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Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players


Release Date: 08/10/1995 
Label:  Klavier Records   Catalog #: 11050   Spars Code: DDD 
Composer:  Carl Reinecke
Performer:  Gregory HustisSimon SargonEric BarrBarbara Hustis,   ... 
Orchestra/Ensemble:  Dallas Chamber Players
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 14 Mins. 

In Stock: Usually ships in 24 hours.  

Works on This Recording

1.
Trio for Piano, Oboe and Horn in A minor, Op. 188 by Carl Reinecke
Performer:  Gregory Hustis (French Horn), Simon Sargon (Piano), Eric Barr (Oboe)
Orchestra/Ensemble:  Dallas Chamber Players
Period: Romantic 
Written: 1887; Germany 
Venue:  Church of Transfiguration, Dallas, Texas 
Length: 19 Minutes 43 Secs. 
2.
Trio for Clarinet, Viola, and Piano in A major, Op. 264 by Carl Reinecke
Performer:  Barbara Hustis (Viola), Simon Sargon (Piano), Stephen Girko (Clarinet)
Orchestra/Ensemble:  Dallas Chamber Players
Period: Romantic 
Written: circa 1903; Germany 
Venue:  Church of Transfiguration, Dallas, Texas 
Length: 27 Minutes 1 Secs. 
3.
Trio for Piano, Clarinet and Horn in B flat major, Op. 274 by Carl Reinecke
Performer:  Simon Sargon (Piano), Gregory Hustis (French Horn), Stephen Girko (Clarinet)
Orchestra/Ensemble:  Dallas Chamber Players
Period: Romantic 
Written: circa 1905; Germany 
Venue:  Church of Transfiguration, Dallas, Texas 
Length: 27 Minutes 17 Secs. 

Customer Reviews

Average Customer Review:  1 Customer Review )
 A worthy Introduction April 8, 2012 By LORRAINE R. (SACRAMENTO, CA) See All My Reviews "I love music, horns, piano, and hearing previously unknown pieces by unknown composers. Reinecke's Trio 274 filled those requirements.

Recently attending a faculty "gala" at the local university, I was pleased to not only hear three excellent musicians but also to listen to a composition that filled my senses with sounds, rhythms, sights, and pleasure. When it concluded I wanted to hear the piece over and over, and over. Arkiv didn't disappoint me when a search located two CD's This one is compared in my auditory memory with the living performance, and while it lacks the vitality of what I heard, it does present opportunities to listen again and learn more about a fine composer.

I'd like to discover a recent offering of 274 by other musicians. Meanwhile, I'm happy I can listen to Reinecke whenever I wish. That includes learning about his other two Trios, ops. 188 and 274. "
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