City of Birmingham Symphony Orchestra

Composers

Biography

Active: 1920 - ; Birmingham, England
The City of Birmingham Symphony Orchestra was founded in 1920, becoming the first British orchestra to be funded by a city council. Its opening concert was conducted by British composer Edward Elgar. Since then, the orchestra has thrived as a bastion of musical culture in the Midlands. It has also gained a reputation for adventurous programming, underlined in recent years by the long, fruitful appointment of Simon Rattle as music Read more director.

Birmingham is located to the northwest of London. It is one of the nation's major cities, but as with other urban centers such as Liverpool and Manchester, it has often been eclipsed by the capital in cultural matters. The centralization of British culture and power in London has nonetheless provided impetus for a competitive spirit out in the "regions," and Birmingham is no exception. The City of Birmingham Orchestra was founded by, among others, Neville Chamberlain, a prominent citizen who later became prime minister of the U.K. The orchestra's first conductor was Adrian Boult, who was quickly snapped up by the newly formed BBC Symphony Orchestra in London. Boult was replaced by one of his pupils, Leslie Heward. In 1932, Harold Gray, was named associate conductor, a post he held for nearly 50 years. In 1944, the musicians were hired on a full-time basis, and George Weldon was appointed music director to replace Heward, who had succumbed to tuberculosis.

In 1948, the orchestra was renamed City of Birmingham Symphony Orchestra (CBSO), the name it retains to this day. It began to expand its dominion with tours and London performances, including a debut at the Royal Albert Hall in London in 1951. An interesting appointment came in 1957 when Polish ex-patriot composer, Andrzej Panufnik, was named principal conductor. He lasted until 1960, when he returned to composing, but the emphasis on new music took hold. In 1962, the CBSO gave the first performances of Benjamin Britten's War Requiem at nearby Coventry Cathedral. This piece, which includes vocal soloists and choirs, is considered one of the major musical achievements of the post-war era in Britain.

In 1969, the young Frenchman Louis Frémaux was named principal conductor, and he led the orchestra through a series of well-received recordings for EMI. In 1980, Simon Rattle, just 25 years old but already a major talent, was appointed as Frémaux's successor, and he remained with the CBSO for almost 20 years. In that period, Rattle established himself as one of the world's top conductors, and the orchestra solidified its international reputation through tours and an impressive series of recordings. Rattle oversaw a number of interesting innovations during his tenure. One was the establishment of the Birmingham Contemporary Music Group (BCMG), a subset of the orchestra dedicated to performing the music of its time. In 1990, the young British composer Mark-Anthony Turnage was appointed composer in association, and he created a series of successful scores (such as Three Screaming Popes). In 1995, he was succeeded by Judith Weir, who followed up the Rattle's knighthood (still in his thirties!) with her own Companionship of the British Empire. Along with new British music, the CBSO commissioned works by international composers such as Luciano Berio, Tristan Murail, and Toru Takemitsu.

As Sir Rattle moved on to the Berlin Philharmonic in 2002, the CBSO continued its reputation as a forward-looking, world-class orchestra, rooted in a community proud of its independence. From Finland, the new Music Director Sakari Oramo was young, bright, and energetic, and lead the orchestra into the new millennium with enthusiasm and dedication. Read less
Classic Ellington / Lena Horne, Simon Rattle, City of Birmingham SO
Release Date: 06/03/2003   Label: Warner Classics  
Catalog: 57014   Number of Discs: 1
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Tchaikovsky: Manfred Symphony, Marche Slave / Nelsons, City Of Birmingham
Release Date: 06/09/2015   Label: Orfeo  
Catalog: 895151   Number of Discs: 1
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There are 150 City of Birmingham Symphony Orchestra recordings available.

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Composers

Biography

Active: 1920 - ; Birmingham, England
The City of Birmingham Symphony Orchestra was founded in 1920, becoming the first British orchestra to be funded by a city council. Its opening concert was conducted by British composer Edward Elgar. Since then, the orchestra has thrived as a bastion of musical culture in the Midlands. It has also gained a reputation for adventurous programming, underlined in recent years by the long, fruitful appointment of Simon Rattle as music Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Meeresstille (Calm Sea) -
Gluckliche Fahrt (Prosperous Voyage)
I. Sinfonia: Maestoso con moto - Allegro - Maestoso con moto come I -
I. Allegretto un poco agitato -
I. Adagio religioso
II. All men, all things, all that has life and breath (Chorus) -
II. Praise thou the Lord, O my spirit (Soprano, Chorus)
III. Recitative: Sing ye praise, all ye redeemed of the Lord (Tenor) -
III. He counteth all your sorrows in the time of need (Tenor)
IV. All ye that cried unto the Lord in distress and deep affliction (Chorus)
V. I waited for the Lord, He inclined unto me (2 Sopranos, Chorus)
VI. The sorrows of death had closed all around me (Tenor) -
VI. We called thro' the dardness (Tenor) - The night is departing! (Soprano)
VII. The night is departing (Chorus)
VIII. Chorale: Let all men praise the Lord (Chorus)
VIII. Chorale: Glory and praise to God (Chorus)
IX. My song shall be alway Thy mercy (Soprano, Tenor)
X. Ye nations, offer to the Lord glory and might! (Chorus) -
X. O give thanks to the Lord (Chorus)
I. Andante - Allegro con fuoco
II. Allegro vivace
III. Andante
IV. Andante con moto - Allegro vivace
I. Allegro vivace
II. Andante con moto
III. Con moto moderato
IV. Saltarello: Presto
War Requiem, Op.66, I. Requiem aeternam: Requiem aeternam dona eis Domine
War Requiem, Op.66, I. Requiem aeternam: What passing-bells for these who die as cattle?
War Requiem, Op.66, I. Requiem aeternam: Kyrie eleison
War Requiem, Op.66, II. Dies irae: Dies irae, dies illa
War Requiem, Op.66, II. Dies irae: Bugles sang, saddening the evening air
War Requiem, Op.66, II. Dies irae: Liber scriptus proferetur
War Requiem, Op.66, II. Dies irae: Out there, we've walked quite friendly up to Death
War Requiem, Op.66, II. Dies irae: Recordare Jesu pie
War Requiem, Op.66, II. Dies irae: Be slowly lifted up, thou long black arm
War Requiem, Op.66, II. Dies irae: Dies irae, dies illa
War Requiem, Op.66, II. Dies irae: Lacrimosa dies illa
War Requiem, Op.66, II. Dies irae: Move him into the sun...Pie Jesu
War Requiem, Op.66, III. Offertorium: Domine Jesu Christe
War Requiem, Op.66, III. Offertorium: So Abram rose, and clave the wood, and went
War Requiem, Op.66, IV. Sanctus: Sanctus, sanctus, sanctus
War Requiem, Op.66, IV. Sanctus: Benedictus qui venit in nomine Domini
War Requiem, Op.66, IV. Sanctus: After the blast of lightning from the East
War Requiem, Op.66: V. Agnus Dei
War Requiem, Op.66, VI. Libera me: Libera me, Domine, de morte aeterna
War Requiem, Op.66, VI. Libera me: It seemed that out of battle I escaped
War Requiem, Op.66, VI. Libera me: Let us sleep now...In paradisum
Ballad of Heroes, Op.14: 1. Funeral March -
Ballad of Heroes, Op.14: 2. Scherzo (Dance of Death)
Ballad of Heroes, Op.14: 3. Recitative and Choral - Epilogue (Funeral March)
Praise We Great Men (1976): 'Praise we great men' -
Praise We Great Men (1976): 'Praise we the just'
Praise We Great Men (1976): [Coda]
The Miraculous Mandarin - Complete Ballet, Sz.73: Beginning -
The Miraculous Mandarin - Complete Ballet, Sz.73: First seduction game -
The Miraculous Mandarin - Complete Ballet, Sz.73: Second seduction game -
The Miraculous Mandarin - Complete Ballet, Sz.73: Third seduction game - The Mandarin appears
The Miraculous Mandarin - Complete Ballet, Sz.73: Dance of the Girl -
The Miraculous Mandarin - Complete Ballet, Sz.73: The chase -
The Miraculous Mandarin - Complete Ballet, Sz.73: Suddenly the Mandarin's head appears
The Miraculous Mandarin - Complete Ballet, Sz.73: The Mandarin falls to the floor
Concerto for Orchestra Sz116: I. Introduzione (Andante non troppo - Allegro vivace)
Concerto for Orchestra Sz116: II. Gluoco delle coppie (Allegretto scherzando)
Concerto for Orchestra Sz116: III. Elegia (Andante non troppo)
Concerto for Orchestra Sz116: IV. Intermezzo interrotto (Allegretto)
Concerto for Orchestra Sz116: V. Finale (Pesante - Presto)
Piano Concerto No. 1, Sz.83: Allegro moderato - Allegro - Allegro moderato
Piano Concerto No. 1, Sz.83: Andante
Piano Concerto No. 1, Sz.83: Allegro molto
Piano Concerto No. 2, Sz.95: Allegro
Piano Concerto No. 2, Sz.95: Adagio - Presto - Adagio
Piano Concerto No. 2, Sz.95: Allegro molto
Piano Concerto No. 3, Sz.119: Allegretto
Piano Concerto No. 3, Sz.119: Adagio religioso
Piano Concerto No. 3, Sz.119: Allegro vivace
Violin Concerto No.2: Allegro non troppo
Violin Concerto No.2: Andante tranquillo
Violin Concerto No.2: Allegro molto
Rhapsody No. 1, Sz.87: Lassù - moderato
Rhapsody No. 1, Sz.87: Friss - Allegro
Rhapsody No. 2 Sz90: Lassù - Moderato
Rhapsody No. 2 Sz90: Friss - Allegro
Concerto for Two Pianos, Percussion & Orchestra: I. Assai lento - Allegro molto
Concerto for Two Pianos, Percussion & Orchestra: II. Lento, ma non troppo
Concerto for Two Pianos, Percussion & Orchestra: III. Allegro non troppo
Sonata for Two Pianos & Percussion: I. Assai lento - Allegro molto
Sonata for Two Pianos & Percussion: II. Lento, ma non troppo
Sonata for Two Pianos & Percussion: III. Allegro ma non troppo
Gloria: I. [Allegro vivace]
Gloria: II. [Andante]
Gloria: III. [Vivace e ritmico]
Magnificat: Magnificat anima mea
Magnificat: Of a Rose, a lovely Rose
Magnificat: Quia fecit mihi magna
Magnificat: Et misericordia
Magnificat: Fecit potentiam
Magnificat: Esurientes
Magnificat: Gloria Patri
America: Part I Oh my nation prepare...
America: Part II Burn, burn, burn
Concerto for two pianos (arr. three hands): Allegro giusto -
Concerto for two pianos (arr. three hands): Larghetto tranquillo -
Concerto for two pianos (arr. three hands): Allegro
Christopher Columbus - Suite: I. Alla polacca
Christopher Columbus - Suite: II. Grave
Christopher Columbus - Suite: III. Alla marcia
The Wise Virgins - Ballet Suite (1995 Digital Remaster): 2. Lord, hear my longing (Adagio) (Herzlich tut mich verlangen BWV727)
The Wise Virgins - Ballet Suite (1995 Digital Remaster): 3. See what His love can do (Tranquillo) (Cantata 85)
The Wise Virgins - Ballet Suite (1995 Digital Remaster): 4. Ah! how ephemeral (Vivace) (Cantata 26)
The Wise Virgins - Ballet Suite (1995 Digital Remaster): 5. Sheep may safely graze (Adagio) (Cantata 208)
The Wise Virgins - Ballet Suite (1995 Digital Remaster): 6. Praise be to God (Moderato) (Cantata 129)
Symphony No. 5 in B Flat, Op.100: I. Andante
Symphony No. 5 in B Flat, Op.100: II. Allegro marcato
Symphony No. 5 in B Flat, Op.100: III. Adagio
Symphony No. 5 in B Flat, Op.100: IV. Allegro giocoso
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): I. Rondo (Andante) und Hymne
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): II. Ostinato (Allegro)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): III. Lied der Lulu (Comodo)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): IV. Variationen (Moderato)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): V. Adagio
Konzert für Klavier und Orchester Nr.1 C-Dur Op.15: I. Allegro con brio
Konzert für Klavier und Orchester Nr.1 C-Dur Op.15: II. Largo
Konzert für Klavier und Orchester Nr.1 C-Dur Op.15: III. Rondo: Allegro
Konzert für Klavier und Orchester Nr.2 B-Dur Op.19: I. Allegro con brio
Konzert für Klavier und Orchester Nr.2 B-Dur Op.19: II. Adagio
Konzert für Klavier und Orchester Nr.2 B-Dur Op.19: III. Rondo: Allegro molto
Erwartung (Monodrama), Op.17 (1909): II. Szene: Ist das noch der Weg? Hier ist es eben.
Erwartung (Monodrama), Op.17 (1909): III. Szene: Da kommt ein Licht!
Erwartung (Monodrama), Op.17 (1909), IV: Szene:: Er ist auch nicht da...
Erwartung (Monodrama), Op.17 (1909), IV: Szene:: Das Mondlicht...nein, dort...
Erwartung (Monodrama), Op.17 (1909), IV: Szene:: Was soll ich tun...
Erwartung (Monodrama), Op.17 (1909), IV: Szene:: Aber seltsam ist dein Auge...
Erwartung (Monodrama), Op.17 (1909), IV: Szene:: Du siehst wieder dort hin?...
Erwartung (Monodrama), Op.17 (1909), IV: Szene:: Oh! nicht einmal die Gnade...
Erwartung (Monodrama), Op.17 (1909), IV: Szene:: Liebster, Liebster, der Morgen kommt...
Variations for Orchestra, Op.31: Introduktion und Theme -
Variations for Orchestra, Op.31: Variation I -
Variations for Orchestra, Op.31: Variation II -
Variations for Orchestra, Op.31: Variation III -
Variations for Orchestra, Op.31: Variation IV -
Variations for Orchestra, Op.31: Variation V -
Variations for Orchestra, Op.31: Variation VI -
Variations for Orchestra, Op.31: Variation VII -
Variations for Orchestra, Op.31: Variation VIII -
Variations for Orchestra, Op.31: Variation IX -
Variations for Orchestra, Op.31: Finale
Five Orchestral Pieces, Op.16: I. Vorgefühle (Sehr rasch)
Five Orchestral Pieces, Op.16: II. Vergangenes (Mässige Viertel)
Five Orchestral Pieces, Op.16: III. Farben (Mässige Viertel)
Five Orchestral Pieces, Op.16: IV. Peripetie (Sehr rasch)
Five Orchestral Pieces, Op.16: V. Das obligate Rezitativ (Bewegte Achtel)
Six Orchestral Pieces, Op.6: I. Langsam
Six Orchestral Pieces, Op.6: II. Bewegt
Six Orchestral Pieces, Op.6: III. Mässig
Six Orchestral Pieces, Op.6: IV. Sehr mässig
Six Orchestral Pieces, Op.6: V. Sehr langsam
Six Orchestral Pieces, Op.6: VI. Langsam
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): I. Rondo (Andante) und Hymne
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): II. Ostinato (Allegro)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): III. Lied der Lulu (Comodo)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): IV. Variationen (Moderato)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): V. Adagio
Piano Quartet No. 1 in G Minor, Op.25 (orch. Schoenberg): I. Allegro
Piano Quartet No. 1 in G Minor, Op.25 (orch. Schoenberg): II. Intermezzo (Allegro ma non troppo) - Trio
Piano Quartet No. 1 in G Minor, Op.25 (orch. Schoenberg): III. Andante con moto - Animato
Piano Quartet No. 1 in G Minor, Op.25 (orch. Schoenberg): IV. Rondo alla Zingarese (Presto)
I. Allegro
II. Theme and Variations
III. Allegro gioviale
I. Capriccio: Allegro molto - Presto
II. Chaconne: Andante con moto
III. Tarantella: Vivace
The Rite of Spring, 'Le sacre du printemps' (1947 revised version), Part 1: L'adoration de la terre: Introduction - Les augures printaniers - Danse des adolescentes - Jeu de rapt
The Rite of Spring, 'Le sacre du printemps' (1947 revised version), Part 1: L'adoration de la terre: Rond printanières - Jeux des cités rivales - Cortège de sage
The Rite of Spring, 'Le sacre du printemps' (1947 revised version), Part 1: L'adoration de la terre: Le sage - Danse de la terre
The Rite of Spring, 'Le sacre du printemps' (1947 revised version), Part 2: Le sacrifice: Introduction
The Rite of Spring, 'Le sacre du printemps' (1947 revised version), Part 2: Le sacrifice: Cercles mystérieux des adolescentes
The Rite of Spring, 'Le sacre du printemps' (1947 revised version), Part 2: Le sacrifice: Glorification de l'élue - Évocation des ancêtres - Action rituelle des aancêtres
The Rite of Spring, 'Le sacre du printemps' (1947 revised version), Part 2: Le sacrifice: Danse sacrale (l'élue)
Petrushka - Scènes burlesques en quatre tableaux, Première tableau: Fête populaire de la semaine grasse
Petrushka - Scènes burlesques en quatre tableaux, Première tableau: Le tour de passe-passe - Danse russe
Petrushka - Scènes burlesques en quatre tableaux, Deuxième tableau: Chez Petrushka
Petrushka - Scènes burlesques en quatre tableaux, Troisième tableau: Chez le maure - Danse de la ballerine
Petrushka - Scènes burlesques en quatre tableaux, Troisième tableau: Valse ( La ballerine et la maure)
Petrushka - Scènes burlesques en quatre tableaux, Quartième tableau: Fête populaire de la semaine grasse
Petrushka - Scènes burlesques en quatre tableaux, Quartième tableau: Danse des nounous
Petrushka - Scènes burlesques en quatre tableaux, Quartième tableau: Paysan et l'ours
Petrushka - Scènes burlesques en quatre tableaux, Quartième tableau: Bohémien et marchand malhonnête
Petrushka - Scènes burlesques en quatre tableaux, Quartième tableau: Danse des cochers et des palefreniers
Petrushka - Scènes burlesques en quatre tableaux, Quartième tableau: Les déguisés
Petrushka - Scènes burlesques en quatre tableaux, Quartième tableau: Le rixe: La maure et Petrushka
Petrushka - Scènes burlesques en quatre tableaux, Quartième tableau: Mort de Petrushka
Petrushka - Scènes burlesques en quatre tableaux, Quartième tableau: Polic et 'enchanteur - Vocifération du double de Petrushka
The Firebird (1910 version): Introduction
The Firebird (1910 version), 1st Tableau: Kashchei's Enchanted Garden
The Firebird (1910 version), 1st Tableau: Appearance of the Firebird pursued by Ivan Tsarevich
The Firebird (1910 version), 1st Tableau: Dance of the Firebird
The Firebird (1910 version), 1st Tableau: Ivan Tsarevich captures the Firebird
The Firebird (1910 version), 1st Tableau: Supplications of the Firebird
The Firebird (1910 version), 1st Tableau: Appearance of the thirteen enchanted princesses
The Firebird (1910 version), 1st Tableau: The princesses' game with the golden apples (Scherzo)
The Firebird (1910 version), 1st Tableau: Sudden appearance of Ivan Tsarevich
The Firebird (1910 version), 1st Tableau: The princesses' Khorovod (Round Dance)
The Firebird (1910 version), 1st Tableau: Daybreak
The Firebird (1910 version), 1st Tableau: Ivan Tsarevich enters Kashchei's palace
The Firebird (1910 version), 1st Tableau: Magic carillon, appearance of Kashchei's guardian monsters and capture of Ivan Tsarevich
The Firebird (1910 version), 1st Tableau: Arrival of Kashchei the immortal
The Firebird (1910 version), 1st Tableau: Kashchei's dialogue with Ivan Tsarevich
The Firebird (1910 version), 1st Tableau: Intercession of the princesses
The Firebird (1910 version), 1st Tableau: Appearance of the Firebird
The Firebird (1910 version), 1st Tableau: Dance of Kashchei's retinue under the Firebird's spell
The Firebird (1910 version), 1st Tableau: Infernal dance of all Kashchei's subjects
The Firebird (1910 version), 1st Tableau: Lullaby
The Firebird (1910 version), 1st Tableau: Kashchei's awakening
The Firebird (1910 version), 1st Tableau: Kashchei's death
The Firebird (1910 version), 1st Tableau: Complete darkness
The Firebird (1910 version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgiving
Apollo - Ballet en deux tableaux (1947 revised version), Premier tableau (prologue): Naissance d'Apollon
Apollo - Ballet en deux tableaux (1947 revised version), Deuxième tableaux: Variation d'Apollon (Apollon et les Muses)
Apollo - Ballet en deux tableaux (1947 revised version), Deuxième tableaux: Pas d'action (Apollon et les trois Muses: Calliope, Polymnie, et Terpsichore)
Apollo - Ballet en deux tableaux (1947 revised version), Deuxième tableaux: Variation de Calliope (l'Alexandrin)
Apollo - Ballet en deux tableaux (1947 revised version), Deuxième tableaux: Variation de Polymnie
Apollo - Ballet en deux tableaux (1947 revised version), Deuxième tableaux: Variation de Terpsichore
Apollo - Ballet en deux tableaux (1947 revised version), Deuxième tableaux: Variation d'Apollon
Apollo - Ballet en deux tableaux (1947 revised version), Deuxième tableaux: Pas de deux (Apollon et Terpsichore)
Apollo - Ballet en deux tableaux (1947 revised version), Deuxième tableaux: Coda (Apollon et les Muses)
Apollo - Ballet en deux tableaux (1947 revised version), Deuxième tableaux: Apothéose
Harmonielehre: Part I
Harmonielehre: Part II - The Anfortas Wound
Harmonielehre: Part III - Meister Eckhardt and Quackie
Cello Concerto in E minor Op. 85: I. Adagio - Moderato
Cello Concerto in E Minor, Op.85: II. Lento - Allegro molto
Cello Concerto in E minor Op. 85: III. Adagio
Cello Concerto in E Minor, Op.85: IV. Allegro - Moderato - Allegro, ma non troppo
Cello Symphony, Op.68: I. Allegro maestoso
Cello Symphony, Op.68: II. Presto inquieto
Cello Symphony, Op.68: III. Adagio
Cello Symphony, Op.68: IV. Passacaglia - Andante allegro
Ballad of Heroes, Op.14: 1. Funeral March -
Ballad of Heroes, Op.14: 2. Scherzo (Dance of Death)
Ballad of Heroes, Op.14: 3. Recitative and Choral - Epilogue (Funeral March)
Diversions for piano (left hand) and orchestra, Op.21: Theme -
Diversions for piano (left hand) and orchestra, Op.21: Var.I Recitative -
Diversions for piano (left hand) and orchestra, Op.21: Var.II Romance -
Diversions for piano (left hand) and orchestra, Op.21: Var.III March -
Diversions for piano (left hand) and orchestra, Op.21: Var.IV Arabesque
Diversions for piano (left hand) and orchestra, Op.21: Var.V Chant -
Diversions for piano (left hand) and orchestra, Op.21: Var.VI Nocturne -
Diversions for piano (left hand) and orchestra, Op.21: Var.VII Badinerie
Diversions for piano (left hand) and orchestra, Op.21: Var.VIII Burlesque
Diversions for piano (left hand) and orchestra, Op.21: Var.IX Toccata I - Toccata II -
Diversions for piano (left hand) and orchestra, Op.21: Var.X Adagio
Diversions for piano (left hand) and orchestra, Op.21: Var.XI Tarantella
Praise We Great Men (1976): 'Praise we great men' -
Praise We Great Men (1976): 'Praise we the just'
Praise We Great Men (1976): [Coda]
Suite on English Folk Tunes: 'A time there was...' Op.90: I. Cakes and Ale
Suite on English Folk Tunes: 'A time there was...' Op.90: II. The Bitter Withy
Suite on English Folk Tunes: 'A time there was...' Op.90: III. Hankin Booby
Suite on English Folk Tunes: 'A time there was...' Op.90: IV. Hunt the Squirrel
Suite on English Folk Tunes: 'A time there was...' Op.90: V. Lord Melbourne
Quatre Chansons françaises (1928): 1. Nuits de juin (wds. Victor Hugo)
Quatre Chansons françaises (1928): 2. Sagesse (wds. Paul Verlaine)
Quatre Chansons françaises (1928): 3. L'Enfance (wds. Victor Hugo)
Quatre Chansons françaises (1928): 4. Chanson d'automne (wds. Paul Verlaine)
Sinfonia da Requiem, Op.20: I. Lacrymosa (Andante ben misurato) -
Sinfonia da Requiem, Op.20: II. Dies irae (Allegro con fuoco) -
Sinfonia da Requiem, Op.20: III. Requiem aeternam (Andante molto tranquillo)
War Requiem, Op.66, I. Requiem aeternam: Requiem aeternam dona eis Domine
War Requiem, Op.66, I. Requiem aeternam: What passing-bells for these who die as cattle?
War Requiem, Op.66, I. Requiem aeternam: Kyrie eleison
War Requiem, Op.66, II. Dies irae: Dies irae, dies illa
War Requiem, Op.66, II. Dies irae: Bugles sang, saddening the evening air
War Requiem, Op.66, II. Dies irae: Liber scriptus proferetur
War Requiem, Op.66, II. Dies irae: Out there, we've walked quite friendly up to Death
War Requiem, Op.66, II. Dies irae: Recordare Jesu pie
War Requiem, Op.66, II. Dies irae: Be slowly lifted up, thou long black arm
War Requiem, Op.66, II. Dies irae: Dies irae, dies illa
War Requiem, Op.66, II. Dies irae: Lacrimosa dies illa
War Requiem, Op.66, II. Dies irae: Move him into the sun...Pie Jesu
War Requiem, Op.66, III. Offertorium: Domine Jesu Christe
War Requiem, Op.66, III. Offertorium: So Abram rose, and clave the wood, and went
War Requiem, Op.66, IV. Sanctus: Sanctus, sanctus, sanctus
War Requiem, Op.66, IV. Sanctus: Benedictus qui venit in nomine Domini
War Requiem, Op.66, IV. Sanctus: After the blast of lightning from the East
War Requiem, Op.66: V. Agnus Dei
War Requiem, Op.66, VI. Libera me: Libera me, Domine, de morte aeterna
War Requiem, Op.66, VI. Libera me: It seemed that out of battle I escaped
War Requiem, Op.66, VI. Libera me: Let us sleep now...In paradisum
The Young Person's Guide to the Orchestra, Op.34: Theme (Allegro maestoso e largamente)
The Young Person's Guide to the Orchestra, Op.34: Var.A: Flutes and piccolo
The Young Person's Guide to the Orchestra, Op.34: Var.B: Oboes (Lento)
The Young Person's Guide to the Orchestra, Op.34: Var.C: Clarinets (Moderato)
The Young Person's Guide to the Orchestra, Op.34: Var.D: Bassoons (Allegro alla marcia)
The Young Person's Guide to the Orchestra, Op.34: Var.E: Violins (Brillante: alla polacca)
The Young Person's Guide to the Orchestra, Op.34: Var.F: Violas (Meno mosso)
The Young Person's Guide to the Orchestra, Op.34: Var.G: Cellos
The Young Person's Guide to the Orchestra, Op.34: Var.H: Double basses (Cominciando lento ma poco a poco accel. al Allegro)
The Young Person's Guide to the Orchestra, Op.34: Var.I: Harp (Maestoso)
The Young Person's Guide to the Orchestra, Op.34: Var.J: Horns (L'istesso tempo)
The Young Person's Guide to the Orchestra, Op.34: Var.K: Trumpets (Vivace)
The Young Person's Guide to the Orchestra, Op.34: Var.L: Trombones and bass tuba (Allegro pomposo)
The Young Person's Guide to the Orchestra, Op.34: Var.M: Percussion (Moderato)
The Young Person's Guide to the Orchestra, Op.34: Fugue (Allegro molto)
Glagolitic Mass: Uvod (Introduction)
Glagolitic Mass: Gospodi pomiluy (Kyrie eleison)
Glagolitic Mass: Slava (Gloria)
Glagolitic Mass: Veruju (Credo)
Glagolitic Mass: Svet (Sanctus)
Glagolitic Mass: Agneoe Bozij (Agnus Dei)
Glagolitic Mass: Organ solo (Postlude)
Glagolitic Mass: Intrada
Piano Concerto No. 1 in D Minor, Op.15: I. Maestoso
Piano Concerto No. 1 in D Minor, Op.15: II. Adagio
Piano Concerto No. 1 in D Minor, Op.15: III. Rondo (Allegro non troppo)
Piano Quartet No. 1 in G Minor, Op.25 (orch. Schoenberg): II. Intermezzo (Allegro ma non troppo) - Trio
Piano Quartet No. 1 in G Minor, Op.25 (orch. Schoenberg): II. Intermezzo (Allegro ma non troppo) - Trio
Piano Quartet No. 1 in G Minor, Op.25 (orch. Schoenberg): III. Andante con moto - Animato
Piano Quartet No. 1 in G Minor, Op.25 (orch. Schoenberg): III. Andante con moto - Animato
Piano Quartet No. 1 in G Minor, Op.25 (orch. Schoenberg): IV. Rondo alla Zingarese (Presto)
Piano Quartet No. 1 in G Minor, Op.25 (orch. Schoenberg): IV. Rondo alla Zingarese (Presto)
Harmonielehre: Part I
Harmonielehre: Part II - The Anfortas Wound
Harmonielehre: Part III - Meister Eckhardt and Quackie


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