Claudio Abbado

Biography

Born: June 26, 1933; Milan, Italy   Died: January 20, 2014; Bologna, Italy   Country: Italy  
Claudio Abbado was one of the leading conductors of the late twentieth and early twenty-first centuries. He held a number of prestigious posts, any one of which would be a crowning achievement for a conductor, and his musical presence in both concert and recordings left an undeniable legacy of excellence.

His family traces its roots to a prominent Moorish family expelled from Spain in 1492 and is said to include the architect of
Read more the Alhambra. His father was Michelangelo Abbado, a violinist and teacher who gave both Claudio and his brother, Marcello Abbado, their first piano and music lessons (Marcello has gone on to become a pianist and composer).

Claudio was educated at the Milan Conservatory, graduating in 1955 with a certificate in piano. While a student there, he also studied conducting with Antonio Votto. In 1955, he studied piano with Friedrich Gulda in Salzburg, and then (from 1956-1958) attended Hans Swarowsky's conducting classes at the Vienna Academy of Music.

In 1958, he made his conducting debut in Trieste, and won the Koussevitzky Competition at Tanglewood. This led to his engagement in several provincial opera houses and orchestras, as well as a teaching position at Parma Conservatory. After winning the 1963 Dimitri Mitropoulos Prize, he was awarded a five-month position on the staff of the New York Philharmonic, with which he made his American professional debut on April 7, 1963. The year 1965 marked his debut with the Vienna Philharmonic at the Salzburg Festival, but more so for his return to his hometown of Milan to conduct at La Scala. He would conduct there again in 1967, become the company's resident director in 1968, and be named music director in 1971.

Abbado was credited with raising the performing standards at La Scala, and for broadening its repertory. He also organized its orchestral players into the Orchestra della Scala, whose performances of works by such composers as Schoenberg, Nono, Ligeti, Stockhausen, and Berio brought Abbado special acclaim as an interpreter of modern works.

In 1971, he was appointed principal conductor of the Vienna Philharmonic. Soon after, he formed a relationship with the London Symphony Orchestra, of which he became principal conductor in 1979, and finally music director, a post he retained until 1988. Other activities during this period included the founding of the European Community Youth Orchestra, the Chamber Orchestra of Europe, and the Gustav Mahler Youth Chamber Orchestra.

For the period 1982-1986, Abbado served as principal guest conductor at the Chicago Symphony Orchestra, after which he was appointed music director of the Vienna State Opera. The Viennese further honored him by appointing him general music director of the city. During his tenure, he founded (1988) the Wien Modern music festival, which has now grown to encompass all forms of contemporary art.

Abbado succeeded Herbert von Karajan as music director of the Berlin Philharmonic in 1989. In 1991, he relinquished his position at the Vienna State Opera, but he has maintained a presence in the city by founding the annual Vienna prize for young composers. In 1994, he succeeded to another post once held by Karajan, namely the directorship of the Salzburg Easter Festival.

Abbado was an exciting conductor who relished the beauty of tone. His extensive discography includes the complete symphonic works of Mahler, Schubert, Ravel, Tchaikovsky, Mendelssohn, and Beethoven, and dozens of other recordings. Read less
Mozart, Schubert, Beethoven, Wagner / Jonas Kaufmann, Claudio Abbado
Release Date: 04/06/2010   Label: Decca  
Catalog: 001413202   Number of Discs: 1
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There are 397 Claudio Abbado recordings available.

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Composers

Ensembles

Biography

Born: June 26, 1933; Milan, Italy   Died: January 20, 2014; Bologna, Italy   Country: Italy  
Claudio Abbado was one of the leading conductors of the late twentieth and early twenty-first centuries. He held a number of prestigious posts, any one of which would be a crowning achievement for a conductor, and his musical presence in both concert and recordings left an undeniable legacy of excellence.

His family traces its roots to a prominent Moorish family expelled from Spain in 1492 and is said to include the architect of
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
I. Andante - Allegro con anima
II. Andante cantabile, con alcuna licenza
III. Valse - Allegro moderato
IV. Finale - Andante maestoso - Allegro vivace
Prokofiev: Piano Concerto No.3 In C, Op.26 - 1. Andante - Allegro
Prokofiev: Piano Concerto No.3 In C, Op.26 - 2. Tema con variazione
Prokofiev: Piano Concerto No.3 In C, Op.26 - 3. Allegro ma non troppo
Ravel: Piano Concerto In G, M. 83 - 1. Allegramente
Ravel: Piano Concerto In G, M. 83 - 2. Adagio assai
Ravel: Piano Concerto In G, M. 83 - 3. Presto
Chopin: Piano Concerto No.1 In E Minor, Op.11 - 1. Allegro maestoso
Chopin: Piano Concerto No.1 In E Minor, Op.11 - 2. Romance (Larghetto)
Chopin: Piano Concerto No.1 In E Minor, Op.11 - 3. Rondo (Vivace)
Liszt: Piano Concerto No.1 In E Flat, S.124 - 1. Allegro maestoso
Liszt: Piano Concerto No.1 In E Flat, S.124 - 2. Quasi adagio - Allegretto vivace - Allegro animato
Liszt: Piano Concerto No.1 In E Flat, S.124 - 3. Allegro marziale animato
Tchaikovsky: Piano Concerto No.1 In B Flat Minor, Op.23 - 1. Allegro non troppo e molto maestoso - Allegro con spirito
Tchaikovsky: Piano Concerto No.1 In B Flat Minor, Op.23 - 2. Andantino semplice - Prestissimo - Tempo I
Tchaikovsky: Piano Concerto No.1 In B Flat Minor, Op.23 - 3. Allegro con fuoco
Beethoven: Piano Concerto No.3 In C Minor, Op.37 - 1. Allegro con brio
Beethoven: Piano Concerto No.3 In C Minor, Op.37 - 2. Largo
Beethoven: Piano Concerto No.3 In C Minor, Op.37 - 3. Rondo (Allegro)
Beethoven: Piano Concerto No.2 In B Flat Major, Op.19 - 1. Allegro con brio
Beethoven: Piano Concerto No.2 In B Flat Major, Op.19 - 2. Adagio
Beethoven: Piano Concerto No.2 In B Flat Major, Op.19 - 3. Rondo (Molto allegro)
Mozart: Piano Concerto No.25 In C, K.503 - 1. Allegro maestoso
Mozart: Piano Concerto No.25 In C, K.503 - 2. Andante
Mozart: Piano Concerto No.25 In C, K.503 - 3. Allegretto
Mozart: Piano Concerto No.20 In D Minor, K.466 - 1. Allegro
Mozart: Piano Concerto No.20 In D Minor, K.466 - 2. Romance
Mozart: Piano Concerto No.20 In D Minor, K.466 - 3. Rondo (Allegro assai)
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - Beginning
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - The curtain rises
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - First seduction game: the shabby old rake
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - Second seduction game
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - The shy youth appears at the door.
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - Third seduction game
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - The Mandarin enters - Encounter with the girl
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - The girl's dance
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - She flees from him; he chases her wildly.
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - The Mandarin stumbles, but catches the girl;they fight The tramps leap out, seize the Mandarin, rob him and suffocate him with pillows.
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - Suddenly the Mandarin's head appears. The tramps drag him out...
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - They drag the Mandarin to the centre of the room - The Mandarin's body begins to glow.
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - The tramps take him down. He falls to the floor and at once leaps at the girl. They embrace.
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - His longing stilled, the Mandarin's wounds begin to bleed; he becomes weaker and dies.
Bartók: 2 Portraits, (Op.5) Sz. 37 - 1. "Ideal"
Bartók: 2 Portraits, (Op.5) Sz. 37 - One Grotesque - Presto
Prokofiev: Scythian Suite, Op.20 - "Ala And Lolly" - 1. The Adoration Of Veless And Ala
Prokofiev: Scythian Suite, Op.20 - "Ala And Lolly" - 2. The Enemy God And The Dance Of The Spirits Of Darkness
Prokofiev: Scythian Suite, Op.20 - "Ala And Lolly" - 3. Night
Prokofiev: Scythian Suite, Op.20 - "Ala And Lolly" - 4. The Glorious Departure Of Lolly And The Sun's Procession
Bruckner: Symphony No.9 In D Minor - 1. Feierlich. Misterioso
Bruckner: Symphony No.9 In D Minor - 2. Scherzo (Bewegt lebhaft) - Trio (Schnell)
Bruckner: Symphony No.9 In D Minor - 3. Adagio (Langsam, feierlich)
Mahler: Symphony No.9 In D - 1. Andante comodo
Mahler: Symphony No.9 In D - 2. Im Tempo eines gemächlichen Ländler. Etwas täppisch und sehr derb - Poco piů mosso subito - Ländler, ganz langsam
Mahler: Symphony No.9 In D - 3. Rondo. Burleske (Allegro assai. Sehr trotzig - Presto)
Mahler: Symphony No.9 In D - 4. Adagio (Sehr langsam)
1. Poco sostenuto - Vivace
2. Allegretto
3. Presto - Assai meno presto
4. Allegro con brio
1. Allegro vivace e con brio
2. Allegretto scherzando
3. Tempo di menuetto
4. Allegro vivace
I. Allegro moderato
II. Andante con moto
I. Adagio molto - Allegro molto
II. Larghetto
III. Scherzo
IV. Allegro molto
Mozart: Piano Concerto No.25 In C, K.503 - 1. Allegro maestoso
Mozart: Piano Concerto No.25 In C, K.503 - 2. Andante
Mozart: Piano Concerto No.25 In C, K.503 - 3. Allegretto
Mozart: Piano Concerto No.20 In D Minor, K.466 - 1. Allegro
Mozart: Piano Concerto No.20 In D Minor, K.466 - 2. Romance
Mozart: Piano Concerto No.20 In D Minor, K.466 - 3. Rondo (Allegro assai)
"Le cerf s'enfuit sous la ramure"
Recit et Romance: "Fontainebleau! Foręt immense.."
Je l'ai vue
Scene et Duo:"Le bruit du cor s'éteint sous l'ombre.."
"Que faites-vous donc?" ... "De quels transports"
Scčne et Final: "A celui qui vous vient... L'heure fatale est sonnée"
O chants de fęte
"Charles-Quint, l'auguste Empereur"
Au couvent de Saint-Just
Scčne et Duo:"Le voilŕ!..Dieu, tu semas dans nos âmes"
Choeur et Scčne: "Sous ces bois au feuillage immense"
"Au palais des fées"
Scene,Terzettino,Dialogué et Romance:"L'infant Carlos"
"Je viens solliciter de la Reine une grâce...O bien perdu...Par quelle douce voix"
Scčne et Romance: "Le Roi!..."
O ma chčre compagne
Scene et Duo: "Restez!...O Roi! J'arrive de Flandre"
Prelude
Scene: "A minuit, aux jardins de la Reine"
Duo: "C'est vous!"
Trio: "Que dit-il?"
Grand Final: "Ce jour heureux est plein d'allégresse!"
"..En placant sur mon front,...Sire, la derničre heure
"Elle ne m'aime pas!"
Scene: "Le Grand Inquisiteur!...Dans ce beau pays"
Scene et Quartour: "Justice! Sire!...Maudit soit le soupcon infâme"
"Pitié! Pardon pour la femme coupable!"
Ah, je ne verrai plus la Reine.. O don fatal...
C'est moi, Carlos...
C'est mon jour supręme...
Que parles-tu de mort?...
Carlos, écoute... Ah! Je meurs l'âme joyeuse
Emeute:"Mon fils, reprenez votre épée..Ciel!Le tocsin!
Scčne et Air: "Toi qui sus le néant des grandeurs de ce monde"
Scčne et Duo d'Adieu: "C'est elle!...J'avais fait un beau ręve!...Au revoir dans un monde oů la vie est meilleure"
Scene Finale: "Oui, pour toujours!"
1. Prelude et Introduction: "L'hiver est long"
2. Introduction et Chaeur: "Que de fleurs... Pour une nuit me voilŕ Reine"
3. Le Ballet de la Reine
4. Scene: "J'ai tout compris"
5. Final: "Mon fils, reprenez votre épée...Qui me rendra ce mort?"
6. Final: "Oui, pour toujour... Ah! Sois maudit! Arti- san d'une oeuvre détestée!"
Mozart: Piano Concerto No.23 in A, K.488 - 1. Allegro
Mozart: Piano Concerto No.23 in A, K.488 - 2. Adagio
Mozart: Piano Concerto No.23 in A, K.488 - 3. Allegro assai
Mozart: Piano Concerto No.24 in C minor, K.491 - Cadenzas: Rudolf Serkin - 1. Allegro
Mozart: Piano Concerto No.24 in C minor, K.491 - Cadenzas: Rudolf Serkin - 2. Larghetto
Mozart: Piano Concerto No.24 in C minor, K.491 - Cadenzas: Rudolf Serkin - 3. (Alllegretto)
Henze: Boulevard Solitude - Intermezzi - Nr. 7 = 48
Henze: Boulevard Solitude - Intermezzi - Nr. 11 = 40
Henze: Boulevard Solitude - Intermezzi - Nr. 17 - Andante con moto
Henze: Boulevard Solitude - Intermezzi - Nr. 22 - Vivace
Berg: Sieben frühe Lieder - 1. Nacht
Berg: Sieben frühe Lieder - 2. Schilflied
Berg: Sieben frühe Lieder - 3. Die Nachtigall
Berg: Sieben frühe Lieder - 4. Traumgekrönt
Berg: Sieben frühe Lieder - 5. Im Zimmer
Berg: Sieben frühe Lieder - 6. Liebesode
Berg: Sieben frühe Lieder - 7. Sommertage
Berg: 3 Pieces For Orchestra, Op.6 - 1. Praeludium (Prelude)
Berg: 3 Pieces For Orchestra, Op.6 - 2. Reigen (Round Dance)
Berg: 3 Pieces For Orchestra, Op.6 - 3. Marsch (March)
1. Sostenuto assai - Un poco piů vivace - Allegro ma non troppo - Con fuoco
2. Scherzo (Allegro vivace)
3. Adagio espresssivo
4. Allegro molto vivace
Beethoven: Symphony No.7 in A, Op.92 - 1. Poco sostenuto - Vivace
Beethoven: Symphony No.7 in A, Op.92 - 2. Allegretto
Beethoven: Symphony No.7 in A, Op.92 - 3. Presto - Assai meno presto
Beethoven: Symphony No.7 in A, Op.92 - 4. Allegro con brio
Beethoven: Symphony No.8 in F, Op.93 - 1. Allegro vivace e con brio
Beethoven: Symphony No.8 in F, Op.93 - 2. Allegretto scherzando
Beethoven: Symphony No.8 in F, Op.93 - 3. Tempo di menuetto
Beethoven: Symphony No.8 in F, Op.93 - 4. Allegro vivace
Brahms: Rinaldo, Op.50 - Cantata for tenor, male chorus & orchestra - "Zu dem Strande, zu der Barke!"
Brahms: Rinaldo, Op.50 - Cantata for tenor, male chorus & orchestra - "Stelle her der gold'nen Tage"
Brahms: Rinaldo, Op.50 - Cantata for tenor, male chorus & orchestra - "Nein! nicht länger ist zu säumen"
Brahms: Rinaldo, Op.50 - Cantata for tenor, male chorus & orchestra - "Zurück nur, zurücke"
Brahms: Rinaldo, Op.50 - Cantata for tenor, male chorus & orchestra - "Zum zweitenmale seh ich erscheinen"
Brahms: Rinaldo, Op.50 - Cantata for tenor, male chorus & orchestra - "Und umgewandelt seh ich die Holde"
Brahms: Rinaldo, Op.50 - Cantata for tenor, male chorus & orchestra - "Segel schwellen"
Bruckner: Symphony No.1 in C minor - 1. Allegro molto moderato
Bruckner: Symphony No.1 in C minor - 2. Adagio
Bruckner: Symphony No.1 in C minor - 3. Scherzo
Bruckner: Symphony No.1 in C minor - 4. Finale. Bewegt, feurig
Mendelssohn: Symphony No.3 in A minor, Op.56 - "Scottish" - 1. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima
Mendelssohn: Symphony No.3 in A minor, Op.56 - "Scottish" - 2. Vivace non troppo
Mendelssohn: Symphony No.3 in A minor, Op.56 - "Scottish" - 3. Adagio
Mendelssohn: Symphony No.3 in A minor, Op.56 - "Scottish" - 4. Allegro vivacissimo - Allegro maestoso assai
Mendelssohn: Symphony No.4 in A, Op.90 - "Italian" - 1. Allegro vivace
Mendelssohn: Symphony No.4 in A, Op.90 - "Italian" - 2. Andante con moto
Mendelssohn: Symphony No.4 in A, Op.90 - "Italian" - 3. Con moto moderato
Mendelssohn: Symphony No.4 in A, Op.90 - "Italian" - 4. Saltarello (Presto)
Prokofiev: Symphony No.1 in D, Op.25 "Classical Symphony" - 1. Allegro
Prokofiev: Symphony No.1 in D, Op.25 "Classical Symphony" - 2. Larghetto
Prokofiev: Symphony No.1 in D, Op.25 "Classical Symphony" - 3. Gavotta (Non troppo allegro)
Prokofiev: Symphony No.1 in D, Op.25 "Classical Symphony" - 4. Finale (Vivace)
Prokofiev: Symphony No.3 in C minor, Op.44 - 1. Moderato
Prokofiev: Symphony No.3 in C minor, Op.44 - 2. Andante
Prokofiev: Symphony No.3 in C minor, Op.44 - 3. Allegro agitato
Prokofiev: Symphony No.3 in C minor, Op.44 - 4. Andante mosso
Prokofiev: Chout (The Buffoon) - Suite from the ballet, Op.21b - 1. The Buffoon & his Wife
Prokofiev: Chout (The Buffoon) - Suite from the ballet, Op.21b - 2. Dance of the Wives
Prokofiev: Chout (The Buffoon) - Suite from the ballet, Op.21b - 3. The Buffoons kill their Wives
Prokofiev: Chout (The Buffoon) - Suite from the ballet, Op.21b - 6. Dance of the Buffoons' Daughters
Prokofiev: Chout (The Buffoon) - Suite from the ballet, Op.21b - 8. In the Merchant's Bedroom
Prokofiev: Chout (The Buffoon) - Suite from the ballet, Op.21b - 9. The Young Wife becomes a Goat
Prokofiev: Chout (The Buffoon) - Suite from the ballet, Op.21b - 10. The Burial of the Goat
Prokofiev: Chout (The Buffoon) - Suite from the ballet, Op.21b - 11. Quarrel between the Buffoon and the Merchant
Prokofiev: Chout (The Buffoon) - Suite from the ballet, Op.21b - 12. Final Dance
Hindemith: Symphonic Metamorphoses on Themes by Carl Maria von Weber - 1. Allegro
Hindemith: Symphonic Metamorphoses on Themes by Carl Maria von Weber - 2. Turandot (Scherzo)
Hindemith: Symphonic Metamorphoses on Themes by Carl Maria von Weber - 3. Andantino
Hindemith: Symphonic Metamorphoses on Themes by Carl Maria von Weber - 4. Marsch
Janácek: Sinfonietta - 1. Allegretto - Allegro - Maestoso
Janácek: Sinfonietta - 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto
Janácek: Sinfonietta - 3. Moderato - Con moto - Prestissimo - Tempo I - Moderato
Janácek: Sinfonietta - 4. Allegretto - Adagio - Presto - Andante - Presto - Prestissimo
Janácek: Sinfonietta - 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio
Verdi: Nabucco / Act 3 - Va pensiero...Oh, chi piange?
Verdi: Nabucco / Act 3 - Va pensiero...Oh, chi piange?
Verdi: Macbeth / Act 2 - "Chi v'impose unirvi a noi? ...Come dal ciel precipita"
Verdi: Macbeth / Act 2 - "Chi v'impose unirvi a noi? ...Come dal ciel precipita"
Verdi: I vespri siciliani / Act 2 - O patria...O tu, Palermo
Verdi: I vespri siciliani / Act 2 - O patria...O tu, Palermo
Brahms: Piano Concerto No.2 in B flat, Op.83 - 1. Allegro non troppo
Brahms: Piano Concerto No.2 in B flat, Op.83 - 2. Allegro appassionato
Brahms: Piano Concerto No.2 in B flat, Op.83 - 3. Andante - Piů adagio
Brahms: Piano Concerto No.2 in B flat, Op.83 - 4. Allegretto grazioso - Un poco piů presto
Beethoven: Fantasia for Piano, Chorus and Orchestra in C minor, Op.80 - 1. Adagio
Beethoven: Fantasia for Piano, Chorus and Orchestra in C minor, Op.80 - 2. Finale: a) Allegro - Meno allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace
Beethoven: Fantasia for Piano, Chorus and Orchestra in C minor, Op.80 - Adagio ma non troppo
Beethoven: Fantasia for Piano, Chorus and Orchestra in C minor, Op.80 - Marcia, assai vivace - Allegro
Beethoven: Fantasia for Piano, Chorus and Orchestra in C minor, Op.80 - Allegretto, ma non troppo (quasi Andante)
Beethoven: Fantasia for Piano, Chorus and Orchestra in C minor, Op.80 - Presto
Beethoven: Piano Concerto No.1 In C Major, Op.15 - 1. Allegro con brio - Cadenza: Ludwig van Beethoven
Beethoven: Piano Concerto No.1 In C Major, Op.15 - 2. Largo
Beethoven: Piano Concerto No.1 In C Major, Op.15 - 3. Rondo (Allegro scherzando)
Beethoven: Piano Concerto No.2 In B Flat Major, Op.19 - 1. Allegro con brio - Cadenza: Ludwig van Beethoven
Beethoven: Piano Concerto No.2 In B Flat Major, Op.19 - 2. Adagio
Beethoven: Piano Concerto No.2 In B Flat Major, Op.19 - 3. Rondo (Molto allegro)
Beethoven: Piano Concerto No.3 In C Minor, Op.37 - 1. Allegro con brio - Cadenza: Beethoven
Beethoven: Piano Concerto No.3 In C Minor, Op.37 - 2. Largo
Beethoven: Piano Concerto No.3 In C Minor, Op.37 - 3. Rondo (Allegro)
Beethoven: Piano Concerto No.4 In G, Op.58 - 1. Allegro moderato - Cadenza: Ludwig van Beethoven
Beethoven: Piano Concerto No.4 In G, Op.58 - 2. Andante con moto
Beethoven: Piano Concerto No.4 In G, Op.58 - 3. Rondo. Vivace - Cadenza: Ludwig van Beethoven
Schumann: Piano Concerto in A minor, Op.54 - 1. Allegro affettuoso
Schumann: Piano Concerto in A minor, Op.54 - 2. Intermezzo (Andantino grazioso)
Schumann: Piano Concerto in A minor, Op.54 - 3. Allegro vivace
Mahler: Symphony No.9 In D - 1. Andante comodo
Mahler: Symphony No.9 In D - 2. Im Tempo eines gemächlichen Ländler. Etwas täppisch und sehr derb - Poco piů mosso subito - Ländler, ganz langsam
Mahler: Symphony No.9 In D - 3. Rondo. Burleske (Allegro assai. Sehr trotzig - Presto)
Mahler: Symphony No.9 In D - 4. Adagio (Sehr langsam)
Verdi: Don Carlos / Act 1 - "Le cerf s'enfuit sous la ramure"
Verdi: Don Carlos / Act 1 - Recit et Romance: "Fontainebleau! Foręt immense.."
Verdi: Don Carlos / Act 1 - Je l'ai vue
Verdi: Don Carlos / Act 1 - Scene et Duo:"Le bruit du cor s'éteint sous l'ombre.."
Verdi: Don Carlos / Act 1 - "Que faites-vous donc?" ... "De quels transports"
Verdi: Don Carlos / Act 1 - Scčne et Final: "A celui qui vous vient... L'heure fatale est sonnée"
Verdi: Don Carlos / Act 2 - "Charles-Quint, l'auguste Empereur"
Verdi: Don Carlos / Act 2 - Au couvent de Saint-Just
Verdi: Don Carlos / Act 2 - Scčne et Duo:"Le voilŕ!..Dieu, tu semas dans nos âmes"
Verdi: Don Carlos / Act 2 - Choeur et Scčne: "Sous ces bois au feuillage immense"
Verdi: Don Carlos / Act 2 - "Au palais des fées"
Verdi: Don Carlos / Act 2 - Scene,Terzettino,Dialogué et Romance:"L'infant Carlos"
Verdi: Don Carlos / Act 2 - "Je viens solliciter de la Reine une grâce...O bien perdu...Par quelle douce voix"
Verdi: Don Carlos / Act 2 - Scčne et Romance: "Le Roi!..."
Verdi: Don Carlos / Act 2 - O ma chčre compagne
Verdi: Don Carlos / Act 2 - Scene et Duo: "Restez!...O Roi! J'arrive de Flandre"
Verdi: Don Carlos / Act 3 - Prelude
Verdi: Don Carlos / Act 3 - Scene: "A minuit, aux jardins de la Reine"
Verdi: Don Carlos / Act 3 - Duo: "C'est vous!"
Verdi: Don Carlos / Act 3 - Trio: "Que dit-il?"
Verdi: Don Carlos / Act 3 - Grand Final: "Ce jour heureux est plein d'allégresse!"
Verdi: Don Carlos / Act 3 - "..En placant sur mon front,...Sire, la derničre heure
Verdi: Don Carlos / Act 4 - "Elle ne m'aime pas!"
Verdi: Don Carlos / Act 4 - Scene: "Le Grand Inquisiteur!...Dans ce beau pays"
Verdi: Don Carlos / Act 4 - Scene et Quartour: "Justice! Sire!...Maudit soit le soupcon infâme"
Verdi: Don Carlos / Act 4 - "Pitié! Pardon pour la femme coupable!"
Verdi: Don Carlos / Act 4 - Ah, je ne verrai plus la Reine.. O don fatal...
Verdi: Don Carlos / Act 4 - C'est moi, Carlos...
Verdi: Don Carlos / Act 4 - C'est mon jour supręme...
Verdi: Don Carlos / Act 4 - Que parles-tu de mort?...
Verdi: Don Carlos / Act 4 - Carlos, écoute... Ah! Je meurs l'âme joyeuse
Verdi: Don Carlos / Act 4 - Emeute:"Mon fils, reprenez votre épée..Ciel!Le tocsin!
Verdi: Don Carlos / Act 5 - Scčne et Duo d'Adieu: "C'est elle!...J'avais fait un beau ręve!...Au revoir dans un monde oů la vie est meilleure"
Verdi: Don Carlos / Act 5 - Scene Finale: "Oui, pour toujours!"
Verdi: Don Carlos / Appendix - 1. Prelude et Introduction: "L'hiver est long"
Verdi: Don Carlos / Appendix - 2. Introduction et Chaeur: "Que de fleurs... Pour une nuit me voilŕ Reine"
Verdi: Don Carlos / Appendix - 3. Le Ballet de la Reine
Verdi: Don Carlos / Appendix - 4. Scene: "J'ai tout compris"
Verdi: Don Carlos / Appendix - 5. Final: "Mon fils, reprenez votre épée...Qui me rendra ce mort?"
Verdi: Don Carlos / Appendix - 6. Final: "Oui, pour toujour... Ah! Sois maudit! Arti- san d'une oeuvre détestée!"


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