Carolyn Sampson

Biography

Born: Bedford, Bedfordshire, England  
Soprano Carolyn Sampson has been proclaimed "the best British early music soprano by some distance" by the editors of Gramophone. A native of Bedford, she studied voice with Richard Smart at the University of Birmingham, and made her debut with the English National Opera in a production of Monteverdi's L'incoronazione di Poppea and continues to appear with this company with regularity in addition to appearances at the Paris Opera. The vast Read more majority of Sampson's singing has been heard in concert engagements with period ensembles, and by 2006 she had appeared with most of the best-known groups of this sort, but especially the King's Consort, Collegium Vocale, and Ex Cathedra. Sampson has recorded extensively for the Hyperion, BIS, Harmonia Mundi, and Deux-elles labels. Read less
Johnson: Away Delights / Sampson, Wadsworth
Release Date: 02/08/2005   Label: Avie  
Catalog: 2053   Number of Discs: 1
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Biography

Born: Bedford, Bedfordshire, England  
Soprano Carolyn Sampson has been proclaimed "the best British early music soprano by some distance" by the editors of Gramophone. A native of Bedford, she studied voice with Richard Smart at the University of Birmingham, and made her debut with the English National Opera in a production of Monteverdi's L'incoronazione di Poppea and continues to appear with this company with regularity in addition to appearances at the Paris Opera. The vast Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Les Noces, Première partie, Premier tableau: Chez la mariée
Les Noces, Première partie, Premier tableau: Chez le marié
Les Noces, Première partie, Premier tableau: Le départ de la mariée
Les Noces, Deuxième partie, Quatrième tableau: Le repas de noces
Cantate: I. A lyke-wake dirge. Versus 1. Prelude "This ae nighte"
Cantate: II. Ricercar I "The maidens came"
Cantate: III. A lyke-wake dirge. Versus 2 "If ever you gav'st hos'n and shoon"
Cantate: IV. Ricercar II. Sacred History "To-morrow shall be my dancing day"
Cantate: V. A lyke-wake dirge. Versus 3. Second interlude "From Whinnymuir when thou may'st pass"
Cantate: VI. Westron Wind
Cantate: VII. A lyke-wake dirge. Versus 4. Postlude "If ever thou gav'st meat or drink"
Prologue: Ouverture
Prologue: Air et choeur: Dieu charmant, essuyez vos pleurs (Un Plaisir, Choeur)
Prologue: Ballet figure I
Prologue: Scene: Mon trop juste depit ne peut plus se calmer (L'Amour, Un Plaisir)
Prologue: Gavotte tendre en rondeau I-II: Dans les ennuis, dans les alarmes (Un Plaisir)
Prologue: Scene: Je perdrais toute ma puissance (L'Amour, Un Plaisir, Choeur)
Prologue: Symphonie brillante: Quels sons brillants font retentir ces lieux (Choeur, L'Amour)
Prologue: Air: Fuyez, fuyez sombre tristesse (L'Hymen)
Prologue: Scene: Qu'entends-je! O dieux! (L'Amour, L'Hymen)
Prologue: Air: Volez, Plaisirs, celebrez ce beau jour (L'Amour)
Prologue: Air un peu vif
Prologue: Passepied I-II
Prologue: Duo: Qu'on ne trouve dans l'univers (L'Amour, L'Hymen)
Prologue: Choeur: Regnez, offrez-vous aux mortels (Choeur)
Prologue: On reprend l'ouverture pour entracte
Act I: Osiris: Ritournelle
Act I: Osiris: Scene: Il faut vaincre ou subir un honteux esclavage (Mirrine, Orthesie)
Act I: Osiris: Air: Que ces mortels sont redoutables! (Orthesie)
Act I: Osiris: Scene: Ce sexe ambitieux n'aspire (Mirrine)
Act I: Osiris: Choeur: Aux armes! Courons aux armes! (Amazones Sauvages)
Act I: Osiris: Scene: N'ecouterez-vous que la haine (Osiris, Orthesie, Mirrine, Amazones Sauvages)
Act I: Osiris: Scene: Que vous connaissez mal le pouvoir de vos charmes (Osiris)
Act I: Osiris: Scene et air: Aux douceurs d'un frivole hommage (Orthesie)
Act I: Osiris: Scene: Je guide un peuple genereux (Osiris, Orthesie)
Act I: Osiris: Entree des saisons et des arts
Act I: Osiris: Entree de moissonneurs et de vendangeurs
Act I: Osiris: Air des satyres
Act I: Osiris: Choeur: Quels doux parfums, quelles vives couleurs! (Amazones Sauvages)
Act I: Osiris: Scene: Peuple leger, ton coeur cesse d'etre inflexible (Mirrine)
Act I: Osiris: Sarabande en rondeau pour les berceaux de fleurs qui s'elevent
Act I: Osiris: Rigaudon I-II
Act I: Osiris: Choeur et scene: Quels objets enchanteurs! (Amazones Sauvages, Orthesie, Osiris, Suite d'Osiris)
Act I: Osiris: Scene: Il regne en souverain sur toute la nature (Osiris)
Act I: Osiris: Bruit de guerre: Que notre serment s'accomplisse (Mirrine, Suite d'Mirrine, Orthesie, Osiris, Choeurs de leurs Suites)
Act I: Osiris: Scene: Vous defendez des jours que j'offre a vos appas (Osiris, Orthesie)
Act I: Osiris: Scene: Qu'a la voix d'Osiris ces deserts s'embellissent (Osiris)
Act I: Osiris: Mouvement de sarabande et de loure
Act I: Osiris: Gigue
Act I: Osiris: Air: Heureux oiseaux, l'Amour embellit ces bocages (Orthesie)
Act I: Osiris: Contredanse
Act II: Canope: Ritournelle et scene: L'Egypte dans ce jour (Ageris, Canope)
Act II: Canope: Scene: Ah! Nilee, est-ce vous? (Memphis, Canope)
Act II: Canope: Air: Tout-a-coup, le tonnerre eclate dans les airs (Memphis)
Act II: Canope: Scene: Un songe qui cause nos craintes (Canope)
Act II: Canope: Choeur et scene: Quelle victime! O ciel! (Choeur, Memphis, Canope)
Act II: Canope: Air: Veille Amour, veille sur les jours (Memphis)
Act II: Canope: Scene: Je gemis des rigueurs du sort (Le Grand-Pretre, Memphis)
Act II: Canope: Air majestueux
Act II: Canope: Hymne au dieu du fleuve: Dieu bienfaisant (Le Grand-Pretre)
Act II: Canope: Bruit semblable au tonnerre: Impetueux torrents (Canope, Le Grand-Pretre, Pretres, Peuples)
Act II: Canope: Scene: Peuple aveugle (Canope, Pretres, Peuples)
Act II: Canope: Scene: Quel spectacle touchant pour une ame sensible (Canope, Memphis)
Act II: Canope: Duo: Vous m'aimez, je n'en puis douter (Canope, Memphis)
Act II: Canope: Air: Vous qui m'obeissez, accourez a ma voix (Canope)
Act II: Canope: Chaconne: Tendre Amour, dans tes chaines (Choeur)
Act II: Canope: Air: Amour, lance tes traits, fais triompher tes feux (Une Egyptienne)
Act II: Canope: Rigaudon I-II
Act III: Arueris ou Les Isies: Scene: Le bonheur de la terre est le bien ou j'aspire (Arueris)
Act III: Arueris ou Les Isies: Scene: Ingrat, pour les beaux-arts (Orie, Arueris)
Act III: Arueris ou Les Isies: Scene: Les dons les plus brillants (Arueris, Orie)
Act III: Arueris ou Les Isies: Air et scene: Cette plaine vaste et feconde (Arueris, Orie)
Act III: Arueris ou Les Isies: Air et scene: Entrez dans la carriere (Arueris, Orie)
Act III: Arueris ou Les Isies: Air gai
Act III: Arueris ou Les Isies: Scene: Vos plaisirs et votre allegresse (Arueris)
Act III: Arueris ou Les Isies: Quatuor: Brillez sons enchanteurs (Un Berger Egyptien, 3 Autres Egyptiens, Choeur)
Act III: Arueris ou Les Isies: Sarabande
Act III: Arueris ou Les Isies: Air gai et parodie: L'amant que j'adore (Une Bergere Egyptienne)
Act III: Arueris ou Les Isies: Musette en rondeau et parodie: Ma Bergere fuyait l'amour (Un Berger Egyptien)
Act III: Arueris ou Les Isies: Air gai
Act III: Arueris ou Les Isies: Tambourin I-II
Act III: Arueris ou Les Isies: Scene et cantatille: Pour entendre ma voix (Orie)
Act III: Arueris ou Les Isies: Quintette et choeur: Ciel, quels accents! (Tous)
Act III: Arueris ou Les Isies: Scene: A l'objet de vos voeux (Arueris, Orie)
Act III: Arueris ou Les Isies: Air de triomphe
Act III: Arueris ou Les Isies: Duo: Hymen, c'est le jour de ta gloire (Orie, Arueris)
I. Una hora non potuistis vigilare mecum
II. Judas mercator pessimus
III. Jesum tradidit impius
IV. Caligaverunt oculi mei
V. Tenebrae factae sunt
VI. Sepulto Domino
VII. Ecce quomodo moritur justus
I. Stabat mater dolorosa
II. Cujus animam gementem
III. O quam tristis et afflicta
IV. Quae moerebat et dolebat
V. Quis est homo, qui non fleret
VI. Vidit suum dulcem natum
VII. Eja mater, fons amoris
VIII. Fac ut ardeat cor meum
IX. Sancta mater, istud agas
X. Fac ut portem Christi mortem
XI. Inflammatus et accensus
XII. Quando corpus morietur
Orfeo: Toccata
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Dal Moi Permesso' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Io la Musica son' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Io su cetera' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Quinci a dir d'Orfeo' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Hor mentre i canti alterno' (La Musica)
Orfeo, Atto Primo: 'In questi lieto fortunato giorno' (Pastore)
Orfeo, Atto Primo: 'Vieni Imeneo, deh vieni' (Choro)
Orfeo, Atto Primo: 'Muse honor di Parnasso (Ninfa
Orfeo, Atto Primo: 'Lasciate i monte, lasciate i fonte' (Choro)
Orfeo, Atto Primo: 'Ma tu gentil cantor' (Pastore)
Orfeo, Atto Primo: 'Rosa del ciel, vita del mondo' Orfeo
Orfeo, Atto Primo: 'Io non diro qual sia' (Euridice)
Orfeo, Atto Primo: 'Lasciate i monte, lasciate i fonte' (Choro)
Orfeo, Atto Primo: 'Vieni Imeneo, deh vieni' (Choro)
Orfeo, Atto Primo: 'Ma s'il nostro gioir dal ciel deriva' (Pastore)/Ritornello
Orfeo, Atto Primo: 'Alcun non sia che disperato in preda'/Ritornello
Orfeo, Atto Primo: 'Che poi che nembro rio gravido il seno'/Ritornello
Orfeo, Atto Primo: 'E dopo l'aspro gel del verno ignudo'
Orfeo, Atto Primo: 'Ecco Orfeo cui pur dianzi'
Orfeo, Atto Secondo: Sinfonia/'..Ecco pur ch'a voi ritorno' (Orfeo)
Orfeo, Atto Secondo: Ritornello/'..Mira ch'a se n'alletta' (Pastore)
Orfeo, Atto Secondo: Ritornello/'In questo prato adorno' (Due Pastori)
Orfeo, Atto Secondo: Ritornello/'Qui le Nappe e vezzose' (Due Patori)
Orfeo, Atto Secondo: Ritornello/'Vi ricorda o boschi ombrosi' (Orfeo)
Orfeo, Atto Secondo: 'Mira deh mira Orfeo' (Pastore)
Orfeo, Atto Secondo: 'In un fiorito prato' (Messagiera)
Orfeo, Atto Secondo: 'Tu se' morta' (Orfeo)
Orfeo, Atto Secondo: 'Ahi caso acerbo' (Choro)
Orfeo, Atto Secondo: 'Ma io ch'in questa lingua' (Messagiera)
Orfeo, Atto Secondo: Sinfonia/'Chi be consoal ahi lassi?' (Due Pastori)
Orfeo, Atto Secondo: Ritornello
Orfeo, Atto Terzo: Sinfonia
Orfeo, Atto Terzo: 'Scorto da te mio Nume' (Orfeo)
Orfeo, Atto Terzo: 'Ecco l'altra palude, ecco il nocchiero' (Speranza/Orfeo)
Orfeo, Atto Terzo: 'O tu ch'innanzi mort'a questi rive' (Caronte)
Orfeo, Atto Terzo: Sinfonia
Orfeo, Atto Terzo: 'Possente Spirito e formidabil Nume' (Orfeo)
Orfeo, Atto Terzo: Ritornello (Violino I e II)
Orfeo, Atto Terzo: 'Non viv'io no, che poi di vita è priva' (Orfeo)
Orfeo, Atto Terzo: Ritornello (Cornetto I e II)
Orfeo, Atto Terzo: 'A lei volt'ho il camin per l'aer cieco' (Orfeo)
Orfeo, Atto Terzo: Ritornello (Arpa)
Orfeo, Atto Terzo: 'Orfeo son io che d'Euridice i passi' (Orfeo)
Orfeo, Atto Terzo: 'Sol Tu nobile Deo puoi darmi aita' (Orfeo)
Orfeo, Atto Terzo: 'Ben mi lusinga alquanto' (Caronte/Orfeo)
Orfeo, Atto Terzo: 'Ahi sventurato a mante, Sperar dunque non lice' (Orfeo)
Orfeo, Atto Terzo: Sinfonia
Orfeo, Atto Terzo: 'Ei dorme e la mia cetra Se pietà non impetra' (Orfeo)
Orfeo, Atto Terzo: Sinfonia a 7 /'Nulla impressa per huom si tenta invano' (Choro)/Sinfonia a 7
Orfeo, Atto Quarto: 'Signor quel infelice' (Proserpina)
Orfeo, Atto Quarto: 'Benchè severo e immutabil fato' (Plutone)
Orfeo, Atto Quarto: 'O degli habitato de l'ombre eterne' (Uno spirito del coro/Un altro spirito del coro)
Orfeo, Atto Quarto: 'Quali grazie tirendo' (Proserpina/Plutone)
Orfeo, Atto Quarto: 'Tue soavi parole d'Amor l'antica piaga...' (Plutone)
Orfeo, Atto Quarto: 'Pietade oggi et Amore Trionfan' (Coro di spiriti a Cinque/Spirito del coro)
Orfeo, Atto Quarto: 'Qual honor di te fia degno' (Orfeo)
Orfeo, Atto Quarto: 'Ma mentre io canto (oimè)' (Orfeo)
Orfeo, Atto Quarto: 'O dolcissimi lumi io pur vi veggio' (Orfeo/ Un spirito)
Orfeo, Atto Quarto: 'Ahi vista troppo dolce e troppo amara' (Euridice/Un spirito del coro)
Orfeo, Atto Quarto: 'Dove te'n vai mia vita' (Orfeo)
Orfeo, Atto Quarto: Sinfonia a 7/'E la virtute un raggio' (Choro di Spiriti)/Sinfonia a 7
Orfeo, Atto Quinto: Ritornello
Orfeo, Atto Quinto: 'Questi i campi di Tracia' (Orfeo)
Orfeo, Atto Quinto: 'Ma tu anima mia se mai ritorna' (Orfeo)
Orfeo, Atto Quinto: Tu bella fusti e saggia' (Orfeo)
Orfeo, Atto Quinto: 'Hor l'altra Donne son superbe e perfide' (Orfeo)
Orfeo, Atto Quinto: Sinfonia
Orfeo, Atto Quinto: 'Perch'a lo sdegno e al dolor in preda' (Apollo)
Orfeo, Atto Quinto: 'Padre cortese al maggior uopo arrivi' (Orfeo)
Orfeo, Atto Quinto: 'Troppo gioisti di tua lieta ventura' (Apollo)
Orfeo, Atto Quinto: 'Si non vedro piu mai...' (Orfeo/Apollo)
Orfeo, Atto Quinto: 'Saliam d'al Cielo' (Orfeo/Apollo)
Orfeo, Atto Quinto: Ritornello/'Vanne Orfeo felice a pieno' (Choro)
Orfeo, Atto Quinto: Moresca
Lobet Gott in seinen Reichen (Chorus)
Recitative: Der Herr Jesus hub seine Hande auf (Tenor)
Recitative: Ach, Jesu, ist dein Abschied schon so nah? (Bass)
Aria: Ach bleibe doch, mein liebstes Leben (Alto)
Recitative: Und ward aufgehoben zusehends (Tenor)
Nun lieget alles unter dir (Chorus)
Recitative: Und da sie ihm nachsahen (Tenor, Bass, Alto)
Recitative: Ach ha! so kmme bald zuruck (Alto)
Sie aber beteten ihn an (Tenor)
Aria: Jesu, deine Gnadenblicke (Soprano)
Wenn soll es doch geschehen (Chorus)
No.1 Chorus: "Jauchzet, frohlocket"
No.2 Evangelist: "Es begab sich aber zu der Zeit"
No.3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam"
No.4 Aria (Alto): " Bereite dich, Zion"
No.5 Choral: "Wie soll ich dich empfangen"
No.6 Evangelist: "Und sie gebar ihren ersten Sohn"
No.7 Chorale: "Er ist auf Erden kommen arm", Recitativ (Bass): Wer will die Liebe recht erhöhn"
No.8 Aria (Baß): "Großer Herr, o starker König"
No.9 Choral: "Ach mein herzliebes Jesulein"
No.10 Sinfonia
No.11 Evangelist: "Und es waren Hirten in derselben Gegend"
No.12 Chorale: "Brich an, o schönes Morgenlicht"
No.13 Evangelist, Engel: "Und der Engel sprach zu Ihnen"
No.14 Rezitativ (Baß): "Was Gott dem Abraham Verheißen"
No.15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
No.16 Evangelist: "Und das habt zum Zeichen"
No.17 Chorale: "Schaut hin, dort liegt im finstern Stall"
No.18 Rezitativ (Baß): "So geht denn hin, ihr Hirten, geht"
No.19 Aria (Alto): "Schlafe, mein Liebster, geniesse der Ruh"
No.20 Evangelist: "Und alsbald war da bei dem Engel"
No.21 Chor: "Ehre sei Gott in der Höhe"
No.22 Rezitativ (Baß): "So recht, ihr Engel, jauchzt und singet"
No.23 Chorale: "Wir singen dir in deinem Heer"
No.24 Chor: "Herrscher des Himmels, erhöre das Lallen"
No.25 Evangelist: "Und da die Engel von ihnen gen Himmel fuhren"
No.26 Chor: "Lasset uns nun gehen gen Bethlehem"
No.27 Rezitativ (Baß): "Er hat sein Volk getröst"
No.28 Choral: "Dies hat er alles uns getan"
No.29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen"
No.30 Evangelist: "Und sie kamen eilend"
No.31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder"
No.32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren"
No.33 Choral: "Ich will dich mit Fleiß bewahren"
No.34 Evangelist: "Und die Hirten kehrten wieder um"
No.35 Choral: "Seid froh dieweil"
No.24 Chor (da capo): "Herrscher des Himmels, erhöre das Lallen"
No.36 Chor: "Fallt mit Danken, fallt mit Loben"
No.37 Evangelist: "Und da acht Tage um waren"
No.38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen"
No.39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen"
No.40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"
No.41 Aria (Tenor): "Ich will nur dir zu Ehren leben"
No.42 Choral: "Jesus richte mein Beginnen"
No.43 Chor: "Ehre sei dir, Gott, gesungen"
No.44 Evangelist: "Da Jesu geboren war zu Bethlehem"
No.45 Chor: "Wo ist der neugeborne König der Juden?" - Rezitativ (Alt): "Sucht ihn in meiner Brust"
No.46 Choral: "Dein Glanz all Finsternis verzehrt"
No.47 Aria (Bass): "Erleucht auch meine finstre Sinnen"
No.48 Evangelist: "Da das der König Herodes hörte"
No.49 Rezitativ (Alt): "Warum wollt ihr erschrecken?"
No.50 Evangelist: "Und ließ versammeln alle Hohepriester"
No.51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
No.52 Rezitativ (Alt): "Mein Liebster herrschet schon"
No.53 Choral: "Zwar ist solche Herzensstube"
No.54 Chor: "Herr, wenn die stolzen Feinde schnauben"
No.55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig"
No.56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen"
No.57 Aria (Sopran): "Nur ein Wink von seinen Händen"
No.58 Evangelist: "Als sie nun den König gehöret hatten"
No.59 Chorale: "Ich steh an deiner Krippen hier"
No.60 Evangelist: "Und Gott befahl ihnen im Traum"
No.61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier"
No.62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken"
No.63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?"
No.64 Choral: "Nun seid ihr wohl gerochen"
Prologue: Overture
Prologue: Recitative: Ce n'est plus le temps de la Guerre (Flore, Chorus of all the Deities of the Earth and the Waters)
Prologue: Dialogue: Rendez-vous, Beautez cruelles (Vertumne, Palemon)
Prologue: Menuet: Dans le bel age (Flore)
Prologue: Nous goutons une Paix profonde (Chorus of all the Deities of the Earth and the Waters)
Prologue: Pourquoy du Ciel m'obliger a descendre? (Venus)
Prologue: Symphony
Prologue: Mon Fils, si tu plains mes mal-heurs (Venus)
Prologue: Entra'acte (Overture)
Act I Scene 1: Enfin ma Soeur, le Ciel est appaise (Aglaure, Cidippe)
Act I Scene 1: Tout succede a nos desir (Cidippe, Aglaure)
Act I Scene 2: Ah! Princesse! (Lychas, Aglaure, Cidippe)
Act I Scene 2: Pleurons, pleurons; en de is grands mal-heurs (Lychas, Aglaure, Cidippe)
Act I Scene 2: Italian Lament
Act I Scene 2: Deh, piangete al pianto mio (Grieving Woman, First Grieving Man, Second Grieving Man)
Act I Scene 2: Rispondete a miei lamenti (Grieving Woman)
Act I Scene 2: Com' esser puo fra voi, o numi eterni (Second Grieving Man)
Act I Scene 2: Nume fiero (First Grieving Man, Second Grieving Man)
Act I Scene 2: Air
Act I Scene 2: Ahi ch'indarno si torda (Grieving Woman, First Grieving Man, Second Grieving Man)
Act I Scene 3: vient, a la voir je tremble (Aglaure, Cidippe, )
Act I Scene 4: Seigneur, vous soupirez vous-mesme? (, The King)
Act I Scene 4: Entr'acte: Air
Act II Scene 1: Cyclops, achevez ce superbe Palais (Vulcain)
Act II Scene 2: Pressez-vous ce Travail que l'Amour vous demande? (Zephire, Vulcain)
Act II Scene 2: Depeschez preparez ces lieux (Vulcain)
Act II Scene 2: Servez bien un Dieu si Charmant (Vulcain)
Act II Scene 3: Quoy, vous vous employez pour le fiere (Venus, Vulcain)
Act II Scene 3: Prelude
Act II Scene 4: Ou suis-je? ()
Act II Scene 5: Quels agreable sons ont frappe mes oreilles? (, Nymph, Zephyr, 2 Zephyr, L'Amour)
Act II Scene 6: Et bien, , des cruautez du Sort (L'Amour, )
Act II Scene 6: Aimable Jeunesse (First Nymph, Second and Third Nymphs)
Act II Scene 6: L'Amour a des charmes (First Nymph, Second and Third Nymphs)
Act II Scene 6: Entr'acte: Air
Act III: Ritournelle
Act III Scene 1: Pompe que ce Palais de tous costez etale (Venus)
Act III Scene 2: Que fais-ful montre toy (Venus, )
Act III Scene 3: A la fin je vay voir mon destin eclaircy (, L'Amour)
Act III Scene 4: Arrestez, cher Amant, aou fuiez-vous si viste? ()
Act III Scene 5: Ah! Nymphe, venez-vous soulager mes ennuis? (, Venus)
Act III Scene 6: Vous m'abandonnez-donc, cruel and cher Amant? ()
Act III Scene 7: Arreste, c'est trop tost renoncer a l'espoir (The River, )
Act III Scene 7: Entr'acte: Air
Act IV Scene 1: Par quels noirs and facheux passages ()
Act IV Scene 2: Ou penses-tu porter tes pas (The 3 Furies, , One Fury)
Act IV Scene 2: Air des Demons
Act IV Scene 3: Venez, Nymphes de l'Acheron (The 3 Furies, The 2 Nymphs, , First Nymph, Second Nymph)
Act IV Scene 3: Entr'acte: Air
Act V: Ritournelle
Act V Scene 1: Si je fais vanite de ma tendresse extreme ()
Act V Scene 2: Enfin, insolente Rivale (Venus, )
Act V Scene 3: Vous croyez trop la jalouze colere (Mercure, Venus)
Act V Scene 3: Venus veut-elle resister? (Jupiter, Venus, , L'Amour)
Act V Scene 3: Recitative: Unissons-nous, Troupe Immortelle (Appollon)
Act V Scene 3: Celebrons ce grand Jour (Chorus of Celestial Deities)
Act V Scene 3: Recitative: Si quelque fois (Bacchus)
Act V Scene 3: Recitative: Je cherche a medire (Mome)
Act V Scene 3: Recitative: Mes plus fiers Ennemis vaincus ou pleins d'efroy (Mars)
Act V Scene 3: Chantons les plaisirs charmants (Chorus of the Gods, together with Trumpets and Timpani)
Act V Scene 3: Le Dieu qui nous engage (Apollon)
Act V Scene 3: Ce seroit grand dommage (Apollon)
Act V Scene 3: Gardez-vous, Beautez severes (The Muses')
Act V Scene 3: On ne peut aimer sans peines (Muses')
Act V Scene 3: Admirons le Jus de la Treille (Bacchus)
Act V Scene 3: Bacchus veut qu'on boive a longs traits (Silene)
Act V Scene 3: Ce Dieu rend nos voeux satisfaits (Silene)
Act V Scene 3: Voulez-vous des douceurs parfaites? (Silene, 2 Satyrs, A Satyr, Second Satyr)
Act V Scene 3: Falatrons, divertissons-nour (Mome)
Act V Scene 3: Plaisantons, ne pardonnons rien (Mome)
Act V Scene 3: Prelude
Act V Scene 3: Laissons en paix toute la Terre (Mars)
Act V Scene 3 : Finale
Act V Scene 3: Finale: Chantons les Plaisirs charmants (Chorus)
Sinfonia
Recitative: Falsche Welt, dir trau ich nicht! (Soprano)
Aria: Immerhin, immerhin, wenn ich gleich verstossen bin! (Soprano)
Recitative: Gott ist getreu! (Soprano)
Aria: Ich halt es mit dem lieben Gott (Soprano)
Chorale: In dich hab ich gehoffet, Herr (Chorus)
Aria: Ich armer Mensch, ich Sundenknecht (Tenor)
Recitative: Ich habe wider Gott gehandelt (Tenor)
Aria: Erbarme dich! (Tenor)
Recitative: Erbarme dich! (Tenor)
Chorale: Bin ich gleich von dir gewichen (Chorus)
Aria with Chorale: Ach Gott, wie manches Herzeleid (Soprano, Bass)
Recitative: Verfolgt dich gleich die arge Welt (Bass)
Aria: Ich bin vergnugt in meinem Leiden (Soprano)
Recitative: Kann es die Welt nicht lassen (Soprano)
Aria with Chorale: Ich hab fur mir ein schwere Reis (Soprano, Bass)
Act I - No.1 Overture
Act I, scene 1 - No.2 Chorus of Priests "Your harps and cymbals sound"
Act I, scene 1 - No.3 Air. Levite "Praise ye the Lord for all his mercies past"
Act I, scene 1 - No.4 Chorus of Priests "With pious heart, and holy tongue"
Act I, scene 1 - No.5 Accompagnato. Solomon "Almighty pow'r"
Act I, scene 1 - No.6 Recitative. Zadok "Imperial Solomon"
Act I, scene 1 - No.7 Air. Zadok "Sacred raptures cheer my breast"
Act I, scene 1 - No.8 Chorus of Israelites "Throughout the land Jehovah's praise record"
Act I, scene 1 - No.9 Recitative. Solomon "Bless'd be the Lord"
Act I, scene 1 - No.10 Air. Solomon "What though I trace each herb and flow'r"
Act I, scene 2 - No.11 Recitative. Solomon "And see my queen, my wedded love"
Act I, scene 2 - No.12 Air. Queen "Bless'd the day when first my eyes"
Act I, scene 2 - No.13 Recitative. Solomon, Queen "Thou fair inhabitant of Nile"
Act I, scene 2 - No.14 Duet. Queen, Solomon "Welcome as the dawn of the day"
Act I, scene 2 - No.17 Recitative. Solomon "My blooming fair"
Act I, scene 2 - No.18 Air. Solomon "Haste, haste to the cedar grove"
Act I, scene 2 - No.19 Recitative. Queen "When thou art absent from my sight"
Act I, scene 2 - No.20 Air. Queen "With thee th'unshelter'd moor I'd tread"
Act I, scene 2 - No.21 Recitative. Zadok "Search round the world"
Act I, scene 2 - No.22 Chorus "May no rash intruder disturb their soft hours"
Act II, scene 1 - No.23 Chorus of Israelites "From the censer curling rise"
Act II, scene 1 - No.24 Recitative. Solomon "Prais'd be the Lord"
Act II, scene 1 - No.25 Air. Solomon "When the sun o'er yonder hills"
Act II, scene 1 - No.26 Recitative. Levite "Great Prince, thy resolution's just"
Act II, scene 1 - No.27 Air. Levite "Thrice bless'd that wise discerning king"
Act II, scene 2 - No.28 Recitative. Attendant, Solomon "My sovereign liege" / Scene 3 - First Harlot "Thou son of David"
Act II, scene 3 - No.29 Trio. Solomon, two Harlots "Words are weak to paint my fears"
Act II, scene 3 - No.30 Recitative. Solomon, second Harlot "What says the other to th'imputed charge?"
Act II, scene 3 - No.31 Air. Second Harlot "Thy sentence, great king"
Act II, scene 3 - No.32 Recitative. First Harlot "Withhold, withhold the executing hand"
Act II, scene 3 - No.33 Air. First Harlot "Can I see my enfant gor'd"
Act II, scene 3 - No.34 Accompagnato. Solomon "Israel, attend to what your king shall say"
Act II, scene 3 - No.35 Duet. First Harlot, Solomon "Thrice bless'd the king"
Act II, scene 3 - No.36 Chorus of Israelites "From the east unto the west"
Act II, scene 3 - No.37 Recitative. Zadok "From morn to eve I could enraptur'd sing"
Act II, scene 3 - No.38 Air. Zadok "See the tall palm that lifts the head"
Act II, scene 3 - No.39 Recitative. First Harlot "No more shall armed bands our hopes destroy"
Act II, scene 3 - No.40 Air. First Harlot "Beneath the vine, or fig-tree's shade"
Act III - No.42 Symphony: arrival of the Queen of Sheba
Act III - No.43 Recitative. Queen of Sheba, Solomon "From Arabia's spicy shores"
Act III - No.44 Air. Queen of Sheba "Ev'ry sight these eyes behold"
Act III - No.45 Recitative. Solomon "Sweep, sweep the string"
Act III - No.46 Solo. Solomon and Israelites "Music, spread thy voice around"
Act III - No.47 Solo. Solomon and Israelites "Now a diff'rent measure try"
Act III - No.48 Recitative. Solomon "Then at once from rage remove"
Act III - No.49 Chorus of Israelites "Draw the tear from hopeless love"
Act III - No.50 Recitative. Solomon "Next the tortur'd soul release"
Act III - No.51 Solo. Solomon and Israelites "Thus rolling surges rise"
Act III - No.52 Recitative. Queen of Sheba "Thy harmony's divine, great king"
Act III - No.53 Recitative. Zadok "Thrice happy king, to have achiev'd"
Act III - No.54 Air. Zadok "Golden columns, fair and bright"
Act III - No.55 Recitative. Solomon "Gold now is common on our happy shore"
Act III - No.56 Air. Solomon "How green our fertile pastures look"
Act III - No.57 Recitative. Queen of Sheba "May peace in Salem ever dwell!"
Act III - No.58 Air. Queen of Sheba "Will the sun forget to streak"
Act III - No.59 Recitative. Solomon "Adieu, fair queen, and in thy breast"
Act III - No.60 Duet. Queen of Sheba, Solomon "Ev'ry joy that wisdom knows"
Act III - No.61 Double Chorus "Praise the Lord with harp and tongue!"
Chorus of Priests, ?Swell, swell the full chorus to Solomon?s praise?
Kyrie: Kyrie eleison (Chorus)
Kyrie: Christe eleison (Soprano I and II)
Kyrie: Kyrie eleison (Chorus)
Gloria: Gloria in excelsis Deo (Chorus)
Gloria: Et in terra pax (Chorus)
Gloria: Laudamus te (Soprano II)
Gloria: Gratias agimus tibi (Chorus)
Gloria: Domine Deus, Rex coelestis (Soprano I and Tenor)
Gloria: Qui tollis peccata mundi (Chorus)
Gloria: Qui sedes ad dextram Patris (Alto)
Gloria: Quoniam tu solus sanctus (Bass)
Gloria: Cum Sancto Spiritu (Chorus)
Credo: Credo in unum Deum (Chorus)
Credo: Patrem omnipotentem (Chorus)
Credo: Et in unum Dominum Jesum Christum (Soprano I and Alto)
Credo: Et incarnatus est (Chorus)
Credo: Crucifixus etiam pro nobis (Chorus)
Credo: Et resurrexit tertia die (Chorus)
Credo: Et in Spiritum Sanctum (Bass)
Credo: Confiteor unum baptisma (Chorus a cappella)
Credo: Et exspecto resurrectionem mortuorum (Chorus)
Sanctus: Sanctus Dominus Deus Sabaoth (Chorus)
Osanna: Osanna in excelsis (Chorus)
Benedictus: Benedictus qui venit (Tenor)
Benedictus: Osanna in excelsis (Chorus)
Agnus Dei: Agnus Dei (Alto)
Agnus Dei: Dona nobis pacem (Chorus)
Wie schon leuchtet der Morgenstern (Chorus)
Recitative: Du wahrer Gottes und Marien Sohn (Tenor)
Aria: Erfullet, ihr himmlischen gottlichen Flammen (Soprano)
Recitative: Ein ird'scher Glanz, ein leiblich Licht (Bass)
Aria: Unser Mund und Ton der Saiten (Tenor)
Choral: Wie bin ich doch so herzlich froh (Chorus)
Erhalt uns, Herr, bei deinem Wort (Chorus)
Aria: Sende deine Macht von oben (Tenor)
Recitative: Der Menschen Gunst (Alto, Tenor, Chorus)
Aria: Sturze zu Boden, schwulstige Stolze! (Bass)
Recitative: So wird dein Wort und Wahrheit offenbar (Tenor)
Choral: Verleih uns Frieden gnadiglich (Chorus)
Herr Jesu Christ, wahr' Mensch und Gott (Chorus)
Recitative: Wenn alles sich zur letzten Zeit entsetzet (Tenor)
Aria: Die Seele ruht in Jesu Handen (Soprano)
Recitative: Wenn einstens die Posaunen schallen (Bass)
Choral: Ach, Herr, vergib all unsre Schuld (Chorus)
"Christen, ätzet diesen Tag", BWV 63: I. Choral "Christen, ätzet diesen Tag"
"Christen, ätzet diesen Tag", BWV 63: II. Recitativo "O sel'ger Tag! O ungemeines Heute!" (alto)
"Christen, ätzet diesen Tag", BWV 63: III. Aria "Gott, du hast es wohl gefüget" (soprano)
"Christen, ätzet diesen Tag", BWV 63: IV. Recitativo "So kehret sich nun heut" (ténor)
"Christen, ätzet diesen Tag", BWV 63: V. Aria "Ruft und fleht den Himmel an" (ténor)
"Christen, ätzet diesen Tag", BWV 63: VI. Recitativo "Verdoppelt euch demnach" (basse)
"Christen, ätzet diesen Tag", BWV 63: VII. Choral "Höchster, schau in Gnaden an"
Magnificat, BWV 243a: I. Magnificat anima mea
Magnificat, BWV 243a: II. Et exultavit spiritus meus
Magnificat, BWV 243a: III. Vom Himmel hoch
Magnificat, BWV 243a: IV. Quia respexit humilitatem
Magnificat, BWV 243a: V. Omnes generationes
Magnificat, BWV 243a: VI. Quia fecit mihi magna
Magnificat, BWV 243a: VII. Freut euch und jubiliert
Magnificat, BWV 243a: VIII. Et misericordia


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