Benjamin Britten

Biography

Born: 1913   Died: 1976   Country: England   Period: 20th Century
With the arrival of Benjamin Britten on the international music scene, many felt that English music gained its greatest genius since Purcell. A composer of wide-ranging talents, Britten found in the human voice an especial source of inspiration, an affinity that resulted in a remarkable body of work, ranging from operas like Peter Grimes (1944-1945) and Death in Venice (1973) to song cycles like the Serenade for tenor, horn, and strings (1943) to Read more the massive choral work War Requiem (1961). He also produced much music for orchestra and chamber ensembles, including symphonies, concerti, and chamber and solo works. Britten's father was a prosperous oral surgeon in the town of Lowestoft, Suffolk; his mother was a leader in the local choral society. When Benjamin's musical aptitude became evident, the family engaged composer Frank Bridge to supervise his musical education. Bridge's tutelage was one of the formative and lasting influences on Britten's compositional development; Britten eventually paid tribute to his teacher in his Op. 10, the Variations on a Theme by Frank Bridge (1937). Britten's formal training also included studies at the Royal College of Music (1930-1933).

Upon graduation from the RCM, Britten obtained a position scoring documentaries (on prosaic themes like "Sorting Office") for the Royal Post Office film unit. Working on a tight budget, he learned how to extract the maximum variety of color and musical effectiveness from the smallest combinations of instruments, producing dozens of such scores from 1935 to 1938. He rapidly emerged as the most promising British composer of his generation and entered into collaborative relationships that exerted a profound influence upon his creative life. Among the most important of his professional associates were literary figures like W.H. Auden, and later, E.M. Forster. None, however, played as central a role in Britten's life as the tenor Peter Pears, who was Britten's closest intimate, both personally and professionally, from the late '30s to the composer's death. Pears' voice inspired a number of Britten's vocal cycles and opera roles, and the two often joined forces in song recitals and, from 1948, in the organization and administration of the Aldeburgh Festival.

A steadfast pacifist, Britten left England in 1939 as war loomed over Europe. He spent four years in the United States and Canada, his compositional pace barely slackening, as evidenced by the production of works like the Sinfonia da Requiem (1940), the song cycle Seven Sonnets of Michelangelo (1940), and his first effort for the stage, Paul Bunyan (1940-1941). Eventually, the poetry of George Crabbe drew Britten back to England. With a Koussevitzky Commission backing him, the composer wrote the enormously successful opera Peter Grimes (1944-45), which marked the greatest turning point in his career. His fame secure, Britten over the next several decades wrote a dozen more operas, several of which -- Albert Herring (1947), Billy Budd (1951), The Turn of the Screw (1954), A Midsummer Night's Dream (1960), Death in Venice (1973) -- became instant and permanent fixtures of the repertoire. He also continued to produce much vocal, orchestral, and chamber music, including Songs and Proverbs of William Blake (1965), the three Cello Suites (1961-1964) and the Cello Symphony (1963), written for Mstislav Rostropovich, and the Third String Quartet (1975).

Britten suffered a stroke during heart surgery in 1971, which resulted in something of a slowdown in his creative activities. Nonetheless, he continued to compose until his death in 1976, by which time he was recognized as one of the principal musical figures of the twentieth century. Read less
Britten, Barber: Piano Concertos... / Elizabeth Joy Roe
Release Date: 03/17/2015   Label: Decca  
Catalog: 002284102   Number of Discs: 1
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Strauss: Horn Concertos; Britten: Serenade / Neunecker
Release Date: 03/11/2004   Label: Warner Classics  
Catalog: 56183   Number of Discs: 1
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Britten: Cello Symphony; Cello Suite No. 1 / Pieter Wispelwey
Release Date: 08/10/2010   Label: Onyx  
Catalog: 4058   Number of Discs: 1
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J. S. Bach,  C. P. E.  Bach,  Berio, Carter, Britten / Celine Moinet
Release Date: 02/14/2012   Label: Harmonia Mundi  
Catalog: 902118   Number of Discs: 1
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Britten & Shostakovich: Violin Concertos / Ehnes, Karabits, Bournemouth Symphony Orchestra
Release Date: 06/11/2013   Label: Onyx  
Catalog: 4113   Number of Discs: 1
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There are 1,091 Benjamin Britten recordings available.

Select a specific Composition Type or Popular Work or browse recordings by Formats & Featured below


Composition Types

Benjamin Britten


WORKS
Britten: Ceremony of Carols, Op.28 - Procession
Britten: Ceremony of Carols, Op.28 - Wolcom Yule!
Britten: Ceremony of Carols, Op.28 - There Is No Rose
Britten: Ceremony of Carols, Op.28 - That Yongë Child
Britten: Ceremony of Carols, Op.28 - Balulalow
Britten: Ceremony of Carols, Op.28 - As Dew In Aprille
Britten: Ceremony Of Carols, Op.28 - This Little Babe
Britten: Ceremony of Carols, Op.28 - Interlude
Britten: Ceremony of Carols, Op.28 - In Freezing Winter Night
Britten: Ceremony of Carols, Op.28 - Spring Carol
Britten: Ceremony of Carols, Op.28 - Deo Gracias
Britten: Ceremony of Carols, Op.28 - Recession
I. Dawn
II. Sunday Morning
III. Moonlight
IV. Storm
Britten: Simple Symphony, Op.4 - 1. Boisterous Bourrée
Britten: Simple Symphony, Op.4 - 2. Playful Pizzicato
Britten: Simple Symphony, Op.4 - 3. Sentimental Saraband
Britten: Simple Symphony, Op.4 - 4. Frolicsome Finale
Serenade Op. 31: Prologue (horn solo)
Serenade Op. 31: 1. Pastoral: The day's grown old (Charles Cotton)
Serenade Op. 31: 2. Nocturne: The splendour falls on castle walls (Alfred, Lord Tennyson)
Serenade Op. 31: 3. Elegy: O Rose, thou art sick (William Blake)
Serenade Op. 31: 4. Dirge: This ae nighte (anon. 15th century)
Serenade Op. 31: 5. Hymn: Queen and huntress (Ben Jonson)
Serenade Op. 31: 6. Sonnet: O soft embalmer of the still midnight (John Keats)
Serenade Op. 31: Epilogue (horn solo)
Sinfonia da Requiem, Op.20: I. Lacrymosa (Andante ben misurato) -
Sinfonia da Requiem, Op.20: II. Dies irae (Allegro con fuoco) -
Sinfonia da Requiem, Op.20: III. Requiem aeternam (Andante molto tranquillo)
I. March
II. Canzonetta
III. Tirolese
IV. Bolero
V. Tarantella
Britten: Variations on a theme of Frank Bridge, Op.10 - 1. Introduction & Theme
Britten: Variations on a theme of Frank Bridge, Op.10 - 2. Adagio
Britten: Variations on a theme of Frank Bridge, Op.10 - 3. March
Britten: Variations on a theme of Frank Bridge, Op.10 - 4. Romance
Britten: Variations on a theme of Frank Bridge, Op.10 - 5. Aria Italiana
Britten: Variations on a theme of Frank Bridge, Op.10 - 6. Bourrée Classique
Britten: Variations on a theme of Frank Bridge, Op.10 - 7. Wiener Waltzer
Britten: Variations on a theme of Frank Bridge, Op.10 - 8. Moto Perpetuo
Britten: Variations on a theme of Frank Bridge, Op.10 - 9. Funeral March
Britten: Variations on a theme of Frank Bridge, Op.10 - 10. Chant
Britten: Variations on a theme of Frank Bridge, Op.10 - 11. Fugue & Finale


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