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| Works on This Recording | Back to Top | ||||
| 1. |
The Tempest: Curtain Tune by Matthew Locke | ||||
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Conductor:
Peter Holman
Orchestra/Ensemble: Parley of Instruments Period: Baroque Written: 1674; England |
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| 2. |
Jesu auctor clementie by Matthew Locke | ||||
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Performer:
Oliver Johnston (Boy Soprano),
Henry Wickham (Bass),
Philip Cave (Tenor)
Conductor: Edward Higginbottom Orchestra/Ensemble: Parley of Instruments Period: Baroque Written: 17th Century; England |
Language: Latin |
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| 3. |
Jubilate in D major: Symphony, Verse and Chorus by William Croft | ||||
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Performer:
Timothy Jones (Bass),
Andrew Burden (Tenor),
Christopher Royall (Countertenor)
Conductor: John Scott Orchestra/Ensemble: Parley of Instruments, St. Paul's Cathedral Choir Period: Baroque Written: England |
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| 4. |
Mortlack's Ground by John Blow | ||||
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Performer:
Timothy Roberts (Spinet)
Period: Baroque Written: 17th Century; England |
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| 5. |
Tis only no harm to know it, you know by William Shield | ||||
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Performer:
Timothy Roberts (Fortepiano),
Emma Kirkby (Soprano)
Period: Classical Written: by 1796; England |
Language: English |
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| 6. |
Concertos (6) in Seven Parts: no 6 for Bassoon in B flat major- Affettuoso by Capel Bond | ||||
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Performer:
Sally Jackson (Bassoon)
Conductor: Roy Goodman Orchestra/Ensemble: Parley of Instruments Period: Classical Written: by 1766; England |
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| 7. |
The Ephesian Matron: So there she lies upon the floor by Charles Dibdin | ||||
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Performer:
Bronwen Mills (Soprano),
Jane Streeton (Soprano)
Conductor: Peter Holman Orchestra/Ensemble: Opera Restor'd Period: Classical Written: 1769; England |
Language: English |
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| 8. |
The Ephesian Matron: If I was a wife by Charles Dibdin | ||||
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Performer:
Jane Streeton (Soprano),
Bronwen Mills (Soprano)
Conductor: Peter Holman Orchestra/Ensemble: Opera Restor'd Period: Classical Written: 1769; England |
Language: English |
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| 9. |
Trumpet Tune for Harpsichord in C major, Z T678 "Cibell" by Henry Purcell | ||||
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Performer:
Crispian Steele-Perkins (Trumpet)
Orchestra/Ensemble: Parley of Instruments Period: Baroque Written: England |
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| 10. |
Fantasias (2) à 4 "for the great double bass": no 1 by Orlando Gibbons | ||||
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Conductor:
Peter Holman
Orchestra/Ensemble: Parley of Instruments Period: Renaissance Written: 17th Century; England |
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| 11. |
Salvator mundi by John Blow | ||||
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Performer:
Peter Holman (Chamber Organ),
Fred Jacobs (Theorbo)
Orchestra/Ensemble: Red Byrd Period: Baroque Written: 17th Century; England |
Language: Latin |
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| 12. |
Voluntary for Keyboard in G minor by Thomas Roseingrave | ||||
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Performer:
Paul Nicholson (Chamber Organ)
Period: Baroque Written: 18th Century; England |
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| 13. |
Pavan and Galliard by Augustine Bassano | ||||
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Conductor:
Peter Holman
Orchestra/Ensemble: Parley of Instruments Period: Renaissance Written: England |
Date of Recording: 12/1986 Length: 2 Minutes 14 Secs. |
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| Notes: Arranged: Peter Philips | |||||
| 14. |
O Jonathan, woe is me by Thomas Weelkes | ||||
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Performer:
Timothy Byram-Wigfield (Organ)
Conductor: David Hill Orchestra/Ensemble: Winchester Cathedral Choir Period: Renaissance Written: England |
Language: English |
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| 15. |
Come, come along for a dance and a song: And see, Appolo has unstrung his lyre "Purcell's Farewell" by Jeremiah Clarke | ||||
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Performer:
Ruth Holton (Soprano)
Conductor: Peter Holman Orchestra/Ensemble: Parley of Instruments Baroque Orchestra Period: Baroque Written: 1695; England |
Language: English |
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| 16. |
So spake the god...There in old Arden's in most shade by Thomas Linley Jr. | ||||
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Performer:
Julia Gooding (Soprano)
Conductor: Paul Nicholson Orchestra/Ensemble: Parley of Instruments Baroque Orchestra Period: Classical Written: England |
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| 17. |
Concerto for Keyboard no 5 in D major: Andante by James Hook | ||||
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Performer:
Paul Nicholson (Fortepiano)
Conductor: Paul Nicholson Orchestra/Ensemble: Parley of Instruments Baroque Orchestra Period: Classical Written: circa 1774; England |
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| 18. |
Quartets (6) for 4 Voices and Basso Continuo, Op. 11: no 6, Where the bee sucks by William Jackson | ||||
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Performer:
Julia Gooding (Soprano),
Frances Kelly (Harp),
Christopher Purves (Bass),
Ana-Maria Rincón (Soprano), Rufus Müller (Tenor) Conductor: Timothy Roberts Orchestra/Ensemble: Invocation Period: Classical Written: circa 1775; England |
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| 19. |
Tell me lovely shepheard by William Boyce | ||||
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Performer:
Bronwen Mills (Soprano)
Conductor: Roy Goodman Orchestra/Ensemble: Parley of Instruments Baroque Orchestra Period: Baroque Written: 18th Century; England |
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| 20. |
Masque of Oberon: Satyrs' Dance by Robert Johnson | ||||
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Conductor:
Peter Holman
Orchestra/Ensemble: Parley of Instruments Period: Baroque Written: 1621; England |
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| 21. |
Aria del Gran Duca Ferdinando di Toscana by Peter Philips | ||||
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Performer:
Paul Nicholson (Virginal),
Paul Nicholson (Harpsichord)
Period: Renaissance Written: England |
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| 22. |
Cantiones sacrae: Tu es Petrus by Peter Philips | ||||
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Conductor:
David Hill
Orchestra/Ensemble: Parley of Instruments, Winchester Cathedral Choir Period: Renaissance Written: by 1613; Brussels, Belgium |
Language: Latin |
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| 23. |
Favourite Concertos (6) for Keyboard: no 4 in B flat major - Gigue by Thomas Augustine Arne | ||||
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Performer:
Paul Nicholson (Chamber Organ)
Conductor: Paul Nicholson Orchestra/Ensemble: Parley of Instruments Baroque Orchestra Period: Baroque Written: 1750-1778; England |
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| 24. |
Solo for Violin and Basso Continuo in E major by Thomas Augustine Arne | ||||
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Orchestra/Ensemble:
Locatelli Trio
Period: Baroque Written: 1744; England |
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| 25. |
Fantasia Suite no 2 in A minor by John Jenkins | ||||
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Conductor:
Peter Holman
Orchestra/Ensemble: Parley of Instruments Period: Baroque Written: 17th Century; England |
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| 26. |
Concertos (6) in Seven Parts, Op. 2: no 2 in B minor - Allegro by John Stanley | ||||
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Performer:
Mark Caudle (Cello)
Conductor: Roy Goodman Orchestra/Ensemble: Parley of Instruments Period: Baroque Written: by 1742; England |
Date of Recording: 11/1988 |
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