Dietrich Henschel

Biography

Born: 1967; Berlin, Germany  
Bass-baritone Dietrich Henschel has been singing professionally since 1990, largely, however, confining his early career to Germany. With his 1997 appearances at the Deutsche Oper Berlin singing the title role in Henze's Der Prinz von Homburg and at the Opéra National de Lyon as Faust in Busoni's Doktor Faust, he launched his international career with conspicuous critical acclaim. He has gone on to many further successes on the operatic stage, Read more but also made numerous appearances with major and second-tier orchestras and often given lieder recitals. His operatic repertory takes in a broad range of works by such disparate composers as Monteverdi, Gluck, Mozart, Bizet, Gounod, Richard Strauss, and Humperdinck, as well as a spate from the twentieth century, including Korngold, Berg, Unsuk Chin, and the aforementioned Busoni and Henze. Henschel has sung lieder by Schubert, Schumann, Brahms, Wolf, Mahler, Duparc, Dallapiccola, and Eisler, and has sung orchestral works by J.S. Bach, Haydn, Orff, and Berio. He has recorded for a variety of labels, including EMI, Philips, Chandos, Teldec, Virgin Classics, TDK, and EuroArts.

Henschel was born in Berlin, Germany, in 1967. As a child and teen he studied piano and today remains an accomplished pianist. He turned to vocal studies relatively late, but his list of teachers is impressive and includes Dietrich Fischer-Dieskau and Hanno Blanschke.

Henschel made his professional operatic debut at the 1990 Munich Biennale, a contemporary works festival, appearing in Michčle Reverdy's Le Précepteur. From 1993-1995 he was a member of the Kiel Opera (Germany) where he sang Orpheo (Monteverdi's L'Orfeo), Count Almaviva (Mozart's Le nozze di Figaro), and Pelleas (Debussy's Pelleas et Melisande), among other roles.

After his 1997 successes in Berlin and Lyon, invitations to appear at leading opera houses and with major orchestras poured in from across the globe. His recording of Doktor Faustus on Erato, with Kent Nagano conducting, was awarded a Grammy in 2000. Henschel's first recording for Teldec, Schubert's Die Winterreise, with pianist Irwin Gage, was issued that year as well and was also a critical success.

In the new century, Henschel has been in demand throughout Europe, regularly appearing at the major opera houses in Berlin, Paris, Madrid, Lyon, Geneva, and Zurich and at important festivals, such as Aix-en-Provence, Maggio Musicale (Florence), and Salzburg. Among his recordings is the 2007 Virgin Classics CD of Haydn's The Creation with conductor William Christie. Read less
Haydn: Creation / Bostridge, Henschel, Matthews, Davis, London SO
Release Date: 06/09/2009   Label: Lso Live  
Catalog: 628   Number of Discs: 2
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Biography

Born: 1967; Berlin, Germany  
Bass-baritone Dietrich Henschel has been singing professionally since 1990, largely, however, confining his early career to Germany. With his 1997 appearances at the Deutsche Oper Berlin singing the title role in Henze's Der Prinz von Homburg and at the Opéra National de Lyon as Faust in Busoni's Doktor Faust, he launched his international career with conspicuous critical acclaim. He has gone on to many further successes on the operatic stage, Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Part I: Gott fahret auf mit Jauchzen (Chorus)
Part I: Recitative: Es will der Hochste sich ein Siegsgeprang bereiten (Tenor)
Part I: Aria: Ja tausend mal tausend begleiten den Wagen (Tenor)
Part I: Recitative: Und der Herr, nachdem er mit ihnen geredet hatte (Soprano)
Part I: Aria: Mein Jesus hat nunmehr (Soprano)
Part II: Recitative: Es kommt der Helden Held (Bass)
Part II: Aria: Er ists, der ganz allein die Kelter hat getreten (Bass)
Part II: Recitative: Der Vater hat ihm ja ein ewig Reich bestimmet (Alto)
Part II: Aria: Ich sehe schon im Geist (Alto)
Part II: Recitative: Er will mir neben sich die Wohnung zubereiten (Soprano)
Part II: Chorale: Du Lebensfurst, Herr Jesu Christ (Chorus)
Wer da glaubet und getauft wird, der wird selig werden (Chorus)
Aria: Der Glaube ist das Pfand der Liebe (Tenor)
Chorale: Herr Gott Vater, mein starker Held! (Soprano, Alto)
Recitative: Ihr Sterblichen, verlanget ihr (Bass)
Aria: Der Glaube schafft der Seele Flugel (Bass)
Chorale: Den Glauben mir verleihe (Chorus)
Auf Christi Himmelfahrt allein (Chorus)
Recitative: Ich bin bereit, komm, hole mich! (Tenor)
Aria: Auf, auf, mit hellem Schall (Bass)
Aria: Sein Allmacht zu ergrunden (Alto, Tenor)
Chorale: Alsdenn so wirst du mich (Chorus)
Kyrie
Gloria
Credo
Sanctus
Agnus Dei
Act I: Prelude
Act I: Da zu dir der Heiland kam (Chorus)
Act I: Verweilt! Ein Wort! (Walther, Eva, Magdalene, David)
Act I: David, was stehst? (Apprentices, David, Walther)
Act I: Mein Herr! der Singer Meister-Schlag (David, Walther)
Act I: Der Meister Ton' und Weisen (David, Walther, Apprentices)
Act I: Seid meiner Treue wohl versehen (Pogner, Beckmesser, Walther, Sachs, Vogelsang, Nachtigall)
Act I: Zu einer Freiung und Zunftberatung (Kothner, Pogner, Vogelsang, Ortel, Zorn, Nachtigall, Moser, Apprentices, David, Eisslinger, Foltz, Schwarz)
Act I: Nicht doch, ihr Meister (Pogner, Kothner, Apprentices, Sachs, Beckmesser)
Act I: Vielleicht schon ginget ihr zu weit (Sachs, Kothner, Beckmesser, Vogelgesang, Nachtigall, Pogner)
Act I: Dacht' ich mir's doch! (Beckmesser, Kothner, Pogner, Nachtigall, Sachs)
Act I: Am stillen Herd in Winterszeit (Walther, Sachs, Beckmesser, Kothner, Vogelsang, Nachtigall)
Act I: Nun, Meister, wenn's gefallt (Kothner, Walther, Beckmesser)
Act I: Was euch zum Liede Richt' und Schnur (Kothner, Walther, Beckmesser)
Act I: Fur dich, Geliebte, sei's getan ? Fanget an! (Walther, Kothner, Beckmesser, Pogner, Ortel, Foltz, Moser, Nachtigall, Vogelsang, Zorn)
Act I: Halt, Meister! Nicht so geeilt! (Sachs, Beckmesser, Nachtigall, Kothner, Pogner, Apprentices)
Act II Scene 1: Johannistag! Johannistag! (Apprentices, David, Magdalene, Sachs)
Act II: Lass seh'n, ob Meister Sachs zu Haus? (Pogner, Eva, Magdalene, Sachs, David)
Act II: Was duftet doch der Flieder (Sachs)
Act II: Gut'n Abend, Meister! (Eva, Sachs, Magdalene)
Act I: Das dacht' ich wohl! (Sachs, Magdalene, Eva, Pogner)
Act II: Da ist er! (Eva, Magdalene, Walther)
Act II: Geliebter, spare den Zorn (Eva, Magdalene, Walther, Night-watchman)
Act II: Uble Dinge, die ich da merk (Sachs, Walther, Eva, Night-watchman)
Act II: Jerum! Jerum! (Sachs, Beckmesser, Walther, Eva)
Act II: Den Tag seh' ich erscheinen (Beckmesser, Sachs)
Act II: Mit den Schuhen ward ich fertig schier (Sachs, Beckmesser, David, Chorus, Magdalene, Apprentices, Pogner, Walther, Night-watchman)
Act III: Prelude
Act III: Gleich, Meister! Hier! (David, Sachs)
Act III: Wahn! Wahn! Uberall Wahn! (Sachs)
Act III: Gruss' Gott, mein Junker! (Sachs, Walther)
Act III: Morgenlich leuchtend in rosigem Schein (Walther, Sachs)
Act III: Ein Werbelied! (Beckmesser, Sachs)
Act III: Das Gedicht? Hier liess ich's (Sachs, Beckmesser)
Act III: Sieh' Ev'chen! Dacht' ich doch, wo sie blieb'! (Sachs, Eva, Walther)
Act III: Hat man mit dem Schuhwerk nicht seine Not! (Sachs, Eva)
Act III: Mein Kind, von Tristan und Isolde (Sachs)
Act III: Die selige Morgentraum - Deutweise (Sachs)
Act III: Selig, wie die Sonne (Eva, Magdalene, Walther, David, Sachs)
Act III: Sankt Crispin, lobet ihn! (Chorus, Apprentices)
Act III: Ihr tanzt? Was werden die Meister sagen? (David, Apprentices, Chorus)
Act III: Wacht auf! Es nahet gen den Tag (Chorus)
Act III: Euch macht ihr's leicht (Sachs, Pogner, Beckmesser, Kothner, Chorus, Apprentices)
Act III: Morgen ich leuchte in rosigem Schein (Beckmesser, Chorus, Kothner, Nachtigall, Vogelsang, Ortel, Foltz, Sachs, Apprentices)
Act III: Morgenlich leuchtend im rosigen Schein (Walther, Chorus, Sachs, Pogner, Eva)
Act III: Verachtet mir die Meister nicht (Sachs, Chorus)
Act III: Ehrt eure deutschen Meister (Chorus)
Revelge
Verlor'ne Müh'
Des Antonius von Padua Fischpredigt
Das irdische Leben
Trost im Unglück
Wo die schönen Trompeten blasen
Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht?
Lob des hohen Verstands
Der Tamboursg'sell
Das himmlische Leben
Lied des Verfolgten im Turm
Rheinlegendchen
Der Schildwache Nachtlied
Symphony No.2 "Resurrection". Urlicht (Des Knaben Wunderhorn): Urlicht
Chorale: Christen, atzet diesen Tag (Chorus)
Recitative: O selger Tag! O ungemeines Heute! (Alto)
Aria: Gott, du hast es wohl gefuget (Soprano, Bass)
Recitative: So kehret sich nun heut das bange Leid (Tenor)
Aria: Ruft und fleht den Himmel an (Alto, Tenor)
Recitative: Verdoppelt euch demnach (Bass)
Chorale: Hochster, schau in Gnaden an (Chorus)
Gloria in excelsis Deo (Chorus)
Duet: Gloria Patri et Filio et Spiritui sancto (Soprano, Tenor)
Sicut erat in principio (Chorus)
J.S. Bach: "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Chorus "Erfreut Euch, ihr Herzen"
J.S. Bach: "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Recitative "Es bricht das Grab und damit unsere Not"
J.S. Bach: "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Aria "Lasset dem Höchsten ein Danklied erschallen"
J.S. Bach: "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Recitative (Dialogue) & Arioso "Bei Jesu Leben freudig sein"
J.S. Bach: "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Duet "Ich fürchte zwar/nicht des Grabes Finsternis"
J.S. Bach: "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Chorale "Halleluja! Des solln wir alle froh sein"
Act I: The Adbuction of the Bride: At the Wedding (Prelude to Act I)
Act I: The Adbuction of the Bride: Peer Gynt, You're a Liar! (Peer Gynt, Ase, Narrator)
Act I: The Adbuction of the Bride, Halling: Down there is Haegstad (Peer Gynt)
Act I: The Adbuction of the Bride: The Bride? Well, of Course She's Crying a Bit ...
Act I: The Adbuction of the Bride, Springar: Are You the Boy Who Wanted to Dance?
Act I: The Adbuction of the Bride: Well, Boys, the Blacksmith Has Arrived!
Act II: Peer Gynt and the Trolls: Ingrid's Lament (Prelude to Act II)
Act II: Peer Gynt and the Trolls: Go Away Ingrid, Leave Me Alone! (Peer Gynt, Narrator)
Act II: Peer Gynt and the Trolls: Peer Gynt and the Cattle-Girls
Act II: Peer Gynt and the Trolls: Montain Heights! (Peer Gynt, Narrator)
Act II: Peer Gynt and the Trolls: Peer Gynt and the Girl in Green
Act II: Peer Gynt and the Trolls: Is It True? (Peer Gynt, Anitra, Narrator)
Act II: Peer Gynt and the Trolls: You Recognise a Great Man By His Mount! (Peer Gynt)
Act II: Peer Gynt and the Trolls: In the Hall of the Mountain King (Chorus)
Act II: Peer Gynt and the Trolls: Troll People, We Must Keep Calm! (King of the Trolls, Peer Gynt)
Act II: Peer Gynt and the Trolls: Danse of the Mountain King's Daughter
Act II: Peer Gynt and the Trolls: What Do You Make of It? (Peer Gynt, King of the Trolls)
Act II: Peer Gynt and the Trolls: Peer Gynt Pursued By the Trolls (Peer Gynt, Chorus)
Act II: Peer Gynt and the Trolls: Peer Gynt and the Obstacle (Peer Gynt, Obstacle)
Act III: The Death of Ase: In a Dense Pine-Forest, Far Away From Men ... (Narrator)
Act III: The Death of Ase: The Death of Ase (Prelude to Act lll)
Act III: The Death of Ase: One Day, While Peer Is Cutting Wood ... (Narrator, Peer Gynt, Ase)
Act III: The Death of Ase: Giddy Up! Make Haste, My Black Horse! (Peer Gynt, Ase)
Act IV: Peer Gynt in Africa: Morning Mood (Prelude to Act IV)
Act IV: Peer Gynt in Africa: Peer Gynt Has Travelled the World (Narrator, Peer Gynt)
Act IV: Peer Gynt in Africa: The Thief and the Receiver
Act IV: Peer Gynt in Africa: The Desert Is Vaste and Limitless! (Peer Gynt)
Act IV: Peer Gynt in Africa: Arabian Danse (Chorus)
Act IV: Peer Gynt in Africa: My Prophet and My Master!
Act IV: Peer Gynt in Africa: Anitra's Dance
Act IV: Peer Gynt in Africa: Anitra, True Daughter of Eve! (Peer Gynt)
Act IV: Peer Gynt in Africa: Peer Gynt's Serenade
Act IV: Peer Gynt in Africa: Peer Gynt Has Carried Away the Farouche and Lovely Anitra! (Narrator)
Act IV: Peer Gynt in Africa: Leave Me Alone or I'll Bite You! (Peer, Anitra)
Act IV: Peer Gynt in Africa: On the Same Summer's Day, Far Away In the North ... (Narrator)
Act IV: Peer Gynt in Africa: Solveig's Song (Solvieg)
Act IV: Peer Gynt in Africa: Peer Gynt Has Taken to Wandering Again (Narrator)
Act IV: Peer Gynt in Africa: Peer Gynt at the Statue of Memnon
Act V: Peer Gynt's Homecoming: So Many Years Have Past, so Much Has Happened ... (Narrator)
Act V: Peer Gynt's Homecoming: Stormy Evening On the See (Prelude to Act V)
Act V: Peer Gynt's Homecoming: Good Evening (Passenger, Peer Gynt)
Act V: Peer Gynt's Homecoming: Shipwreck
Act V: Peer Gynt's Homecoming: Peer Gynt ... Survives (Narrator, Peer Gynt)
Act V: Peer Gynt's Homecoming: If I Die One Day ...
Act V: Peer Gynt's Homecoming: Solveig Sings In Her Hut
Act V: Peer Gynt's Homecoming, Night Scene: Ashes, Mist and Windswept Dust ...
Act V: Peer Gynt's Homecoming: Good Evening Old Man
Act V: Peer Gynt's Homecoming: Whitsun Hymn (The Faithful)
Act V: Peer Gynt's Homecoming, Whitsun Hymn: I Have Encountered the Faithfull ... (Peer Gynt)
Act V: Peer Gynt's Homecoming: So, Peer Gynt, Where Is the Register of Your Sins? Act V: Peer Gynt's Homecoming: So, Peer Gynt, Where Is the Register of Your Sins? (Peer Gynt, Button-Moulder)
Act V: Peer Gynt's Homecoming: Solveig's Cradle Song
The Creation (Oratorio in 3 parts), Part 1: Ouverture
The Creation (Oratorio in 3 parts), Part 1: Recit: Im Anfange... (Raphael)
The Creation (Oratorio in 3 parts), Part 1: Aria: Nun schwanden... (Uriel)
The Creation (Oratorio in 3 parts), Part 1: Recit: Und Gott machte... (Raphael)
The Creation (Oratorio in 3 parts), Part 1: Solo mit Chor: Mit Staunen... (Gabriel)
The Creation (Oratorio in 3 parts), Part 1: Recit: Und Gott sprach; es sammelte... (Raphael)
The Creation (Oratorio in 3 parts), Part 1: Aria: Rollend und schäumend... (Raphael)
The Creation (Oratorio in 3 parts), Part 1: Recit: Und Gott sprach; es bringe die Erde... (Gabriel)
The Creation (Oratorio in 3 parts), Part 1: Aria: Nun beut die Flur...(Gabriel)
The Creation (Oratorio in 3 parts), Part 1: Recit: Und die himmlischen Heerscharen...(Uriel)
The Creation (Oratorio in 3 parts), Part 1: Chorus: Stimmt an die Saiten (Chorus)
The Creation (Oratorio in 3 parts), Part 1: Recit: Und gott sprache: es sei'n Lichet...(Uriel)
The Creation (Oratorio in 3 parts), Part 1: Recit: In volle Glanze steiget...(Uriel)
The Creation (Oratorio in 3 parts), Part 1: Trio und Chorus: Die Himmel erzählen die Ehre (Raphael/Uriel/Gabriel/Chorus)
The Creation (Oratorio in 3 parts), Part 2: Recit: Und Gott sprach: Es bringe das Wasser (Gabriel)
The Creation (Oratorio in 3 parts), Part 2: Aria: Auf starkem Fittische...(Gabriel)
The Creation (Oratorio in 3 parts), Part 2: Recit: Und Gott schuf grosse Walfische (Raphael)
The Creation (Oratorio in 3 parts), Part 2: Recit: Und die Engel rührten...(Raphael)
The Creation (Oratorio in 3 parts), Part 2: Trio und Chorus: In holder Anmut steh'n (Raphael/Uriel/Gabriel/Chorus)
Chorus "Erfreut Euch, ihr Herzen"
Recitative "Es bricht das Grab und damit unsere Not"
Aria "Lasset dem Höchsten ein Danklied erschallen"
Recitative (Dialogue) & Arioso "Bei Jesu Leben freudig sein"
Duet "Ich fürchte zwar/nicht des Grabes Finsternis"
Chorale "Halleluja! Des solln wir alle froh sein"
No.1: "Múzika igráyet tak bódro" (Olga, Masha, Irina)
No.2: "Bóze moy! Kudá vsyo usló?" (Irina, Olga)
No.3: Refrén: "Oná khódit tak, kak búdto samá podozglá" (Masha)
No.4: "Molodci! Molodci! Zolotóy naród!" (Vershinin, Kulygin, Tuzenbach, Irina, Doctor, Masha, Soliony)
No.5: "Daváyte mirít'sya" (Tuzenbach, Soliony, Doctor, Olga, Andrei, Fedotik, Rodé, Vershinin, Kulygin, Anfisa, Masha, Irina)
No.6: "Ya ne lyublyú i boyús' étogo vásego Solyónogo" (Irina, Tuzenbach, Doctor, Soliony)
No.7: "Ya lyublyú, ya lyublyú, beskonécno lyublyú..." (Soliony, Irina)
No.8: "Vi tóze zdes'?" (Soliony, Natasha, Irina, Anfisa)
No.9: V sádu (Pérvoye proscániye): "Spasibo za vsyo!" (Fedotik, Rodé, Tuzenbach, Irina, Kulygin, Doctor)
No.10: V sádu: "Iván Románic, vi vcerá bili na bul'váre" (Irina, Doctor, Kulygin, Soliony)
No.11: V sádu (Vtoróye proscaniye): "Mílaya, ya seycás pridú" (Tuzenbach, Irina)
No.12: V sádu: "Mi s barónom závtra vencáyemsya" (Irina, Doctor, Olga)
No.13: "Andréy!" / "Kak vidokhsya i postarél on" (Olga, Irina, Masha)
No.14: Refrén: "Oná khódit tak, kak búdto samá podozglá" (Masha)
No.15: "Gde Ol'ga? Kakóy gromádniy pozár..." (Andrei, Olga, Vershinin, Masha, Anfisa, Kulygin)
No.16: "Tak mnógo naródu dóma" (Natasha, Olga)
No.17: "Yésli bi ne soldáti" (Vershinin, Kulygin, Doctor, Rodé, Fedotik, Tuzenbach, Irina)
No.18: "Mózet bit'... vásey mámi" (Doctor, Irina, Rodé, Fedotik, Tuzenbach, Vershinin, Kulygin, Natasha, Soliony)
No.19 Recitatív: "Míliy ded, kak stránno prokhódit zízn'" (Andrei, Doctor)
No.20 Monológ Andreya: "O, gde onó, kudá usló moyó prósloye" (Andrei)
No.21: "Eto ti? Andryúsa?" (Natasha, Anfisa, Andrei, Doctor)
No.22: "Zabil skazát', segódnya u vas v gostyákh" (Tuzenbach, Irina, Fedotik, Rodé, Doctor, Masha, Anfisa, Vershinin, Olga)
No.23: "Ya... ostayús'" / "Dorogáya sestrá!" (Masha, Kulygin, Doctor, Irina, Vershinin, Olga)
No.24: "Cáyu khócetsya..." (Vershinin, Anfisa, Masha, Natasha)
No.25: "Pokáyus' vam, uz ból'se nikomú" (Masha, Olga)
No.26 V sádu (Trét'e pros cániye): "Ol'ga Sergéyevna, ya vam zeláyu" (Vershinin, Irina, Olga, Masha, Kulygin)
I. Adagio introduzionale: Allegro cantabile, con molto sentimento
II. Toujours, toujours je te sarais fidele
III. Presto
IV. Finale: Allegro assai


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