Byron Janis

Biography

Born: March 24, 1928; McKeesport, PA  
Byron Janis (born 1928) became one of the most brilliant of his generation of American pianists before his career was cut short by illness. At the age of 7 he was taken to New York, becoming a pupil of Adele Marcus, then of Joseph and Rosina Lhévinne. In 1943 he made his professional debut playing Rachmaninov's Piano Concerto No. 2 with the NBC Symphony Orchestra in New York, with Frank Black conducting. In 1944 he repeated the same concerto in Read more Pittsburgh with 13-year-old Lorin Maazel conducting the Pittsburgh Symphony Orchestra. Vladimir Horowitz was in the audience, and subsequently invited Janis to study with him. Then Janis embarked on a successful career as a concert pianist, including a 1948 tour to South America, and a 1952 tour of Europe.

In 1960 Janis was chosen as the first American artist to be sent to the Soviet Union, opening a newly formed Cultural Exchange between the USSR and the United States. The result was a brilliant Mercury Living Presence LP that is an all-time classic, pairing the Rachmaninov First and Prokofiev Third concertos. Aided by exemplary sound recording, the Prokofiev in particular is still regarded by many connoisseurs as the work's finest recorded interpretation. In 1995 the CD version won the Cannes Award for Best Reissue. He interrupted his career in the late '60s at the onset of an illness, and temporarily resumed it in 1972. Soon however, his concert appearances became more rare.

Meanwhile, in 1967 he had discovered the manuscripts of two previously unknown Chopin waltzes in Paris, and in 1973, two variations of them, also in Chopin's hand, at the Yale Library. This led to a 1978 French television documentary, Frédéric Chopin: A Voyage with Byron Janis, in which he detailed the difficulties in determining the authentic versions of Chopin's music.

In 1985 he was invited to perform at the White House. On that occasion he publicly disclosed the nature of the illness that had hampered him for nearly 20 years: psoriatic arthritis affecting his wrists and hands. The ailment had not prevented him from continuing to play piano well, but it often made it impossible to play to his former high standard.

In the meantime, he devoted much of his energy to teaching, composing, and humanitarian concerns. He became Ambassador of the Arts for the Arthritis Foundation, often playing in fund-raising concerts. He is Chairman of the Global Forum Arts and Culture Committee. He composed the musical theme for the Global Forum on Human Survival in Oxford, England, held April, 1988. With lyrics by Sammy Cahn, it became the song The One World. Janis's music is primarily in the Pop style, and includes a musical version of The Hunchback of Notre Dame. In 1989 he composed the score for Turner Network Television's 1989 major documentary on Gary Cooper. He is on the faculty of Manhattan School of Music, and works on the Board and Music Advisory Committee for Pro Musicus, an international organization devoted to helping young artists. Read less

There are 25 Byron Janis recordings available.

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Biography

Born: March 24, 1928; McKeesport, PA  
Byron Janis (born 1928) became one of the most brilliant of his generation of American pianists before his career was cut short by illness. At the age of 7 he was taken to New York, becoming a pupil of Adele Marcus, then of Joseph and Rosina Lhévinne. In 1943 he made his professional debut playing Rachmaninov's Piano Concerto No. 2 with the NBC Symphony Orchestra in New York, with Frank Black conducting. In 1944 he repeated the same concerto in Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Piano Concerto No. 3, Opus 30 in D Minor: Allegro ma non tanto (Rematered 2003)
Intermezzo: Adagio (Rematered 2003)
Finale: Alla breve (Rematered 2003)
I. Vivace
II. Andante cantabile
III. Allegro vivace
Concerto No. 3 in D Minor, Op. 30: Allegro ma non tanto
Intermezzo: Adagio
Finale: Alla breve
Mussorgsky: Pictures at an Exhibition - for Piano - Promenade. Allegro giusto, nel modo rustico, senza allegrezza, ma poco sostenuto - attacca
Mussorgsky: Pictures at an Exhibition - for Piano - Gnomus.Sempre vivo
Mussorgsky: Pictures at an Exhibition - for Piano - Promenade.Moderato commodo assai e con delicatezza - attacca
Mussorgsky: Pictures at an Exhibition - for Piano - The Old Castle
Mussorgsky: Pictures at an Exhibition - for Piano - Promenade.Moderato non tanto,pesamente - attacca
Mussorgsky: Pictures at an Exhibition - for Piano - The Tuileries Gardens
Mussorgsky: Pictures at an Exhibition - for Piano - Bydlo.Sempre moderato,pesante
Mussorgsky: Pictures at an Exhibition - for Piano - Promenade.Tranquillo - attacca
Mussorgsky: Pictures at an Exhibition - for Piano - Ballet Of The Chickens In Their Shells
Mussorgsky: Pictures at an Exhibition - for Piano - Samuel Goldenberg And Schmuyle
Mussorgsky: Pictures at an Exhibition - for Piano - The Market-Place At Limoges
Mussorgsky: Pictures at an Exhibition - for Piano - The Catacombs (Sepulchrum romanum).Largo - attacca
Mussorgsky: Pictures at an Exhibition - for Piano - Con mortuis in lingua mortua.Andante non troppo,con lamento
Mussorgsky: Pictures at an Exhibition - for Piano - The Hut On Fowl's Legs (Baba-Yaga)
Mussorgsky: Pictures at an Exhibition - for Piano - The Great Gate Of Kiev
Totentanz, S. 126, R. 457 Danse macabre
Totentanz, S. 126, R. 457: Danse macabre


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