Christopher Maltman

Biography

Country: England  
Christopher Maltman is a British baritone whose career began developing rapidly around the turn of the millennium.

He graduated from Warwick University in biochemistry. By that time his vocal talents had been recognized and he entered London's Royal Academy of Music in 1991. His main teacher there was Mark Wildman. He had private studies with Sesto Bruscantini and attended the Brereton International Music Symposium where he had lessons
Read more with Thomas Hampson.

In 1997, he won the Lieder Prize at the Cardiff Singer of the World Competition, beginning an international career. In the following season he sang the part of Raimbaud in Le Comte Ory in the Glyndebourne Touring Opera company, and the title role in Britten's Billy Budd in a new production at the Welsh National Opera. He has accepted an invitation sing the same role in Seattle. His other Britten roles include Ned Keene in Peter Grimes for the Glyndebourne Festival and Tarquinius in The Rape of Lucretia at the Montpellier Festival.

At La Monnaie in Brussels he debuted as Dandini in Rossini's Cenerentola. His debut role with the English National Opera was Figaro in Rossini's Barber of Seville. For the same company he has sung the Count in Mozart's Marriage of Figaro, and repeated his portrayal of Rossini's Figaro at the Berlin Staatsoper Unter den Linden. At the Edinburgh Festival he sang the part of Merlin in Chabrier's Le Roi Arthus. He has become a member of the English National Opera company.

His Lieder victory in Cardiff is an indication of his strong commitment to recital and concert singing. As a Lieder singer, he has begun a notable recording career, including participation in the Deutsche Grammophon complete set of Beethoven folk song arrangements, songs by Holst and Sommervell for Collins Classics, a set of songs of John Ireland and another disc of assorted English art songs for Hyperion, and participation in Hyperion's complete Robert Schumann Lieder project, singing Dichterliebe. In addition, he sang in three of the landmark complete Schubert series discs on the same label. He has sung in recital at Wigmore Hall, the Châtelet of Paris, and the Hohenems and Edinburgh Festivals.

He has shared the concert stage with such orchestras as the London Symphony Orchestra, the New York Philharmonic, the Strasbourg Philharmonic, the Philharmonia Orchestra, and the City of Birmingham Symphony Orchestra and such conductors as Sir Simon Rattle, Lord Menuhin, Leonard Slatkin, Peter Schreier, Jan Latham-Koenig, and Kurt Masur. His repertory includes Vaughan Williams' Serenade to Music, Britten's War Requiem, Schubert's Stabat Mater, and Beethoven's Ninth Symphony. Read less
Poulenc: Complete Songs Vol 1 / Milne, Anderson, Murray, Lott, Maltman, Lemalu, Martineau
Release Date: 04/26/2011   Label: Signum U.k.  
Catalog: 247   Number of Discs: 1
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Vaughan Williams: A Sea Symphony / Maltman, Rodgers, Daniel, Et Al
Release Date: 04/20/2004   Label: Naxos  
Catalog: 5110016   Number of Discs: 1
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Vaughan Williams: Complete Symphonies / Rodgers, Maltman, Russell, Silverthorne
Release Date: 08/26/2008   Label: Naxos  
Catalog: 8506020   Number of Discs: 6
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Poulenc: Complete Songs Vol 2 / Milne, Anderson, Murray, Lott, Maltman, Lemalu, Martineau
Release Date: 07/26/2011   Label: Signum U.k.  
Catalog: 263   Number of Discs: 1
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Mozart: Cosi Fan Tutte / Currentzis, Kermes, Maltman, Ernman, Wolff
Release Date: 02/03/2015   Label: Sony  
Catalog: 546616   Number of Discs: 3
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Biography

Country: England  
Christopher Maltman is a British baritone whose career began developing rapidly around the turn of the millennium.

He graduated from Warwick University in biochemistry. By that time his vocal talents had been recognized and he entered London's Royal Academy of Music in 1991. His main teacher there was Mark Wildman. He had private studies with Sesto Bruscantini and attended the Brereton International Music Symposium where he had lessons
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WORKS ALBUMS
TITLE/COMPOSER
LABEL
Part I: Kommt, ihr Tochter, helft mir klagen (Chorus)
Part I: Recitative: Da Jesus diese Rede vollendet hatte (Evangelist, Jesus)
Part I: Chorale: Herzliebster Jesu, was hast du verbrochen (Chorus)
Part I: Recitative: Da versammleten sich die Hohenpriester (Evangelist, Chorus, Jesus)
Part I: Ja nicht auf das Fest (Chorus)
Part I: Recitative: Da nun Jesus war zu Bethanien (Evangelist)
Part I: Wozu dienet dieser Unrat? (Chorus)
Part I: Recitative: Da das Jesus merkete, sprach er zu ihnen (Evangelist, Jesus)
Part I: Recitative: Du lieber Heiland du (Alto)
Part I: Aria: Buss und Reu (Alto)
Part I: Recitative: Da ging hin der Zwolfen einer (Evangelist, Judas)
Part I: Blute nur, du liebes Herz (Soprano)
Part I: Recitative: Aber am ersten Tage der Sussen Brot' (Evangelist)
Part I: Wo willst du, dass wir dir bereiten (Chorus)
Part I: Recitative: Er sprach (Evangelist) - Gehet hin di die Stadt (Jesus)
Part I: Recitative: Und sie wurden sehr betrubt und huben an (Evangelist)
Part I: Herr, bin ich's? (Chorus)
Part I: Chorale: Ich bin's, ich sollte bussen (Chorus)
Part I: Recitative: Er antwortete und sprach (Evangelist, Jesus, Judas)
Part I: Recitative: Wiewohl mein Herz in Tranen schwimmt (Soprano)
Part I: Aria: Ich will dir mein Herze schenken (Soprano)
Part I: Recitative: Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus)
Part I: Chorale: Erkenne mich, mein Huter (Chorus)
Part I: Recitative: Petrus aber antwortete (Evangelist, Jesus, Petrus)
Part I: Es dient zu meinen Freuden (Chorus)
Part I: Recitative: Da kam Jesus mit ihnen zu einem Hofe (Evangelist, Jesus)
Part I: Recitative and Chorale: O Schmerz, hier zittert das gequalte Herz (Tenor, Chorus)
Part I: Aria and Chorus: Ich will bei meinem Jesu wachen (Tenor, Chorus)
Part I: Recitative: Und ging hin ein wenig (Evangelist, Jesus)
Part I: Recitative: Der Heiland fallt vor seinem Vater nieder (Bass)
Part I: Aria: Gerne will ich mich bequemen (Bass)
Part I: Recitative: Und er kam zu seinen Jungern (Evangelist, Jesus)
Part I: Chorale: Was mein Gott will, das g'scheh allzeit (Chorus)
Part I: Recitative: Und er kam und fand sie aber schlafend (Evangelist, Jesus, Judas)
Part I: Aria and Chorus: So ist mein Jesus nun gefangen (Alto, Soprano, Chorus)
Part I: Sind Blitze, sind Donner in Wolken verschwunden? (Chorus)
Part I: Recitative: Und siehe, einer aus denen (Evangelist, Jesus)
Part I: Jesum lass ich nicht von mir (Chorus)
Part II: Aria and Chorus: Ach! Nun ist mein Jesus hin (Alto, Chorus)
Part II: Recitative: Die aber Jesum gegriffen hatten (Evangelist)
Part II: Chorale: Mir hat die Welt truglich gericht' (Chorus)
Part II: Recitative: Und wiewohl viel falsche Zeugen herzutraten (Evangelist, 2 Testes, Pontifex)
Part II: Recitative: Mein Jesus schweigt zu falschen Lugen stille (Tenor)
Part II: Aria: Geduld! Geduld! (Tenor)
Part II: Recitative and Chorus: Und der Hohepriester antwortete (Evangelist, Jesus, Pontifex)
Part II: Er ist des Todes schuldig! (Chorus)
Part II: Recitative: Da spieten sie aus in sein Angesicht und schlugen ihn mit Fausten (Evangelist)
Part II: Weissage uns, Christe, wer its's, der dich schlug? (Chorus)
Part II: Chorale: Wer hat dich so geschlagen (Chorus)
Part II: Recitative: Petrus aber sass draussen im Palast (Evangelist, 2 Servants, Petrus)
Part II: Wahrlich, du bist auch einer von denen (Chorus)
Part II: Recitative: Da hub er an, sich zu verfluchen (Evangelist, Petrus)
Part II: Aria: Erbarme dich, mein Gott (Alto)
Part II: Chorale: Bin ich gleich von dir gewichen (Chorus)
Part II: Recitative: Des Morgens aber hielten alle Hohepreister (Evangelist, Judas)
Part II: Was gehet uns das an? Da siehe du zu! (Chorus)
Part II: Recitative: Und er warf die Silberlinge in den Tempel, hub sich davon (Evangelist, 2 Pontifices)
Part II: Aria: Gebt mir meinen Jesum wieder (Bass)
Part II: Recitative: Sie hielten aber einen Rat (Evangelist, Pilatus, Jesus)
Part II: Chorale: Befiehl du deine Wege (Chorus)
Part II: Recitative and Chorus: Auf das Fest aber hatte der Landpfleger (Evangelist, Pilatus, Uxor Pilati, Chorus)
Part II: Lass ihn kreuzigen! (Chorus)
Part II: Chorale: Wie wunderbarlich ist doch diese Strafe (Chorus)
Part II: Recitative: Der Landpfleger sagte (Evangelist, Pilatus)
Part II: Recitative: Er hat uns allen wohlgetan (Soprano)
Part II: Aria: Aus Liebe will mein Heiland sterben (Soprano)
Part II: Recitative: Sie schrieen aber noch mehr (Evangelist)
Part II: Lass ihn kreuzigen! (Chorus)
Part II: Recitative: Da aber Pilatus sahe, dass er nichts schaffete (Evangelist, Pilatus)
Part II: Sein Blut komme uber uns und unstre Kinder (Chorus)
Part II: Recitative: Da gab er ihnen Barrabam los (Evangelist)
Part II: Recitative: Erbarm es Gott (Alto)
Part II: Aria: Konnen Tranen meiner Wangen (Alto)
Part II: Recitative: Da nahmen die Kriegsknechte (Evangelist)
Part II: Gegrusset seist du, Judenkonig! (Chorus)
Part II: Recitative: Und speieten ihn an und nahmen das Rohr und schlugen (Evangelist)
Part II: Chorale: O Haupt voll Blut und Wunden (Chorus)
Part II: Recitative: Und da sie ihn verspottet hatten (Evangelist)
Part II: Recitative: Ja! freilich will in uns das Fleisch und Blut (Bass)
Part II: Aria: Komm, susses Kreuz (Bass)
Part II: Recitative: Und da sie an die Statte kamen (Evangelist)
Part II: Der du den Tempel Gottes zerbrichst und bauest ihn in dreien Tagen (Chorus)
Part II: Recitative: Desgleichen auch die Hohenpriester spotteten sein samt (Evangelist)
Part II: Andern hat er geholfen und kann sich selber nicht helfen (Chorus)
Part II: Recitative: Desgleichen schmaheten ihn auch die Morder (Evangelist)
Part II: Recitative: Ach Golgatha, unsel'ges Golgatha (Alto)
Part II: Aria and Chorus: Sehet, Jesus hat die Hand (Alto, Chorus)
Part II: Recitative: Und von der sechsten Stunde (Evangelist, Jesus)
Part II: Der rufet den Elias (Chorus)
Part II: Recitative: Und bald lief einer unter ihnen, nahm einen Schwamm (Evangelist)
Part II: Halt! lass sehen, ob Elias komme und ihm helfe? (Chorus)
Part II: Recitative: Aber Jesus schriee abermal laut und verschied (Evangelist)
Part II: Chorale: Wenn ich einmal soll scheiden (Chorus)
Part II: Recitative: Und siehe da, der Vorhang im Tempel zerriss (Evangelist)
Part II: Wahrlich, dieser ist Gottes Sohn gewesen (Chorus)
Part II: Recitative: Und es waren viel Weiber (Evangelist)
Part II: Recitative: Am Abend, da es kuhle war (Bass)
Part II: Aria: Mache dich, mein Herze, rein (Bass)
Part II: Recitative: Und Joseph nahm den Leib (Evangelist)
Part II: Herr, wir haben gedacht, dass dieser Verfuhrere sprach (Chorus)
Part II: Recitative: Pilatus sprach zu ihnen (Evangelist, Pilatus)
Part II: Recitative: Nun ist der Herr zur Ruh gebracht (All)
Part II: Chorale: Wir setzen uns mit Tranen nieder (Chorus)
Ouvertura
Atto Primo: La mia Dorabella capace non è (No. 1, Terzetto: Ferrando, Don Alfonso, Guglielmo)
Atto Primo: Fuor la spada (Recitativo: Guglielmo, Don Alfonso, Ferrando)
Atto Primo: È la fede delle femmine (No. 2, Terzetto: Ferrando, Don Alfonso, Guglielmo)
Atto Primo: Scioccherie di poeti! (Recitativo: Ferrando, Guglielmo, Don Alfonso)
Atto Primo: Una bella serenata (No. 3, Terzetto: Ferrando, Don Alfonso, Guglielmo)
Atto Primo: Ah guarda, sorella (No. 4, Duetto: Fiordiligi, Dorabella)
Atto Primo: Mi par che stamattina (Recitativo: Fiordiligi, Dorabella, Don Alfonso)
Atto Primo: Vorrei dir, e cor non ho (No. 5, Aria: Don Alfonso)
Atto Primo: Stelle! Per carità, signor Alfonso (Recitativo: Fiordiligi, Don Alfonso, Dorabella)
Atto Primo: Sento oddio, che questo piede (No. 6, Quintetto: Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso)
Atto Primo: Non piangere, idol mio (Recitativo: Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)
Atto Primo: Al fato dàn legge (No. 7, Duettino: Ferrando, Guglielmo)
Atto Primo: La commedia è graziosa (Recitativo: Don Alfonso, Ferrando, Fiordiligi, Dorabella)
Atto Primo: Bella vita militar! (No. 8, Coro)
Atto Primo: Non v'è più tempo, amici (Recitativo: Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo)
Atto Primo: Di scrivermi ogni giorno (Recitativo: Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso)
Atto Primo: Bella vita militar! (No. 9, Coro)
Atto Primo: Dove son? Son partiti (Recitativo: Dorabella, Don Alfonso, Fiordiligi)
Atto Primo: Soave sia il vento (No. 10, Terzettino: Fiordiligi, Dorabella, Don Alfonso)
Atto Primo: Non son cattivo comico! - Nel mare solca (Recitativo: Don Alfonso)
Atto Primo: Che vita maledetta ... Madame, ecco la vostra colazione (Recitativo: Despina, Fiordiligi, Dorabella)
Atto Primo: Ah scostati (Recitativo: Dorabella)
Atto Primo: Smanie implacabili che m'agitate (No. 11, Aria: Dorabella)
Atto Primo: Signora Dorabella, signora Fiordiligi (Recitativo: Despina, Dorabella, Fiordiligi)
Atto Primo: In uomini! In soldati (No. 12, Aria: Despina)
Atto Primo: Che silenzio! Che aspetto di tristezza (Recitativo: Don Alfonso, Despina)
Atto Primo: Alla bella Despinetta (No. 13, Sestetto: Fiordiligi, Dorabella, Despina, Ferrando, Don Alfonso, Guglielmo)
Atto Primo: Che sussurro! Che strepito (Recitativo: Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina)
Atto Primo: Come scoglio immoto resta (No. 14, Aria: Fiordiligi)
Atto Primo: Ah non partite! (Recitativo: Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi)
Atto Primo: Non siate ritrosi (No. 15, Aria: Guglielmo)
Atto Primo: E voi ridete? (No. 16, Terzetto: Ferrando, Guglielmo, Don Alfonso)
Atto Primo: Si può sapere un poco (Recitativo: Don Alfonso, Guglielmo, Ferrando)
Atto Primo: Un'aura amorosa (No. 17, Aria: Ferrando)
Atto Primo: Oh la saria da ridere (Recitativo: Don Alfonso, Despina)
Atto Primo: Ah che tutta in un momento (No. 18, Finale: Fiordiligi, Dorabella)
Atto Primo: Si mora sì, si mora (Ferrando, Don Alfonso, Guglielmo, Fiordiligi, Dorabella)
Atto Primo: Giacché a morir vicini (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo)
Atto Primo: Eccovi il medico (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
Atto Primo: Dove son! Che loco è questo! (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
Atto Primo: Dammi un bacio, o mio tesoro (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
Atto Secondo: Andate là, che siete (Recitativo: Despina, Fiordiligi, Dorabella)
Atto Secondo: Una donna a quindici anni (No. 19, Aria: Despina)
Atto Secondo: Sorella, cosa dici? (Recitativo: Fiordiligi, Dorabella)
Atto Secondo: Prenderò quel brunettino (No. 20, Duetto: Fiordiligi, Dorabella)
Atto Secondo: Ah correte al giardino (Recitativo: Don Alfonso, Dorabella)
Atto Secondo: Secondate, aurette amiche (No. 21, Duetto con Coro: Ferrando, Guglielmo)
Atto Secondo: II tutto deponete (Recitativo: Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo)
Atto Secondo: La mano a me date (No. 22: Despina, Ferrando, Guglielmo, Don Alfonso)
Atto Secondo: Oh che bella giornata! (Recitativo: Fiordiligi, Ferrando, Dorabella, Guglielmo)
Atto Secondo: Il core vi dono (No. 23, Duetto: Dorabella, Guglielmo)
Atto Secondo: Barbara! Perché fuggi? (Recitativo: Ferrando, Fiordiligi)
Atto Secondo: Ei parte... senti...! Ah no... partir si lasci (Recitativo: Fiordiligi)
Atto Secondo: Per pietà, ben mio, perdona (No. 25, Rondò: Fiordiligi)
Atto Secondo: Amico, abbiamo vinto! (Recitativo: Ferrando, Guglielmo)
Atto Secondo: Donne mie, la fate a tanti (No. 26, Aria: Guglielmo)
Atto Secondo: In qual fiero contrasto (Recitativo: Ferrando)
Atto Secondo: Tradito, schernito (No. 27, Cavatina: Ferrando)
Atto Secondo: Bravo: questa è costanza (Recitativo: Don Alfonso, Ferrando, Guglielmo)
Atto Secondo: Ora vedo che siete (Recitativo: Despina, Dorabella, Fiordiligi)
Atto Secondo: È amore un ladroncello (No. 28, Aria: Dorabella)
Atto Secondo: Come tutto congiura (Recitativo: Fiordiligi, Guglielmo, Despina, Don Alfonso)
Atto Secondo: Fra gli amplessi in pochi istanti (No. 29, Duetto: Fiordiligi, Ferrando)
Atto Secondo: Ah poveretto me! Cosa ho veduto! (Recitativo: Guglielmo, Don Alfonso, Ferrando)
Atto Secondo: Tutti accusan le donne (No. 30: Don Alfonso, Ferrando, Guglielmo)
Atto Secondo: Vittoria, padroncini! (Recitativo: Despina, Ferrando, Don Alfonso, Guglielmo)
Atto Secondo: Fate presto, o cari amici (No. 31, Finale: Despina, Coro, Don Alfonso)
Atto Secondo: Benedetti i doppi coniugi (Coro, Fiordiligi, Dorabella, Ferrando, Guglielmo)
Atto Secondo: E nel tuo, nel mio bicchiero (Fiordiligi, Ferrando, Dorabella, Guglielmo)
Atto Secondo: Miei signori, tutto è fatto (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina)
Atto Secondo: Bella vita militar! (Coro, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo, Don Alfonso)
Atto Secondo: Misericordia! Numi del cielo! (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina)
Atto Secondo: Sani e salvi agli amplessi (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina)
Atto Secondo: Giusto ciel! Voi qui scriveste (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina)
Atto Secondo: Fortunato l'uom che prende (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina)
German Requiem, Op. 45: Selig sind, die da Leid tragen
German Requiem, Op. 45: Denn alles Fleisch es ist wie Gras
German Requiem, Op. 45: Herr, lehre doch mich
German Requiem, Op. 45: Wie lieblich sind deine Wohnungen
German Requiem, Op. 45: Ihr habt nun Traurigkeit
German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt
German Requiem, Op. 45: Selig sind die Toten
Orfeo: Toccata
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Dal Moi Permesso' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Io la Musica son' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Io su cetera' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Quinci a dir d'Orfeo' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Hor mentre i canti alterno' (La Musica)
Orfeo, Atto Primo: 'In questi lieto fortunato giorno' (Pastore)
Orfeo, Atto Primo: 'Vieni Imeneo, deh vieni' (Choro)
Orfeo, Atto Primo: 'Muse honor di Parnasso (Ninfa
Orfeo, Atto Primo: 'Lasciate i monte, lasciate i fonte' (Choro)
Orfeo, Atto Primo: 'Ma tu gentil cantor' (Pastore)
Orfeo, Atto Primo: 'Rosa del ciel, vita del mondo' Orfeo
Orfeo, Atto Primo: 'Io non diro qual sia' (Euridice)
Orfeo, Atto Primo: 'Lasciate i monte, lasciate i fonte' (Choro)
Orfeo, Atto Primo: 'Vieni Imeneo, deh vieni' (Choro)
Orfeo, Atto Primo: 'Ma s'il nostro gioir dal ciel deriva' (Pastore)/Ritornello
Orfeo, Atto Primo: 'Alcun non sia che disperato in preda'/Ritornello
Orfeo, Atto Primo: 'Che poi che nembro rio gravido il seno'/Ritornello
Orfeo, Atto Primo: 'E dopo l'aspro gel del verno ignudo'
Orfeo, Atto Primo: 'Ecco Orfeo cui pur dianzi'
Orfeo, Atto Secondo: Sinfonia/'..Ecco pur ch'a voi ritorno' (Orfeo)
Orfeo, Atto Secondo: Ritornello/'..Mira ch'a se n'alletta' (Pastore)
Orfeo, Atto Secondo: Ritornello/'In questo prato adorno' (Due Pastori)
Orfeo, Atto Secondo: Ritornello/'Qui le Nappe e vezzose' (Due Patori)
Orfeo, Atto Secondo: Ritornello/'Vi ricorda o boschi ombrosi' (Orfeo)
Orfeo, Atto Secondo: 'Mira deh mira Orfeo' (Pastore)
Orfeo, Atto Secondo: 'In un fiorito prato' (Messagiera)
Orfeo, Atto Secondo: 'Tu se' morta' (Orfeo)
Orfeo, Atto Secondo: 'Ahi caso acerbo' (Choro)
Orfeo, Atto Secondo: 'Ma io ch'in questa lingua' (Messagiera)
Orfeo, Atto Secondo: Sinfonia/'Chi be consoal ahi lassi?' (Due Pastori)
Orfeo, Atto Secondo: Ritornello
Orfeo, Atto Terzo: Sinfonia
Orfeo, Atto Terzo: 'Scorto da te mio Nume' (Orfeo)
Orfeo, Atto Terzo: 'Ecco l'altra palude, ecco il nocchiero' (Speranza/Orfeo)
Orfeo, Atto Terzo: 'O tu ch'innanzi mort'a questi rive' (Caronte)
Orfeo, Atto Terzo: Sinfonia
Orfeo, Atto Terzo: 'Possente Spirito e formidabil Nume' (Orfeo)
Orfeo, Atto Terzo: Ritornello (Violino I e II)
Orfeo, Atto Terzo: 'Non viv'io no, che poi di vita è priva' (Orfeo)
Orfeo, Atto Terzo: Ritornello (Cornetto I e II)
Orfeo, Atto Terzo: 'A lei volt'ho il camin per l'aer cieco' (Orfeo)
Orfeo, Atto Terzo: Ritornello (Arpa)
Orfeo, Atto Terzo: 'Orfeo son io che d'Euridice i passi' (Orfeo)
Orfeo, Atto Terzo: 'Sol Tu nobile Deo puoi darmi aita' (Orfeo)
Orfeo, Atto Terzo: 'Ben mi lusinga alquanto' (Caronte/Orfeo)
Orfeo, Atto Terzo: 'Ahi sventurato a mante, Sperar dunque non lice' (Orfeo)
Orfeo, Atto Terzo: Sinfonia
Orfeo, Atto Terzo: 'Ei dorme e la mia cetra Se pietà non impetra' (Orfeo)
Orfeo, Atto Terzo: Sinfonia a 7 /'Nulla impressa per huom si tenta invano' (Choro)/Sinfonia a 7
Orfeo, Atto Quarto: 'Signor quel infelice' (Proserpina)
Orfeo, Atto Quarto: 'Benchè severo e immutabil fato' (Plutone)
Orfeo, Atto Quarto: 'O degli habitato de l'ombre eterne' (Uno spirito del coro/Un altro spirito del coro)
Orfeo, Atto Quarto: 'Quali grazie tirendo' (Proserpina/Plutone)
Orfeo, Atto Quarto: 'Tue soavi parole d'Amor l'antica piaga...' (Plutone)
Orfeo, Atto Quarto: 'Pietade oggi et Amore Trionfan' (Coro di spiriti a Cinque/Spirito del coro)
Orfeo, Atto Quarto: 'Qual honor di te fia degno' (Orfeo)
Orfeo, Atto Quarto: 'Ma mentre io canto (oimè)' (Orfeo)
Orfeo, Atto Quarto: 'O dolcissimi lumi io pur vi veggio' (Orfeo/ Un spirito)
Orfeo, Atto Quarto: 'Ahi vista troppo dolce e troppo amara' (Euridice/Un spirito del coro)
Orfeo, Atto Quarto: 'Dove te'n vai mia vita' (Orfeo)
Orfeo, Atto Quarto: Sinfonia a 7/'E la virtute un raggio' (Choro di Spiriti)/Sinfonia a 7
Orfeo, Atto Quinto: Ritornello
Orfeo, Atto Quinto: 'Questi i campi di Tracia' (Orfeo)
Orfeo, Atto Quinto: 'Ma tu anima mia se mai ritorna' (Orfeo)
Orfeo, Atto Quinto: Tu bella fusti e saggia' (Orfeo)
Orfeo, Atto Quinto: 'Hor l'altra Donne son superbe e perfide' (Orfeo)
Orfeo, Atto Quinto: Sinfonia
Orfeo, Atto Quinto: 'Perch'a lo sdegno e al dolor in preda' (Apollo)
Orfeo, Atto Quinto: 'Padre cortese al maggior uopo arrivi' (Orfeo)
Orfeo, Atto Quinto: 'Troppo gioisti di tua lieta ventura' (Apollo)
Orfeo, Atto Quinto: 'Si non vedro piu mai...' (Orfeo/Apollo)
Orfeo, Atto Quinto: 'Saliam d'al Cielo' (Orfeo/Apollo)
Orfeo, Atto Quinto: Ritornello/'Vanne Orfeo felice a pieno' (Choro)
Orfeo, Atto Quinto: Moresca
Eternal Light: A Requiem (2008): Kyrie: Close now thine eyes
Eternal Light: A Requiem (2008): Revelation: Factum est silentium
Eternal Light: A Requiem (2008): Belief
Eternal Light: A Requiem (2008): Hymn: Lead, kindly light
Eternal Light: A Requiem (2008): Lacrymosa: Do not stand at my grave and weep
Eternal Light: A Requiem (2008): Dies Irae: In Flanders fields
Eternal Light: A Requiem (2008): Recordare: Drop, drop slow tears
Eternal Light: A Requiem (2008): Revelation: Tum angelus tertius clanxit
Eternal Light: A Requiem (2008): Agnus Dei
Eternal Light: A Requiem (2008): In Paradisum: Lux aeterna
Fortuna Imperatrix Mundi: O Fortuna
Fortuna Imperatrix Mundi: Fortune plango vulnera
I. Primo vere: Veris leta facies
I. Primo vere: Omnia sol temperat
I. Primo vere: Ecce gratum
Uf dem anger: Tanz
Uf dem anger: Floret Silva
Uf dem anger: Chramer, gip die varwe mir
Uf dem anger: Reie
Uf dem anger: Were diu werlt alle min
II. In taberna: Estuans interius
II. In taberna: Olim lacus colueram
II. In taberna: Ego sum abbas
II. In taberna: In taberna quando sumus
III. Cour d'amours: Amor volat undique
III. Cour d'amours: Dies, nox et omnia
III. Cour d'amours: Stetit puella
III. Cour d'amours: Circa mea pectora
III. Cour d'amours: Si puer cum puellula
III. Cour d'amours: Veni, veni, venias
III. Cour d'amours: In trutina
III. Cour d'amours: Tempus est iocundum
III. Cour d'amours: Dulcissime
Blanziflor et Helena: Ave formosissima
Fortuna Imperatrix Mundi: O Fortuna
Beethoven: 25 Scottish Songs, Op.108 - No.9 Behold my Love how green the groves (R. Burns)
Beethoven: 25 Scottish Songs, Op.108 - No.10 Sympathy (W. Smith)
Beethoven: 25 Scottish Songs, Op.108 - No.11 Oh! thou art the lad of my heart (W. Smith)
Beethoven: 25 Scottish Songs, Op.108 - No.12 Oh! had my fate been join'd with thine (Lord Byron)
Beethoven: 25 Scottish Songs, Op.108 - No.13 Come fill, fill, my good fellow (W. Smyth)
Beethoven: 25 Scottish Songs, Op.108 - No.14 O, how can I be blithe and glad (R. Burns)
Beethoven: 25 Scottish Songs, Op.108 - No.15 O cruel was my father (A. Ballantyne)
Beethoven: 25 Scottish Songs, Op.108 - No.16 Could this ill world have been contriv'd (J. Hogg)
Beethoven: 25 Scottish Songs, Op.108 - No.1 Music, Love and Wine (W. Smyth)
Beethoven: 25 Scottish Songs, Op.108 - No.2 Sunset (Walter Scott)
Beethoven: 25 Scottish Songs, Op.108 - No.3 Oh! Sweet were the hours (W. Smyth)
Beethoven: 25 Scottish Songs, Op.108 - No.4 The Maid of Isla (Walter Scott)
Beethoven: 25 Scottish Songs, Op.108 - No.5 The sweetest lad was Jamie (W. Smyth)
Beethoven: 25 Scottish Songs, Op.108 - No.6 Dim, dim is my eye (W. Smyth?)
Beethoven: 25 Scottish Songs, Op.108 - No.7 Bonney laddie, highland laddie (J. Hogg)
Beethoven: 25 Scottish Songs, Op.108 - No.8 The lovely lass of Inverness (R. Burns)
Beethoven: 25 Scottish Songs, Op.108 - No.17 O Mary, at thy window be (R. Burns)
Beethoven: 25 Scottish Songs, Op.108 - No.18 Enchantress, fare well (Walter Scott)
Beethoven: 25 Scottish Songs, Op.108 - No.19 O swiftly glides the bonny boat (J. Baillie)
Beethoven: 25 Scottish Songs, Op.108 - No.20 Faithfu' Johnie
Beethoven: 25 Scottish Songs, Op.108 - No.21 Jeanie's Distress (W. Smyth)
Beethoven: 25 Scottish Songs, Op.108 - No.22 The Highland Watch (J. Hogg)
Beethoven: 25 Scottish Songs, Op.108 - No.23 The Shepherd's Song (J. Baillie)
Beethoven: 25 Scottish Songs, Op.108 - No.24 Again, my Lyre (W. Smyth)
Beethoven: 25 Scottish Songs, Op.108 - No.25 Sally in our Alley
Beethoven: 25 Irish Songs, WoO 152 - No.1 The Return to Ulster (Walter Scott)
Beethoven: 25 Irish Songs, WoO 152 - No.7 His boat comes on the sunny tide (J. Baillie)
Beethoven: 25 Irish Songs, WoO 152 - No.4 The morning air plays on my face (J. Baillie)
Beethoven: 25 Irish Songs, WoO 152 - No.2 Sweet power of song (J. Baillie)
Beethoven: 25 Irish Songs, WoO 152 - No.5 On the Massacre of Glencoe (Walter Scott)
Beethoven: 25 Irish Songs, WoO 152 - No.10 The Deserter (J.P. Curran)
Beethoven: 25 Irish Songs, WoO 152 - No.12 English Bulls
Beethoven: 25 Irish Songs, WoO 152 - No.6 What shall I do to shew how much I love her
Beethoven: 25 Irish Songs, WoO 152 - No.21 Morning a cruel Turmoiler is (A. Boswell)
Beethoven: 25 Irish Songs, WoO 152 - No.3 Once more I hail thee (R. Burns)
Beethoven: 25 Irish Songs, WoO 152 - No.8 Come draw we round a cheerful ring (J. Baillie)
Beethoven: 25 Irish Songs, WoO 152 - No.9 The Soldier's Dream (Th. Campbell)
Beethoven: 25 Irish Songs, WoO 152 - No.18 They bid me slight my Dermot dear (W. Smyth)
Beethoven: 25 Irish Songs, WoO 152 - No.13 Musing on the roaring ocean (R. Burns)
Beethoven: 25 Irish Songs, WoO 152 - No.14 Dermot and Shelah (T. Toms)
Beethoven: 25 Irish Songs, WoO 152 - No.25 Oh harp of Erin (D. Thomson)
Beethoven: 25 Irish Songs, WoO 152 - No.22 From Garyone, my happy home (T. Toms)
Beethoven: 25 Irish Songs, WoO 152 - No.11 Thou emblem of faith (J.P. Curran)
Beethoven: 25 Irish Songs, WoO 152 - No.15 Let brainspinning swains (A. Boswell)
Beethoven: 25 Irish Songs, WoO 152 - No.16 Hide not thy anguish (W. Smyth)
Beethoven: 25 Irish Songs, WoO 152 - No.19 Wife, Children and Friends (W.R. Spencer)
Beethoven: 25 Irish Songs, WoO 152 - No.17 In vain to this desert (Mrs. Grant/R. Burns)
Beethoven: 25 Irish Songs, WoO 152 - No.23 The wand'ring gypsy (Dr. Wolcot)
Beethoven: 25 Irish Songs, WoO 152 - No.20 Farewell bliss and farewell Nancy (Mrs. Grant)
Beethoven: 25 Irish Songs, WoO 152 - No.24 The Traugh welcome
Beethoven: 20 Irish Songs, WoO 153 - No.6 Sad and luckless was the season (W. Smyth)
Beethoven: 20 Irish Songs, WoO 153 - No.3 The British light dragoons (Walter Scott)
Beethoven: 20 Irish Songs, WoO 153 - No.1 When eve's last rays in twilight die (D. Thomson)
Beethoven: 20 Irish Songs, WoO 153 - No.4 Since greybeards inform us that youth will decay (T. Toms)
Beethoven: 20 Irish Songs, WoO 153 - No.2 No riches from his scanty store (H.M. Williams)
Beethoven: 20 Irish Songs, WoO 153 - No.5 I dream'd I lay where flow'rs were springing (R. Burns)
Beethoven: 20 Irish Songs, WoO 153 - No.9 The kiss, dear Maid, thy lip has left (Lord Byron)
Beethoven: 20 Irish Songs, WoO 153 - No.7 O soothe me, my lyre (W. Smyth)
Beethoven: 20 Irish Songs, WoO 153 - No.15 'Tis but in vain, for nothing thrives (W. Smyth)
Beethoven: 20 Irish Songs, WoO 153 - No.11 When far from the Home (D. Thomson)
Beethoven: 20 Irish Songs, WoO 153 - No.13 'Tis Sunshine at last (W. Smyth)
Beethoven: 20 Irish Songs, WoO 153 - No.8 Norah of Balamagairy (A. Boswell)
Beethoven: 20 Irish Songs, WoO 153 - No.19 Judy, lovely, matchless creature (A. Boswell)
Beethoven: 20 Irish Songs, WoO 153 - No.12 I'll praise the Saints with early song (W. Smyth)
Beethoven: 20 Irish Songs, WoO 153 - No.18 No more, my Mary, I sigh for splendour (W. Smyth)
Beethoven: 20 Irish Songs, WoO 153 - No.20 Thy ship must sail, my Henry dear (W. Smyth)
Beethoven: 20 Irish Songs, WoO 153 - No.14 Paddy O'Rafferty (A. Boswell)
Beethoven: 20 Irish Songs, WoO 153 - No.16 O might I but my Patrick love (W. Smyth)
Beethoven: 20 Irish Songs, WoO 153 - No.10 Oh! thou hapless soldier (W. Smyth)
Beethoven: 20 Irish Songs, WoO 153 - No.17 Come, Darby dear (W. Smyth)
Beethoven: 26 Welsh Songs, WoO 155 - No.1 Sion, the son of Evan (Mrs. Grant)
Beethoven: 26 Welsh Songs, WoO 155 - No.4 Love without hope (J. Richardson)
Beethoven: 26 Welsh Songs, WoO 155 - No.17 The Dairy House (Mrs. Hunter)
Beethoven: 26 Welsh Songs, WoO 155 - No.15 When mortals all to rest retire (W. Smyth)
Beethoven: 26 Welsh Songs, WoO 155 - No.3 The Cottage Maid (W. Smyth)
Beethoven: 26 Welsh Songs, WoO 155 - No.14 The Dream (David ap Gwillim)
Beethoven: 26 Welsh Songs, WoO 155 - No.7 Oh let the night my blushes hide (W. Smyth)
Beethoven: 26 Welsh Songs, WoO 155 - No.19 The vale of Clwyd (Mrs. Opie)
Beethoven: 26 Welsh Songs, WoO 155 - No.11 Merch Megan (Mrs. Hunter)
Beethoven: 26 Welsh Songs, WoO 155 - No.2 The monks of Bangor's march (Walter Scott)
Beethoven: 26 Welsh Songs, WoO 155 - No.10 Ned Pugh's Farewell (Mrs. Hunter)
Beethoven: 26 Welsh Songs, WoO 155 - No.13 Helpless Woman (R. Burns)
Beethoven: 26 Welsh Songs, WoO 155 - No.20 To the blackbird (David ap Gwillim)
Beethoven: 26 Welsh Songs, WoO 155 - No.16 The Damsels of Cardigan (W. Jones)
Beethoven: 26 Welsh Songs, WoO 155 - No.9 To the Aeolian harp (Mrs. Hunter)
Beethoven: 26 Welsh Songs, WoO 155 - No.12 Waken Lords and Ladies gay (Walter Scott)
Beethoven: 26 Welsh Songs, WoO 155 - No.22 Constancy (R. Burns)
Beethoven: 26 Welsh Songs, WoO 155 - No.5 The golden robe (Mrs. Hunter)
Beethoven: 26 Welsh Songs, WoO 155 - No.6 The fair maid of Mona (W. Smyth)
Beethoven: 26 Welsh Songs, WoO 155 - No.8 Farewell, farewell thou noisy town (W. Smyth)
Beethoven: 26 Welsh Songs, WoO 155 - No.18 Sweet Richard (Mrs. Opie)
Beethoven: 26 Welsh Songs, WoO 155 - No.21 Cupid's Kindness (W. Smyth)
Beethoven: 26 Welsh Songs, WoO 155 - No.23 The old strain (W. Smyth)
Beethoven: 26 Welsh Songs, WoO 155 - No.24 Three hundred pounds (R. Litwyl)
Beethoven: 26 Welsh Songs, WoO 155 - No.25 The parting kiss (W. Smyth)
Beethoven: 26 Welsh Songs, WoO 155 - No.26 Good Night (W.R. Spencer)
Beethoven: 23 Songs of various Nationalities, WoO 158a - 6. A Madel, ja a Madel
Beethoven: 23 Songs of various Nationalities, WoO 158a - 21. Tiranilla Española
Beethoven: 23 Songs of various Nationalities, WoO 158a - 7. Wer solche Buema afipackt
Beethoven: 23 Songs of various Nationalities, WoO 158a - 2. Horch auf, mein Liebchen (Wenzel Müller)
Beethoven: 23 Songs of various Nationalities, WoO 158a - 10. Poszla baba po popiól
Beethoven: 23 Songs of various Nationalities, WoO 158a - 16. Schöne Minka, ich muß scheiden
Beethoven: 23 Songs of various Nationalities, WoO 158a - 18. An ä Bergli bin i gesässe
Beethoven: 23 Songs of various Nationalities, WoO 158a - 15. Kak posli nasi podruzki
Beethoven: 23 Songs of various Nationalities, WoO 158a - 5. Teppichkrämer-Lied
Beethoven: 23 Songs of various Nationalities, WoO 158a - 14. Akh, recen'ki, recen'ki
Beethoven: 23 Songs of various Nationalities, WoO 158a - 3. Wegen meiner bleib d'Fräula (Wenzel Müller)
Beethoven: 23 Songs of various Nationalities, WoO 158a - 13. Vo lesocke komarockov mnogo urodilos'
Beethoven: 23 Songs of various Nationalities, WoO 158a - 23. Da brava, Catina (Canzonetta veneziana)
Beethoven: 23 Songs of various Nationalities, WoO 158a - 1. Ridder Stigs Runer
Beethoven: 23 Songs of various Nationalities, WoO 158a - 11. Yo no quiero embarcarme
Beethoven: 23 Songs of various Nationalities, WoO 158a - 17. Lilla Carl (Vaggvisa) (Carl Michael Bellman)
Beethoven: 23 Songs of various Nationalities, WoO 158a - 20. Como la mariposa soy
Beethoven: 23 Songs of various Nationalities, WoO 158a - 9. Oj, oj upilem sie w karczmie
Beethoven: 23 Songs of various Nationalities, WoO 158a - 19. Una paloma blanca
Beethoven: 23 Songs of various Nationalities, WoO 158a - 22. Édes kinos emlékezet
Beethoven: 23 Songs of various Nationalities, WoO 158a - 4. Wann i in der Früh aufsteh
Beethoven: 23 Songs of various Nationalities, WoO 158a - 12. Seus lindos olhos
Beethoven: 23 Songs of various Nationalities, WoO 158a - 8. Ih mag di nit nehma
Orfeo: Toccata
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Dal Moi Permesso' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Io la Musica son' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Io su cetera' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Quinci a dir d'Orfeo' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Hor mentre i canti alterno' (La Musica)
Orfeo, Atto Primo: 'In questi lieto fortunato giorno' (Pastore)
Orfeo, Atto Primo: 'Vieni Imeneo, deh vieni' (Choro)
Orfeo, Atto Primo: 'Muse honor di Parnasso (Ninfa
Orfeo, Atto Primo: 'Lasciate i monte, lasciate i fonte' (Choro)
Orfeo, Atto Primo: 'Ma tu gentil cantor' (Pastore)
Orfeo, Atto Primo: 'Rosa del ciel, vita del mondo' Orfeo
Orfeo, Atto Primo: 'Io non diro qual sia' (Euridice)
Orfeo, Atto Primo: 'Lasciate i monte, lasciate i fonte' (Choro)
Orfeo, Atto Primo: 'Vieni Imeneo, deh vieni' (Choro)
Orfeo, Atto Primo: 'Ma s'il nostro gioir dal ciel deriva' (Pastore)/Ritornello
Orfeo, Atto Primo: 'Alcun non sia che disperato in preda'/Ritornello
Orfeo, Atto Primo: 'Che poi che nembro rio gravido il seno'/Ritornello
Orfeo, Atto Primo: 'E dopo l'aspro gel del verno ignudo'
Orfeo, Atto Primo: 'Ecco Orfeo cui pur dianzi'
Orfeo, Atto Secondo: Sinfonia/'..Ecco pur ch'a voi ritorno' (Orfeo)
Orfeo, Atto Secondo: Ritornello/'..Mira ch'a se n'alletta' (Pastore)
Orfeo, Atto Secondo: Ritornello/'In questo prato adorno' (Due Pastori)
Orfeo, Atto Secondo: Ritornello/'Qui le Nappe e vezzose' (Due Patori)
Orfeo, Atto Secondo: Ritornello/'Vi ricorda o boschi ombrosi' (Orfeo)
Orfeo, Atto Secondo: 'Mira deh mira Orfeo' (Pastore)
Orfeo, Atto Secondo: 'In un fiorito prato' (Messagiera)
Orfeo, Atto Secondo: 'Tu se' morta' (Orfeo)
Orfeo, Atto Secondo: 'Ahi caso acerbo' (Choro)
Orfeo, Atto Secondo: 'Ma io ch'in questa lingua' (Messagiera)
Orfeo, Atto Secondo: Sinfonia/'Chi be consoal ahi lassi?' (Due Pastori)
Orfeo, Atto Secondo: Ritornello
Orfeo, Atto Quinto: 'Padre cortese al maggior uopo arrivi' (Orfeo)
Orfeo, Atto Quinto: 'Troppo gioisti di tua lieta ventura' (Apollo)
Orfeo, Atto Quinto: 'Si non vedro piu mai...' (Orfeo/Apollo)
Orfeo, Atto Quinto: 'Saliam d'al Cielo' (Orfeo/Apollo)
Orfeo, Atto Quinto: Ritornello/'Vanne Orfeo felice a pieno' (Choro)
Orfeo, Atto Quinto: Moresca
Ushas (Dawn)
Varuna I (Sky)
Maruts (Storm Clouds)
Indra (God of Storm and Battle)
Varuna II (The Waters)
Song of the Frogs
Vac (Speech)
Creation
Faith
Le songe d'Herode: No. 1
Le songe d'Herode: Scene I, No. 2: Marche nocturne
Le songe d'Herode: Scene II, No. 3
Le songe d'Herode: Air d'Herode
Le songe d'Herode: Scene III
Le songe d'Herode: Scene IV, No. 4
Le songe d'Herode: Scene V, No. 5: Duo
Le songe d'Herode: Scene VI, No. 6
La fuite en Egypte: No. 7
La fuite en Egypte: No. 8: L'adieu des bergers a la Saint Famille
La fuite en Egypte: No. 9: Le repos de la Sainte Famille
L'arrivee a Sais: No. 10
L'arrivee a Sais: Scene I, No. 11: Duo
L'arrivee a Sais: Scene II, No. 12
L'arrivee a Sais: No. 13: Trio
L'arrivee a Sais: No. 14
L'arrivee a Sais: No. 15
I. Song for all Seas, all Ships
II. On the Beach at Night, alone


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