Charles Gounod


Born: 1818   Died: 1893   Country: France   Period: Romantic
Charles Gounod is best known for his operas Faust and Romeo et Juliette and for his Ave Maria (1859). Except for concertos, he composed music in the major genres, but with varying success in the instrumental realm. Gounod was more at home in the vocal arena, particularly in opera and sacred music. Though his reputation began to fade even before he died, he is still generally regarded as a major figure in nineteenth century French music. Read more Stylistically, he was a conservative whose influence nevertheless extended to Bizet, Saint-Saëns, and Massenet. He could not be called a trailblazer or the founder of any movement or school. His works are tuneful, his vocal writing imaginative, and orchestral scoring masterly. Gounod's compositions, even his two symphonies and lesser known operas, are occasionally explored today, and the aforementioned Faust and Romeo et Juliette and Ave Maria are widely performed and recorded.

Gounod was born on June 17, 1818. His mother was a pianist who served as the young boy's first teacher. While still in his youth she arranged for him to receive composition lessons from Anton Reicha. After Reicha's death, Gounod began studies at the Paris Conservatory, where he won a Grand Prix in 1839 for his Cantata Fernand.

After further composition studies in Rome, where he focused on sixteenth century church music, particularly the works of Palestrina, he became deeply interested in religion and by 1845 was contemplating the priesthood. Though he would eventually reject the idea and marry, he remained religious throughout his life and wrote many sacred works, including masses, the most popular being the 1855 St. Cecilia Mass. In that year Gounod also turned out two symphonies, which achieved attention but not lasting success. It was the 1859 opera Faust, however, that, after a slow start, became Gounod's calling card. Mireille (1864) and especially Romeo et Juliette (1867) added to his reputation, not only in France but throughout Europe.

From 1870-1875 Gounod lived in England owing to the exigencies of the Franco-Prussian War. In his years there and in the period following his return to France, Gounod wrote much music, especially religious music, but never again attained the kind of success he experienced in the 1850s and '60s. Among his more compelling and imaginative late works is the 1885 Petite Symphonie, (scored for nine instruments). Gounod died in St. Cloud on October 18, 1893. Read less

Charles Gounod

Gounod: Faust, Ballet Music (1869) - 1. Les Nubiennes, valse (Allegretto)
Gounod: Faust, Ballet Music (1869) - 2. Adagio
Gounod: Faust, Ballet Music (1869) - 3. Danse antique (Allegretto)
Gounod: Faust, Ballet Music (1869) - 4. Variations de Cléopatre (Moderato maestoso)
Gounod: Faust, Ballet Music (1869) - 5. Les Troyennes (Moderato con moto)
Gounod: Faust, Ballet Music (1869) - 6. Variations du miroir (Allegretto)
Gounod: Faust, Ballet Music (1869) - 7. Danse de Phryné (Allegro vivo)
Gounod: Faust / Act 2 - Waltz
No.1 Introduction
No.2 "Rien!... En vain j'interroge"
Mais ce Dieu, que peut-il...Me voici! - Eh bien!
No.5 "Vin ou bière"
No.6 "O sainte médaille"
No.6b Invocation: "Avant de quitter ces lieux" - "Al- lons, amis"
No.7 Ronde du veau d'or: "Le veau d'or"
No.8 "Merci de ta chanson"
Attendons! Ici même...Ainsi que la brise légère
No.10 Entr'acte - "Faites-lui les aveux"
No.11 "C'est ici?"
Quel trouble inconnu...Salut! Demeure chaste et pure
Je voudrais bien savoir...Il était un roi de Thulé
No.14b Air des bijoux: "Ah! Je ris de me voir"
No.15 "Seigneur Dieu, que vois-je!"
No.18 "Il se fait tard"
O nuit d'amour!...Divine pureté
No.19 "Elles ne sont plus là"
Elles se cachaient...Il ne revient pas!
No.20 "Marguerite! Siebel!'
Marthe! - Dieu soit loué! C'est vous!...Déposons nos
Qu'attendez-vous encore?...Vous qui faites l'endormie
No.25 "Que voulez-vous, messieurs?"
No.26 "Par ici, mes amis!"
Seigneur, daignez permettre
No.27 La nuit de Walpurgis: "Dans les bruyères"
No.28 "Jusqu'aux premières feux"
Ballet...Que ton ivresse, o volupté! étouffe les
No.30 "Va t'en"
Ah! c'est la voix - Oui, c'est toi
Attends! voici la rue
Alerte alerte! ...Anges purs...Sauvée!
I. Adagio - Allegretto
II. Andante cantabile
III. Scherzo
IV. Finale
1. Allegro molto
2. Allegro moderato
3. Scherzo. Non troppo presto
4. Finale. Adagio-Allegro vivace
I. Adagio - Allegro agitato
II. Larghetto (non troppo)
III. Scherzo: Allegro molto
IV. Finale: Allegro, leggiero assai

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