Barry Banks

WORKS ALBUMS
TITLE/COMPOSER
LABEL
Introduction: There Is a Wondrous Book (Chorus, Bass, Soprano, Tenor)
Summon now the God of Thunder (Bass)
The Challenge of Thor (Chorus)
King Olaf's Return (Tenor)
Recitative: Tell How Olaf Bore the Cross (Bass)
The Conversion: King Olaf's Prows at Nidaros (Chorus)
The Conversion: Behold Me, My People (Tenor, Bass, Chorus)
The Conversion: As Leaps the Lights of Winter (Chorus, Bass)
The Conversion: Then o'er the Blood-stained Hog-stone (Chorus, Tenor)
Recitative: Now the Child of Ironbeard Dead (Bass)
Gudrun (Soprano, Chorus, Tenor)
Recitative: How the Wraith of Odin Old (Bass)
The Wraith of Odin (Chorus)
Recitative: Sisters, Sing Ye Now the Song (Bass)
Sigrid: Sigrid Sits in Her High Abode (Chorus)
Sigrid: Sigrid, Hail! With Royal Hand (Tenor, Soprano, Chorus)
Recitative: Hark! She Flies From Wendland Forth (Bass)
Thyri (Chorus)
Duet: The Gray Land Breaks to Lively Green (Soprano)
Duet: Thyri, My Beloved (Tenor, Soprano)
Recitative: After Queen Gunhild's Death (Chorus)
The Death of Olaf (Chorus)
Epilogue: In the Convent of Drontheim (Chorus)
Epilogue: It Is Accepted (Soprano, Tenor, Bass, Chorus)
Epilogue: Stronger Than Steel (Soprano, Tenor, Bass, Chorus)
Scene 1: Within Sylene's walls no sound is heard
Scene 1: The women of Sylene rend their hair
Scene 1: Forth from the palace, beautiful as day
Scene 1: O calm your hearts
Scene 2: Without a fear beside the dragon's tarn
Scene 2: Hark! 'tis the ringing hoof of steed
Scene 2: Loud cry the people
Epilogue: It comes from the misty ages
Grande Messe des morts: i. Requiem et Kyrie
Grande Messe des morts: ii. Dies irae
Grande Messe des morts: iii. Quid sum miser
Grande Messe des morts: iv. Rex tremendae
Grande Messe des morts: v. Quaerens me
Grande Messe des morts: vi. Lacrymosa
Grande Messe des morts: vii. Offertoire (Domine Jesu Christe)
Grande Messe des morts: viii. Hostias
Grande Messe des morts: ix. Sanctus
Grande Messe des morts: x. Agnus Dei
Part I: Overture
Part I: Herr! Der Du bist der Gott, der Himmel und (Chorus)
Part I: Chorale: Allein Gott in der Hoh' sei Ehr (Chorus)
Part I: Recitative: Die Menge der Glaubigen war ein Herz (Soprano, Bass 1, Bass 2)
Part I: Dieser Mensch hort nicht auf zu reden (Chorus)
Part I: Recitative: Und sie sahen auf ihn Alle (Soprano, Stephen, Chorus)
Part I: Aria: Jerusalem! Jerusalem, die du totest die Propheten (Soprano)
Part I: Recitative: Sie aber sturmten auf ihn ein (Tenor, Chorus)
Part I: Recitative: Und sie steinigten ihn (Tenor) - Chorale: Dir, Herr, dir will ich mich ergeben (Chorus)
Part I: Recitative: Und die Zeugen legten ab ihre Kleider zu den (Soprano)
Part I: Siehe! Wir preisen selig die erdulet haben (Chorus)
Part I: Recitative: Saulus aber zerstorte die Gemeinde (Tenor) - Aria: Vertilge sie, Herr Zebaoth (Bass)
Part I: Recitative: Und zog mit einer Schaar gen Damaskus (Alto) - Arioso: Doch der Herr vergisst der Seinen nicht (Alto)
Part I: Recitative: Und als er auf dem Wege war und nahe zu (Tenor, Bass, Chorus)
Part I: Mache dich auf! Werde Licht! (Chorus)
Part I: Chorale: Wachet auf! ruft uns die Stimme (Chorus)
Part I: Recitative: Die Manner aber, die seine Gefahrten waren (Tenor)
Part I: Aria: Gott sei mir gnadig nach Deiner Gute (Bass)
Part I: Recitative: Es war aber ein Junger zu Damaskus mit Namen (Tenor, Soprano)
Part I: Aria: Ich danke Dir, Herr, mein Gott (Bass, Chorus)
Part I: Recitative: Und Ananias ging hin das Haus (Soprano, Tenor)
Part I: O welch' eine Tiefe des Reichtums (Chorus)
Part II: Der Erdkreis ist nun des Herrn und seines Christ (Chorus)
Part II: Recitative: Und Paulus kam zu der Gemeinde (Soprano)
Part II: Duet: So sind wir nun Botschafter and Christi Start (Tenor, Bass)
Part II: Wie lieblich sind die Boten (Chorus)
Part II: Recitative: Und wie sie ausgesandt von dem Heil'gen Geist (Soprano) - Arioso: Lasst uns singen von der Gnade der Herrn (Soprano)
Part II: Recitative: Da aber die Juden das Volk sah'n (Tenor, Chorus)
Part II: Chorale: Ist das nicht, der zu Jerusalem verstorte Alle (Chorus) - Quartet: O Jesu Christe, wahres Licht (Chorus)
Part II: Recitative: Paulus aber und Barnabas sprachen (Tenor, Bass)
Part II: Duet: Denn also hat uns der Herr geboten (Bass, Tenor)
Part II: Recitative: Und es war ein Mann zu Lystra (Soprano)
Part II: Die Gotter sind den Menschen gleich geworden (Chorus)
Part II: Recitative: Und nannten Barnabas Jupiter, und Paulus (Soprano)
Part II: Seid uns gnadig Gotter! (Chorus)
Part II: Recitative: Da das die Apostel horten (Tenor) - Aria: Ihr Manner, was macht ihr da? (Bass) - Aber unser Gott ist im Himmel (Chorus)
Part II: Recitative: Da ward das Volk erreget (Soprano)
Part II: Hier ist des Herren Tempel! (Chorus)
Part II: Recitative: Und sie alle verfolgten Paulus auf seinem (Soprano)
Part II: Cavatina: Sei getreu bis in den Tod (Tenor)
Part II: Recitative: Paulus sandte hin, und liess frodern die Altesten (Soprano, Bass)
Part II: Quartet: Schone doch deiner selbst! (Chorus) - Recitative: Was machet ihr (Bass, Tenor)
Part II: Sehet, welch' eine Liebe hat uns der Vater (Chorus)
Part II: Recitative: Und wenn er gleich geopfert wird uber dem (Soprano)
Part II: Nicht aber ihm allein, sondern Allen (Chorus)
Overture
Act I: Cavatina: In dreams of endless pleasure (Languir per una bella) (Lindoro)
Act I: Duet: When U choose a girl to marry (Se inclinassi a prender moglie) (Lindoro, Mustafa)
Act I: Cavatina: Fate is cruel! (Quanta sorte!) (Isabella, Chorus)
Act I: Duet: From the buffets of misfortune (Ai capricci della sorte) (Isabella, Taddeo)
Act I: Aria: I am filled in an exquisite fashion (Gia d'insolito ardore nel petto) (Mustafa)
Act I: Finale: We salute you, oh master of women (Viva, viva il flagel delle donne) (Chorus, Haly, Mustafa)
Act I: Oh, how amusing! (Oh! Che muso, che figura!) (Isabella, Mustafa)
Act I: Please tell me where my niece is (Vo' star con mia nipote) (Taddeo, Haly, Mustafa, Isabella)
Act I: Though we must part from you (Pria di dividerci da voi, Signore) (Elvira, Zulma, Lindoro, Isabella, Mustafa, Haly, Taddeo)
Act I: Tell me, who is this woman? (Dite: che e quella femmina) (Isabella, Mustafa, Elvira, Zulma, Lindoro, Haly, Chorus)
Act II: Aria: All this shouting makes my head ache (Ho un gran peso sulla testa) (Taddeo, Chorus)
Act II: Cavatina: Sweetest treasure, dearest pleasure (Per lui che adoro) (Isabella, Mustafa, Taddeo, Lindoro)
Act II: Trio: Sugar-daddy! How delightful! (Pappataci! Che mai sento!) (Mustafa, Lindoro, Taddeo)
Act II: Rondo: Think of your country (Pensa alla patria, e intrepido) (Isabella, Chorus)
Fortuna Imperatrix Mundi: O Fortuna
Fortuna Imperatrix Mundi: Fortune plango vulnera
I. Primo vere: Veris leta facies
I. Primo vere: Omnia sol temperat
I. Primo vere: Ecce gratum
Uf dem anger: Tanz
Uf dem anger: Floret Silva
Uf dem anger: Chramer, gip die varwe mir
Uf dem anger: Reie
Uf dem anger: Were diu werlt alle min
II. In taberna: Estuans interius
II. In taberna: Olim lacus colueram
II. In taberna: Ego sum abbas
II. In taberna: In taberna quando sumus
III. Cour d'amours: Amor volat undique
III. Cour d'amours: Dies, nox et omnia
III. Cour d'amours: Stetit puella
III. Cour d'amours: Circa mea pectora
III. Cour d'amours: Si puer cum puellula
III. Cour d'amours: Veni, veni, venias
III. Cour d'amours: In trutina
III. Cour d'amours: Tempus est iocundum
III. Cour d'amours: Dulcissime
Blanziflor et Helena: Ave formosissima
Fortuna Imperatrix Mundi: O Fortuna
Overture
Act I: Have mercy, have mercy (Tamino, Three Ladies)
Act I: I'm sure that there could never be (Papageno, Tamino, Three Ladies)
Act I: Such loveliness beyond compare (Tamino, Three Ladies)
Act I: Don't be afraid, now hear my song (Queen of the Night, Tamino)
Act I: Hm! hm! hm! hm! (Papageno, Tamino, Three Ladies)
Act I: Dialogue (scream) - Slaves! - You will not dare escape again (Pamina, Monostatos, Papageno)
Act I: A man in search of truth and beauty (Pamina, Papageno)
Act I: If you can strive to be a man (Three Boys, Tamino)
Act I: These words of wisdom reassure me (Tamino, Speaker)
Act I: What rash adventure brings you here (Speaker, Tamino, Chorus)
Act I: How soft, how strong your magic sound (Tamino)
Act I: Walk on tip-toe, not a sound (Pamina, Papageno, Monostatos, Chorus)
Act I: We worship Sarastro, we bow before him! (Chorus, Papageno, Pamina)
Act I: Sir, I was disobedient (Pamina, Sarastro)
Act I: Our Lord Sarastro will decide (Pamina, Sarastro)
Act II: My brothers who serve the great gods (Sarastro, First Priest, Second Priest)
Act II: O Isis and Osiris, arm them with strength (Sarastro, Priests)
Act II: Dialogue: Where do you think we are? (Tamino, Papageno, First Priest, Second Priest)
Act II: A woman's beauty is beguiling (Second Priest, Speaker, Papageno)
Act II: Why, why, why are you in this place of fear? (Three Ladies, Papageno, Tamino, First Priest, Second Priest)
Act II: Dialogue: There she is, the blushing violet - All the world is always lusting (Monostatos, Queen of the Night, Pamina)
Act II: The wrath of hell is burning in my bosom (Queen of the Night, Pamina, Monostatos, Sarastro)
Act II: We worship at the altar (Sarastro)
Act II: Dialogue: Here we must leave you (First Priest, Second Priest, Papageno, Tamino, Old Woman)
Act II: Now for the second time we greet you (Three Boys, Papageno, Pamina)
Act II: Now I know that love can vanish (Pamina, Papageno)
Act II: O Isis and Osiris, gods all-knowing (Chorus of Priests, Sarastro, Pamina, Tamino)
Act II: Will I not see my love again? (Pamina, Sarastro, Tamino)
Act II: Dialogue: Tamino! Tamino ...Tamino ... (Papageno, Second Priest)
Act II: If only I could meet her (Papageno, Old Woman, Second Priest, Papagena)
Act II: Behold, the harbinger of morning (Three Boys)
Act II: Are you the man I love the best (Pamina, Three Boys)
Act II: The man who dares to tread this path (Two Armed Men, Tamino, Pamina)
Act II: Pamina? I hear her calling (Tamino, Two Armed Men)
Act II: Tamino, mine, welcome at last (Pamina, Tamino, Two Armed Men)
Act II: The fiery furnace could not harm us (Pamina, Tamino, Attendants, Priests)
Act II: Papagena! Papagena! Papagena! (Papageno, Three Boys)
Act II: Play your magic music (Papageno, Three Boys)
Act II: Pa-pa-ge-na! - Pa-pa-ge-no! (Papageno, Papagena)
Act II: We must be very, very quiet! (Monostatos, Queen of the Night, Three Ladies)
Act II: The banner of sunlight (Sarastro, Chorus)
Act I Scene 1: Falstaff! (Dr Caius, Falstaff, Bardolph, Pistol)
Act I Scene 1: Your bill, sir (Landlord, Falstaff, Bardolph, Pistol)
Act I Scene 1: Are you acquainted with a merchant whose name is Ford? (Falstaff, Bardolph, Pistol)
Act I Scene 1: So now, convey these scorching letters (Falstaff, Pistol, Bardolph)
Act I Scene 1: Your honour? Vermin! (Falstaff)
Act I Scene 2: Dear Alice! (Meg, Alice, Quickly, Nannetta)
Act I Scene 2: Heavenly Alice, let me love you ... (Meg, Alice, Quickly, Nannetta)
Act I Scene 2: Monster! (Quickly, Meg, Nannetta, Alice, Dr Caius, Bardolph, Fenton, Pistol, Ford)
Act I Scene 2: Again please (Ford, Pistol, Dr Caius, Bardolph, Fenton, Nannetta, Alice, Meg, Quickly)
Act I Scene 2: Pst, pst, Nannetta (Fenton, Nannetta)
Act I Scene 2: Falstaff has dared to mock me! (Alice, Meg, Nannetta, Quickly)
Act I Scene 2: Back to the jousting ... (Fenton, Nannetta)
Act I Scene 2: You'll gather from his boasting (Bardolph, Ford, Pistol, Dr Caius, Fenton)
Act I Scene 2: Enough of this chattering (Alice, Nannetta, Quickly, Meg)
Act II Scene 1: We're converted, we've reverted (Bardolph, Pistol, Falstaff)
Act II Scene 1: Sir, your servant! (Quickly, Falstaff)
Act II Scene 1: I've another commission to bring your worship (Quickly, Falstaff)
Act II Scene 1: Alice is mine! (Falstaff)
Act II Scene 1: Sir John, outside there is a certain Master Brook (Bardolph, Falstaff)
Act II Scene 1: Good sir, may God be with you! (Ford, Falstaff, Bardolph, Pistol)
Act II Scene 1: In Windsor there's a lady (Ford, Falstaff)
Act II Scene 1: This cruel beauty has a reputation (Ford, Falstaff)
Act II Scene 1: I'm dreaming! Or is this true? (Ford)
Act II Scene 1: How do I look? I'm ready (Falstaff, Ford)
Act II Scene 2: I think we should propose a bill (Alice, Quickly, Meg)
Act II Scene 2: I hurry down the river to the Garter (Quickly)
Act II Scene 2: It's really very simple (Quickly, Meg, Alice, Quickly)
Act II Scene 2: Witty young women of Windsor ... (Nannetta, Meg, Alice, Quickly)
Act II Scene 2: At last I've caught you (Falstaff, Alice)
Act II Scene 2: When I was page to the noble Duke of York (Falstaff, Alice, Quickly)
Act II Scene 2: Mistress Alice, it's Mistress Meg (Quickly, Falstaff, Alice, Meg)
Act II Scene 2: He jumped the hedge, and he trampled the hydrangea (Quickly, Ford, Falstaff, Bardolph, Pistol, Alice, Meg)
Act II Scene 2: Come here! (Nannetta, Fenton)
Act II Scene 2: I'll kill him! I'll slaughter him! (Dr Caius, Ford, Pistol, Bardolph, Nannetta, Fenton)
Act II Scene 2: When I catch you ... (Ford, Dr Caius, Quickly, Meg, Bardolph, Pistol, Fenton, Nannetta, Chorus, Alice)
Act II Scene 2: It's not him! (Dr Caius, Alice, Meg, Quickly, Bardolph, Ford, Pistol, Chorus, Nannetta, Fenton)
Act III Scene 1: Hey! Landlord! (Falstaff)
Act III Scene 1: Sir, your servant! (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Dr Caius)
Act III Scene 1: Just as the chimes of midnight are resounding (Quickly, Ford, Alice, Nannetta, Meg, Fenton)
Act III Scene 1: Don't forget the lanterns (Alice, Ford, Dr Caius, Meg, Quickly, Nannetta)
Act III Scene 2: (Introduction)
Act III Scene 2: From lover's lips a happy song (Fenton, Nannetta)
Act III Scene 2: Master Fenton, put on this friar's habit (Alice, Fenton, Nannetta, Quickly, Meg)
Act III Scene 2: One, two, three, four, five, six, seven chimes (Falstaff)
Act III Scene 2: I hear a nimble footstep (Falstaff, Alice, Meg)
Act III Scene 2: Woon-nymphs, elfins, naiads, leprechauns and sirens (Nannetta, Chorus, Falstaff, Alice)
Act III Scene 2: Upon a fragrant breath of night (Nannetta, Chorus)
Act III Scene 2: Who goes there? (Bardolph, Pistol, Falstaff, Quickly, Alice, Nannetta, Meg, Chorus, Ford)
Act III Scene 2: Pinch him and burn him (Alice, Meg, Quickly, Falstaff, Chorus)
Act III Scene 2: Buffoon! (Dr Caius, Ford, Bardolph, Pistol, Alice, Quickly, Meg, Chorus)
Act III Scene 2: Nose incandescent! Nozzle rubescent! (Falstaff, Quickly, Ford, Meg, Alice)
Act III Scene 2: So the commonest rabble have collected (Falstaff, Chorus, Ford)
Act III Scene 2: Now the bride is approaching with her bridegroom (Ford, Falstaff, Chorus, Alice)
Act III Scene 2: Ha, ha! (Falstaff, Pistol, Chorus, Dr Caius, Ford, Alice, Bardolph, Fenton, Nannetta)
Act III Scene 2: Life is a burst of laughter (Falstaff, All)
Overture
Act I Scene 1: Introduction: Night and day I slave away (Leporello, Donna Anna, Don Giovanni, Commendatore)
Act I Scene 2: Recitative: Leporello, where are you? (Don Giovanni, Leporello)
Act I Scene 3: Ah! My father's in danger (Donna Anna, Don Ottavio)
Act I Scene 3: Recitative and Duet: Oh my God! What is that? (Donna Anna, Don Ottavio)
Act I Scene 3: Recitative and Duet: Go! You are cruel and heartless (Donna Anna, Don Ottavio)
Act I Scene 4: Recitative: Come on, you'd better tell me (Don Giovanni, Leporello)
Act I Scene 5: Aria: Where is that evil monster (Donna Elvira, Don Giovanni, Leporello)
Act I Scene 5: Recitative: Who's there? (Donna Elvira, Don Giovanni, Leporello)
Act I Scene 5: Aria: Pretty lady, I have something to show you (Leporello)
Act I Scene 6: Recitative: So that's the cruel monster who betrayed me (Donna Elvira)
Act I Scene 7: Duet and Chorus: All you women who dream of a lover (Zerlina, Chorus, Masetto)
Act I Scene 8: Recitative: Thank God we are rid of her (Don Giovanni, Leporello, Zerlina, Masetto)
Act I Scene 8: Aria: Now I get it, now I see! (Masetto)
Act I Scene 9: Recitative: At last we are rid of him (Don Giovanni, Zerlina)
Act I Scene 9: Duet: There will my arms enfold you (Don Giovanni, Zerlina)
Act I Scene 10: Recitative: Leave her alone you monster (Donna Elvira, Zerlina, Don Giovanni)
Act I Scene 10: Aria: Escape the traitor's arms (Donna Elvira)
Act I Scene 11: Recitative: It seems today the devil's making mischief (Donna Giovanni, Don Ottavio, Donna Anna)
Act I Scene 12: Quartet: Don't ever place your trust in him (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
Act I Scene 12: Recitative: What an unhappy woman! (Don Giovanni)
Act I Scene 13: Recitative and Aria: Don Ottavio, I'm dying! (Donna Anna, Don Ottavio)
Act I Scene 13: Recitative and Aria: He threatened my honour (Donna Anna)
Act I Scene 14: Recitative: Could I ever believe ... (Don Ottavio)
Act I Scene 15: Recitative: I'm at the end of my tether (Leporello, Don Giovanni)
Act I Scene 15: Aria: Now that the wine ... (Don Giovanni)
Act I Scene 16: Recitative: Masetto, will you listen? (Zerlina, Masetto)
Act I Scene 16: Aria: Beat me, beat me dear Masetto (Zerlina)
Act I Scene 16: Recitative: What a sweet little witch (Masetto, Don Giovanni, Zerlina)
Act I Scene 16: First finale: So it happened, she betrayed me (Masetto, Zerlina)
Act I Scene 17: Rouse yourselves, my friends, look lively! (Don Giovanni, Chorus)
Act I Scene 18: I shall hide among these bushes (Zerlina, Don Giovanni, Masetto)
Act I Scene 19: We need to be courageous (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)
Act I Scene 20: Rest my beauties, let me entertain you (Don Giovanni, Leporello, Masetto, Zerlina)
Act I Scene 21: Pray come this way (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina)
Act II Scene 1: Duet: Have you gone crazy (Don Giovanni, Leporello)
Act II Scene 1: Recitative: Leporello! (Don Giovanni, Leporello)
Act II Scene 2: Trio: My heart, you have no mercy! (Donna Elvira, Leporello, Don Giovanni)
Act II Scene 2: Recitative: So what d'you think of that? (Don Giovanni, Leporello)
Act II Scene 3: Recitative: Look, here I am (Donna Elvira, Don Giovanni, Leporello)
Act II Scene 3: Canzonetta: What light from yonder window (Don Giovanni)
Act II Scene 4: Recitative: There's someone at the window (Don Giovanni, Masetto)
Act II Scene 4: Aria: Let half of you go over there (Don Giovanni)
Act II Scene 5: Recitative: Sssh! Let me listen ... (Don Giovanni, Masetto)
Act II Scene 6: Ahi! Ahi! My head, my head! (Masetto, Zerlina)
Act II Scene 6: Aria: Listen my darling (Zerlina)
Act II Scene 7: Recitative: I can see torches (Leporello, Donna Elvira)
Act II Scene 7: Sextet: All alone, alone in darkness (Donna Elvira, Leporello, Don Ottavio, Donna Anna)
Act II Scene 8: Stop there, you villain (Zerlina, Masetto, Donna Anna, Don Ottavio, Donna Elvira)
Act II Scene 9: So it was you (Zerlina, Donna Elvira, Don Ottavio, Masetto)
Act II Scene 9: Aria: Ah, be merciful to me! (Leporello)
Act II Scene 10: Stop him, somebody stop him (Donna Elvira, Masetto, Zerlina, Don Ottavio)
Act II Scene 10: Aria: Will you remain with my treasure (Don Ottavio)
Act II Scene 11: Recitative: Ah! Ah! This is perfect! (Don Giovanni, Leporello, Commendatore)
Act II Scene 11: Duet: Oh most respected monument (Leporello, Don Giovanni, Commendatore)
Act II Scene 12: Recitative: Be comforted, my darling (Don Ottavio, Donna Anna)
Act II Scene 12: Recitative and Aria: You are cruel! (Don Ottavio, Donna Anna)
Act II Scene 12: Never say, my own beloved (Donna Anna)
Act II Scene 12: Recitative: Ah! Where she goes I shall follow (Don Ottavio)
Act II Scene 13: Finale: Now the supper table's ready (Don Giovanni, Leporello)
Act II Scene 14: All I can offer, I lay before you (Donna Elvira, Don Giovanni, Leporello)
Act II Scene 15: Don Giovanni! (Commendatore, Don Giovanni, Leporello)
Act II Scene 16: Sextet: Where is the infidel? (Zerlina, Donna Elvira, Don Ottavio, Masetto, Donna Anna, Leporello)
Part I: Overture
Part I: Herr! Der du bist der Gott (Chorus)
Part I: Chorale: Allein Gott in der Hoh sei Her (Chorus)
Part I: Recitative: Die Menge der Glaubigen (Soprano, Bass 1, Bass 2)
Part I: Dieser Mensch hort nicht auf zu redden (Chorus)
Part I: Recitative and Chorus: Und sie sahen auf ihn Alle (Soprano, Stephen, Chorus)
Part I: Aria: Jerusalem! Jerusalem, die du todtest die Propheten (Soprano)
Part I: Recitative and Chorale: Sie aber sturmten auf ihn ein (Tenor, Chorus)
Part I: Recitative and Chorale: Und sie steinigten ihn (Tenor, Chorus)
Part I: Recitative: Und die Zeugen legten ab (Soprano)
Part I: Siehe, wir preisen selig (Chorus)
Part I: Recitative and Aria: Saulus aber zerstorte die Gemeinde (Tenor, Saul)
Part I: Recitative and Arioso: Und zog mit einer Schaar gen Damaskus (Contralto)
Part I: Recitative with Chorus: Und als er auf dem Wege war (Tenor, Saul, Chorus)
Part I: Mache dich auf, werde Licht! (Chorus)
Part I: Chorale: Wachet auf! ruft uns die Stimme (Chorus)
Part I: Recitative: Die Manner aber die seine Gefahrten waren (Tenor)
Part I: Aria: Gott sie mir gnadig (Paul)
Part I: Recitative: Es war aber ein Junger zu Damaskus mit (Tenor, Soprano)
Part I: Aria with Chorus: Ich danke Dir, Herr mein Gott (Paul, Chorus)
Part I: Recitative: Und Ananias ging hin (Soprano, Tenor)
Part I: O welch' eine Tiefe des Reichthums (Chorus)
Part II: Der Erdkreis ist nun des Herrn (Chorus)
Part II: Recitative: Und Paulus kam zu der Gemeinde (Soprano)
Part II: Duettino: So sind wir nun Botschafter (Barnabas, Paul)
Part II: Wie lieblich sind die Boten (Chorus)
Part II: Recitative and Arioso: Und sie sie ausgesandt (Soprano)
Part II: Recitative with Chorus: Da aber die Juden das Volk sah'n (Tenor, Chorus)
Part II: Chorus and Chorale: Ist das nicht, der zu Jerusalem (Quartet, Chorus)
Part II: Recitative: Paulus aber und Barnabas sprachen (Tenor, Paul)
Part II: Duet: Denn also hat uns der Herr geboten (Paul, Barnabas)
Part II: Recitative: Und es war ein Mann zu Lystra (Soprano)
Part II: Die Gotter sind den Menschen gleich geworden (Chorus)
Part II: Recitative: Und nammen Barnabas Jupiter (Soprano)
Part II: Seid und gnadig, hohe Gotter! (Chorus)
Part II: Recitative, Air and Chorus: Da das die Apostel horten (Tenor, Paul, Second Sopranos, Chorus)
Part II: Recitative: Da ward das Volk erregt wider sie (Soprano)
Part II: Hier ist des Herren Tempel! (Chorus)
Part II: Recitative: Und sie alle verfolgten Paulus (Soprano)
Part II: Cavatina: Sei getreu bis in den Tod (Tenor)
Part II: Recitative: Paulus sandte hin, und liess fordern (Soprano, Paul)
Part II: Chorus and Recitative: Schone doch deiner selbst! (Quartet, Paul, Tenor, Chorus)
Part II: Sehet, welch' eine Liebe (Chorus)
Part II: Recitative: Und wenn er gleich geopfert wird (Soprano)
Part II: Nicht aber ihm allein (Chorus)
Act I Scene 1: Prelude
Act I Scene 1: Chorus: After long and heavy labour (Giannetta, Harvesters)
Act I Scene 1: Cavatina: How delightful, how enchanting! (Nemorino, Giannetta, Harvesters)
Act I Scene 1: Cavatina: That's a really happy ending (Adina, Giannetta, Harvesters, Nemorino)
Act I Scene 1: Cavatina: Lovely was Queen Isolda (Adina, Nemorino, Giannetta, Harvesters)
Act I Scene 2: March
Act I Scene 2: Cavatina: To the one who shines in beauty (Belcore, Adina, Giannetta, Harvesters, Nemorino)
Act I Scene 2: Cavatina: If you love me as I love you (Belcore, Adina, Nemorino, Giannetta, Harvesters)
Act I Scene 2: Recitative: Too soon, my lovely creature (Belcore, Adina)
Act I Scene 3: Scene and Duet: The same old tedious passion! (Adina, Nemorino)
Act I Scene 3: Scene and Duet: For example, ask the breezes (Adina, Nemorino)
Act I Scene 3: Scene and Duet: Such affection is but folly (Adina, Nemorino)
Act I Scene 4: Chorus: What's the meaning of that kind of fanfare (Villagers)
Act I Scene 5: Cavatina: Attention! Attention! (Dulcamara, Villagers)
Act I Scene 6: Recitative: Have courage! (Nemorino, Dulcamara)
Act I Scene 6: Scene and Duet: It was Tristan who employed it (Nemorino, Dulcamara)
Act I Scene 7: Recitative: Magical potion! I have you! (Nemorino)
Act I Scene 8: Duet: Who is that madman? (Adina, Nemorino)
Act I Scene 8: Duet: Trallarallara (Nemorino, Adina)
Act I Scene 8: Duet: Oh, let her laugh and mock at me (Nemorino, Adina)
Act I Scene 9: Trio: Tran, tran, tran, tran (Belcore, Adina, Nemorino)
Act I Scene 9: Trio: Ha, ha! Of course, that's quite all right (Nemorino, Belcore, Adina)
Act I Scene 10: One moment, sergeant! (Giannetta, Belcore, Soldiers, Villagers, Nemorino, Adina)
Act I Scene 10: Adina, think again (Nemorino, Belcore, Adina, Giannetta, Villagers, Soldiers )
Act I Scene 10: Today's our wedding (Adina, Nemorino, Giannetta, Belcore, Villagers, Soldiers)
Il tabarro: Orchestra
Il tabarro: O Michele? Michele? (Giorgetta/Michele/Luigi/Il Tinca/Il Talpa/Coro - Scaricatori)
Il tabarro: O Luigi, ancora una passata (Il Talpa/Luigi/Giorgetta/Il Tinca)
Il tabarro: Dunque, che cosa credi? (Giorgetta/Michele/Un venditore di canzonette/Coro - Midinettes)
Il tabarro: O eterni innamorati, buona sera! (La Frugola/Giorgetta)
Il tabarro: To'! guarda la mia vecchia! (Il Talpa/La Frugola/Michele/Luigi/Il Tinca)
Il tabarro: Hai ben ragione; meglio non pensare (Luigi)
Il tabarro: Segui il mio esempio; bevil! (Il Tinca/Giorgetta/Il Talpa/La Frugola)
Il tabarro: E ben altro il mio sogno! (Giorgetta/La Frugola/Luigi/Il Talpa/Voci lontani)
Il tabarro: Miei vecchi, buona notte! (La Fruggola/Il Talpa/Voci lontani)
Il tabarro: O Luigi! Luigi! (Giorgetta/Luigi/Michele)
Il tabarro: Dimmi: perchè gli hai chiesto di sbarcarti a Rouen? (Giorgetta/Luigi)
Il tabarro: Come è difficile esser felici! (Giorgetta/Michele)
Il tabarro: Sgualdrina!...Bocca di rosa fresca (Michele/Due amanti)
Il tabarro: Nulla!...Silenzio! (Michele)
Il tabarro: T'ho colto!...Sangue di Dio! (Michele/Luigi/Giorgetta)
Il tabarro: Avevo ben ragione (Michele/Giorgetta)
Overture
Act I: Introduction: 9 already (Don Pasquale)
Act I: May I join you? (Malatesta, Don Pasquale)
Act I: Down from among the angelic host (Malatesta, Don Pasquale)
Act I: She is my sister! (Malatesta, Don Pasquale)
Act I: Ah! Quite unexpectedly passions inflame me (Don Pasquale)
Act I: Recitative and Duet: I'm a new man (Don Pasquale, Ernesto)
Act I: Duet: Getting married? (Ernesto, Don Pasquale)
Act I: Never again shall I find you (Ernesto, Don Pasquale)
Act I: There's one thing I must say briefly (Ernesto, Don Pasquale)
Act I: ... is his own sister. (Don Pasquale, Ernesto)
Act I: Ah! The fates have conspired to thwart me (Ernesto, Don Pasquale)
Act I: Cavatina: With just one glance she pierced him (Norina)
Act I: I too have seen how magical (Norina)
Act I: Recitative and Duet: Still no sign of the doctor! (Norina, Malatesta)
Act I: I'll find a way, on one condition (Norina, Malatesta)
Act I: Am I to be haughty? (Norina, Malatesta)
Act I: Onwards, upwards (Norina, Malatesta)
Act II: Prelude and Aria: Poor, lost Ernesto! (Ernesto)
Act II: Aria: I shall go, no more returning (Ernesto)
Act II: And if you ever encounter (Ernesto)
Act III: What a disaster, my little schemer (Don Pasquale, Malatesta)
Act III: The night is calm (Ernesto, Chorus)
Act III: Come, say the words I long for (Norina, Ernesto)
Act III: Here they are! Ready to pounce? (Don Pasquale, Malatesta, Norina)
Act III: Here I am (Ernesto, Malatesta, Norina, Don Pasquale)
Act III: Let's forget everything (Don Pasquale, Malatesta, Norina, Ernesto, Servants)


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