Chicago Symphony Orchestra

Composers

Biography

Active: 1891 - ; Chicago, IL
Through the leadership of some of the twentieth century's greatest conductors, the Chicago Symphony Orchestra has emerged as one of a handful of orchestras that can be safely regarded as the finest in the world. As Chicago, a major financial, manufacturing, shipping, and packing center on Lake Michigan, developed, so too did its musical life. In the early part of the nineteenth century the city was a major destination for touring ensembles; from Read more 1850 to 1858 the city boasted the first important orchestra of its own, the Chicago Philharmonic. In 1890, Ferdinand W. Peck and other music lovers incorporated the Chicago Orchestral Association and hired German-born Theodore Thomas to become its first conductor. The new ensemble gave its first concert at the Auditorium Theater on October 16, 1890.

The Chicago Orchestra, as it was then known, gained national and international attention when Chicago hosted the World's Columbian Exposition in 1893. During the months-long festivities, Antonín Dvorák conducted an all-Czech concert; Ignace Paderewski was a featured soloist with the orchestra; and Richard Strauss assumed the podium as one of the first of a string of distinguished guest conductors in the orchestra's history. The orchestra's permanent home, Orchestra Hall, was completed in 1904. After Theodore Thomas' death in the following year, the ensemble was renamed the Theodore Thomas Orchestra. In 1912 it assumed its present name, the Chicago Symphony Orchestra, and Frederick Stock, who had served in the orchestra's viola section, became music director. To date, his 35-year tenure with the orchestra is the longest in its history. Stock and the orchestra made further history with a recording of Mendelssohn's Wedding March, the first-ever recording made by a major orchestra under an American music director. In 1920 Stock founded the Civic Music Student Orchestra (now the Civic Orchestra of Chicago), the first American training ensemble affiliated with a permanent professional orchestra.

The year 1934, the hundredth anniversary of the incorporation of Chicago, saw another World's Fair in the city, the Century of Progress Exposition. In three months the orchestra played 125 concerts on the fairgrounds. In commemoration of the orchestra's own fiftieth anniversary in 1940, Stock commissioned a series of new works that included contributions from Darius Milhaud, John Alden Carpenter, Roy Harris, and Igor Stravinsky.

During the Depression, meanwhile, a long-standing outdoor summer music series at Ravinia Park had gone bankrupt. In 1936, the CSO played its first concert at Ravinia, reviving the series and creating one of America's great summer musical events. In 1941, Stock hired the CSO's first full-time female member, hornist Helen Kotas.

After Stock's death in 1943, the all-but-forgotten Desire Dufauw became music director until 1947, ushering in a decade of short, turbulent tenures. Artur Rodzinski led the orchestra from 1948 to 1950, Rafael Kubelik from 1950 to 1953. Kubelik initiated the orchestra's great series of Mercury "Living Presence" recordings. With the arrival of the uncompromising Fritz Reiner in 1953, the orchestra entered a period during which it achieved unprecedented excellence. Reiner's recordings with the CSO on the RCA Victor label were a triumph of early stereo technology, and those of Strauss and Bartók (including Music for Strings, Percussion and Celesta, the first CSO recording to win a Grammy) remain, in the estimation of many, unsurpassed. Under Reiner, the orchestra engaged the outstanding Indiana-born choral conductor Margaret Hillis to build a permanent Chicago Symphony Chorus, which quicky evolved into a world-class ensemble in its own right.

Reiner's decade at the helm was followed by another troubled and relatively brief directorship, that of conductor Jean Martinon (1963-1968). His "French" sound and repertory displeased critics and traditionalists.

Georg Solti's arrival as music director in 1969 marked the beginning of another great era in the orchestra's history. Solti took the CSO on its first overseas tour in 1971; both he and the orchestra garnered lavish (and sometimes astonished) praise during their month-long visit to Europe. In a gesture rarely afforded even the greatest musicians, Chicago gave the members of the orchestra a ticker-tape parade upon their return. In 1989, Solti stepped down as music director and was replaced by Daniel Barenboim. Under Barenboim and highly regarded guest conductors like Pierre Boulez, the orchestra has enjoyed a continued worldwide reputation, evidenced by its multiple Grammy Awards and other honors in the 1990s. In total, the CSO has appeared on over 900 recordings and collected dozens of Grammy awards -- more, in fact, than any other individual or ensemble. Read less
Mahler: Symphony No 5 / Barenboim, Chicago Symphony Orchestra
Release Date: 08/01/2000   Label: Arthaus Musik  
Catalog: 100033   Number of Discs: 1
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Composers

Biography

Active: 1891 - ; Chicago, IL
Through the leadership of some of the twentieth century's greatest conductors, the Chicago Symphony Orchestra has emerged as one of a handful of orchestras that can be safely regarded as the finest in the world. As Chicago, a major financial, manufacturing, shipping, and packing center on Lake Michigan, developed, so too did its musical life. In the early part of the nineteenth century the city was a major destination for touring ensembles; from Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
1. The Adoration Of Veless And Ala
2. The Enemy God And The Dance Of The Spirits Of Darkness
3. Night
4. The Glorious Departure Of Lolly And The Sun's Procession
Montagues and Capulets
Juliet the Young Girl
Madrigal
Minuet
Masks
Romeo and Juliet
Death of Tybalt
Friar Laurence
Romeo and Juliet Before Parting
Romeo at Juliet's Tomb
1. Langsam. Schleppend
2. Kräftig bewegt
3. Feierlich und gemessen, ohne zu schleppen
4. Stürmisch bewegt
1. Andante comodo
2. Im Tempo eines gemächlichen Ländler. Etwas täppisch und sehr derb - Poco piů mosso subito - Ländler, ganz langsam
3. Rondo. Burleske (Allegro assai. Sehr trotzig - Presto)
4. Adagio (Sehr langsam)
Beethoven: Concerto No. 3 for Piano and Orchestra, Op. 37 in C Minor: I. Allegro con brio
II. Largo
III. Rondo. Allegro
Act I: Una vela! (Chorus, Montano, Cassio, Iago, Roderigo)
Act I: Esultate! (Otello, Chorus)
Act I: Roderigo, ebben che pensi? (Iago, Roderigo)
Act I: Fuoco di gioia! (Chorus, Iago, Cassio, Roderigo)
Act I: Inaffia l'ugola! (Iago, Cassio, Roderigo, Chorus)
Act I: Capitano, v'attende (Montano, Cassio, Iago, Roderigo, Chorus)
Act I: Abbasso le spade! (Otello, Iago, Cassio, Montano)
Act I: Gia nella notte (Otello, Desdemona)
Act II: Non ti crucciar (Iago, Cassio)
Act II: Credo in un Dio crudel, "Iago's Credo" (Iago)
Act II: Eccola (Iago, Otello, Chorus)
Act II: Dove guardi splendono (Chorus, Desdemona, Otello, Iago)
Act II: D'un uom che geme (Desdemona, Otello, Iago, Emilia)
Act II: Desdemona rea! (Otello, Iago)
Act II: Era la notte (Iago, Otello)
Act II: Si, pel ciel (Otello, Iago)
Part I: The Adoration of the Earth: Introduction
Part I: The Adoration of the Earth: Harbingers of Spring (Dances of the Adolescents)
Part I: The Adoration of the Earth: Ritual of Abduction
Part I: The Adoration of the Earth: Spring Rounds
Part I: The Adoration of the Earth: Games of the Rival Tribes
Part I: The Adoration of the Earth: Procession of the Wise Elder
Part I: The Adoration of the Earth: Adoration of the Earth (Wise Elder)
Part I: The Adoration of the Earth: Dance of the Earth
Part II: The Sacrifice: Introduction (Pagan Night)
Part II: The Sacrifice: Mystic Circles of the Young Girls
Part II: The Sacrifice: Glorification of the Choosen One
Part II: The Sacrifice: Summoning of the Ancients
Part II: The Sacrifice: Ritual of the Ancients
Part II: The Sacrifice: Sacrificial Dance (Chosen One)
Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth - Introduction
Auguries of Spring (Dances of the Young Girls)
Mock Abduction
Spring Khorovod (Round Dance)
Games of the Rival Clans
Procession of the Wise Elder
Adoration of the Earth (The Wise Elder)
Dance of the Earth
Part Two: The Sacrifice - Introduction
Mystical Circles of the Young Girls
Glorification of the Chosen One
The Summoning of the Ancients
Ritual of the Ancients
Sacrificial Dance (The Chosen Victim)
The Rite of Spring: Part I: Introduction
Part I: Dance of the Young Boys and Girls
Part I: Mock Abduction
Part I: Spring Rounds
Part I: Games of the Rival Towns
Part I: Procession of the Wise Elders
Part I: Adoration of the Earth
Part I: Dance of the Earth
Part II: Introduction
Part II: Mystic Circles of the Young Girls
Part II: Glorification of the Chosen One
Part II: Summoning of the Ancients
Part II: Ritual of the Ancients
Part II: Sacrificial Dance
Stravinsky: Le sacre du printemps (The Rite of Spring): Le sacre du printemps: The Adoration of the Earth: Introduction
Le sacre du printemps: The Adoration of the Earth: Harbingers of Spring (Dances of the Adolescents)
Le sacre du printemps: The Adoration of the Earth: Ritual of Abduction
Le sacre du printemps: The Adoration of the Earth: Spring Rounds
Le sacre du printemps: The Adoration of the Earth: Games of the Rival Tribes
Le sacre du printemps: The Adoration of the Earth: Procession of the Wise Elder
Le sacre du printemps: The Adoration of the Earth: Adoration of the Earth (Wise Elder)
Le sacre du printemps: The Adoration of the Earth: Dance of the Earth
Le sacre du printemps: The Sacrifice: Introduction (Pagan Night)
Le sacre du printemps: The Sacrifice: Mystic Circles of the Young Girls
Le sacre du printemps: The Sacrifice: Glorification of the Choosen One
Le sacre du printemps: The Sacrifice: Summoning of the Ancients
Le sacre du printemps: The Sacrifice: Ritual of the Ancients
Le sacre du printemps: The Sacrifice: Sacrificial Dance (Chosen One)
Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth - Introduction
Auguries of Spring (Dances of the Young Girls)
Mock Abduction
Spring Khorovod (Round Dance)
Games of the Rival Clans
Procession of the Wise Elder
Adoration of the Earth (The Wise Elder)
Dance of the Earth
Part Two: The Sacrifice - Introduction
Mystical Circles of the Young Girls
Glorification of the Chosen One
The Summoning of the Ancients
Ritual of the Ancients
Sacrificial Dance (The Chosen Victim)
The Rite of Spring: Part I: The Adoration of the Earth: Introduction
Part I: The Adoration of the Earth: Harbingers of Spring (Dances of the Young Girls)
Part I: The Adoration of the Earth: Mock Abduction
Part I: The Adoration of the Earth: Spring Khorovod (Round Dances)
Part I: The Adoration of the Earth: Games of the Rival Tribes
Part I: The Adoration of the Earth: Procession of the Wise Elder
Part I: The Adoration of the Earth: Adoration of the Earth (Wise Elder)
Part I: The Adoration of the Earth: Dance of the Earth
Part II: The Sacrifice: Introduction
Part II: The Sacrifice: Mystic Circles of the Young Girls
Part II: The Sacrifice: Glorification of the Chosen Victim
Part II: The Sacrifice: Summoning of the Ancestors
Part II: The Sacrifice: Ritual of the Ancestors
Part II: The Sacrifice: Sacrificial Dance (Chosen One)
Le sacre du printemps (The Rite of Spring): Introduction (1947 version)
Danses des adolescentes (1947 version)
Jeu du rapt (1947 version)
Rondes printanieres (1947 version)
Jeux des cites rivales (1947 version)
Cortege du sage (1947 version)
L'Adoration de la terre (1947 version)
Danse de la terre (1947 version)
Introduction (1947 version)
Cercles mysterieux des adolescentes (1947 version)
Glorification de l'Elue (1947 version)
Evocation des ancetres (1947 version)
Action rituelle des ancetres (1947 version)
Danse sacrale - L'Elue (1947 version)
The Rite of Spring (Scenes of Pagan Russia in two parts): Part One - Adoration of the Earth: Introduction. Lento
Part One - Adoration of the Earth: The Augurs of Spring
Part One - Adoration of the Earth: Mock Abduction
Part One - Adoration of the Earth: Spring Round Dances
Part One - Adoration of the Earth: Games of the Rival Tribes
Part One - Adoration of the Earth: Procession of the Wise Elders
Part One - Adoration of the Earth: Adoration of the Earth (Wise Elder)
Part One - Adoration of the Earth: Dance of the Earth
Part Two - The Sacrifice: Introduction. Largo
Part Two - The Sacrifice: Mystical Circles of the Young Girls
Part Two - The Sacrifice: Glorification of the Chosen Victim
Part Two - The Sacrifice: Summoning of the Ancestors
Part Two - The Sacrifice: Ritual of the Ancestors
Part Two - The Sacrifice: Sacrificial Dance (The Chosen Victim)
The Rite of Spring: Part One: The Adoration of the Earth - Introduction
The Augurs of Spring - Dances of the Young Girls
Ritual of Abduction
Spring Rounds
Ritual of the Rival Tribes
Procession of the Sage
The Sage
Dance of the Earth
Part Two: The Sacrifice - Introduction
Mystic Cycle of the Young Girls
Glorification of the Chosen One
Evocation of the Ancestors
Ritual Action of the Ancestors
Sacrificial Dance (The Chosen One)
Le sacre du printemps (The Rite of Spring): Premičre partie: L'adoration de la terre (Part I: Adoration of the Earth): Introduction
Premičre partie: L'adoration de la terre (Part I: Adoration of the Earth): Les augures printaniers, Danses des adolescentes (The Augurs of Spring, Dances of the Young Girls)
Premičre partie: L'adoration de la terre (Part I: Adoration of the Earth): Jeu du rapt (Ritual of Abduction)
Premičre partie: L'adoration de la terre (Part I: Adoration of the Earth): Rondes printaničres (Spring Rounds)
Premičre partie: L'adoration de la terre (Part I: Adoration of the Earth): Jeux des cités rivales (Ritual of the Rival Tribes)
Premičre partie: L'adoration de la terre (Part I: Adoration of the Earth): Cortčge du sage (Procession of the Sage)
Premičre partie: L'adoration de la terre (Part I: Adoration of the Earth): Le sage (The Sage)
Premičre partie: L'adoration de la terre (Part I: Adoration of the Earth): Danse de la terre (Dance of the Earth)
Seconde partie: Le sacrifice (Part II: The Sacrifice): Introduction
Seconde partie: Le sacrifice (Part II: The Sacrifice): Cercles mysterieux des adolescentes (Mystic Circles of the Young Girls)
Seconde partie: Le sacrifice (Part II: The Sacrifice): Glorification de l'élue (Glorification of the Chosen One)
Seconde partie: Le sacrifice (Part II: The Sacrifice): Evocation des ancętres (Evocation of the Ancestors)
Seconde partie: Le sacrifice (Part II: The Sacrifice): Action rituelle des ancętres (Ritual Action of the Ancestors)
Seconde partie: Le sacrifice (Part II: The Sacrifice): Danse sacrale, L'élue (Sacrificial Dance, The Chosen One)
1. Introduzione (Andante non troppo - Allegro vivace
2. Giuoco della coppie (Allegretto scherzando)
3. Elegia (Andante, non troppo)
4. Intermezzo interrotto (Allegretto)
5. Finale (Pesante - Presto)
1. Moderato
2. Allegro molto
3. Allegro vivace
4. Molto tranquillo
5. Comodo
6. Finale (Allegro)
1. Andante tranquillo
2. Allegro
3. Adagio
4. Allegro molto
1. Allegro
2. Andante
3. Rondeau (Allegro)
1. Introduzione (Andante non troppo - Allegro vivace
2. Giuoco della coppie (Allegretto scherzando)
3. Elegia (Andante, non troppo)
4. Intermezzo interrotto (Allegretto)
5. Finale (Pesante - Presto)
1. Moderato
2. Allegro molto
3. Allegro vivace
4. Molto tranquillo
5. Comodo
6. Finale (Allegro)
1. An Evening in the Village
2. Bear Melody
3. Melody
4. Slightly Tipsy
5. Swineherd's Dance
1. Stick Dance (from Mezöszabad)
2. Sash Dance (from Egres)
3. In One Spot (from Egres)
4. Horn Dance (from Bisztra)
5. Roumanian Polka (from Belényes)
6. Fast Dance (from Belényes)
7. Fast Dance (from Nyágra)
1. Andante tranquillo
2. Allegro
3. Adagio
4. Allegro molto
Tchaikovsky: Piano Concerto No.1 In B Flat Minor, Op.23 - 1. Allegro non troppo e molto maestoso - Allegro con spirito
Tchaikovsky: Piano Concerto No.1 In B Flat Minor, Op.23 - 2. Andantino semplice - Prestissimo - Tempo I
Tchaikovsky: Piano Concerto No.1 In B Flat Minor, Op.23 - 3. Allegro Con Fuoco
Mendelssohn: Piano Concerto No.1 In G Minor, Op.25 - 1. Molto allegro con fuoco
Mendelssohn: Piano Concerto No.1 In G Minor, Op.25 - 2. Andante
Mendelssohn: Piano Concerto No.1 In G Minor, Op.25 - 3. Presto
Introduction
Kashchei's Enchanted Garden
Appearance Of The Firebird Pursued By Ivan Tsarevich
Dance Of The Firebird
Ivan Tsarevich Captures The Firebird
Supplication Of The Firebird
Game Of The Princesses With The Golden Apples
Sudden Appearance Of Ivan Tsarevich
Round Dance Of The Princesses
Daybreak
Magic Carillon, Appearance Of Kashchei's Guardian Monsters And Capture Of Ivan Tsarevich
Dance Of Kashchei's Retinue Under The Spell Of The Firebird
Infernal Dance Of All Kashchei's Subject's
Lullaby Of The Firebird
Collapse Of Kashchei's Palace And Dissolution Of All Enchantments - Reanimation Of The Petrified Prisoners - General Rejoicing
Danse
Excentrique
Cantique
Madrid
I. Andante - Allegro con anima
II. Andante cantabile, con alcuna licenza
III. Valse - Allegro moderato
IV. Finale - Andante maestoso - Allegro vivace
Bartók: Piano Concerto No.1, BB 91, Sz. 83 - 1. Allegro moderato - Allegro
Bartók: Piano Concerto No.1, BB 91, Sz. 83 - 2. Andante
Bartók: Piano Concerto No.1, BB 91, Sz. 83 - 3. Allegro molto
Bartók: Piano Concerto No.2, BB 101, Sz. 95 - 1. Allegro
Bartók: Piano Concerto No.2, BB 101, Sz. 95 - 2. Adagio - Piů adagio - Presto
Bartók: Piano Concerto No.2, BB 101, Sz. 95 - 3. Allegro molto
1. Allegro
2. Andante
3. Scherzo. Presto - Trio.
4. Finale. Moderato - Allegro vivace
1. Allegro molto moderato
2. Adagio
3. Scherzo. Lebhaft
4. Finale. Bewegt und feurig
1. Te Deum laudamus
2. Te ergo
3. Aeterna fac
4. Salvum fac
5. In te, Domine, speravi
1. Moderato
2. Andante
3. Scherzo. Maessig schnell
4. Finale. Mehr schnell
1. Gemässigt, mehr bewegt, Misterioso
2. Adagio, bewegt, quasi Andante
3. Scherzo (Ziemlich schnell)
4. Finale (Allegro)
1. Bewegt, nicht zu schnell
2. Andante quasi Allegretto
3. Scherzo: Bewegt
4. Finale: Bewegt, doch nicht zu schnell
1. Introduction (Adagio) - Allegro (Mäßig)
2. Adagio (Sehr langsam)
3. Scherzo (Molto vivace, schnell) - Trio. Im gleichen Tempo
4. Finale (Adagio - Allegro moderato)
1. Maestoso
2. Adagio. Sehr feierlich
3. Scherzo. Nicht schnell - Trio. Langsam
4. Finale. Bewegt, doch nicht zu schnell
1. Allegro moderato
2. Adagio (Sehr feierlich und sehr langsam)
3. Scherzo (Sehr schnell)
4. Finale (Bewegt, doch nicht schnell)
1. Allegro moderato
2. Scherzo (Allegro moderato) - Trio
3. Adagio (Feierlich langsam, aber nicht schleppend)
4. Finale (Feierlich, nicht schnell)
1. Feierlich. Misterioso
2. Scherzo (Bewegt lebhaft) - Trio (Schnell) - Scherzo da capo
3. Adagio (Langsam, feierlich)
1. Adagio molto - Allegro vivace
2. Andante
3. Menuetto (Allegro vivace)
4. Allegro
1. Adagio - Allegro molto
2. Largo
3. Scherzo (Molto vivace)
4. Allegro con fuoco
1. Andante - Allegro ma non troppo
2. Andante con moto
3. Scherzo (Allegro vivace)
4. Allegro vivace
1. Allegro
2. Larghetto
3. Gavotta (Non troppo allegro)
4. Finale (Vivace)
1. Allegro con brio
2. Adagio
3. Allegretto grazioso - Molto vivace
4. Allegro ma non troppo
Promenade
Gnomus
Promenade
The Old Castle
Promenade
The Tuileries Gardens
Bydlo
Promenade
Ballet Of The Chickens In Their Shells
Samuel Goldenberg And Schmuyle
The Market-place At Limoges
The Catacombs (Sepulchrum romanum)
Cum mortuis in lingua mortua
The Hut On Fowl's Legs (Baba-Yaga)
The Great Gate Of Kiev
1. Andante comodo
2. Im Tempo eines gemächlichen Ländler. Etwas täppisch und sehr derb - Poco piů mosso subito - Ländler, ganz langsam
3. Rondo. Burleske (Allegro assai. Sehr trotzig - Presto)
4. Adagio (Sehr langsam)
1. Allegro moderato
2. Andante con moto
Prologue
Pastoral - The Day's Grown Old
Nocturne - The Splendour Falls On Castle Walls
Elegy - O Rose, Thou Art Sick
Dirge - This Ae Nighte
Hymn - Queen And Huntress Chaste And Fair
Sonnet - O Soft Embalmer Of The Still Midnight
Epilogue
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Veni creator spiritus"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Imple superna gratia"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Infirma nostri corporis"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Accende lumen sensibus"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Veni, Creator...Da gaudiorum praemia"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Gloria sit Patri Domino"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - Poco adagio: Waldung, sie schwankt heran
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Ewiger Wonnebrand"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Wie Felsenabgrund mir zu Füßen"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Gerettet ist das edle Glied"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Uns bleibt ein Erdenrest"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Höchste Herrscherin der Welt"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Bei der Liebe, die den Fussen"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Neige, neige, du Ohnegleiche"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Blicket auf zum Retterblick"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Alles Vergängliche"
Mahler: Symphony No.9 in D - 1. Andante comodo
Mahler: Symphony No.9 in D - 2. Im Tempo eines gemächlichen Ländler. Etwas täppisch und sehr derb - Poco piů mosso subito - Ländler, ganz langsam
Mahler: Symphony No.9 in D - 3. Rondo. Burleske (Allegro assai. Sehr trotzig - Presto)
Mahler: Symphony No.9 in D - 4. Adagio (Sehr langsam)
Requiem: Requiem aeternam
Dies irae: Dies irae, dies illa
Dies irae: Tuba mirum
Dies irae: Mors stupebit
Dies irae: Liber scriptus
Dies irae: Quid sum miser
Dies irae: Rex tremendae
Dies irae: Recordare
Dies irae: Ingemisco
Dies irae: Confutatis
Dies irae: Lacrymosa
Der Held (The Hero) -
Des Helden Widersacher (The Hero's Enemies) -
Des Helden Gefahrtin (The Hero's Companion) -
The Love Scene
Des Helden Walstatt (The Hero's Field of Battle) -
Des Helden Friedenswerke (The Hero's Works of Peace) -
Des Helden Weltflucht und Vollendung (The Hero's Withdrawal from the World)
1. Allegro non troppo e molto maestoso - Allegro con spirito
2. Andantino semplice - Prestissimo - Tempo I
3. Allegro con fuoco
Introduzione (Maestoso)
Tema (Allegro)
Var.1: Poco piů mosso
Var.2: Risoluto
Var.3
Var.4: Molto meno mosso (Allegretto moderato)
Var.5: Piů mosso
Var.6: Ancora piů mosso (Allegro)
Var.7: Walzer (Tempo giusto)
Var.8: Alla marcia (Allegro moderato)
Var.9: Presto - Andante rubato
Var.10: Passacaglia (Adagio non troppo)
Var.11: Choral (Maestoso)
Finale Fugato (Allegro vivace - Tempo del tema -Molto allegro)
Tchaikovsky: Piano Concerto No.1 In B Flat Minor, Op.23 - 1. Allegro non troppo e molto maestoso - Allegro con spirito
Tchaikovsky: Piano Concerto No.1 In B Flat Minor, Op.23 - 2. Andantino semplice - Prestissimo - Tempo I
Tchaikovsky: Piano Concerto No.1 In B Flat Minor, Op.23 - 3. Allegro Con Fuoco
Mendelssohn: Piano Concerto No.1 In G Minor, Op.25 - 1. Molto allegro con fuoco
Mendelssohn: Piano Concerto No.1 In G Minor, Op.25 - 2. Andante
Mendelssohn: Piano Concerto No.1 In G Minor, Op.25 - 3. Presto
Gloria
Laudamus te
Domine Deus
Domine Fili unigenite
Domine Deus, Agnus Dei
Qui sedes ad dexteram Patris
Part I: Introduction
Part I: Danse religieuse
Part I: Les jeunes filles attirent Daphnis - Danse generale
Part I: Danse grotesque de Dorcon
Part I: Danse legere et gracieuse de Daphnis
Part I: Les rires s'interrompent - Danse de Lyceion
Part I: Une lumiere irreelle enveloppe le paysage - Danse lente et mysterieuse
Part II: Introduction
Part II: Anime et tres rude - Bryaxis ordonne d'amener la captive
Part II: Danse suppliante de Chloe
Part III: Aucun bruit que le murmure des ruisselets amasses par la rosee qui coule des roches - Le vieux berger Lammon
Part III: Chloe figure la jeune nymphe errant das la prairie - Devant l'autel des Nymphes
Part III: Danse generale
I. Langsam, schleppend
II. Kraftig bewegt, doch nicht zu schnell
III. Feierlich und gemessen, ohne zu schleppen
IV. Sturmisch bewegt
Babi Yar (poem) English translation by George Reavey
1. Adagio - "Babi Yar"
Humour (poem) English translation by George Reavey
2. Allegretto - "Humour"
In the Store (poem) English translation by Andrew Huth
Fears (poem) English translation by George Reavey
A Career (poem) English translation by George Reavey
3. Adagio - "In the Store"
4. Largo - "Fears"
5. Allegretto - "A Career"
I. Allegretto poco moderato - Presto
II. Moderato con moto
III. Largo - Allegro
1. Kräftig. Entschieden
1. - Langsam. Schwer
1. - Tempo I
1. - a tempo
1. - Immer dasselbe Tempo. (Marsch.) Nicht eilen
1. - Im alten Marschtempo (Allegro Moderato)
1. - Tempo I
2. Tempo di minuetto. Sehr mäßig
2. - A tempo. (Wie im Anfang)
2. - Ganz ploetzlich gemaechlich. Tempo di Menuetto
3. Comodo. Scherzando. Ohne Hast
3.- Wieder sehr gemaechlich, wie zu Anfang
3.- Sehr gemächlich (Posthorn)
3.- Tempo I
3.- Wieder sehr gemaechlich, beinahe langsam
4. Sehr langsam. Misterioso: "O Mensch! Gib acht!" 'O Mensch! Gib acht'
4.- Piů mosso subito
5. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel"
6. Langsam. Ruhevoll. Empfunden
6.- Nicht mehr so breit
6.- Tempo I. Ruhevoll
6.- a tempo (Etwas bewegter)
6.- Tempo I
6.- Langsam. Tempo I
I. Allegro energico, ma non troppo. Heftig, aber markig
II. Scherzo: Wuchtig
III. Andante moderato
IV. Finale: Allegro moderato - Allegro energico
Cello Concerto in B minor B191 (Op. 104) (1995 Digital Remaster): I. Allegro
Cello Concerto in B minor B191 (Op. 104) (1995 Digital Remaster): II. Adagio ma non troppo
Cello Concerto in B minor B191 (Op. 104) (1995 Digital Remaster): III. Finale (Allegro moderato)
I. Allegro
II. Bits and Pieces: Troika
II. Bits and Pieces: Three Sharing
II. Bits and Pieces: Wind and Plum
II. Bits and Pieces: Neapolitan


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