Boston Symphony Orchestra

Composers

Biography

Active: October 22, 1881 - ; United States of America
As befits a city which figures so prominently in American history, Boston is also home to one of the oldest surviving orchestras in the United States, and one of the finest in the world. The Boston Symphony Orchestra came into existence through the influence -- and deep pockets -- of Henry Lee Higginson, a banker who sought to establish a permanent, world-class orchestra in a city whose instrumental ensembles to that point had consisted mainly Read more of ad hoc and amateur groups. The BSO, consisting mainly of German-born musicans and led by George Henschel, gave its first performance in a season of 22 pairs of concerts on October 22, 1881.

The fledgling orchestra thrived in the last decades of the nineteenth century under the leadership of Wilhelm Gericke (1884-1889), Arthur Nikisch (1889-1893), and Emil Paur (1893-1898); Gericke assumed the podium again in 1898 and led the orchestra for another several seasons. In 1900 the BSO moved from its original home, the Music Hall (now the Aquarius Theater), into the brand-new, acoustically magnificent Symphony Hall. Karl Muck assumed leadership of the BSO in 1906, but returned to his native Germany in 1908 to become the Generalmusikdirektor in Berlin. Muck returned in 1912, replacing Max Fiedler. With America's entry into World War I, Muck, an unapologetic German nationalist, found his position in jeopardy. Despite the intervention of Higginson, now 84, Muck was arrested in 1918 and detained as an enemy alien until the end of the war.

Henri Rabaud was engaged for one season in 1918 and was succeeded by Pierre Monteux, a brilliant and capable conductor whose resumé included leading the infamous premiere of Stravinsky's Le sacre du printemps in Paris in 1913. The dynamic Serge Koussevitzky helmed the BSO from 1924 to 1949, ushering in what many consider the orchestra's golden age. Koussevitsky both brought the BSO to its highest standard and demonstrated an uncommon interest in new music; for the orchestra's anniversary season in 1931, he oversaw a commissioning series that yielded an outstanding body of works, including Stravinsky's Symphony of Psalms and works by Copland, Prokofiev, Respighi, Honegger, and Hindemith. Since Koussevitsky's tenure, the orchestra has maintained a tradition of podium stability under the batons of luminaries like Charles Munch (1949-1963), Erich Leinsdorf (1963-1968), William Steinberg (1968-1973), Seiji Ozawa (1973-2002), and James Levine (2002-present). Since the founding of the annual Tanglewood Music Festival in 1940, the BSO has served as the official resident orchestra of that institution.

In 1885 the BSO established a series of summertime "Promenade Concerts"; by 1900 these concerts had come to be identified by their famous Boston Pops moniker. The Pops became a solid institution after 1930 when Max Fiedler's son, Arthur, became their conductor; he led the group for an unprecedented 50 years. Fiedler was succeeded in 1980 by the Academy Award-winning composer John Williams; in 1995, the 35-year-old Keith Lockhart became the Pops' music director. Both the BSO and the Boston Pops are amply represented on recordings that range from repertoire staples to works commissioned and premiered by the ensembles to film scores. Read less
Shostakovich: Symphony No 10 / Nelsons, Boston
Release Date: 07/31/2015   Label: Deutsche Grammophon  
Catalog: 002352702   Number of Discs: 1
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There are 338 Boston Symphony Orchestra recordings available.

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Composers

Biography

Active: October 22, 1881 - ; United States of America
As befits a city which figures so prominently in American history, Boston is also home to one of the oldest surviving orchestras in the United States, and one of the finest in the world. The Boston Symphony Orchestra came into existence through the influence -- and deep pockets -- of Henry Lee Higginson, a banker who sought to establish a permanent, world-class orchestra in a city whose instrumental ensembles to that point had consisted mainly Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Ravel: Daphnis et Chloé - Ballet / Premičre partie - 1a. Introduction et danse religieuse - 1b. Danse des Jeunes
Ravel: Daphnis et Chloé - Ballet / Premičre partie - 1c. Danse générale -
Ravel: Daphnis et Chloé - Ballet / Premičre partie - 1d. Danse grotesque - 1e. Danse de Daphnis - 1f. Danse de Lycénion
Ravel: Daphnis et Chloé - Ballet / Premičre partie - 1g. Nocturne -
Ravel: Daphnis et Chloé - Ballet / Deuxičme partie - Interlude - 2. Danse guerričre
Ravel: Daphnis et Chloé - Ballet / Troisičme partie - 3a. Lever du jour -
Ravel: Daphnis et Chloé - Ballet / Troisičme partie - 3b. Pantomime -
Ravel: Daphnis et Chloé - Ballet / Troisičme partie - 3c. Danse générale
Brahms: Piano Concerto No. 1 in D Minor, Op. 15: I. Maestoso
II. Adagio
III. Allegro non troppo
Piano Concerto No. 1 in E Minor, Op. 11: I. Allegro maestoso
II. Romance
III. Rondo
"Wo bleibt Elektra?"
"Allein! Weh, ganz allein."
"Elektra!"
"Ich kann nicht sitzen und ins Dunkel starren"
"Es geht ein Lärm los."
"Was willst du? Seht doch dort!"
"Die Götter! bist doch selber eine Göttin."
"Ich will nichts hören!"
"Ich habe keine guten Nächte."
"Wenn das rechte Blutopfer unterm Beile fällt"
"Was bluten muß? Dein eigenes Genick"
"Ach! Lichter!"
"Orest! Orest ist tot!"
"Nun muß es hier von uns geschehn."
"Du! Du! Denn du bist stark! Wie stark du bist"
"Nun denn, allein!"
"Was willst du, fremder Mensch?"
"Orest!"
"Du wirst es tun? Allein? Du armes Kind?"
"Seid ihr von Sinnen"
"Ich habe ihm das Beil nicht geben können!"
"He! Lichter!"
"Elektra! Schwester!"
"Ob ich nicht höre?"
"Hörst du denn nicht"
"Schweig, und tanze."
Sibelius: Symphony No.1 in E minor, Op.39 - 1. Andante, ma non troppo - Allegro energico
Sibelius: Symphony No.1 in E minor, Op.39 - 2. Andante (ma non troppo lento)
Sibelius: Symphony No.1 in E minor, Op.39 - 3. Scherzo (Allegro)
Sibelius: Symphony No.1 in E minor, Op.39 - 4. Finale (Quasi una fantasia)
Piano Concerto: First Movement: Fantastico
Second Movement: Molto giusto
I. Allegro, ma non troppo
II. Larghetto
III. Rondo - Allegro
Liszt: Piano Concerto No.1 in E flat, S.124 - 1. Allegro maestoso
Liszt: Piano Concerto No.1 in E flat, S.124 - 2. Quasi adagio - Allegretto vivace - Allegro animato
Liszt: Piano Concerto No.1 in E flat, S.124 - 3. Allegro marziale animato
Liszt: Piano Concerto No.2 in A, S.125 - 1. Adagio sostenuto assai - Allegro agitato assai
Liszt: Piano Concerto No.2 in A, S.125 - 2. Allegro moderato - Allegro deciso
Liszt: Piano Concerto No.2 in A, S.125 - 3. Marziale un poco meno allegro
Liszt: Piano Concerto No.2 in A, S.125 - 4. Allegro animato - Stretto (molto accelerando)
I. Maestoso
II. Adagio
III. Allegro non troppo
Schoenberg: Gurre-Lieder / Part 1 - 1. Orchestral Prelude
Schoenberg: Gurre-Lieder / Part 1 - 2. Waldemar: Nun dämpft die Dämmerung
Schoenberg: Gurre-Lieder / Part 1 - 3. Tove: O, wenn des Mondes Strahlen
Schoenberg: Gurre-Lieder / Part 1 - 4. Waldemar: Ross! Mein Ross!
Schoenberg: Gurre-Lieder / Part 1 - 5. Tove: Sterne jubeln
Schoenberg: Gurre-Lieder / Part 1 - 6. Waldemar: So tanzen die Engel
Schoenberg: Gurre-Lieder / Part 1 - 7. Tove: Nun sag ich dir zum ersten Mal
Schoenberg: Gurre-Lieder / Part 1 - 8. Waldemar: Es ist Mitternachtszeit
Schoenberg: Gurre-Lieder / Part 1 - 9. Tove: Du sendest mir einen Liebesblick
Schoenberg: Gurre-Lieder / Part 1 - 10. Waldemar: Du wunderliche Tove!
Schoenberg: Gurre-Lieder / Part 1 - 11. Voice of the Wood-dove: Doves of Gurre
Schoenberg: Gurre-Lieder / Part 2 - 12. Waldemar: Herrgott, weisst du, was du tatest
Schoenberg: Gurre-Lieder / Part 3 - 13. Waldemar: Erwacht, König Waldemars Mannen wert!
Schoenberg: Gurre-Lieder / Part 3 - 14. Peasant: Deckel des Sarges Klappert
Schoenberg: Gurre-Lieder / Part 3 - 15. Waldemar's Men: Gegrüsst, o König
Schoenberg: Gurre-Lieder / Part 3 - 16. Waldemar: Mit Toves Stimme flüstert der Wald
Schoenberg: Gurre-Lieder / Part 3 - 17. Klaus the Jester: Ein seltsamer Vogel
Schoenberg: Gurre-Lieder / Part 3 - 18. Waldemar: Du strenger Richter
Schoenberg: Gurre-Lieder / Part 3 - 19. Waldemar's Men: Der Hahn erhebt den Kopf
Schoenberg: Gurre-Lieder / Part 3 - 20. Orchestral Prelude
Schoenberg: Gurre-Lieder / Part 3 - 21. Speaker: Herr Gänsefuss, Frau Gänsekraut
Schoenberg: Gurre-Lieder / Part 3 - 22. Mixed Chorus: Seht die Sonne
Liszt: Piano Concerto No.1 in E flat, S.124 - 1. Allegro maestoso
Liszt: Piano Concerto No.1 in E flat, S.124 - 2. Quasi adagio - Allegretto vivace - Allegro animato
Liszt: Piano Concerto No.1 in E flat, S.124 - 3. Allegro marziale animato
Liszt: Piano Concerto No.2 in A, S.125 - 1. Adagio sostenuto assai - Allegro agitato assai
Liszt: Piano Concerto No.2 in A, S.125 - 2. Allegro moderato - Allegro deciso
Liszt: Piano Concerto No.2 in A, S.125 - 3. Marziale un poco meno allegro
Liszt: Piano Concerto No.2 in A, S.125 - 4. Allegro animato - Stretto (molto accelerando)
Mahler: Symphony No.9 in D - 1a. Andante comodo -
Mahler: Symphony No.9 in D - 1b. - Mit Wut (Allegro risoluto) -
Mahler: Symphony No.9 in D - 1c. -Tempo I
Mahler: Symphony No.9 in D - 2a. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -
Mahler: Symphony No.9 in D - 2b. -Poco piů mosso subito -
Mahler: Symphony No.9 in D - 2c. - Ländler, ganz langsam
Mahler: Symphony No.9 in D - 3a. Rondo. Burleske (Allegro assai. Sehr trotzig -
Mahler: Symphony No.9 in D - 3b. - Presto
Mahler: Symphony No.9 in D - 4. Adagio (Sehr langsam)
Previn: Violin Concerto "Anne-Sophie" - 1. Moderato
Previn: Violin Concerto "Anne-Sophie" - 2. Cadenza - Slowly
Previn: Violin Concerto "Anne-Sophie" - 3. Andante
Brahms: Symphony No.3 in F, Op.90 - 1. Allegro con brio - Un poco sostenuto - Tempo I
Brahms: Symphony No.3 in F, Op.90 - 2. Andante
Brahms: Symphony No.3 in F, Op.90 - 3. Poco allegretto
Brahms: Symphony No.3 in F, Op.90 - 4. Allegro
Ravel: Ma mčre l'oye - Prélude
Ravel: Ma mčre l'oye - Danse du Rouet et Scčne
Ravel: Ma mčre l'oye - Pavane de la Belle au bois dormant
Ravel: Ma mčre l'oye - Les entretiens de la Belle et de la Bęte
Ravel: Ma mčre l'oye - Petit Poucet
Ravel: Ma mčre l'oye - Laideronnette, Impératrice des Pagodes
Ravel: Ma mčre l'oye - Apothéose: Le jardin féerique
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - Poco adagio
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Waldung, sie schwankt heran"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Uns bleibt ein Erdenrest"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Dir, der Unberührbaren"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Blicket auf zum Retterblick"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Alles Vergängliche"
1. Moderato
2. Adagio
3. Adagio - Allegro
1. Nicht zu schnell (Allegro non troppo)
2. Langsam (Lento)
3. Sehr lebhaft (Molto vivace)
Serenade: I. Phaedrus: Pausanias (Lento - Allegro marcato)
Serenade: II. Aristophanes (Allegretto)
Serenade: III. Eryximachus (Presto)
Serenade: IV. Agathon (Adagio)
Serenade: V. Socrates: Alcibiades (Molto tenuto - Adagio - Allegro molto vivace)
Violin Concerto, Op.14: I. Allegro
Violin Concerto, Op.14: II. Andante
Violin Concerto, Op.14: III. Presto in moto perpetuo
Mahler: Symphony No.2 in C minor - "Resurrection" - 1. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
Mahler: Symphony No.2 in C minor - "Resurrection" - 2. Andante moderato. Sehr gemächlich
Mahler: Symphony No.2 in C minor - "Resurrection" - 3. Scherzo: In ruhig fliessender Bewegung
Mahler: Symphony No.2 in C minor - "Resurrection" - 4. "O Röschen rot! Der Mensch liegt in grösster Not!" (Sehr feierlich aber schlicht) Text from Des Knaben Wunderhorn: "Urlicht"
Mahler: Symphony No.2 in C minor - "Resurrection" - 5a. Im Tempo des Scherzos. Wild herausfahrend -
Mahler: Symphony No.2 in C minor - "Resurrection" - 5b. Maestoso. Sehr zurückhaltend - Wieder zurückhaltend -
Mahler: Symphony No.2 in C minor - "Resurrection" - 5c. Sehr langsam und gedehnt -
Mahler: Symphony No.2 in C minor - "Resurrection" - 5d. "Aufersteh'n, ja aufersteh'n wirst du" (Langsam. Misterioso) - Text after F.G. Klopstock: "Auferstehung"
Mahler: Symphony No.2 in C minor - "Resurrection" - 5e. "O glaube, mein Herz, o glaube" (Etwas bewegter) Text after F.G. Klopstock: "Auferstehung"
Mahler: Symphony No.4 in G - 1. Bedächtig. Nicht eilen - Recht gemächlich
Mahler: Symphony No.4 in G - 2. In gemächlicher Bewegung. Ohne Hast
Mahler: Symphony No.4 in G - 3. Ruhevoll (Poco adagio)
Mahler: Symphony No.4 in G - 4. Sehr behaglich: "Wir genießen die himmlischen Freuden"
Beethoven: Symphony No.5 In C Minor, Op.67 - 1. Allegro con brio
Beethoven: Symphony No.5 In C Minor, Op.67 - 2. Andante con moto
Beethoven: Symphony No.5 In C Minor, Op.67 - 3. Allegro
Beethoven: Symphony No.5 In C Minor, Op.67 - 4. Allegro
Beethoven: Symphony No.7 In A, Op.92 - 1. Poco sostenuto - Vivace
Beethoven: Symphony No.7 In A, Op.92 - 2. Allegretto
Beethoven: Symphony No.7 In A, Op.92 - 3. Presto - Assai meno presto
Beethoven: Symphony No.7 In A, Op.92 - 4. Allegro con brio
Beethoven: String Quartet No.14 In C Sharp Minor, Op.131 - Version For String Orchestra By Dimitri Mitropoulos - 1. Adagio, ma non troppo e molto espressivo
Beethoven: String Quartet No.14 In C Sharp Minor, Op.131 - Version For String Orchestra By Dimitri Mitropoulos - 2. Allegretto
Beethoven: String Quartet No.14 In C Sharp Minor, Op.131 - Version For String Orchestra By Dimitri Mitropoulos - 3. Allegro moderato - attacca:
Beethoven: String Quartet No.14 In C Sharp Minor, Op.131 - Version For String Orchestra By Dimitri Mitropoulos - 4. Andante, ma non troppo e molto cantabile -
Beethoven: String Quartet No.14 In C Sharp Minor, Op.131 - Version For String Orchestra By Dimitri Mitropoulos - 5. Presto - Molto poco adagio -attacca:
Beethoven: String Quartet No.14 In C Sharp Minor, Op.131 - Version For String Orchestra By Dimitri Mitropoulos - 6. Adagio quasi un poco andante - attacca:
Beethoven: String Quartet No.14 In C Sharp Minor, Op.131 - Version For String Orchestra By Dimitri Mitropoulos - 7. Allegro
Beethoven: String Quartet No.16 In F, Op.135 - Version For String Orchestra - 1. Allegretto
Beethoven: String Quartet No.16 In F, Op.135 - Version For String Orchestra - 2. Vivace
Beethoven: String Quartet No.16 In F, Op.135 - Version For String Orchestra - 3. Lento assai, cantante e tranquillo
Beethoven: String Quartet No.16 In F, Op.135 - Version For String Orchestra - 4. Der schwer gefaßte Entschluß (Grave - Allegro - Grave ma non troppo tratto - Allegro)
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Kyrie: Kyrie eleison
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Kyrie: Christe eleison
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Kyrie: Kyrie eleison
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Gloria: Gloria in excelsis Deo
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Gloria: Qui tollis peccata mundi
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Gloria: Quoniam tu solus sanctus
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Gloria: In gloria Dei Patris, Amen
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Gloria: Amen - Quoniam tu solus sanctus
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Credo: Credo in unum Deum
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Credo: Et incarnatus est
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Credo: Et ascendit in coelum
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Credo: Et vitam venturi saeculi
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Credo: Amen
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Sanctus: Sanctus Dominus Deus Sabaoth
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Sanctus: Pleni sunt coeli
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Sanctus: Praeludium
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Sanctus: Benedictus
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Agnus Dei: Agnus Dei
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Agnus Dei: Dona nobis pacem
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Agnus Dei: Agnus Dei
Beethoven: Mass In D, Op.123 "Missa Solemnis" - Agnus Dei: Presto
Holst: The Planets, Op.32 - 1. Mars, The Bringer Of War
Holst: The Planets, Op.32 - 2. Venus, The Bringer Of Peace
Holst: The Planets, Op.32 - 3. Mercury, The Winged Messenger
Holst: The Planets, Op.32 - 4. Jupiter, The Bringer Of Jollity
Holst: The Planets, Op.32 - 5. Saturn, The Bringer Of Old Age
Holst: The Planets, Op.32 - 6. Uranus, The Magician
Holst: The Planets, Op.32 - 7. Neptune, The Mystic
1. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro
2. Tempo andante, ma rubato - Andante sostenuto
3. Vivacissimo - Lento e suave - Largamente
4. Finale (Allegro moderato)
Sibelius: Symphony No.2 in D, Op.43 - 1. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro
Sibelius: Symphony No.2 in D, Op.43 - 2. Tempo andante, ma rubato - Andante sostenuto
Sibelius: Symphony No.2 in D, Op.43 - 3. Vivacissimo - Lento e suave - Largamente
Sibelius: Symphony No.2 in D, Op.43 - 4. Finale (Allegro moderato)
Mahler: Symphony No.5 in C sharp minor - 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I)
Mahler: Symphony No.5 in C sharp minor - 2. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito
Mahler: Symphony No.5 in C sharp minor - 3. Scherzo (Kräftig, nicht zu schnell)
Mahler: Symphony No.5 in C sharp minor - 4. Adagietto (Sehr langsam)
Mahler: Symphony No.5 in C sharp minor - 5. Rondo-Finale (Allegro)
Poulenc: Concerto for 2 Pianos and Orchestra in D minor - 1. Allegro ma non troppo
Poulenc: Concerto for 2 Pianos and Orchestra in D minor - 2. Larghetto
Poulenc: Concerto for 2 Pianos and Orchestra in D minor - 3. Finale (Allegro molto)
Shostakovich: Cello Concerto No.2, Op.126 - 1. Largo
Shostakovich: Cello Concerto No.2, Op.126 - 2. Allegretto
Shostakovich: Cello Concerto No.2, Op.126 - 3. Allegretto
Schoenberg: Gurre-Lieder / Part 1 - 1. Orchestral Prelude
Schoenberg: Gurre-Lieder / Part 1 - 2. Waldemar: Nun dämpft die Dämmerung
Schoenberg: Gurre-Lieder / Part 1 - 3. Tove: O, wenn des Mondes Strahlen
Schoenberg: Gurre-Lieder / Part 1 - 4. Waldemar: Ross! Mein Ross!
Schoenberg: Gurre-Lieder / Part 1 - 5. Tove: Sterne jubeln
Schoenberg: Gurre-Lieder / Part 1 - 6. Waldemar: So tanzen die Engel
Schoenberg: Gurre-Lieder / Part 1 - 7. Tove: Nun sag ich dir zum ersten Mal
Schoenberg: Gurre-Lieder / Part 1 - 8. Waldemar: Es ist Mitternachtszeit
Schoenberg: Gurre-Lieder / Part 1 - 9. Tove: Du sendest mir einen Liebesblick
Schoenberg: Gurre-Lieder / Part 1 - 10. Waldemar: Du wunderliche Tove!
Schoenberg: Gurre-Lieder / Part 1 - 11. Voice of the Wood-dove: Doves of Gurre
Schoenberg: Gurre-Lieder / Part 2 - 12. Waldemar: Herrgott, weisst du, was du tatest
Schoenberg: Gurre-Lieder / Part 3 - 13. Waldemar: Erwacht, König Waldemars Mannen wert!
Schoenberg: Gurre-Lieder / Part 3 - 14. Peasant: Deckel des Sarges Klappert
Schoenberg: Gurre-Lieder / Part 3 - 15. Waldemar's Men: Gegrüsst, o König
Schoenberg: Gurre-Lieder / Part 3 - 16. Waldemar: Mit Toves Stimme flüstert der Wald
Schoenberg: Gurre-Lieder / Part 3 - 17. Klaus the Jester: Ein seltsamer Vogel
Schoenberg: Gurre-Lieder / Part 3 - 18. Waldemar: Du strenger Richter
Schoenberg: Gurre-Lieder / Part 3 - 19. Waldemar's Men: Der Hahn erhebt den Kopf
Schoenberg: Gurre-Lieder / Part 3 - 20. Orchestral Prelude
Schoenberg: Gurre-Lieder / Part 3 - 21. Speaker: Herr Gänsefuss, Frau Gänsekraut
Schoenberg: Gurre-Lieder / Part 3 - 22. Mixed Chorus: Seht die Sonne
Shostakovich: Violin Concerto No.2 Op.129 - 1. Moderato
Shostakovich: Violin Concerto No.2 Op.129 - 2. Adagio
Shostakovich: Violin Concerto No.2 Op.129 - 3. Adagio - Allegro
Shostakovich: Violin Concerto No.2 Op.129 - 1. Moderato
Shostakovich: Violin Concerto No.2 Op.129 - 2. Adagio
Shostakovich: Violin Concerto No.2 Op.129 - 3. Adagio - Allegro
Symphonie Fantastique: Reveries-Passions: I
Un bal: II
Scene aux champs: III
March au supplice: IV
Songe d'un nuit de Sabbat: V
Introduktion (Mässiges Zeitmass)
Thema: Don Quixote (Mässig); Sancho Panza (Maggiore)
Variation I (Gemächlich)
Variation II (Kriegerisch)
Variation III (Mässiges Zeitmass)
Variation IV (Etwas breiter)
Variation V (Sehr langsam)
Variation VI (Schnell)
Variation VII (Ein wenig ruhiger als vorher)
Variation VIII (Gemächlich)
Variation IX (Schnell und stürmisch)
Variation X (Viel breiter)
Finale: Sehr ruhig
Allegro con brio
Andante con moto
Allegro
Allegro
Symphony No. 6 in F, Op. 68 "Pastoral": Awakening of serene impressions upon arriving in the country (Allegro ma non troppo)
Scene by the brookside (Andante molto mosso)
Jolly gathering of country folk (Allegro)
Thunder storm (Allegro)
Shepherd's Song - Gladsome and thankful feelings after the storm (Allegretto)
Pétrouchka: Scene I: The Shrovetide Fair: Vivace
Scene I: The Shrovetide Fair: The Magic Trick
Scene I: The Shrovetide Fair: Russian Dance
Scene II: Pétrouchka's Room
Scene III: The Moor's Room: Feroce stringendo
Scene III: The Moor's Room: Dance of the Ballerina
Scene III: The Moor's Room: Valse
Scene IV: The Fair Toward Evening: Con moto
Scene IV: The Fair Toward Evening: Wet Nurses' Dance
Scene IV: The Fair Toward Evening: Peasant with Bear
Scene IV: The Fair Toward Evening: Gypsies
Scene IV: The Fair Toward Evening: Dance of the Coachmen
Scene IV: The Fair Toward Evening: Masqueraders
Scene IV: The Fair Toward Evening: Scuffle
Scene IV: The Fair Toward Evening: Death of Pétrouchka
Scene IV: The Fair Toward Evening: Pétrouchka's Ghost
1. Prélude ŕ la nuit
2. Malagueńa
3. Habanera
4. Feria
Lento; Allegro non troppo
Allegretto
Allegro non troppo
Le Chasseur maudit: Le Paysage paisible du dimanche
La Chasse
La Malédiction
La Poursuite des démons
1. Allegro non troppo
2. Andante tranquillo
3. Allegro molto
Requiem et Kyrie
Dies irae
Quid sum miser
Rex tremendae
Quaerens me
I. Allegro
II. Adagio ma non troppo
III. Finale: Allegro moderato
Moderato
Allegro appassionato
Tema ed improvvisazioni: Lento; Allegro moderato
Prélude ŕ la nuit
Malagueńa
Habanera
Feria
Images for Orchestra: Gigues
Ibéria: Par les rues et par les chemins
Ibéria: Les parfums de la nuit
Ibéria: Le matin d'un jour de fęte
Ibéria: Rondes de printemps
Roméo et Juliette Op. 17: Combats - Tumulte - Intervention du prince (Tumult and Strife; The Prince intervenes)
D'anciennes haines endormies
Premiers transports que nul n'oublie,
Bientôt de Roméo la pâle ręverie
Roméo seul (Romeo alone)
Tristesse (Sadness/Traurigkeit)
Bruits lointains de concert et de bal (Distant sounds of music and dancing)
Grande fęte chez les Capulets (Great festivities at the Capulet's palace),
Nuit sereine (Starlit night)
Scčne d'amour (Love scene)
Scherzo: La reine Mab (Queen Mab scherzo),
Convoi funčbre de Juliette (Funeral March for Juliet)
Les nuits d'été, Op. 7 (Summer Nights): Villanelle
Le spectre de la rose
Sur les lagunes
L'absence


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