany and abroad since the mid 1990s.

She undertook vocal studies at the Hamburg Musikhoschschule, then studied at the Akademie für Alte Musik in Bremen. She traveled to New York and Los Angeles to attend master classes, and for finishing touches studied in London in 1992 with Vera Rozsa.

She became a member of the company of the Staatsoper
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Beim Weidenbaum, im kühlen Tann
Ein Spielmann zog einst des Weges daher
Ach Spielmann, lieber Spielmann mein!
Von hohen Felsen erglänzt das Schloß
Was ist der König so stumm und bleich
Ach Spielmann, lieber Spielmann mein!
Auf springt der König von seinem Thron
Beim Weidenbaum, im kühlen Tann
Ein Spielmann zog einst des Weges daher
Ach Spielmann, lieber Spielmann mein!
Von hohen Felsen erglänzt das Schloß
Was ist der König so stumm und bleich
Ach Spielmann, lieber Spielmann mein!
Auf springt der König von seinem Thron
Ach Bruder, lieber Bruder mein!
No. 1. Fruhling (Spring)
No. 2. September
No. 3. Beim Schlafengehen (At Bedtime)
No. 4. Im Abendrot (In the Evening Glow)
Symphony No. 4 in G: I. Bedächtig, nicht eilen - Recht gemächlich
Symphony No. 4 in G: II. In gemächlicher Bewegung. Ohne Hast
Symphony No. 4 in G: III. Ruhevoll (poco adagio)
Symphony No. 4 in G: IV. Sehr behaglich "Wir genießen die himmlischen Freuden"
Mass No.10 in C major Hob.XXII, 9, 'Paukenmesse' [Mass in the Time of War] : I Kyrie
Mass No.10 in C major Hob.XXII, 9, 'Paukenmesse' [Mass in the Time of War] : II Gloria
Mass No.10 in C major Hob.XXII, 9, 'Paukenmesse' [Mass in the Time of War] : III Credo
Mass No.10 in C major Hob.XXII, 9, 'Paukenmesse' [Mass in the Time of War] : IV Sanctus
Mass No.10 in C major Hob.XXII, 9, 'Paukenmesse' [Mass in the Time of War] : V Benedictus
Mass No.10 in C major Hob.XXII, 9, 'Paukenmesse' [Mass in the Time of War] : VI Agnus Dei
Salve Regina in G minor Hob.XXIII b.2 : I Salve Regina
Salve Regina in G minor Hob.XXIII b.2 : II Eja ergo, advocata nostra
Salve Regina in G minor Hob.XXIII b.2 : III Et Jesum
Sinfonia
"Cinque... dieci... venti..."
"Cosa stai misurando"
"Se a caso Madama la notte ti chiama"
"Or bene, ascolta, e taci"
Bravo, Signor padrone! (Figaro)
"Se vuol ballare, signor Contino"
"Ed aspettaste il giorno fissato a le sue nozze"
"La vendetta, oh, la vendetta"
"Tutto ancor no ho perso"
"Via resti servita, madama brillante"
"Va là, vecchia pedante" - "Susannetta, sei tu?"
"Non so più cosa son, cosa faccio"
"Ah, son perduto!"
"Cosa sento! tosto andate"
"Basilio, in traccia tosto"
Giovani liete, fiori spargete (Coro)
Cos'è questa commedia? (Conte, Figaro, Susanna)
Giovani liete, fiori spargete (Coro)
"Evviva!"
"Non più andrai"
"Porgi amor"
Vieni, cara Susanna (Contessa, Susanna, Cherubino)
Quanto duolmi, Susanna (Contessa, Susanna, Cherubino)
"Voi che sapete"
"Bravo! che bella voce!"
"Venite... inginocchiatevi..."
"Quante buffonerie!"
"Che novità!"
"Susanna, or via, sortite"
"Dunque, voi non aprite?"
"Aprite, presto, aprite"
Oh guarda il demonietto! (Susanna)
"Tutto è come il lasciai"
"Esci, omai, garzon malnato" - "Susanna!... Signore!"
Susanna, son morta (Contessa, Susanna, Conte)
Signori di fuori son già i suonatori (Figaro, Conte, Susanna, Contessa)
Conoscete, signor Figaro (Conte, Figaro, Susanna, Contessa)
Ah! signor, signor
Vostre dunque saran queste carte (Antonio, Conte, Figaro, Susanna, Contessa)
"Voi signor, che giusto siete"
"Che imbarazzo è mai questo" - "Via, fatti core"
"Crudel! perchè finora"
"E perchè fosti meco"
"Hai già vinta la causa" - "Vedrò mentr'io sospiro"
"E decisa la lite"
"Riconosci in questo amplesso"
"Eccovi, o caro amico"
"Andiamo, andiam, bel paggio"
"E Susanna non vien!" - "Dove sono i bei momenti"
"Io vi dico, signor" - "Cosa mi narri!"
Sull'aria
"Piegato è il foglio..."
"Ricevete, o padroncina"
"Queste sono, Madama" - "Eh cospettaccio!" - "Signor, se trattene"
"Ecco la marcia... andiamo" - La marcia (Figaro, Susanna, Conte, Contessa)
Amanti costanti, seguaci d'onor (Due donne, Coro)
Eh già, solita usanza (Conte, Figaro)
Andate, amici (Conte, Coro)
"L'ho perduta... me meschina!"
"Barbarina, cos'hai?" - "Madre... Figlio." - "Presto, avvertiam Susanna"
"Il capro e la capretta"
"Chi va là?"
"In quegli anni in cui val poco"
"Tutto è disposto" - "Aprite un po' quegli occhi"
"Madama voi tremate"
"Giunse alfin il momento" - "Deh vieni non tardar"
"Perfida! e in quella forma meco mentia?"
"Pian pianin le andrò più presso"
Ecco qui la mia Susanna (Conte, Susanna, Figaro, Cherubino, Contessa)
Tutto è tranquillo e placido (Figaro, Susanna)
Pace, pace, mio dolce tesoro
"Gente, gente, all'armi"
1. Aria: Selig ist der Mann
2. Recitativo: Ach, dieser süsse Trost erquickt
3. Aria: Ich wünschte mir den Tod
4. Recitativo: Ich reiche dir die Hand
5. Aria: Ja, ich kann die Feinde schlagen
6. Recitativo: In meinem Schoss liegt Ruh' und Leben
7. Aria: Ich ende behende mein irdisches Leben
8. Choral: Richte dich, Liebste, nach meinem Gefallen
1. Sinfonia
2. Aria: Tritt auf die Glaubensbahn
3. Recitativo: Der Heiland ist gesetzt
4. Aria: Stein der über alle Schätze
5. Recitativo: Es ärgert sich die kluge Welt
6. Duett: Wie soll ich dich, Liebster
1. Sinfonia
2. Aria: Ich geh und suche mit Verlangen
3. Recitativo: Mein Mahl ist zubereit'
4. Aria: Ich bin herrlich, ich bin schön
5. Recitativo: Mein Glaube hat mich selbst so angezogen
6. Duett: Dich hab ich je und je geliebet
Ein deutsches Requiem (A German Requiem) Op. 45: I. Selig sind, die da Leid tragen (Ziemlich langsam)
Ein deutsches Requiem (A German Requiem) Op. 45: II. Denn alles Fleisch es ist wie Gras (Langsam, marschmässig)
Ein deutsches Requiem (A German Requiem) Op. 45: III. Herr, lehre doch mich (Andante moderato)
Ein deutsches Requiem (A German Requiem) Op. 45: IV. Wie lieblich sind deine Wohnungen (Mässig bewegt)
Ein deutsches Requiem (A German Requiem) Op. 45: V. Ihr habt nun Traurigkeit (Langsam)
Ein deutsches Requiem (A German Requiem) Op. 45: VI. Denn wir haben hie keine bleibende Statt (Andante)
Ein deutsches Requiem (A German Requiem) Op. 45: VII. Selig sind die Toten (Feierlich)
Stabat Mater: I: Stabat Mater dolorosa environ
Stabat Mater: II: Cujus animam gementem
Stabat Mater: III: O quam tristis et afflicta
Stabat Mater: IV: Quae moerabat et dolebat
Stabat Mater: V: Quis est homo, qui non fleret
Stabat Mater: VI: Vidit suum dulcem Natum
Stabat Mater: VII: Eja Mater, fons amoris
Stabat Mater: VIII: Fac et ardeat cor meum
Stabat Mater: IX: Sancta Mater istud agas
Stabat Mater: X: Fac ut portem Christi mortem
Stabat Mater: XI: Inflammatus et accensus
Stabat Mater: XII: Quando corpus morietur
Salve Regina in A minor: I. Salve Regina
Salve Regina in A minor: II. Ad te clamamus
Salve Regina in A minor: III. Eia ergo, advocata nostra
Salve Regina in A minor: IV. O clemens
Symphony No. 4 in G: I. Bedächtig, nicht eilen - Recht gemächlich
Symphony No. 4 in G: II. In gemächlicher Bewegung. Ohne Hast
Symphony No. 4 in G: III. Ruhevoll (poco adagio)
Symphony No. 4 in G: IV. Sehr behaglich "Wir genießen die himmlischen Freuden"
Weihnachts-Oratorium, BWV 248
Weihnachts-Oratorium, BWV 248
Weihnachts-Oratorium, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Christmas Oratorio, BWV 248
Weihnachts-Oratorium, BWV 248
Weihnachts-Oratorium, BWV 248
Croesus: Sinfonia avanti l'opera Croesus
Croesus: ACT I, Scene 1, "Croesus herrsche, Croesus lebe" (Coro)
Croesus: ACT I, Scene 1, "Ihr edlen Lydier, getreue Untertanen" (Croesus)
Croesus: ACT I, Scene 1, "Prang die allerschönste Blume" (Croesus)
Croesus: ACT I, Scene 2, "Hoffe noch, gekränktes Herz!" (Elmira)
Croesus: ACT I, Scene 2, "Du weißt, wie Cyrus' Macht" (Elmira)
Croesus: ACT I, Scene 2, "Empfinden gleiche Schmerzen" (Elmira)
Croesus: ACT I, Scene 3, "Lieben, Leiden, Bitten, Flehen" (Orsanes)
Croesus: ACT I, Scene 3, "Prinz Atis, wie dir ist bewußt" (Elmira)
Croesus: ACT I, Scene 4, "Wahre Treu kann nicht auf Erden" (Halimacus)
Croesus: ACT I, Scene 5, "Er erweckt in meinem Herzen" (Elmira)
Croesus: ACT I, Scene 6, "Verliebter Prinz, obgleich dein Mund nicht spricht" (Elmira)
Croesus: ACT I, Scene 6, "Was zeigt das Prinz, geliebter Knabe?" (Elmira)
Croesus: ACT I, Scene 6, "Durch der Haare güldne Stricke" (Nerillus)
Croesus: ACT I, Scene 7, "Der König will euch gerne sprechen" (Elcius)
Croesus: ACT I, Scene 8, "Ich sä' auf wilde Wellen" (Eliates, Orsanes)
Croesus: ACT I, Scene 9, "Blindes Feu'r, das mich verzehret" (Clerida)
Croesus: ACT I, Scena 10, "Traure nicht, traure nicht" (Elmira)
Croesus: ACT I, Scena 10, "Orsanes, mußt du denn dem stummen Atis weichen?" (Orsanes)
Croesus: ACT I, Scena 11, "Hört, wie die Eulen" (Elcius)
Croesus: ACT I, Scena 12, "Darf Cyrus dann den Frieden brechen?" (Croesus)
Croesus: CT I, Scena 14, "Muß ich in meinem Herzen" (Orsanes)
Croesus: ACT I, Scena 14, "Liebe, treibst du denn nur Spiel" (Clerida)
Croesus: ACT I, Scene 15, "Seht, wie elementschen Affen" (Elcius)
Croesus: ACT I, Scene 15, Ballett von Harlekinen
Croesus: ACT I, Scene 16, "Laß ich meine siegenden Waffen nur sehen" (Cyrus)
Croesus: ACT I, Scene 16, "Ihr Helden, folget dann" (Cyrus)
Croesus: ACT I, Scene 16, Ballett von persischen Soldaten
Croesus: ACT I, Scene 17, "Der Perser Schwert und Pfeile" (Croesus)
Croesus: ACT I, Scene 18, "So jauchzet mein fröhlicher Mut!" (Cyrus)
Croesus: ACT I, Scene 18, "Hier ist die reichste Beute" (Hauptmann)
Croesus: ACT II, Scene 1, Ritornello
Croesus: ACT II, Scene 1, "Kleine Vöglein, die ihr springet" (Bäuerin, Bauer)
Croesus: ACT II, Scene 2, "Orsanes treulos?" (Atis)
Croesus: ACT II, Scene 3, "Seht, wie Herr Elcius ist ein Politicus" (Elcius)
Croesus: ACT II, Scene 3, Ballett von Bauern und Bauernkindern
Croesus: ACT II, Scene 4, "Freundliche Liebe, wie freust du mein Herz!" (Elmira)
Croesus: ACT II, Scene 5, "Kann meine Treu Orsanen nicht bewegen?" (Clerida)
Croesus: ACT II, Scene 5, "Ihr stummen Fische seid dem gleich" (Elmira)
Croesus: ACT II, Scene 5, "Du stellest dich, als hörest du nicht" (Orsanes)
Croesus: ACT II, Scene 5, "Soll dann so großer Hohn" (Clerida)
Croesus: ACT II, Scene 6, "Sobald ich werd' erhöht zu dieser Würde" (Eliates)
Croesus: ACT II, Scene 6, "Die Regierungslast zu tragen" (Eliates)
Croesus: ACT II, Scene 7, "Wir sind verlor'n!" (Halimacus)
Croesus: ACT II, Scene 8, "Holdseligste Elmir" (Halimacus)
Croesus: Atto II, scena 8. Aria Elmira : "Liebe, sag', was fängst du an?"
Croesus: ACT II, Scene 9, "Hier bring ich Atis' Ebenbild" (Halimacus)
Croesus: ACT II, Scene 9, "Alle Freude leicht verstiebet" (Atis)
Croesus: ACT II, Scene 10, "Was seh ich!" (Orsanes)
Croesus: ACT II, Scene 11, "Ich lieb' und bin geliebet" (Elmira)
Croesus: ACT II, Scene 11, "Prinzessin, darf ein Sklav'" (Atis)
Croesus: ACT II, Scene 11, "Ist niemand bewußt" (Atis)
Croesus: ACT II, Scene 11, "Wie! Darfst du nochmals solche Reden wagen?" (Elmira)
Croesus: ACT II, Scene 11, "Mir gefällt in seinem Munde" (Elmira)
Croesus: ACT II, Scene 12, "Hör' dann, dies ist der Dienst" (Orsanes)
Croesus: ACT II, Scene 13, "Brill, Brill, Feder und Tinte" (Elcius)
Croesus: ACT II, Scene 14, "Niemand kann aus diesen Ketten" (Croesus)
Croesus: ACT II, Scene 14, "Knie nieder, und wirf dich zur Erden" (Cyrus)
Croesus: ACT II, Scene 14, "Ihr tapfern Soldaten, frohlocket nun wieder" (Cyrus)
Croesus: ACT II, Scene 14, Entrée, Passepied der Feuerwerker
Croesus: ACT III, Scene 1, "Die Flamme steigt" (Orsanes)
Croesus: ACT III, Scene 1, "Find' ich Orsan so früh in Atis' Vorgemach" (Eliates)
Croesus: ACT III, Scene 2, "Ermin, wie ist es abgegangen?" (Orsanes)
Croesus: ACT III, Scene 3, "Der Himmel sei gepreist" (Elmira)
Croesus: ACT III, Scene 3, "Schönstes Kind, du irrest dich" (Orsanes)
Croesus: ACT III, Scene 4, "Der Abgesandte bringt vom Feinde nichts als Höhnen" (Eliates)
Croesus: ACT III, Scene 4, "Waffnet, was kann Waffen tragen" (Eliates)
Croesus: ACT III, Scene 5, "Elmir! wo bleibest du?" (Atis)
Croesus: ACT III, Scene 5, "Prinzessin!" (Atis)
Croesus: ACT III, Scene 5, "Mich vergnüget dieses Höhnen" (Atis)
Croesus: ACT III, Scene 6, "Unsinniger, find ich dier hier?" (Orsanes)
Croesus: ACT III, Scene 6, "Mich Unglückseligen! ihr Himmel" (Orsanes)
Croesus: ACT III, Scene 7, "Soll des Goldes Glanz recht glimmen" (Atis
Croesus: ACT III, Scene 7, "Prinzessin" (Atis)
Croesus: ACT III, Scene 7, "Sollte der mich herzlich lieben" (Elmira)
Croesus: ACT III, Scene 8, "Zarte Jungfern, dies allein" (Trigesta)
Croesus: ACT III, Scene 8, "Hier, wey je nich dat neye Lied" (Elcius)
Croesus: ACT III, Scene 8, "Schmink', ein Kleinod dieser Zeit" (Elcius)
Croesus: ACT III, Scene 9, "Nein, nein, nun will ich nicht mehr lieben" (Elmira, Clerida)
Croesus: ACT III, Scene 10, "Prinz, weißt du, daß Ermin mit mir von Liebe spricht?" (Elmira)
Croesus: ACT III, Scene 10, "Dieses Schmähen, das ich leide" (Atis)
Croesus: ACT III, Scene 12, "Götter, übt Barmherzigkeit!" (Croesus)
Croesus: ACT III, Scene 13, "Fort, führt ihn auf den Scheiterhaufen!" (Cyrus)
Croesus: ACT III, Scene 13, "Umsonst, macht neues Feuer" (Cyrus)
Croesus: ACT III, Scene 13, "Solon, weiser Solon, ach!" (Croesus)
Croesus: ACT III, Scene 13, "Welch eine Gottheit ruft er an?" (Cyrus)
Croesus: ACT III, Scene 13, "Glückliche Stunden, erfreulicher Tag" (Coro und Elmira)
Suor Angelica: Ave Maria (Coro di suore/Suor Angelica)
Suor Angelica: Sorelle in umilità (La suora zelatrice/La prima conversa/La maestra delle novizie/La seconda conversa/Suor Osmina/Sei suore)
Suor Angelica: Ed or, sorelle in gioia (La soura zelatrice/Coro di suore/Suor Genovieffa/Una novizia/La maestra delle novizie)
Suor Angelica: I desiderï sono i fiori dei vivi (Suor Angelica/La suora zelatrice/Tre suore/Suor Genovieffa)
Suor Angelica: Ho un desiderio anchi'io! (Suor Dolcina/Coro di suore/ Suor Genevieffa/Suor Angelica/Una novizia/La suora infermiera)
Suor Angelica: Suor Angelica, sentite! (La suora infermiera/Suor Angelica/Coro di suore)
Suor Angelica: Laudata Maria! (Le due cercatrici/Coro di suore/Suor Dolcina/La suora zelatrice/Suor Angelica/Suor Genovieffa)
Suor Angelica: Chi è venuto stasera in parlatorio? (La prima cercatrice/Coro di suore/Suor Angelica/Suor Genovieffa)
Suor Angelica: Suor Angelica!.....Madre, madre, parlate! (La badessa/Suor Angelica/Sei suore)
Suor Angelica: Il Principe Gualtiero vostro padre (La zia principessa/Suor Angelica)
Suor Angelica: Nel silenzio di quei raccoglimenti (La zia principessa)
Suor Angelica: Tutto ho offerto all Vergine (Suor Angelica/La zia principessa)
Suor Angelica: Orchestra
Suor Angelica: Senza mamma, bimbo, tu sei morto (Suor Angelica)
Suor Angelica: Sorella, o buona sorella (Suor Genovieffa/Coro di suore/Suor Angelica)
Suor Angelica: La grazia è discesa dal cielo!...[Intermezzo]...
Suor Angelica: Suor Angelica ha sempre una ricetta buona
Suor Angelica: Ah! Son dannata! (Suor Angelica)
Marcia
Coro "Vereinigte Zwietracht"
Recitativo "Wen treibt ein edler Trieb" (Tenore)
Aria "Zieht euren Fuß nur nicht zurück" (Tenore)
Recitativo "Dem nur allein" (Basso, Soprano)
Aria (Duetto) "Den soll mein Lorbeer" (Basso, Soprano)
Ritornello
Recitativo "Es ist kein leeres Wort" (Alto)
Aria "Ätzet dieses Angedenken" (Alto)
Recitativo "Ihr Schläfrigen, herbei" (Tenore, Basso, Soprano, Alto)
Coro "Kortte lebe, Korrte blühe"
Coro "Schwingt freudig euch empor"
Recitativo "Ein Herz, in zärtlichem Empfinden" (Tenore)
Aria "Die Liebe führt mit sanften Schritten" (Tenore)
Recitativo ""Du bist es ja, o hochverdienter Mann" (Basso)
Aria "Der Tag, der dich vordem gebar" (Basso)
Recitativo "Nur dieses Einz'ge sorgen wir" (Soprano)
Aria "Auch mit gedämpften, schwachen Stimmen" (Soprano)
Recitativo "Bei solchen freudvollen Stunden" (Tenore)
Coro & Recitativo "Wie die Jahre sich verneuen"
Symphony
"Comfort ye, My people"
"Ev'ry Valley shall be exalted"
"And the glory of the Lord"
"Thus saith the Lord"
"But who may abide the day of his coming"
"And He shall purify the sons of Levi"
"Behold, a virgin shall conceive"
"O thou that tellest good tidings to Zion"
"For behold, darkness shall cover"
"The people that walked in darkness"
"For Unto Us A Child Is Born"
Pifa (Pastoral Symphony)
"There were shepherds... And lo, the angel of the Lord...And the angel said unto them...And suddenly"
"Glory to God in the highest"
"Rejoice greatly, o daughter of Zion"
"Then shall the eyes of the blind"
"He shall feed his Flock"
"His yoke is easy"
"Behold the Lamb of God"
"He was despised"
"Surely He hath borne our griefs"
"And with His stripes we are healed"
"All we like sheep have gone astray"
"All they that see Him"
"He trusted in God"
"Thy rebuke hath broken His heart"
"Behold and see"
"He was cut off"
"But thou didst not leave his soul in Hell"
"Lift up your heads"
"Unto which of the angels"
"Let all the angels of God"
"Thou art gone up on high"
"The Lord gave the word"
"How beautiful are the feet"
"Their sound is gone out"
"Why do the nations so furiously rage together?"
"Let us break their bonds asunder"
"He that dwelleth in heaven...Thou shalt break them"
"Hallelujah"
"I know that my Redeemer liveth"
"Since by man came death"
"Behold, I tell you a mystery"
"The trumpet shall sound"
"Then shall be brought to pass"
"O death where is thy sting?"
"But thanks be to God"
"If God be for us"
"Worthy is the Lamb... Amen"
Giustino: Act 1. Overture
Giustino: Act 1. Recit: Tema il nemico
Giustino: Act 1. Coro: Viva Augusto eterno impero
Giustino: Act 1. Recit: Ah! mio Sovrano Augusto
Giustino: Act 1. Recit: Vitaliano, il di cui Nome
Giustino: Act 1. Aria: Un vostro sguardo
Giustino: Act 1. Recit: Arianna, che pensi?
Giustino: Act 1. Aria: Da tuoi begl'occhi impara
Giustino: Act 1. Aria: Può ben nascere tra Li Boschi
Giustino: Act 1. Recit: Ah! perché non poss'io
Giustino: Act 1. Aria: Bel ristoro de' mortali
Giustino: Act 1. Aria: Corri, vola, a' tuoi Trofei - Accomp: Giustin, lascia i riposi
Giustino: Act 1. Coro della Fortuna: Corri, vola, a' tuoi Trofei
Giustino: Act 1. Acc: Chi mi chiama alla gloria?
Giustino: Act 1. Aria: Se parla nel mio cor
Giustino: Act 1. Recit: Cieli! Numi soccorso!
Giustino: Act 1. Sinfonia
Giustino: Act 1. Recit: Oh! eterni Numi!
Giustino: Act 1. Aria: Nacque al bosco
Giustino: Act 1. Recit: Amanzio!
Giustino: Act 1. Aria: È Virtute insin la frode
Giustino: Act 1. Recit: Leggo nel tuo sembiante
Giustino: Act 1. Aria: Allor ch'io forte avrò
Giustino: Act 1. Recit: Sia fausta ognor la sorte
Giustino: Act 1. Aria: Non si vanti un'alma audace
Giustino: Act 1. Aria: All'armi, o Guerrieri
Giustino: Act 1. Recit: Signor, ti arrise il Fato
Giustino: Act 1. Aria: Vanne sì, superba và
Giustino: Act 1. Recit: Dunque si poco temi
Giustino: Act 1. Aria: Mio dolce amato Sposo
Giustino: Act 2. Sinfonia
Giustino: Act 2. Recit: A Dispetto dell'Onde
Giustino: Act 2. Recit: Questa è la cruda Spiaggia
Giustino: Act 2. Aria: Ritrosa belezza
Giustino: Act 2. Recit: Numi! che'l Ciel reggete
Giustino: Act 2. Sinfonia
Giustino: Act 2. Recit: Respiro
Giustino: Act 2. Duet: Mio bel tesoro!
Giustino: Act 2. Recit: Ma quale orrido mostro
Giustino: Act 2. Coro: Per Voi soave e bella
Giustino: Act 2. Recit: Troppo fosti, o mio core
Giustino: Act 2. Recit: Ah! quai crudeli pene
Giustino: Act 2. Aria: Sventurata Navicella
Giustino: Act 2. Aria: Verdi Lauri, cingetemi il crine
Giustino: Act 2. Recit: Vieni, barbaro
Giustino: Act 2. Aria: Sull'Altar di questo Nume
Giustino: Act 2. Recit: Già il valor di Giustino ha vinto
Giustino: Act 2. Aria: Quel torrente che s'innalza
Giustino: Act 3. Sinfonia
Giustino: Act 3. Recit: Amici, tutto devo
Giustino: Act 3. Aria: Il piacer della vendetta
Giustino: Act 3. Recit: Signor', a' tuoi Trionfi
Giustino: Act 3. Aria: O fiero e rio sospetto
Giustino: Act 3. Recit: Generoso Giustino
Giustino: Act 3. Aria: Zeffiretto, che scorre nel prato
Giustino: Act 3. Recit: E fia ver, che infedele
Giustino: Act 3. Aria: Di Re sdegnato
Giustino: Act 3. Recit: Qual'infernal veleno
Giustino: Act 3. Aria: Il mio cor già più non sà
Giustino: Act 3. Recit: Giustino, anima mia!
Giustino: Act 3. Aria: Augelletti garruletti
Giustino: Act 3. Recit: Riusci il bel disegno
Giustino: Act 3. Aria: Dall'occaso in oriente
Giustino: Act 3. Acc: Fortuna, m'hai tradito!
Giustino: Act 3. Recit: Prima che splenda in oriente il sole
Giustino: Act 3. Acc: Trattien l'acciar
Giustino: Act 3. Recit: Qual voce ascolto?
Giustino: Act 3. Aria: Sollevar' il mondo oppresso
Giustino: Act 3. Aria: Or che cinto ho il crin d'alloro
Giustino: Act 3. Acc: Qual marzial fragor?
Giustino: Act 3. Recit: Olà? Renditi a me!
Giustino: Act 3. Aria: Ti rendo questo cor
Giustino: Act 3. Recit: Signor, se vile intercessor
Giustino: Act 3. Coro: In braccio a te la calma
Recitative: Durchlauchtigster Leopold (Soprano)
Aria: Guldner Sonnen frohe Stunden (Soprano)
Aria: Leopolds Vortrefflichkeiten (Bass)
Aria: Unter seinem Purpursaum (Soprano, Bass)
Recitative: Durchlauchtigster, den Anhalt Vater nennt (Soprano, Bass)
Aria: So schau dies holden Tages Licht (Soprano)
Aria: Dein Name gleich der Sonnen geh (Bass)
Nimm auch, grosser Furst, uns auf (Soprano, Bass)
Recitative: Schweigt stille, plaudert nicht (Tenor)
Aria: Hat man nicht mit seinen Kindern (Bass)
Recitative: Du boses Kind, du loses Madchen (Bass, Soprano)
Aria: Ei, wie schmeckt der Coffee susse (Soprano)
Recitative: Wenn du mir nicht den Coffee lasst (Bass, Soprano)
Aria: Madchen, die von harten Sinnen (Bass)
Recitative: Nun folge, was dein Vater spricht (Bass, Soprano)
Aria: Heute noch, lieber Vater, tut es doch (Soprano)
Recitative: Nun geht und sucht der alte Schlendrian (Tenor)
Trio: Die Katze lasst das Mausen nicht (Soprano, Tenor, Bass)
Overture
Aria: Mer hahn en neue Oberkeet (Soprano, Bass)
Recitative: Nu, Mieke, gib dein Guschel immer her (Soprano, Bass)
Aria: Ach, es schmeckt doch gar zu gut (Soprano)
Recitative: Der Herr ist gut (Bass)


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