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Tate: Tracing Mississippi, Iholba' / Outwater, Davis, Robertello, San Francisco So, Et Al


Release Date: 04/29/2008 
Label:  Azica   Catalog #: 71242   Spars Code: n/a 
Composer:  Jerod Tate
Performer:  Christine Bailey DavisThomas Robertello
Conductor:  Edwin Outwater
Orchestra/Ensemble:  San Francisco Symphony OrchestraSan Francisco Symphony Chorus
Number of Discs: 1 
Recorded in: Stereo 
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Notes and Editorial Reviews

Jerod Impichchaachaaha' Tate was born in 1968 in Norman, Oklahoma, and is a citizen of the Chickasaw Nation. Mr. Tate is dedicated to the development of American Indian classical composition, and a recent review by The Washington Post states that “Tate’s connection to nature and the human experience was quite apparent in this piece…rarer still is his ability to infuse classical music with American Indian nationalism.” This review was a response to a performance of Iholba’ (The Vision), for Solo Flute, Orchestra and Chorus, which was commissioned by the National Symphony Orchestra and premiered at the Kennedy Center for the Performing Arts.

In 2006, Mr. Tate was the recipient of the Joyce Award which supported the commission of
Read more Nitoshi’ Imali, Concerto for Guitar and Orchestra, which premiered in 2007 with soloist Jason Vieaux and the Civic Orchestra of Minneapolis, conducted by Cary John Franklin. His new work for orchestra and children’s chorus, commissioned by the American Composers Forum Continental Harmony Project, celebrates the opening of the new Chickasaw Cultural Center in Sulphur, Oklahoma. Mr. Tate received his BM in Piano Performance from Northwestern University where he studied with Dr. Donald J. Isaak. He then completed his MM in Piano Performance and Composition at the Cleveland Institute of Music where he studied with Elizabeth Pastor and Dr. Donald Erb. Shortly after beginning his piano studies at the Cleveland Institute of Music, Jerod’s first composition, Winter Moons ballet score, was commissioned by Dr. Patricia Tate and premiered at the University of Wyoming in 1992. Colorado Ballet subsequently performed it in 1994 and 1996.

Since then, Tate has received numerous commissions and his works have been performed by the National Symphony Orchestra, Minnesota Orchestra, the Buffalo Philharmonic Orchestra, the Colorado Ballet, The New Mexico Symphony, the Contemporary Music Forum, Dale Warland Singers, the New Jersey Chamber Music Society and the Oklahoma City University Wind Philharmonic, to name a few. Mr. Tate is Artistic Director for the Chickasaw Chamber Music Festival. He is Composer-in-Residence for the Chickasaw Summer Arts Academy and was Composerin- Residence for the Grand Canyon Music Festival’s Corn CribNative American Composer Apprentice Project in 2004 and 2005. In 2007, he was Composer-in-Residence for The Joyce Foundation/American Composers Forum, teaching composition to American Indian high school students in Minneapolis. Mr. Tate received the 2006 Alumni Achievement Award from the Cleveland Institute of Music and has also received awards from Meet the Composer and the Percussive Arts Society. He is happily married to Ursula Running Bear, an enrolled member of the Rosebud Sioux Tribe (Sicangu Lakota). Mr. Tate’s middle name, Impichchaachaaha’, means “high corncrib” and is his inherited traditional Chickasaw house name. A corncrib is a small hut used for the storage of corn and other vegetables. In traditional Chickasaw culture, the corncrib was built high off of the ground on stilts to keep its contents safe from foraging animals.
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Works on This Recording

1.
Concerto for Flute "Tracing Mississippi" by Jerod Tate
Performer:  Christine Bailey Davis (Flute)
Conductor:  Edwin Outwater
Orchestra/Ensemble:  San Francisco Symphony Orchestra
Written: by 2002; USA 
Length: 28 Minutes 23 Secs. 
2.
Iholba' by Jerod Tate
Performer:  Thomas Robertello (Flute)
Conductor:  Edwin Outwater
Orchestra/Ensemble:  San Francisco Symphony Chorus,  San Francisco Symphony Orchestra
Written: by 2005; USA 
Length: 25 Minutes 45 Secs. 

Customer Reviews

Average Customer Review:  1 Customer Review )
 Native Roots.  August 24, 2013 By Scott Lee (Jones, OK) See All My Reviews "Drums, flute, voice with just the right notes, timing, and dynamics. Provokes images of nature and spirit." Report Abuse
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