David Geringas

Biography

David Geringas is a Russian 'cellist who studied with Msistislav Rostropovich and makes his home in Germany. He also plays the Baryton, a rare instrument most readily associated with music of Joseph Haydn. He has recorded for several labels, but mainly appears on Naxos and CPO. David Geringas is a Russian 'cellist who studied with Msistislav Rostropovich and makes his home in Germany. He also plays the Baryton, a rare instrument most readily associated with music of Joseph Haydn. He has recorded for several labels, but mainly appears on Naxos and CPO. Read less

There are 51 David Geringas recordings available.

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Biography

David Geringas is a Russian 'cellist who studied with Msistislav Rostropovich and makes his home in Germany. He also plays the Baryton, a rare instrument most readily associated with music of Joseph Haydn. He has recorded for several labels, but mainly appears on Naxos and CPO.
WORKS ALBUMS
TITLE/COMPOSER
LABEL
I. Allegro agitato
II. Andante molto tranquillo
III. Allegro
I. Moderato
II. Andante
III. Presto
1.
2.
3. "Time and the bell have buried the day"
4.
5. "The chill ascends from feet to knees"
6.
7. "Sin is Behovely, but"
I. Adagio sostenuto - Allegro
II. Rondo: Allegro vivace
I. Adagio sostenuto e espressivo - II. Allegro molto piu tosto presto
III. Rondo: Allegro
I. Allegro moderato
II. Poco adagio, quasi andante
III. Rondo: Allegro moderato
I. Andante - II. Allegro vivace
III. Adagio - Tempo d'Andante - IV. Allegro vivace
I. Allegro con brio
II. Adagio con moto sentimento d'affetto -
III. Allegro fugato
III. Allegro fugato
Variation 9
Variation 10
Variation 11
Variation 12
Theme
Variation 1
Variation 2
Variation 3
Variation 4
Variation 5
Variation 6
Variation 7
Thema
Thema
Variation 1
Variation 1
Variation 2
Variation 2
Variation 3
Variation 3
Variation 4
Variation 4
Variation 5
Variation 5
Variation 6
Variation 6
Variation 7
Variation 7
Variation 8
Variation 8
Variation 9
Variation 9
Variation 10
Variation 10
Variation 11
Variation 11
Variation 12
Variation 12
I. Allegro assai vivace
II. Allegretto scherzando
III. Adagio
IV. Molto allegro e vivace
I. Allegro vivace
II. Andante
III. Allegro assai
I. Allegro ma non troppo
II. Adagio
III. Scherzo: Presto
IV. Allegretto
No. 1. Prelude
No. 2. Danse orientale
I. Lento - Allegro moderato
II. Allegro scherzando
III. Andante
IV. Allegro mosso
I. Marcatissimo
II. Dolcissimo
I. Crescendo
II. Misterioso
III. Unisoni
IV. Burlesca I: Allegro assai
V. Monologhi: Espressivo
VI. Burlesca II
VII. Canto perpetuo: Dolcissimo ma molto espressivo
VIII. Apogeo e Coda
I. Luncheon on the Grass (Fruhstuck im Freien)
II. Parade alla russe
No. 1. Conversation (Gesprache)
No. 2. Let's Play an Opera by Rossini (Spielen wir eine Oper von Rossini)
No. 3. Humoreske
I. Allegretto
II. Moderato
III. Sostenuto assai
I. Praludium und Arie: Larghetto
II. Toccata: Allegro marcato
III. Poem: Moderato
IV. Finale: Allegro moderato
No. 1. Allegro moderato
No. 2. Lento
No. 3. Allegro
I. Andante
II. Allegro con brio
III. Largo
IV. Allegretto
I. Prayer
II. Supplication
III. Jewish Song
I. Yemenite Song
II. Intermezzo
III. Prayer
IV. Sephardic Dance
Altissimo onnipotente bon Signore -
Laudato si, mi Signore, per cun tucte le tue creature -
Laudato si, mi Signore, per sora luna e le stelle -
Laudato si, mi Signore, per frate vento -
Laudato si, mi Signore, per sora acqua -
Laudato si, mi Signore, per frate foco -
Laudato si, mi Signore per sora nostra matre terra -
Altissimo, Altissimo -
Laudato si, mi Signore, per quelli ke perdonano -
Domine. Miserere. Amen -
Laudato si, mi Signore, per sora nostra morte corporale -
Laudate et benedicete mi Signore
I. Allegro
II. Larghetto
III. Poco a poco accelerando
Schubert: Octet in F, D.803 - 1. Adagio - Allegro
Schubert: Octet in F, D.803 - 2. Adagio
Schubert: Octet in F, D.803 - 3. Allegro vivace
Schubert: Octet in F, D.803 - 4. Thema. Andante - Var. I - VII
Schubert: Octet in F, D.803 - 5. Menuetto
Schubert: Octet in F, D.803 - 6. Andante molto - Allegro
Gubaidulina: Hommage á T.S. Eliot (1987) - For Octet And Soprano - 1.
Gubaidulina: Hommage á T.S. Eliot (1987) - For Octet And Soprano - 2.
Gubaidulina: Hommage á T.S. Eliot (1987) - For Octet And Soprano - 3. "Time and the bell have buried the day"
Gubaidulina: Hommage á T.S. Eliot (1987) - For Octet And Soprano - 4.
Gubaidulina: Hommage á T.S. Eliot (1987) - For Octet And Soprano - 5. "The chill ascends from feet to knees"
Gubaidulina: Hommage á T.S. Eliot (1987) - For Octet And Soprano - 6.
Gubaidulina: Hommage á T.S. Eliot (1987) - For Octet And Soprano - 7. "Sin is Behovely, but"
I. Andante sostenuto
II. Caprice melancolique
III. Quasi sarabanda
IV. Tarantella
J.S. Bach: Sonata for Violin or Flute and Continuo, No.1 in G Minor BWV 1020 - arr. Flute, Harp, and Cello - 1. (Allegro)
J.S. Bach: Sonata for Violin or Flute and Continuo, No.1 in G Minor BWV 1020 - arr. Flute, Harp, and Cello - 2. Adagio
J.S. Bach: Sonata for Violin or Flute and Continuo, No.1 in G Minor BWV 1020 - arr. Flute, Harp, and Cello - 3. Allegro
Schubert: Octet in F, D.803 - 1. Adagio - Allegro
Schubert: Octet in F, D.803 - 2. Adagio
Schubert: Octet in F, D.803 - 3. Allegro vivace
Schubert: Octet in F, D.803 - 4. Thema. Andante - Var. I - VII
Schubert: Octet in F, D.803 - 5. Menuetto
Schubert: Octet in F, D.803 - 6. Andante molto - Allegro


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