Dame Kiri Te Kanawa

Composers

Biography

Born: March 6, 1944; New Zealand  
New Zealand born soprano Kiri Te Kanawa is of Maori descent. Her earliest vocal studies were with Sister Maria Leo in Auckland. She won the Melbourne Sun contest and went to London where she studied with Vera Rozsa at the London Opera Center. It was there that she first appeared on stage as the second lady in Die Zauberflöte of Mozart. In 1969, she sang Elena in Rossini's La donna del lago at the Camden Festival. In 1970, she made her debut at Read more the Royal Opera, Covent Garden as Xenia in Boris Godunov and the following year she captured the public attention as the Countess in Le nozze di Figaro, a role for which she became world famous. Her American debut came that summer at the Santa Fe Opera, again as the Countess, as she was for her San Francisco Opera debut in 1972. She was soon singing at all of the major opera houses of Europe adding roles in Don Giovanni, Così fan tutte, and Die Zauberflöte to her Mozart repertoire. Her Metropolitan Opera debut in 1974 as Desdemona in Otello came on only a few hours notice when she substituted for the ailing Teresa Stratas. Her other Verdi roles include Amelia in Simon Boccanegra and Violetta in La Traviata. Her primary roles in the French repertoire were Micaëla in Carmen and Marguerite in Faust. The Houston Grand Opera was the site of her first Arabella in 1977 and since then she has made a specialty of Strauss' aristocratic ladies including the Marschallin in Der Rosenkavalier and the Countess in Capriccio. She was able to display her comic side with performances of Johann Strauss' Die Fledermaus. Her appearances in the operas of Puccini have been infrequent but she was a lovely Mimì. Many critics found her Tosca lacking the dramatic edge the role requires, but she always sang the role beautifully. Her appearances at the festivals at Salzburg and Glyndebourne are always highlights of the season.
Te Kanawa has earned fame also as a recitalist. Her programs included songs of Purcell, Schubert, Fauré, Canteloube, Liszt, and, of course, Strauss. She often included Maori folk songs as part of these programs or as encores. In concert she sang the Vier Letzte Lieder of Strauss and Mozart's Exsultate jubilate. Perhaps her most famous appearance was at the wedding of Prince Charles and Lady Diana Spencer at Westminster Abbey in 1981 singing "Let the bright seraphim" from Handel's Samson. The following year she was made a Dame Commander of the Order of the British Empire.
The voice of Kiri Te Kanawa is a lovely bright soprano, with great ease and beauty in the upper register. The wonderful legato phrasing and good technique have served her well in in many Mozart roles. She displays a wonderful expansive style which is required by the Strauss roles she performs. She has rarely tried to move her voice beyond its natural limits and this has provided her with a long, successful career. Her many recordings give an excellent indication of the finer points of her performances and she has recorded most of her important interpretations. Several of her important roles have been documented on video which allows the public to remember the totality of her performances. Kiri Te Kanawa will have a special place in the hearts of Mozart and Strauss enthusiasts as long her recordings and videos exist. Read less
Bizet: Carmen / Solti, Domingo, Verrett, Te Kanawa, Et Al
Release Date: 09/13/2005   Label: Opera D'oro  
Catalog: 7010   Number of Discs: 3
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There are 308 Dame Kiri Te Kanawa recordings available.

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Composers

Formats & Featured

Biography

Born: March 6, 1944; New Zealand  
New Zealand born soprano Kiri Te Kanawa is of Maori descent. Her earliest vocal studies were with Sister Maria Leo in Auckland. She won the Melbourne Sun contest and went to London where she studied with Vera Rozsa at the London Opera Center. It was there that she first appeared on stage as the second lady in Die Zauberflöte of Mozart. In 1969, she sang Elena in Rossini's La donna del lago at the Camden Festival. In 1970, she made her debut at Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Mozart: Vesperae solennes de confessore in C, K.339 - 1. Dixit Dominus Domino meo
Mozart: Vesperae solennes de confessore in C, K.339 - 2. Confitebor tibi, Domine
Mozart: Vesperae solennes de confessore in C, K.339 - 3. Beatus vir qui timet Dominum
Mozart: Vesperae solennes de confessore in C, K.339 - 4. Laudate pueri Dominum
Mozart: Vesperae solennes de confessore in C, K.339 - 5. Laudate Dominum omnes gentes
Mozart: Vesperae solennes de confessore in C, K.339 - 6. Magnificat anima mea
R. Strauss: Vier letzte Lieder, TrV 296 - 1. Frühling
R. Strauss: Vier letzte Lieder - 2. September
R. Strauss: Vier letzte Lieder - 3. Beim Schlafengehen
R. Strauss: Vier letzte Lieder, AV 150 - 4. Im Abendrot
Bernstein: West Side Story - Prologue
Bernstein: West Side Story - Jet Song
Bernstein: West Side Story - Something's Coming
Bernstein: West Side Story - The Dance At The Gym - Blues
Bernstein: West Side Story - The Dance At The Gym - Promenade
Bernstein: West Side Story - The Dance At The Gym - Mambo
Bernstein: West Side Story - The Dance At The Gym - Cha-Cha
Bernstein: West Side Story - The Dance At The Gym - Meeting Scene
Bernstein: West Side Story - The Dance At The Gym - Jump
Bernstein: West Side Story - Maria
Bernstein: West Side Story - Tonight - Balcony Scene
Bernstein: West Side Story - America
Bernstein: West Side Story - Cool
Bernstein: West Side Story - One Hand, One Heart
Bernstein: West Side Story - Tonight (Ensemble)
Bernstein: West Side Story - The Rumble
Bernstein: West Side Story - I Feel Pretty
Bernstein: West Side Story - Ballet Sequence - Beginning
Bernstein: West Side Story - Ballet Sequence - Transition To Scherzo
Bernstein: West Side Story - Ballet Sequence - Scherzo
Bernstein: West Side Story - Ballet Sequence - Somewhere
Bernstein: West Side Story - Ballet Sequence - Procession And Nightmare
Bernstein: West Side Story - Gee, Officer Krupke
Bernstein: West Side Story - A Boy Like That
Bernstein: West Side Story - I Have A Love
Bernstein: West Side Story - Taunting Scene
Bernstein: West Side Story - Finale
Mozart: Don Giovanni - Overture
Mozart: Don Giovanni / Act 1 - "Notte e giorno faticar" - "Leporello, ove sei?"
Mozart: Don Giovanni / Act 1 - "Ah! del padre in periglio" - "Ma qual mai s'offre, o Dei"
Mozart: Don Giovanni / Act 1 - "Fuggi, crudele, fuggi!"
Mozart: Don Giovanni / Act 1 - "Orsù, spicciati presto"
Mozart: Don Giovanni / Act 1 - "Ah! chi mi dice mai" - "Udisti? qualche bella"
Mozart: Don Giovanni / Act 1 - "Chi è là?"
Mozart: Don Giovanni / Act 1 - "Madamina, il catalogo è questo"
Mozart: Don Giovanni / Act 1 - "Giovinette, che fate all'amore" - "Manco male, è partita..."
Mozart: Don Giovanni / Act 1 - "Ho capito, signor sì!"
Mozart: Don Giovanni / Act 1 - "Alfin siam liberati"
Mozart: Don Giovanni / Act 1 - "Là ci darem la mano" - "Fermati, scellerato!"
Mozart: Don Giovanni / Act 1 - "Ah, fuggi il traditor"
Mozart: Don Giovanni / Act 1 - "Mi par ch'oggi il demonio si diverta"
Mozart: Don Giovanni / Act 1 - "Non ti fidar, o misera" - "Povera sventurata"
Mozart: Don Giovanni / Act 1 - "Don Ottavio... son morta!"
Mozart: Don Giovanni / Act 1 - "Or sai chi l'onore"
Mozart: Don Giovanni / Act 1 - "Come mai creder deggio"
Mozart: Don Giovanni / Act 1 - "Dalla sua pace" (K.540a)
Mozart: Don Giovanni / Act 1 - "Io deggio ad ogni patto"
Mozart: Don Giovanni / Act 1 - "Fin ch'han dal vino"
Mozart: Don Giovanni / Act 1 - "Masetto... senti un po'..."
Mozart: Don Giovanni / Act 1 - "Batti, batti, o bel Masetto" - "Guarda un po' come seppe questa strega"
Mozart: Don Giovanni / Act 1 - "Presto, presto... pria ch'ei venga" - "Tra quest' arbori celata"
Mozart: Don Giovanni / Act 1 - "Bisogna aver corragio" - "Protegga il giusto cielo"
Mozart: Don Giovanni / Act 1 - "Riposate, vezzose ragazze"
Mozart: Don Giovanni / Act 1 - "Venite pur avanti" - "Da bravi, via, ballate"
Mozart: Don Giovanni / Act 1 - "Ecco il birbo" - "Trema, trema scellerato"
Mozart: Don Giovanni / Act 2 - "Eh via, buffone, non mi seccar" - "Leporello!"
Mozart: Don Giovanni / Act 2 - "Ah! taci, ingiusto core"
Mozart: Don Giovanni / Act 2 - "Amico, che ti par?"
Mozart: Don Giovanni / Act 2 - "Deh! vieni alla finestra" - "V'è gente alla finestra"
Mozart: Don Giovanni / Act 2 - "Metà di voi qua vadano"
Mozart: Don Giovanni / Act 2 - "Zitto... Lascia ch'io senta... Ottimamente"
Mozart: Don Giovanni / Act 2 - "Vedrai, carino"
Mozart: Don Giovanni / Act 2 - "Di molte faci il lume"
Mozart: Don Giovanni / Act 2 - "Sola, sola in buio loco" - "Dunque quello sei tu"
Mozart: Don Giovanni / Act 2 - "Ah! pietà, signori miei!" - "Ferma, perfido; ferma"
Mozart: Don Giovanni / Act 2 - "Il mio tesoro intanto"
Mozart: Don Giovanni / Act 2 - "In quali eccessi" (K.540c, Recitative)
Mozart: Don Giovanni / Act 2 - "Mi tradì quell'alma ingrata" (K540c, Aria)
Mozart: Don Giovanni / Act 2 - "Ah! ah! ah! questa è buona!"
Mozart: Don Giovanni / Act 2 - "O statua gentilissima"
Mozart: Don Giovanni / Act 2 - "Calmatevi, idol mio"
Mozart: Don Giovanni / Act 2 - "Crudele? Ah no! mio bene!"
Mozart: Don Giovanni / Act 2 - "Non mi dir, bell'idol mio" - "Ah si segua il suo passo"
Mozart: Don Giovanni / Act 2 - "Già la mensa è preparata"
Mozart: Don Giovanni / Act 2 - "L'ultima prova"
Mozart: Don Giovanni / Act 2 - "Don Giovanni, a cenar teco m'invitasti"
Mozart: Don Giovanni / Act 2 - "Ah! dov'è il perfido?"
Mozart: Don Giovanni / Act 2 - "Or che tutti, o mio tesoro"
Mozart: Don Giovanni / Act 2 - "Questo è il fin di chi fa mal!"
Mahler: Symphony No.2 in C minor - "Resurrection" - 1. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
Mahler: Symphony No.2 in C minor - "Resurrection" - 2. Andante moderato. Sehr gemächlich
Mahler: Symphony No.2 in C minor - "Resurrection" - 3. Scherzo: In ruhig fliessender Bewegung
Mahler: Symphony No.2 in C minor - "Resurrection" - 4. "O Röschen rot! Der Mensch liegt in grösster Not!" (Sehr feierlich aber schlicht) Text from Des Knaben Wunderhorn: "Urlicht"
Mahler: Symphony No.2 in C minor - "Resurrection" - 5a. Im Tempo des Scherzos. Wild herausfahrend -
Mahler: Symphony No.2 in C minor - "Resurrection" - 5b. Maestoso. Sehr zurückhaltend - Wieder zurückhaltend -
Mahler: Symphony No.2 in C minor - "Resurrection" - 5c. Sehr langsam und gedehnt -
Mahler: Symphony No.2 in C minor - "Resurrection" - 5d. "Aufersteh'n, ja aufersteh'n wirst du" (Langsam. Misterioso) - Text after F.G. Klopstock: "Auferstehung"
Mahler: Symphony No.2 in C minor - "Resurrection" - 5e. "O glaube, mein Herz, o glaube" (Etwas bewegter) Text after F.G. Klopstock: "Auferstehung"
No.1 Introduction
"Rien!... En vain j'interroge"
No.3 "Mais ce Dieu"
"Me voici!" - "Eh bien!"
No.5 "Vin ou bière"
No.6 "O sainte médaille"
No.6b Invocation: "Avant de quitter ces lieux" - "Al- lons, amis"
No.7 Ronde du veau d'or: "Le veau d'or"
No.8 "Merci de ta chanson"
No.9 "Ainsi que la brise légère" - "Ne permettez-vous pas"
No.10 Entr'acte - "Faites-lui les aveux"
No.11 "C'est ici?"
No.12 "Salut! Demeure chaste et pure"
No.13 "Alerte, la voilà"
No.14 "Je voudrais bien savoir"
No.14a "Chanson du Roi de Thulé: "Il était un roi" - "Les grands seigneurs"
Air des bijoux: "Ah! Je ris de me voir"
No.15 "Seigneur Dieu, que vois-je!"
No.16 "Prenez mon bras" - "Et quoi! toujours seule?"
No.17 "Il était temps"
No.18 "Il se fait tard"
No.18a "Eternelle! O nuit d'amour" - "Marguerite!"
No.18b "Divine pureté"
No.18c "Tenez! Elle ouvre sa fenêtre"
No.19 "Elles ne sont plus là"
No.19a "Il ne revient pas"
No.20 "Marguerite! Siebel!'
No.20a "Si le bonheur" - "Soyez béni, Siebel"
No.21 "Seigneur, daignez permettre"
No.22 "Déposons les armes"
No.22a "Gloire immortelle" - No.23 "Allons, Siebel"
No.23a "Qu'attendez-vous encore?"
No.24 Sérénade: "Vous qui faites l'endormie"
No.25 "Que voulez-vous, messieurs?"
No.26 "Par ici, mes amis!"
No.27 La nuit de Walpurgis: "Dans les bruyères"
No.28 "Jusqu'aux premières feux"
No.29 Chant bachique: "Doux nectar"
No.30 "Va t'en"
No.30a "Mon coeur est pénétré"
No.31 "Alerte, alerte!"
No.32 Apothéose: "Sauvée!"
1. Les Nubiennes, valse (Allegretto)
2. Adagio
3. Danse antique (Allegretto)
4. Variations de Cléopatre (Moderato maestoso)
5. Les Troyennes (Moderato con moto)
6. Variations du miroir (Allegretto)
7. Danse de Phryné (Allegro vivo)
Der Rosenkavalier, Op.59: Introduktion (Orchester)
Der Rosenkavalier, Op.59, Act I: Wie du warst! Wie du bist! (Oktavian/Marschallin)
Der Rosenkavalier, Op.59, Act I: Du bist mein Bub', du bist mein Schatz! (Marschallin/Oktavian)
Der Rosenkavalier, Op.59, Act I: Der Feldmarschall silzt im krowatischen Wald! (Oktavian/Marschallin)
Der Rosenkavalier, Op.59, Act I: Quinquin, es ist ein Besuch (Marschallin/Oktavian/Baron/Haushofmeister)
Der Rosenkavalier, Op.59, Act I: Selbstverständlich empfängt mich ihro Gnaden (Baron/Marschallin/Lakaien/Haushofmeister)
Der Rosenkavalier, Op.59, Act I: Hat sie schon einmal mit einem Kavalier (Baron/Oktavian/Marschallin)
Der Rosenkavalier, Op.59, Act I: Macht das einen lahmen Esel aus mir? (Baron/Marschallin/Oktavian)
Der Rosenkavalier, Op.59, Act I: Geben mir Euer Gnaden den Grasaff' da (Baron/Marschallin/Oktavian)
Der Rosenkavalier, Op.59, Act I: Wollen Euer Gnaden leicht den jungen Herren da (Baron/Marschallin/Oktavian)
Der Rosenkavalier, Op.59, Act I: I komm' glei' ... Drei arme, adelige Waisen (Oktavian/Die drei Waisen/Modistin/Tierhändler/Marschallin/Valzacchi)
Der Rosenkavalier, Op.59, Act I: Die swarze Seitung! (Valzacchi/Marschallin/Waisen)
Der Rosenkavalier, Op.59, Act I: Di rigori armato il seno (Ein Sänger)
Der Rosenkavalier, Op.59, Act I: Als Morgengabe ganz separtim jedoch (Baron/Notar)
Der Rosenkavalier, Op.59, Act I: Ma si caro è'l mio tormento (Ein Sänger/Baron/Notar)
Der Rosenkavalier, Op.59, Act I: Mein lieber Hippolyte (Marschallin/Valzacchi/Baron/Annina)
Der Rosenkavalier, Op.59, Act I: Da geht er hin, der aufgeblasene schlechte Kerl (Marschallin)
Der Rosenkavalier, Op.59, Act I: Ach, du bist wieder da! (Marschallin/Oktavian)
Der Rosenkavalier, Op.59, Act I: Die Zeit, die ist ein sonderbar' Ding (Marschallin)
Der Rosenkavalier, Op.59, Act I: Mein schöner Schatz (Oktavian/Marschallin)
Der Rosenkavalier, Op.59, Act I: Ich werd' jetzt in die Kirchen geh'n (Marschallin/Oktavian/Lakaien)
Der Rosenkavalier, Op.59, Act I: Wie Sie befiehlt, Bichette! (Oktavian/Marschallin/Lakiaen)
Der Rosenkavalier, Op.59, Act I: Es ist gut. Geht nur wieder (Marschallin)
Overture
Act I: Notte e giorno faticar / Non sperar, se non m'uccidi / Lasciala
Leporello, ove sei?
Ah, del padre in periglio
Fuggi, crudele, fuggi!
Orsù, chi mi dici mai
Ah, chi mi dice mai
Chi è là?
Madamina, il catalogo è questo
Giovinette che fate all'amore
Manco male è partita
Ho capito, signor, sì!
Alfin siam liberati...
Là ci darem la mano
Fermati, scellerato!
Ah! Fuggi il traditor!
Mi par ch'oggi il demonio...
Ah, ti ritrovo ancor/Non ti fidar, o misera
Povera sventurata!
Don Ottavio, son morta!
Or sai chi l'onore
Come mai creder deggio...
Dalla sua pace
Don Giovanni, K. 527: Io deggio ad ogni patto... (Jose Van Dam, Ruggero Raimondi) (Voice)
Finch'han dal vino (Ruggero Raimondi) (Voice)
Masetto, senti un po'! (Teresa Berganza, Malcolm King) (Voice)
Batti, batti, o bel Masetto (Teresa Berganza) (Voice)
Guarda un po'... (Malcolm King, Ruggero Raimondi, Teresa Berganza) (Voice)
Presto, presto, pria ch'ei venga (Malcolm King, Teresa Berganza) (Voice)
Su, svegliatevi, da bravi (Ruggero Raimondi, Chorus) (Voice)
Tra quest'arbori celata (Teresa Berganza, Ruggero Raimondi, Malcolm King) (Voice)
Bisogna aver corraggio (Kiri Te Kanawa, Kenneth Riegel, Edda Moser, Jose Van Dam) (Voice)
Protegga il guisto cielo/Vendichi il giusto cielo (Edda Moser, Kenneth Riegel, Kiri Te Kanawa) (Voice)
Mozart: Don Giovanni - Overture
Mozart: Don Giovanni / Act 1 - "Notte e giorno faticar" - "Leporello, ove sei?"
Mozart: Don Giovanni / Act 1 - "Ah! del padre in periglio" - "Ma qual mai s'offre, o Dei"
Mozart: Don Giovanni / Act 1 - "Fuggi, crudele, fuggi!"
Mozart: Don Giovanni / Act 1 - "Orsù, spicciati presto"
Mozart: Don Giovanni / Act 1 - "Ah! chi mi dice mai" - "Udisti? qualche bella"
Mozart: Don Giovanni / Act 1 - "Chi è là?"
Mozart: Don Giovanni / Act 1 - "Madamina, il catalogo è questo"
Mozart: Don Giovanni / Act 1 - "Giovinette, che fate all'amore" - "Manco male, è partita..."
Mozart: Don Giovanni / Act 1 - "Ho capito, signor sì!"
Mozart: Don Giovanni / Act 1 - "Alfin siam liberati"
Mozart: Don Giovanni / Act 1 - "Là ci darem la mano" - "Fermati, scellerato!"
Mozart: Don Giovanni / Act 1 - "Ah, fuggi il traditor"
Mozart: Don Giovanni / Act 1 - "Mi par ch'oggi il demonio si diverta"
Mozart: Don Giovanni / Act 1 - "Non ti fidar, o misera" - "Povera sventurata"
Mozart: Don Giovanni / Act 1 - "Don Ottavio... son morta!"
Mozart: Don Giovanni / Act 1 - "Or sai chi l'onore"
Mozart: Don Giovanni / Act 1 - "Come mai creder deggio"
Mozart: Don Giovanni / Act 1 - "Dalla sua pace" (K.540a)
Mozart: Don Giovanni / Act 1 - "Io deggio ad ogni patto"
Mozart: Don Giovanni / Act 1 - "Fin ch'han dal vino"
Mozart: Don Giovanni / Act 1 - "Masetto... senti un po'..."
Mozart: Don Giovanni / Act 1 - "Batti, batti, o bel Masetto" - "Guarda un po' come seppe questa strega"
Mozart: Don Giovanni / Act 1 - "Presto, presto... pria ch'ei venga" - "Tra quest' arbori celata"
Mozart: Don Giovanni / Act 1 - "Bisogna aver corragio" - "Protegga il giusto cielo"
Mozart: Don Giovanni / Act 1 - "Riposate, vezzose ragazze"
Mozart: Don Giovanni / Act 1 - "Venite pur avanti" - "Da bravi, via, ballate"
Mozart: Don Giovanni / Act 1 - "Ecco il birbo" - "Trema, trema scellerato"
Mozart: Don Giovanni / Act 2 - "Eh via, buffone, non mi seccar" - "Leporello!"
Mozart: Don Giovanni / Act 2 - "Ah! taci, ingiusto core"
Mozart: Don Giovanni / Act 2 - "Amico, che ti par?"
Mozart: Don Giovanni / Act 2 - "Deh! vieni alla finestra" - "V'è gente alla finestra"
Mozart: Don Giovanni / Act 2 - "Metà di voi qua vadano"
Mozart: Don Giovanni / Act 2 - "Zitto... Lascia ch'io senta... Ottimamente"
Mozart: Don Giovanni / Act 2 - "Vedrai, carino"
Mozart: Don Giovanni / Act 2 - "Di molte faci il lume"
Mozart: Don Giovanni / Act 2 - "Sola, sola in buio loco" - "Dunque quello sei tu"
Mozart: Don Giovanni / Act 2 - "Ah! pietà, signori miei!" - "Ferma, perfido; ferma"
Mozart: Don Giovanni / Act 2 - "Il mio tesoro intanto"
Mozart: Don Giovanni / Act 2 - "In quali eccessi" (K.540c, Recitative)
Mozart: Don Giovanni / Act 2 - "Mi tradì quell'alma ingrata" (K540c, Aria)
Mozart: Don Giovanni / Act 2 - "Ah! ah! ah! questa è buona!"
Mozart: Don Giovanni / Act 2 - "O statua gentilissima"
Mozart: Don Giovanni / Act 2 - "Calmatevi, idol mio"
Mozart: Don Giovanni / Act 2 - "Crudele? Ah no! mio bene!"
Mozart: Don Giovanni / Act 2 - "Non mi dir, bell'idol mio" - "Ah si segua il suo passo"
Mozart: Don Giovanni / Act 2 - "Già la mensa è preparata"
Mozart: Don Giovanni / Act 2 - "L'ultima prova"
Mozart: Don Giovanni / Act 2 - "Don Giovanni, a cenar teco m'invitasti"
Mozart: Don Giovanni / Act 2 - "Ah! dov'è il perfido?"
Mozart: Don Giovanni / Act 2 - "Or che tutti, o mio tesoro"
Mozart: Don Giovanni / Act 2 - "Questo è il fin di chi fa mal!"
1. Dixit Dominus Domino meo
2. Confitebor tibi, Domine
3. Beatus vir qui timet Dominum
4. Laudate pueri Dominum
5. Laudate Dominum omnes gentes
6. Magnificat anima mea


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