Bobby McFerrin
Born: March 11, 1950; New York, NY
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Vocal virtuoso Bobby McFerrin ranks among the most distinctive and original singers in contemporary music. Equally adept in jazz, pop, and classical settings, his octave-jumping trademark style, with its rhythmic inhalations and stop-on-a-dime shifts from falsetto to deep bass notes, often sounds like the work of at least two or three singers at once, while at the same time sounding quite unlike anyone else. The son of husband-and-wife classical
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Biography |
by Jason Ankeny
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Vocal virtuoso Bobby McFerrin ranks among the most distinctive and original singers in contemporary music. Equally adept in jazz, pop, and classical settings, his octave-jumping trademark style, with its rhythmic inhalations and stop-on-a-dime shifts from falsetto to deep bass notes, often sounds like the work of at least two or three singers at once, while at the same time sounding quite unlike anyone else. The son of husband-and-wife classical singers, McFerrin was born in New York City on March 11, 1950, later studying piano at California State College at Sacramento and Cerritos College. After touring behind the Ice Follies, he performed with a series of cover bands, cabaret acts, and dance troupes before making his vocal debut in 1977. While living in New Orleans, he sang with the group Astral Projection before relocating to San Francisco.
A performance at the 1981 Kool Jazz Festival led to a contract with Elektra, and the following year McFerrin issued his self-titled debut LP. With 1984's The Voice, he made jazz history, recording the first-ever solo vocal album (sans accompaniment or overdubbing) to be released on a major label. His Blue Note debut, Spontaneous Inventions, followed in 1985 and featured contributions from Herbie Hancock, the Manhattan Transfer (on the Grammy winning "Another Night in Tunisia"), and comic Robin Williams; McFerrin also earned mainstream exposure through his unique performance of the theme song to the television hit The Cosby Show, as well as a number of commercial spots. With 1988's Simple Pleasures, he scored a chart-topping pop smash with "Don't Worry, Be Happy." With 1992's Hush, McFerrin shifted gears to team with acclaimed cellist Yo-Yo Ma; the record remained on the Billboard classical crossover charts for over two years. With 1997's Circlesongs, McFerrin returned to his roots, recording an entire album of improvised vocal performances. ~ Jason Ankeny |
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